『他們說悲傷有五個階段。否認、憤怒、討價還價、沮喪和接受。
我想再添加一個...』
『復仇。』
『They say there are five stages of grief. Denial, anger, bargaining, depression, and acceptance. We'll I'd like to add one more...』
『Revenge.』
#Cruella #黑白魔后
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#CruellaDeVil #庫伊拉 #101斑點狗 #EmmaStone #迪士尼 #Disney #真人版 #電影 #黑白 #暗黑 #CruellaCostume #服裝 #垃圾車裙 #GarbageTruckDress #FiveStagesOfGrief
同時也有2部Youtube影片,追蹤數超過25萬的網紅MiniMoochi,也在其Youtube影片中提到,The 5 stages of grief - Eyeliner Edition ====================== SUBScrIBe - I make new videos EVERY WEEK INSTAGRAM to SEE my useless life: http://w...
five stages of grief 在 故事:寫給所有人的歷史 Facebook 的最佳貼文
❝ 不,你沒明白,它的本質就是不斷地重來。 ❞
去年故事與臺灣吧 - Taiwan Bar共同企劃 #人人話經典,此時再讀《鼠疫》,既視感如影隨形,甚至連心理階段也相差無幾。我們正面對的處境與故事背景有多相似?在這人心惶惶的當下重讀經典,或許有助於我們找到因應之道──不只是此次疫情,也包括未來的危機。
#第一階段:當疾病的哨音響起,否認疫情
Kubler-Ross 的悲傷的五階段(The Five Stages of Grief),人面臨哀傷或災難時的第一反應,就是否定──人們拒絕承認已經發生的事實;他們試圖告訴自己,生活和以前一樣,沒有改變。
#第二階段:封城後,每個人都成為一座孤島
放逐帶來最大的痛苦,在於硬生生切斷情感上的連結。無論是與家人、愛人,或朋友的情感,甚至是對家鄉的孺慕之情,因為被迫分離而只剩回憶與想念,更因看不見終點而倍感痛苦──
#第三階段:看不見盡頭的疫情,帶來冷漠與仇恨
面對瘟疫這種無形的敵人,無法正面攻擊,也難以劃出一條有效防線,只能祈禱每天公佈的統計數字帶來好消息。
瘟疫終將消失,但當群眾歡慶封城解除,李厄醫師心中仍升起警惕:「或許有那麼一天,為了帶給人類苦難與教訓,瘟疫會再次喚起老鼠,把牠們送到一座幸福快樂的城市去赴死。」我們幾乎可以確定這是必然發生的預言──這波疫情過後,未來仍會有新的病毒侵襲人類。
但願人類能記取教訓,如《鼠疫》書末所說的,明白「應該做些什麼,或許以後還得再做些什麼,以便對抗始終全副武裝的恐懼。」
【人人話經典】
➀ 與孤獨共存的三階段:在疫情爆發之際,重讀《鼠疫》
https://storystudio.tw/article/sobooks/reread-the-plague/
➁ 疾病不可怕,怕的是不曾起身反抗──卡繆與《鼠疫》交織重疊的世界
https://storystudio.tw/article/sobooks/albert-camus-and-plague/
➂ 從宗教到流行病學,中世紀的鼠疫啟示錄──《瘟疫與人》
https://storystudio.tw/article/sobooks/enlightenment-of-plague/
同場加映 臺灣吧【學霸話經典】防疫關鍵是什麼?《鼠疫》告訴你!
https://www.youtube.com/watch?v=CYINkGNHqh8
five stages of grief 在 我的戰友是狼先生 Facebook 的最佳解答
-
今天講解SLE患者可能遇上的情緒,
祝大家都能找到情緒上的出口🤲🏻🥰
#好鈞小分享
#好鈞小知識
Kübler-Ross, E., & Kessler, D. (2005). On grief and grieving: Finding the meaning of grief through the five stages of loss. Simon and Schuster.
five stages of grief 在 MiniMoochi Youtube 的最佳貼文
The 5 stages of grief - Eyeliner Edition
======================
SUBScrIBe - I make new videos EVERY WEEK
INSTAGRAM to SEE my useless life:
http://www.instagram.com/MoochiHehe
TWITTER to HEAR my useless life:
http://www.twitter.com/MoochiHehe
FACEBOOK to... I don't know, do stuff:
http://www.facebook.com/MoochiHehe
![post-title](https://i.ytimg.com/vi/hNHlQkvKAc0/hqdefault.jpg?sqp=-oaymwEbCKgBEF5IVfKriqkDDggBFQAAiEIYAXABwAEG&rs=AOn4CLAUVcDnZlIvJE6KasBn7zTUtgsxgg)
five stages of grief 在 Brenda Tan Youtube 的最讚貼文
Hey guys! This is the final film I made during my semester in NYU and I finally got the chance to re-edit it. I'm really excited to share it with ya'll cos this was the only one shot in colour and has sound. I love love love love love filmmaking and I think this represents who I am and what I want to explore (in terms of themes and style) as a filmmaker. I've added extra info down below if you'd like to get better acquainted with it. Enjoy!
» Synopsis
A couple, Sophie and Robert, have just suffered the unexpected death of their son. Inspired by the play Rabbit Hole, the short film tracks Sophie's trajectory of grief and mourning through the framework of the Kübler-Ross model.
» Concept
The Kübler-Ross model, otherwise known as the five stages of grief, postulates a series of emotions experienced by terminally ill patients prior to death, or people presented by the loss of a loved one, wherein the five stages are denial, anger, bargaining, depression and acceptance.
We shot this film mostly handheld, with tracking shots, and almost always cropped, framed or filled with negative space. I’d like for the audience to be as engaged and uncomfortable at the same time, reminding them that this is never an easy process- even to witness it is a chore. My key details lie in the visceral nature of the close ups and eye contact.
For the first few stages, a warped sense of time and space will reflect her depression and inability to tune in to reality, so shots will be choppy, slightly unstable and cyclical to emphasise the feeling of suffocation and entrapment. As the film progresses, it will taper into coherence and continuity.
Off-screen ambient sounds such as water, fire and space add in its amplification. The seamless mismatch of the soundscape was something I set out to experiment on.
Produced for NYU Sight and Sound Filmmaking Fall 2017
* * *
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