關於 get away with something中文 ，我們在網路上蒐集到這些相關的討論、資訊與評價

#電影英文筆記
#C式練英文法
昨天在Netflix上看「Marriage Story（婚姻故事）」這部電影，
誰看過？舉手舉手！
我相信每個人一定都有自己鍾愛的一段，
我自己最愛的是開頭，
兩人各自寫了一段喜歡對方的部分，
（目的是什麼我不能說，因為會小爆雷…）
因為太喜歡這段了，所以看完之後決定用這段當作今天練英文的素材。
看起來好長一段，但相信我，當下在聽打的時候真的一點都不感覺無聊冗長，只覺得怎麼這麼簡單的文字、簡短的話，但卻這麼深刻，真的太扣人心弦了！

我自己練習的步驟：
關掉字幕一句一句聽打出內容 ->對照英文看有沒有錯，順便用自己的話理解 -> 對照中文，加深裡面出現的idioms / slang 的印象 -> 抄寫其中很愛的幾句在英文筆記本裡（因為聽打的階段我是用電腦打字）

常常在聽打的時候，就會很驚訝發現，
天啊！這句話我以為很難講耶，沒想到竟然用這麼簡單的字就可以表達這麼好！
這種「WOW~太神奇了吧！」就成為每次我在練習時的樂趣，呵呵～

例如
She always knows the right thing to do when it comes to difficult family shit.
difficult family shit – 翻譯是翻「嚴重的家庭危機」，但我更喜歡自己的詮釋「跟家庭/家人有關的鳥事」
很多人看到「家庭危機」一定直白想到什麼crisis / issue 甚至 problem之類的，是也可以啦，但family shit就更口語表達這種”shitty things”，滿可愛的耶！

She’s always inexplicably brewing a cup of tea that she doesn’t drink.
Inexplicable / inexplicably – 中文解釋是「無法解釋、令人費解的(地)」，之前一直覺得這個字好像都用在比較文鄒鄒的地方，沒想到在這裡可以當做「她總能神奇地泡好一杯茶，雖然她自己不喝」，有點這種「我真的搞不懂她欸」的感覺。

I get stuck in my ways, and she knows when to push me and when to leave me alone.
Get stuck in my ways – 翻譯雖然是翻「裹足不前」，但平常我們講話真的很少用這個成語呀！所以我自己詮釋是「我自己卡關、猶豫不決很想逃避的時候」
Leave me alone – 字面上解釋是「不要管我讓我一個人獨處或是你走開啦」，但語氣比較平和地講的時候也可以表達「可以讓我靜一靜嗎？/ 給我一點時間冷靜好不好？」

She always says when she doesn’t know something, or hasn’t read a book, or seen a film or a play, whereas I fake it and say something like “I haven’t seen it for a while”.
（她不知道的事情或是還沒看過的書、電影或戲劇，她就會老實說沒看過，不像我會裝懂的說「我很久沒看了」。）
這句我自己講的話一定會分很多句才能表達清楚…自己也做筆記學起來

分享我很喜歡的這段原文吧！
（這段是Charlie 講 Nicole 的部分，若對於 Nicole 講 Charlie 的部分也有興趣的話，
留言跟我說喔！）

What I love about Nicole…
she makes people feel comfortable about even in front of embarrassing things. She really listens when someone is talking. Sometimes she listens too much for too long.
She’s a good citizen.
She always knows the right thing to do when it comes to difficult family shit. I get stuck in my ways, and she knows when to push me and when to leave me alone.
She cuts all our hair.
She’s always inexplicably brewing a cup of tea that she doesn’t drink. And it’s not easy for her to put away a sock, or close a cabinet, or do a dish, but she tries for me.
Nicole grew up in LA around actors, and directors, and movies and TV, and is very close to her mother, Sandra and Cassie, her sister.
Nicole gives great presents.
She is a mother who plays, really plays. She never steps off playing or says it’s too much. And it must be too much some of the time.
She’s competitive.
She’s amazing at opening jars because of her strong arms, which I’ve always found very sexy.
She keeps the fridge over-full. No one is ever hungry in our house.
She can drive a stick.
After that movie, All Over The Girl”, she could’ve stayed in LA and been a movie star, but she gave that up and do theater with me in New York.
She’s brave.
She’s a great dancer, infectious. She makes me wish I could dance.
She always says when she doesn’t know something, or hasn’t read a book, or seen a film or a play, whereas I fake it and say something like “I haven’t seen it for a while”.
My crazy ideas are her favorite things to figure out how to execute.
She’s my favorite actress.

