Farewell. Ida – Ida Haendel 192?-2020
So Ida has left us – a legend has departed. What a violinist! What a woman! Magnificent, unique, incorrigible – she was a law unto herself.
First, the playing: a film about her was aptly entitled: ‘I AM the Violin.’ And she was! The violin was her life; she mastered it, devoted so much of her existence to it, cared so much about it. Every performance was an event, which she took absolutely seriously, giving each concert her all. She spoke through her violin, proved herself through it, lived within the music she made. She was a marvel, an icon; each note she played was the result of total conviction – and as a consequence was totally convincing. She had been groomed from the beginning to be a star – and a star she was.
But she was also an adorable person. I had heard of her, of course, from my childhood onwards – hadn’t everybody? But I didn’t meet her until - I think - 2000, when I attended a memorable recital she gave at the Wigmore Hall (apparently her debut there!), concluding with a magisterial performance of Enescu’s 3rd sonata. I’d heard, to my delight, that she’d heard me somewhere, and had liked it, so I dared to go backstage afterwards. Having enthused about her playing, I rather uncertainly told her that I was Steven. She looked at me disbelievingly. ‘You’re NOT’ she announced, in her wonderful deep voice. I assured her that I certainly had been last time I looked in the mirror. She accepted this, and proposed that we play the Brahms Double together. It was such an honour; but alas, I just couldn’t do the dates she suggested.
I came across her shortly thereafter, however, at the Verbier Festival. I’d seen that she was giving masterclasses there, so when I saw her, I asked how they were going. She looked at me severely. ‘Steven,’ she boomed, wagging her finger. ‘I don’t teach.’ I was puzzled; she was, after all, advertised as the teacher of the violin class. ‘So you like teaching?’ I said, provoking her. The finger wagged again. ‘Steven,’ she repeated with equal seriousness, ‘I don’t teach.’ ‘So how’s the teaching going?’ I asked. Her finger was on its way in my direction, and she’d started to say my name in the same tone of voice – when suddenly her face broke into a big smile. ‘Oh – so you’re a tease,’ she said. After that, we got on famously. My other main memory of that Verbier encounter was of her examining something – I couldn’t see what - in the hotel lobby, and then calling me over. It turned out that the object in her hands was an album of recent photos of her. ‘Look, Steven,’ she commanded urgently. ‘Don’t I look gorgeous?’
Later, we took her to dinner near her flat in London. Tottering through the streets in her high heels, she suddenly came to a stop in front of a (closed) clothes shop, where either a pair of gold shoes or a gold dress (I can’t remember which) had caught her eye. It was impossible to budge her, late though we were for the restaurant. ‘Wouldn’t I look wonderful in that?’ she asked us challengingly. We agreed that she would. ‘I’m coming back here tomorrow morning,’ she assured us. She spoke that night about her appearance. ‘You think I dress like this just to go out?’ she asked. ‘No! Catch me at breakfast – I’ll look just the same.’ Her pride in her appearance was never-changing. Perhaps in someone else it could have been too much – but with Ida, it was wonderful, admirable; life-affirming, in fact, like her pride in her playing.
It is funny that already I’ve seen two obituaries giving her age five years apart. She’d certainly have preferred the younger estimate… It was impossible to get the truth out of her. I remember asking another glorious violinist-character, Lorand Fenyves, whether he knew Ida. ‘Oh yes, of course!’ he replied. ‘I knew her when I was 16 and she was 15.’ He paused. ‘And now I’m 80 and’ his eyes twinkled, ‘she’s 55!’
Although we never got to play the Brahms Double together, we did perform the Beethoven Triple concerto with Martha Argerich and the Rotterdam Philharmonic under the then little-known Yannick Nezet-Seguin in (I think) 2006. Now THAT was an experience – to put it rather mildly… Playing with those two way-larger-than-life ladies was something not to be forgotten; the two adored each other, and it was great fun to witness their interaction. Ida had only played the piece once before, as I remember; but she played it with utter conviction. And Martha was – well, Martha. And Yannick kept the whole thing together, somehow. So – it was special…
It was supposed to happen again, in Miami (where Ida lived); but alas, it didn’t. Still, I kept in touch with Ida and on one memorable occasion got to interview her at the Wigmore Hall (there’s a recording of that occasion on Youtube). She also came down to Prussia Cove once for three days, her visit culminating in a breathtaking account of the Bach Chaconne (she sported an almost equally breathtaking dress to match!) at the Hall for Cornwall. We also played and taught/didn’t teach together in 2010 at the Summit Music Festival, just outside New York. That was another unforgettable experience. At the concert that concluded the festival, Ida played virtuoso pieces with the orchestra that would have been impressive in someone thirty years younger – even younger – than she was. But equally Ida-ish was the post-concert experience. For some reason, it got very late, and it was well after midnight when we were taken in search of food. Not surprisingly, there were few options in the countryside at that time of night; but eventually we found a 24-hour diner. We went in and occupied a table. Looking around at the bikers and other rather unpredictable-looking types, I was a tad nervous; not Ida. I fortified myself with a margarita; she had tea. At one point, the conversation turned to Schumann, and his 2nd violin sonata (which at that time I didn’t know very well). I asked a question about it. ‘You want to hear how it goes?’ Ida demanded to know. She strode over to her violin-case, pulled out the violin, and to the astonishment (and then, luckily the delight) of the assembled company, began to play it. A photo taken at the time (below) shows me a little less than comfortable – and her absolutely in her element.