一封給國家地理頻道「Dog: Impossible」節目負責人的公開信:

An open letter to the leadership team of Nat Geo Wild Dog Impossible:

Translate: Yu-Hwa Su 翻譯: 蘇昱華
Proof: Yen Ke 校對: 葛雁

The International Association of Animal Behavior Consultants (IAABC) applauds National Geographic’s mission to offer intelligent, relevant and captivating non-fiction entertainment. This is a crucial objective, especially as an introduction to children and viewers largely relying on television for their scientific information.
國際動物行為諮詢師協會（IAABC）對於國家地理頻道致力於提供電視觀眾正確知識與科學內容表示讚賞。這是一個非常重要的目標，特別是對依賴電視得到這些知識的兒童與其他觀眾們來說。

However, your stated mission is in direct conflict with your show Dog: Impossible. In fact, the irresponsible treatment of the dogs and people on this show flies in the face of all best practices in animal training and behavior. Rather than promoting science and scientifically-proven methodology, Dog: Impossible sacrifices learning science for more dramatic television.
然而，貴頻道所提供的節目「Dog: Impossible」卻與貴頻道「提供正確的科學知識」的一貫立場衝突。節目中對犬隻以及飼主的不負責處理方式與應有的動物訓練及行為操作的準則相違背。「Dog: Impossible」並沒有提倡科學以及經科學驗證的方法，這節目犧牲了對科學的學習，轉而追求吸睛的電視節目效果。

Matt Beisner appears to have no credentials or education in training and behavior, yet he refers to himself as a behaviorist. His claim that “energy is the one language that every animal on the planet speaks” makes clear he is not one.
Matt Beisner並沒有動物訓練或行為學的相關學習經歷與證照，卻宣稱自己是一位行為學家。從他的主張：「能量是地球上所有動物都會使用的共通語言」，便能明白他並不是行為學家。

His statement, “You don’t need tricks, you don’t need treats, you don’t need force,” shows just how unaware of his own actions he is. His misuse of scientific terminology leads viewers to believe they are learning demonstrated, safe and accepted strategies in helping their dogs. In fact, Mr. Beisner is forcing these dogs from start to finish of each episode. His own “tricks” are that of over-stressing dogs until they’re in a state referred to in psychology and science as “learned helplessness.”
他主張「你不需要技巧、零食、或蠻力 (去訓練狗)」，這顯示出他對於自己的所做所為一無所知。他對科學術語的濫用也會誤導觀眾，讓觀眾以為他們正在學習經證實有效而且安全可接受的方法來幫助狗狗。但這位訓練師在每一集節目上從頭到尾都是在逼迫這些狗，而他所擁有的「技巧」，就是讓狗進入過度緊迫的狀態，直到牠們進入心理學和科學上所指的「習得無助」（learned helplessness）狀態。

Learned helplessness occurs when a subject endures repeated aversive stimuli beyond their control. Originally thought to show a subject's acceptance of their powerlessness, for more than half a century it’s been known instead to be the emotional “shutting down” of the subject. Anxiety, clinical depression, and related mental illnesses are common consequences of this technique in humans.
「習得無助」發生在動物沒有任何控制權，且重複地被施加嫌惡刺激的時候。最初，人們認為習得無助狀態意味著動物「接受」了自身無法改變、無能為力的情形，超過半個世紀以來，人們認為這是動物情緒「關機（shutting down）」的表現。在人類身上，習得無助的常見結果包含焦慮、憂鬱症、以及相關的心理疾病。

Allow us to note some aspects of the trailer and his shows, but first, to point out a few well-documented and commonly understood aspects of dog behavior so that we may better make our points understood.
在我們解釋為何我們認為此節目的預告片與內容不適當之前，我們希望先闡述一些正確的犬隻行為常識，以便您能更理解我們的觀點。

Canine body language indicating stress and severe stress:
顯示出壓力以及嚴重緊迫的犬隻肢體語言：

Compressed bodies
Dry, raspy panting
Wide, open eyes with dilated pupils
Heavy drooling
“Whipping” head and body back, pushing off a handler in order to get away
Growling
Fighting
Biting
縮緊身體
急促的喘氣
睜大雙眼、散瞳
大量流口水
甩頭、用前爪推抱著狗的人以退後、試圖掙脫
低吼
打架
開咬

Eleven seconds into the trailer, Mr. Beisner rubs his hands together, smiling, and says, “This is going to be gnarly.” All professionals know from that statement what the series will spotlight: A poorly (if at all) educated non-professional pushing dogs way beyond therapeutic limits, in the name of “results.”
在預告片11秒的地方，Beisner先生搓手並笑著說「等一下會很精采喔」。所有專業人士都知道這句話代表這個節目的亮點將會是：一名缺乏適當教育的訓練師，逼迫狗到超過其能承受的極限，並把這樣的結果稱為是良好的改善。

Flooding, the term for inundating a subject with their fears, phobias and triggers, is ethically questionable at best, cruel and unnecessary, always. There's also a common danger of spontaneous recovery of the phobia. This is because flooding doesn't replace the fear-response with a different response, it just replaces it with no response. “No response” is simply suppression, not cure.
「洪水法」，指的是故意將動物置於恐慌或恐懼的觸發刺激情境，這樣的方法不道德、殘忍、而且沒必要。另外，恐懼的自發性回復（spontaneous recovery）也是洪水法常見的風險，這是因為洪水法並沒有將害怕的反應重新制約成其他不同的情緒行為，它只是讓動物沒有反應。「沒有反應」只是壓抑，動物並沒有因此感到不害怕或恐慌。

Throughout the trailer dogs are flooded with aversive stimuli such as other dogs, people and equipment, something an ethical professional would not, and could not do per any answerable guidelines of animal training and behavior care.
在整個預告片中，狗狗被迫接受各種嫌惡刺激的洪水法訓練，例如其他狗、其他人類和物品，這是具有道德的專業訓練人員不會做的，任何負責任的動物訓練及行為照護準則也不會如此建議。

Systematic desensitization and counterconditioning, gradual exposure to the feared object, and replacement of a negative emotional association with a more pleasant one, are the recommended techniques used to treat such fear and aggression cases, per all legitimate veterinary, training and behavior organizations.
系統性減敏與反制約，也就是逐步與少量的讓狗接觸其本來會害怕的事物，並且將引發的少量負面情緒與其非常喜愛的事物配對給予，是用來處理恐懼及攻擊案例的建議方法，也是每個好的獸醫師、訓練及行為機構會推薦的方法。

Beisner’s statement that “We know at the Zen Yard that dogs help other dogs come out of their shell and face their fear and get past their aggression” isn’t just scientifically unsupportable, his words ring hollow during the very scene playing while he says those words: Beisner restraining one dog, while his co-host pulls a leashed dog to the first in a completely unnatural gesture perhaps intended to either mimic natural dog greeting (it doesn’t) or to flood the heavily drooling dog who is unable to move or get away. The dogs end up in a fight. They have been set up to fail, and the outcome is inevitable.
Beisner宣稱「我們在Zen Yard（他的訓練中心）知道狗會去幫助其他狗融入外界、面對牠們的恐懼並且克服攻擊行為」，這句話不只是缺乏科學支持，在影片中他講出這句話時搭配的畫面，亦表現出他的說詞缺乏支持：Beisner限制了第一隻狗的行動，由節目的共同主持人以牽繩將另一隻狗以一個完全不自然的姿勢拉到第一隻狗身邊，他們可能是在試著模仿狗狗自然的社交打招呼行為（但並不是），或使用洪水法訓練那隻狂流口水（顯示牠很緊張）並且無法逃脫的狗。最終兩隻狗打起來，訓練師製造的這個情境，讓失敗的結果無可避免。

In the trailer, the assistant host, Stefanie DiOrio, states, “Nervousness can easily turn to fear which can lead to aggression.” This is an accurate statement, which is why it’s so confusing that the entire show would be predicated on pushing dogs to the very edge of survivable stress and into predictable aggression, doubling down on the issues that their owners are struggling with.
在預告片中，節目的共同主持人Stefanie DiOrio說「緊張不安很容易變成真正的恐懼，並且導致攻擊行為」，這句話是正確的，但也讓人更加困惑為何整個節目的走向都在將狗推向牠們所能承受壓力的極限、觸發根本可預測的攻擊行為、並使飼主所面對的問題加倍惡化。

We know that the dramatic changes in behavior, from stressed and wildly aggressive to “calm” dogs, make for compelling TV. To an average pet owner it looks like these dogs are making huge improvements. All clients just want their dog to “Stop being aggressive.” However, we also know that behavior suppression is not the same as behavior modification, that a stressed and shut-down dog is a more dangerous animal than one who is actively showing aggression, and that the long-term prognosis of this kind of intervention is poor for both the client and their dog.
我們知道行為上戲劇性的變化，從一隻緊迫且兇猛攻擊的狗轉變成“冷靜”的狗，這個過程代表了高收視率，在不十分了解行為學的飼主眼中看來，這些狗狗似乎有巨大的進步。飼主都只是希望他們的狗「不要再有攻擊性」，然而我們也知道單純抑制攻擊行為的出現，並不是真正的行為改善技術。舉例來說一隻高壓力但看似沒有反應的狗，遠比一隻會表現出攻擊性的狗要危險許多 (譯註: 因為這樣的狗可能會沒有徵兆地開咬)，因此這種抑制攻擊行為的訓練法，以長遠來看對飼主以及狗狗都是有害的。

It is also worth pointing out that, like his predecessor, Mr Beisner’s assessment of cause for much of the issues he’s asked to address is simple, made especially clear in episode 4 where he not only saves a dog, he “saves a marriage:” Women are unable to effectively lead, must be stronger, must change their ways.
另一個值得注意的事是Beisner先生，如同他在同一個頻道的前輩，西薩，對導致問題的原因評估也過於簡化，例如第四集中他聲稱他不只拯救了狗狗，他還「拯救了這段婚姻」，因為女主人無法有效的領導狗狗，因此她必須更堅強，必須改變他們之間的相處模式。

Misogyny, it seems, cures dog behavior problems. Real exploration and explanation regarding the antecedents and consequences around behaviors are ignored in favor of client blaming.
這段貶抑女性的解釋，看起來似乎能改善犬隻的行為問題，然而關於行為問題真正的前因後果卻被指責客戶所取代，並沒有真正的被探討與解釋。