Oh, Ida. By the last time I spoke to her – too long ago, but not that long ago – I’d heard that she’d become very forgetful, so wasn’t quite sure whether to call her or not. But I dialled anyway, and the phone was answered. ‘Hello, Ida?” ‘Who is it?’ ‘It’s Steven – Steven Isserlis.” Silence – then the phone went dead. Oh dear. I tried again. This time I was able to hold her attention long enough to remind her who I was. We started to talk, and as the conversation progressed, she evidently remembered more and more about our friendship. It was true that she repeated herself a lot; but still – she was very much Ida, the same wonderful voice, the same love of life.
And now she’s gone. Farewell, Ida the legend; we humanoids will miss you – but thank you, thank you for giving us so much. Everything, in fact.
同時也有49部Youtube影片,追蹤數超過185萬的網紅70cleam,也在其Youtube影片中提到,マキちゃんラプンツェルとミキちゃんエルサがお家を交換しました。 マキちゃんは寒すぎて、ミキちゃんは暑すぎてお城にいれませんでした。 お家は海外おもちゃのものを使いました。 楽しく遊べました。 チャンネル登録お願いします。 Please subscribe Other videos リカちゃん ...
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อยากให้ทีม X4 เข้ารอบ ดูและแชร์ให้เพื่อนดูคลิปนี้
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Funny clip when Orchara invited me to smile and go to ordain!
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Want Team X 4 to finalists to watch and share with friends to watch this clip.
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マキちゃんラプンツェルとミキちゃんエルサがお家を交換しました。
マキちゃんは寒すぎて、ミキちゃんは暑すぎてお城にいれませんでした。
お家は海外おもちゃのものを使いました。
楽しく遊べました。
チャンネル登録お願いします。
Please subscribe
Other videos
リカちゃん 水族館 ミキちゃんマキちゃん 幼稚園の遠足 / Licca-chan Aquarium Toy Kindergarten Field Trip
https://youtu.be/wYTfYxlRVr4
リカちゃん ミキちゃんマキちゃん なかよし病院 レントゲン / Licca-chan Hospital Toy Playset
https://youtu.be/zP6LujqwFs0
ミキちゃんマキちゃんのお部屋づくり 家具セットDIY リカちゃん / Licca-chan Sisters Bedroom
https://youtu.be/wtHBrzXZbGE
リカちゃん ウォータースライダー ミキちゃんマキちゃん プール / Licca-chan Giant Water Slide
https://youtu.be/6wss9FyQ65E
リカちゃん リカペイでピッ! おかいものパーク ショッピングモール / Licca-chan Shopping Mall Playset
https://youtu.be/GMb6_1AYDzg
Translation and subtitling welcome!
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funny icon 在 洋叔叔 Youtube 的最讚貼文
近期台灣進入 三級警戒,希望大家好好的防疫,政府推出了簡單且安全又免費的簡訊實聯制,
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Android 其他掃描方式:(感謝以下網友分享)
@蔡一支
用Google App (Icon是一個G的那個) 也可以
進入App最上面的搜尋框,在麥克風(語音搜尋)的右邊也有可以掃描
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Samsung 手機可以直接掃描
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若無法使用鏡頭,可以直接撰寫新簡訊送出
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funny icon 在 Gina music Youtube 的最讚貼文
Don't forget to turn on the bell icon for future uploads 🔔✔️
西洋音樂愛好者✨這裡不會有冗長的介紹文卻是個讓你挖歌的好地方😎
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Social Media:
▶ Download / Stream link : https://www.youtube.com/watch?v=QrbC-RDQCCc
👑Oriana
https://www.youtube.com/channel/UC4iXwvGNd3IxJxXJridtrJw
https://open.spotify.com/artist/25Q4MN2O9yy7qzIY6HTgO3?si=AI8o9Z64QFqg-u9dJUKERg
___________________________________________________
Lyrics:
[Verse 1]
Take me, don't leave me standing right here, no
帶上我吧 不要讓我停留在原地
We've come too far to just let cry knock us down
你已經離我如此遙遠 我的心疼痛不已
[Pre-Chorus]
I know we said some things we really don't mean but
我們曾言語相向彼此中傷 卻都不是出自真心
In the end it doesn't matter
到最後都已經不重要
All I know is there's a part of me missing when we're not together
我知道失去你 我的心將不再完整
[Chorus]
'Cause right now, all I really want is your love
因為此刻 我只需要你的愛
And right now, there's just emptiness between us
而此刻 你我之間再無隔閡
I could pretend like I don't need no one
我可以假裝我不需要任何人
But if you asked me will I stay or run
但是如果你問我我會留下還是離開
I'd say "Right now, all I really want is your love"
我會說現在我真正想要的是你的愛
[Verse 2]
Funny how I get what I want
多麼可笑 我以為這樣做能令我如願
And not what I need
最後卻失去了最珍貴的你
I can't, can't stand the distance
我不能 不能再忍受你的離去
Come back to me
回到我身邊吧
[Pre-Chorus]
I know we said some things we really don't mean
我們曾言語相向彼此中傷 卻都不是出自真心
In the end it doesn't matter
到最後都已經不重要
All I know is there's a part of me missing when we're not together
我知道失去你 我的心將不再完整
[Chorus]
'Cause right now, all I really want is your love
因為此刻 我只需要你的愛
And right now, there's just emptiness between us
而此刻 你我之間再無隔閡
I could pretend like I don't need no one
我可以假裝我不需要任何人
But if you asked me will I stay or run
但是如果你問我我會留下還是離開
I'd say "Right now, all I really want is your love"
我會說現在 我真正想要的是你的愛
#Oriana #StayOrRun #Lyrics
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