The clients on the show represent thousands of clients throughout the US and beyond with whom we work every day, helping them to help their dogs. Far from being dogs “other people won’t work with,” the dogs on your show are exactly the clients and dogs that IAABC Certified Dog Behavior Consultants, as well as all members of the American College of Veterinary Behaviorists, Certified Applied Animal Behaviorists, and other certified behavior specialists see and successfully work with every day.
節目中所出現的客戶正代表了我們日常工作中所會幫助的人們與他們的狗，呈現的就是我們在美國跟其他國家的上千位客戶。節目中所出現的這些有著行為問題的狗絕對不是「其他訓練師都不想要處理的狗狗」，事實上這些客戶與狗正是IAABC認證的狗行為諮詢師、美國獸醫行為學家、認證的應用動物行為學家或是其他受認證的行為學專家，每天工作的日常。

We do so using the best practices of our field (see https://m.iaabc.org/about/ethics/), adopted by the leading behavior and training organizations, without psychologically or physically harming the animals we work with.
我們在這個領域也使用最嚴謹的訓練師專業道德守則（英文版參見https://m.iaabc.org/about/ethics/，中文版參見https://reurl.cc/72eVkl），這個守則受領先的行為及訓練機構所採用，使訓練師與行為諮詢師在工作時，不對我們經手的動物造成生理或心理上的傷害。

The IAABC urges Nat Geo WILD to stop promoting this public miseducation. The tactics employed in the name of entertainment are unnecessarily harsh and potentially dangerous to the public, and they teach yet another generation of Nat Geo watchers absolutely incorrect and harmful practices.
IAABC呼籲國家地理頻道（Nat Geo WILD）停止傳播此系列誤導公眾的資訊。以娛樂包裝節目的策略對於觀眾是不必要的粗糙而且有潛在風險的，甚至是向頻道的年輕一代觀眾灌輸完全不正確且有害的做法。

It remains a mystery why your network is so intent on harming dogs. After years of Cesar Milan, to now bring in a man equally unskilled, who equates terrified, angry or entrapped dogs to his own addiction history is remarkable. Are we really satisfied conflating ego with compassion, self-focus with an understanding of animal behavior? Is this the “science” your mission stands for?
我們仍然不知為何貴頻道這麼多年來如此堅持持續傷害狗的這些作為。在西薩 (Cesar Milan) 的節目播映多年之後，現在又引進一個同樣缺乏正確訓練技巧，以自身藥物成癮困擾歷史去錯誤的同理恐懼或憤怒的狗的人。我們能接受一個膨脹自我，而非真正擁有同情心、適當自我聚焦、了解動物行為的「專業人士」嗎？這就是貴節目所宣稱的「科學」立場嗎？

The damage Nat Geo is doing to dogs by choosing this type of programming is astounding. We can only assume that the producers are unaware of this, as it’s hard to imagine such harm and cruelty would be deliberate.
國家地理頻道選擇製作這類節目對於狗狗的傷害甚鉅，我們只能假定節目製作人並沒有意識到這點，因為我們難以想像會有人故意去做這樣有害且殘忍的事情。

Would you show a reality program on heart surgery with a photogenic “self-taught” practitioner, simply stating the star was not a doctor before showing him mutilating a real patient?
想問貴節目是否會採用一個上鏡的“自學”外科醫生錄製心臟手術的實境節目，告知觀眾他並非真正的醫生，然後播放他對病患動刀的畫面？

I leave you with the clearest image of suffering and abuse from your trailer: the Aussie, stressed to the breaking point, thick ropes of drool streaming from its mouth, being choked by a slip lead to compensate for the host’s inability to even effectively muzzle a dog. This dog is at the point of collapse. This dog is being tortured, and that is not hysteria. That is an assessment by any educated measure.
作為結尾，我希望指出貴節目預告片中明確顯示出狗狗受苦或受虐的畫面：那隻澳洲牧羊犬已經瀕臨壓力的極限，您可以看到口水掛在其嘴邊 (大量口水為壓力徵兆)，口罩因為沒有確實的配戴而滑脫，導致牠被勒到快要窒息，已在崩潰邊緣。具備專業與適當教育的人員指出，這隻狗因在節目上被虐待而情緒崩潰，並非其本身歇斯底里。

Please stop this cruel and dangerous programming. To do otherwise is to support that self-taught heart surgery and all the consequences it would bring; that this show is currently bringing to families struggling with their dogs.
Professionals refer to Cesar Milan’s influence on dog training as “job security” because so many dogs ruined or made far worse by his teachings are brought to us by well-intentioned, often weeping owners desperate for real help. Often it is too late.
請停止這系列殘酷且危險的節目。否則貴節目就等同於支持前面舉例的自學的心臟外科「醫師」進行手術一樣，這些危險的後果正由觀眾與他們的狗承擔。專業訓犬人士將西薩米蘭對訓犬的影響戲稱為「工作保障」，因為太多飼主使用了他教授的技巧後，狗狗的狀況變得更糟，而哭著迫切尋找真正的協助，此時通常都為時已晚。

We do not want more work due to this same phenomenon.
我們不想要因為這個節目帶來類似影響而接到更多工作。

We’d be happy to provide you with any education and resources you need to inform your producers about what would qualify as responsible, effective, safe and thoughtful work with the same “red zone” dogs you sell so well.
但我們很樂意提供貴頻道任何需要的教育與資源，讓您們的節目製作人對訓犬工作應有的品質有所理解，例如負責、有效、安全，並且理解到對於在節目中出現的這些「危險」犬隻，事實上有更合理的訓練方法。

Thank you for your consideration.
謝謝您的閱讀與理解。

Marjie Alonso
Executive Director, IAABC
For the Board of Directors

Marjie Alonso
IAABC執行長
代表董事會發言

Stand up. Respect ✊

(Update: 中文繹版連結：https://www.facebook.com/329728177143445/posts/1800273350088913/)

“An open letter to Eric Kwok, and for everyone re homophobia, discrimination and bullying”

Dear Eric,

Imagine this. You are one of the contestants on a TV talent show. You are sitting in a room with other hopefuls and one of the judges walks into the room and demanded this: “Raise your hand if you are not homophobic.”

I’m very sure you will raise your hand.

You don’t have to answer me whether or not you really are homophobic. But stay with the feeling inside your mind. How do you feel?

Your feelings are most likely the same as the feelings of your contestants when you walked into a room and asked them to raise their hands to declare their sexual orientation publicly. Because in this day and age, homophobia is just as “controversial” as homosexuality, if not more.

The reason why I’m writing this open letter to you is because after reading your apology, I want to take the opportunity to address to you, and everyone out there, the need for proper etiquette regarding LGBT issues, and to address the forms of micro-aggression, bullying and discrimination the LGBT community faces everyday especially in the workplace.

I’m taking this incident seriously because from my personal experience, this is not just a one-time slip-up for you.

I remember long time ago I was so looking forward to meeting and working with you because you are, after all, Eric Kwok the great songwriter.

You were very friendly when we talked privately. Then I started to notice how once there were audiences, media or other people around and when the cameras were turned on, you would start making insinuating and demeaning gay jokes about me and in front of me. Jokes and comments even my closest friends wouldn’t dare to make in public.

At first, I didn’t really pay too much attention. I just brushed it off as juvenile and trivial. In fact, I had been so used to these jokes since growing up that I learned not to react much.

However, as time progressed and we worked on more occasions, the same thing would happen repeatedly. The teasing and the stereotypical gay jokes continued and you would make sure that the spotlight would fall on me afterwards. The jokes no longer felt light. They felt hostile, even vindictive.

In fact, it felt like bullying.

One of these incidents was well documented in tabloids back then and you can still look it up yourself on the internet.

I came to the realization that it was not just a one-time thing. I don’t know if it’s intentional or unintentional but it’s definitely a habit and a pattern.

So many questions would be in my mind every time after working with you. Why does Eric do that every time? Is he picking on me? Does he hate me? Is he homophobic? Does he think homosexuality is something funny? Does he do this to other people too? Did I do something that pissed him off? I remember I was nothing but courteous. So why do I deserve this?

I had no answers for all of these questions. All I knew was I became fearful of working with you, dreading what words would fall out of your mouth to put me in an awkwardly embarassing position. But still I tried to give you the benefit of the doubt. You’re from California you shouldn’t be homophobic. I even defended you in my head by telling myself to loosen up.

But it’s not just you. Throughout my years in the entertainment industry, I have encountered and endured so many chauvinistic “tough guys” who like to use homosexuality as a laughing stock or source of bad comedy which were all discriminating and demeaning, yet not funny.

It’s not only me. I’m sure many people of the LGBT community face this everyday in their workplace. People around them would claim their intentions were harmless but we all knew deep down that these “jokes” have the power to put people someone in an embarrassing, inferior and even threatening positions.

We kept quiet and tolerated. Sometimes we even felt obligated to laugh along just so we couldn’t afford to look “petty” or “stiff”, especially in front of people of higher authority and stature.

So Eric I want to ask you.

Why have you been so obsessed with my sexuality all these years?

Why are you so fascinated by other people’s sexuality?

Why is being gay such a huge issue to you even to this day that you had to make it the first thing you asked your contestants?

Why you also had to specifically make a post on social media about that fact you questioned people about their sexuality?

Why do you take so much pride publicly in your ability to guess who are the gay contestants even when they weren’t ready to share that information?

And most of all why do you find all this to be so funny?

To begin with one’s sexual orientation is a very personal thing which others have no right to intrude, even in the entertainment industry where you are supposed to be fine with “controversy”.

This is for you and everyone out there: using your power and authority to demand someone to declare his or her sexual orientation, especially in a work environment, is ancient, barbaric and unacceptable.

Kicking someone out of the closet is just pure evil.

The fact you did what you did, especially with your stature and on broadcast TV, is not only wrong, but also you are telling the Hong Kong audience that it’s alright to continue this form of intrusion and micro aggression that the LGBT community wants to see gone.

You’re leading a very poor example by giving Hong Kong audience the impression that being gay is still a taboo.

How are your contestants, who are boys of young age, going to offer new perspectives to the Hong Kong audience under your guidance if you perpetuate stereotyping and demonstrate to them that being gay is still an issue?

I feel sorry for any contestants who are in fact gay sitting in that room that day too. They must have been traumatized seeing the way you forced your inquisition. The impression you left them with is that the entertainment industry is still a very unfriendly place for gays. Is that what you want them to think?

But most of all, it’s the attitude, tone and manner with which you shared about this incident on social media, giving people the impression that any matter regarding sexual orientation is still something shameful and laughable, which is on top of list the thing that the LGBT community fights hard everyday to change.

When you said in your apology you “have great respect for gay people, especially their hard fight for equality” I became baffled as what you did, in the past to me or in that room to the boys, is the exact thing that makes the LGBT community’s ongoing fight for equality so difficult.

Putting people down, perpetuate stereotypes, heckling and ridiculing yet making it look OK is anything but liberal and respectful, or Californian. I don’t see any “entertainment values” that are of good taste if they are made up at the expense of other people’s struggle.

If this incident happened in America, where you grew up, you would’ve gotten yourself in such hot waters that you probably can’t get out of.

I just want you and everyone out there to know that it’s not okay. And it never was. Never will be.

Being “as liberal as it gets” is great. Having gay friends is great too. Having dinner with your gay friends is absolutely fabulous! Playing all these cards to avoid being labelled as “homophobic” is very convenient. But having class, empathy, kindness and authentic respect is a completely different territory. These don’t come automatically with backgrounds.

At this point you don’t owe me an apology. I just hope that after this incident you can really start working and living with the essences of a truly liberal and creative individual. Inspire changes and end stereotypes. Start new trends and break old patterns. Embrace and not segregate. Do the work.

I had been away from Hong Kong and the industry for a few years now. It breaks me heart that I have to write this sort of open letter when it’s already 2018. I want to make this industry a safer, nicer and more accepting place to work in when I return. I want members of the LGBT community in Hong Kong, who have been so supportive of me and my music, to also have safer and nicer working environment in their respective lives.

I don’t mind coming off as an over-reacting petty bitch with no sense of humour if my message finally comes through and everyone, including you, “gets it”. I rather have no sense of humour than a bad one.

To all the contestants of the show. If anyone ever asks you if you are gay and you are not ready to discuss, it’s OK to stand up for yourself and say this: “It’s a rude question to begin with. You have no right to get an answer from me to begin with. And it doesn’t matter. It SHOULDN’T matter. It’s 2018. I hope one day I can use my craft to inspire the world and to make this become a non-issue.”

But if you are ready to be open, you have my complete support and love.

Let’s hope that through acceptance, learning and effort, one day there will no longer be any “controversial questions”. Wouldn’t we like that Eric?

Yours truly,
Pong

#LGBT
#homophobia
#safeworkplace
#中文版稍後會有
Eric Kwok 郭偉亮

《Midnight Sun》
AM03:00
作詞：aimerrhythm
作曲：give me wallets
編曲：玉井健二、内山肇
歌：Aimer
翻譯：夏德爾
English Translation: Thaerin

版權聲明:
本頻道不握有任何音樂所有權，亦無任何營利，一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。

Copyright Info:
Be aware this channel is for promotion purpose only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.

すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽（または画像）の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。

如果你喜歡我的影片，不妨按下喜歡和訂閱，你的支持就是我創作的最大原動力！
If you like my videos, please click like and subscribe! Thx :)

粉絲團隨時獲得最新訊息！
https://www.facebook.com/chschannel/

Check my Facebook page for more information!
https://www.facebook.com/chschannel/

背景 / Background - 练习 - 业桉 :
https://www.pixiv.net/artworks/70323854

中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=2606455

英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/am0300/

日文歌詞 / Japanese Lyrics :
鮮やかに流れ出すヘッドライト
気持ちはまだ”帰りたくない”と
寂しげに遠ざかるテールランプ
気まぐれで不器用なダンス踊る

駆け下りるスロープ まるで真夜中バレリーナ
A floating step 月明かりに
A flowing step 浮かぶ横顔

君に伝えたかったのは 単純で 些細なこと
少し鼓動 加速してる 今更で きっと笑うよね

覚めない夢を夢見てる
消えない声を聞いている
明けない夜を開けてみる
Who can tell why I miss you, really?

足早に流れてくヘッドライト
今夜もまたSleepless Night
寂しげに遠ざかるテールランプ
縮まらない君とのDistanceだけが

とめられないループ また思い出す 帰り道
A floating step 少しだけど
A flowing step 触れた指先

AM00:00 想いを綴るだけ
期待だけして浮かぶ様なAM01:00
AM02:00 まだ眠れずに
真夜中も越える様なAM03:00

君に伝えたかったのは 単純で 些細なこと
少し鼓動 加速してる 今更で きっと笑うよね

覚めない夢を夢見てる
消えない声を聞いている
溶けない夜を解いてみる
Who can tell why I miss you, really?

君のこと想うほど わからなくなる気持ち
今は夢の手前だと 静かに願う
君に伝えたかったのは 単純で 些細なこと
少し鼓動 加速してる 今更で きっと笑うよね

覚めない夢を夢見てる
消えない声を聞いている
明けない夜を開けてみる
Who can tell why I miss you, really?

中文歌詞 / Chinese Lyrics :
頭燈，於車水馬龍間繽紛
於心底吶喊著「還不想回家」的情緒
但車尾燈卻不識空氣的遠去，只留下了寂寞
於是我只好隨機應變的，跳起了生疏的舞

宛若午夜中的芭蕾舞者，我滑下一條斜坡
朝著月光，在月光中跳著懸空的舞步
伴著浮現在腦海中的側臉，跳著月光流水般的步伐

想要告訴你的，不過是一些單純而平凡的事情
然而這卻也足夠加速我的心跳，事到如今，你肯定會嘲笑我的稚嫩吧？

我夢著，夢自己能沉浸在永遠不會醒來的夢中
我聽著，傾聽那永遠不會從我耳邊逝去的聲音
我嘗試著，嘗試開始這段沒有天亮的長夜
到底，誰能告訴我，為什麼我會如此思念你？

車頭燈的光，快步接近
今晚又是個失眠的夜晚
不識氣氛的車尾燈又只留下了寂寞遠去
只有與你之間的距離無法縮短

於是我不斷跳著相同的舞步，又想起了那返家的路途
就算只能接近一點點也好，我在半空中舞著
於路途中徘徊旋轉，是否就能在夢中，用指尖輕觸到你？

於午夜十二點的正中央，編織思念
好像只要抱持期待，凌晨一點時就會有所改變一樣
於是凌晨兩點時也遲遲無法入睡
迎接了好像已經穿越了整個長夜的深夜三點

想要告訴你的，不過是些單純瑣碎的事情
卻無法壓抑這份鼓動，都到了這種時候，你肯定會嘲笑我的後知後覺吧？

我想要夢見，一個永遠不會醒來的夢境
我正聽著，一個不曾消逝的聲音
於是我試著把自己溶解在夜晚中，卻只是飄泊
到底，誰來告訴我，為何我會錯失了你？

越是思索你的存在，就越是模糊的這份情感
於是在墜入夢鄉的前一秒悄悄期望
是的，我想告訴你的不過是件簡單而渺小的事情
然而我卻無法壓抑自己的心跳，我總是如此，你肯定會嘲笑我的愚蠢吧？

是的，我夢著那個不會甦醒的長夢
在那之中聽著你不曾消逝的聲音
試著開始這場沒有破曉的長夜
拜託誰來告訴我，告訴我為何如此思念你？

英文歌詞 / English Lyrics :
Headlights stream out vividly,
My feelings sayin’, “I don’t wanna go home just yet”.
Tail lamps grow distant in a sad little way,
Dancing a capricious, clumsy dance.

I dash down the slope, just like a midnight ballerina;
A floating step, in the moonlight.
A flowing step – a rising face in profile,

What I wanted to tell you was something pure and ever so slight –
My heartbeat is accelerating just a bit… though I’m sure you’d laugh that I’m still not over it.

I’m dreamily having an unending dream…
Listening to a voice that won’t fade…
I try to break an unbreaking night –
Who can tell why I miss you, really?

Headlights hastily flow away –
Tonight’s gonna be another Sleepless Night!
Tail lamps grow distant in a sad little way,
And only the unclosing distance between us…

… it’s an unending loop. I remember that way home once again.
A floating step: it’s only the slightest bit,
A flowing step: but our fingers grazed one another.

AM00:00, Only by expressing emotion, having expectations, do we get this surfacing
AM01:00.
AM02:00, still unable to sleep, we cross over midnight with this kinda
AM03:00.

What I wanted to tell you was something pure and ever so slight –
My heartbeat is accelerating just a bit… though I’m sure you’d laugh that I’m still not over it.

I’m dreamily having an unending dream…
Listening to a voice that won’t fade…
I try to dissolve an insolvent night –
Who can tell why I miss you, really?

It’s a feeling I understand less the more I think of you…
I silently wish that I’m right on the edge of a dream.

What I wanted to tell you was something pure and ever so slight –
My heartbeat is accelerating just a bit… though I’m sure you’d laugh that I’m still not over it.

I’m dreamily having an unending dream…
Listening to a voice that won’t fade…
I try to break an unbreaking night –
Who can tell why I miss you, really?

REITACREW - REITAKU HOUSE
Singer 歌手 : REITACREW - the Candyman x Jasho x Txek
Music 曲 : Jasho
Lyrics 詞 : Jasho, the Candyman, Txek
Recording錄音：淡江大學文錙音樂廳
Producer 混音 : YANG
Videographer 攝影 : Jacky
Editor 剪輯：YANG

A video in promotion for Taiwanese and International Students to join REITAKU HOUSE, an international dormitory in TKU, and also a Big Family

這次麗澤國際學舍出身的REITACREW，一個由一位台灣生與兩位來自芬蘭與西班牙的交換生所組成的新生代樂團與淡江大學國際暨兩岸事務處合作推出這首出道主打單曲!
Big thanks to the office of International and Cross-strait Affairs, Tamkang University

Welcome to the basement, Listen to the beat
Let it be the year of your life, let it be one of your beat hits
Moi moi, this is Varissuo the Candyman aka MC Yeh, are y’all ready for this?
Then let’s go get them!

the Candyman:
Remember the first day here in Reitaku House
All seems unreal, bizarre enough
Maybe feel hopeless, but let it be
Cause Taiwanese here for you (savage move), PEACE!!!
Take you to places you’ve never been before
share memories we own together once
eat the best food there ever can be
see beautiful views you’ve never seen

Welcome to the basement, Listen to the beat
Let it be one of your best hits
Txek:
We just came here to make everyone feel
Wanna make it real that’s the only deal
And if there’s something that doesn’t feel right
Don’t think about it for now hands up!
台湾について分からん事だらけ
(We arrived at Taiwan and we are surrounded by things we don't understand)
悲しい出来事も含めて笑え
(Laugh even at the sad events)
泣きたくなるのも悪くない
(It's also OK if you feel like crying)
持つのはただ将来への信頼
(You just must believe in the future!)

It’s only two weeks that we’ve been together
but somehow it feels like I knew you for longer
I hope we’ll live things that we won’t forget ever
but are we prepared to pay that price I wonder

So let all of us be welcomed to the dorm
A place that every time makes your heart feel warm
The good things in life and before you realize
So become friend of your worries and burn out the real life

the Candyman:
Two weeks have gone away real fast
Better cherish the times we still have
Never forget why we came the first place
you gotta hold on your dreams and extend it
The time we had will always reserve them
Maintain the friendship between us
Stay clear we will never be apart
Our hearts forever be with each other

REITACREW - IG:
https://www.instagram.com/bkrtbros/

the Candyman - IG:
https://instagram.com/varissuothecandyman?utm_source=ig_profile_share&igshid=17plsdze25t9a

Txek - IG:
https://instagram.com/ekutorukun?utm_source=ig_profile_share&igshid=kkvsbs08haq7

#饒舌 #嘻哈 #中國有嘻哈 #中國新說唱 #中國好聲音 #台灣嘻哈 #台灣饒舌 #饒舌歌手 #rap #rapper #hiphop #nickthereal #diss #track #disstrack #mv #糖果人 #candyman #musicvideo #randb #blues #藍調 #爵士 #jazz #music #video #lyricvideo #lyrics #高爾宣 #中文饒舌 #中文嘻哈 #說唱 #mv #糖果人 #candyman #musicvideo #他們那些都帶不走 #頑童 #爵士 #jazz

LYRICS:
Welcome to the basement, Listen to the beat
Let it be the year of your life, let it be one of your beat hits
Moi moi, this is Varissuo the Candyman aka MC Yeh, are y’all ready for this?
Then let’s go get them!

the Candyman:
Remember the first day here in Reitaku House
All seems unreal, bizarre enough
Maybe feel hopeless, but let it be
Cause Taiwanese here for you (savage move), PEACE!!!
Take you to places you’ve never been before
share memories we own together once
eat the best food there ever can be
see beautiful views you’ve never seen

Welcome to the basement, Listen to the beat
Let it be one of your best hits
Txek:
We just came here to make everyone feel
Wanna make it real that’s the only deal
And if there’s something that doesn’t feel right
Don’t think about it for now hands up!
台湾について分からん事だらけ
(We arrived at Taiwan and we are surrounded by things we don't understand)
悲しい出来事も含めて笑え
(Laugh even at the sad events)
泣きたくなるのも悪くない
(It's also OK if you feel like crying)
持つのはただ将来への信頼
(You just must believe in the future!)

It’s only two weeks that we’ve been together
but somehow it feels like I knew you for longer
I hope we’ll live things that we won’t forget ever
but are we prepared to pay that price I wonder

So let all of us be welcomed to the dorm
A place that every time makes your heart feel warm
The good things in life and before you realize
So become friend of your worries and burn out the real life

the Candyman:
Two weeks have gone away real fast
Better cherish the times we still have
Never forget why we came the first place
you gotta hold on your dreams and extend it
The time we had will always reserve them
Maintain the friendship between us
Stay clear we will never be apart
Our hearts forever be with each other

#饒舌 #嘻哈 #中國有嘻哈 #中國新說唱 #中國好聲音 #台灣嘻哈 #台灣饒舌 #饒舌歌手 #rap #rapper #hiphop #nickthereal #diss #track #disstrack #mv #糖果人 #candyman #musicvideo #randb #blues #藍調 #爵士 #jazz #music #video #lyricvideo #lyrics #高爾宣 #中文饒舌 #中文嘻哈 #說唱 #mv #糖果人 #candyman #musicvideo #他們那些都帶不走 #頑童 #爵士 #jazz