Me in my happy place 🤗
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A few years ago, spending 4 months bouncing around between gyms would have frustrated me 😤 It’s almost impossible to progressively overload exercises when you’re constantly changing machines. Even if the “weight” is the same, there’s a myriad of different factors that will affect the load placed on the target muscles at different contractile lengths.
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These days I’m just a different type of geek 🤓 I’m obsessed with admiring machines that are designed well, and the challenge of using ones that aren’t 🧩 I embrace the puzzle of optimising a piece of equipment and how the more experience I build doing so, the better rehearsed I am to help answer questions from coaches because I’ve done the thinking in advance 🤔
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I’ve also learnt that you rarely come up with a great idea first time round. Provided you’re able to keep a mindset of what you currently think not being “the best” and there always being a slightly better solution, the more times you’ve been around the block, questioned your previous thoughts and adjusted the accordingly, the more refined your current thought processes will be 🧐
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I train to force strong contractions, and I’m pretty sure that if I push myself hard enough I’m not going to get much weaker just because I’m not being a slave to my logbook 📋 Don’t get me wrong - I’m all for tracking and continued improvement in the pursuit of measured progress, and it has its time and place.
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For me though, to sustain a passion for being in the gym for a lifetime, you have to follow what currently makes being in that environment as stimulating and fulfilling as possible 😃 In the past it’s been overcoming injuries, optimising for sports performance or just chasing numbers. Currently it’s growing my experience and challenging my critical thinking 🔣
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Kinda cool how fun a place even the most alien and poorly equipped gym can become, once you’re equipped with the knowledge to take getting “creative” in the gym away from coming up with what is essentially resisted choreography 🕺🏻 and towards playing with The Exercise Continuum & The Exercise Equation (two RTS trademarks) ™️
同時也有4部Youtube影片,追蹤數超過2,620的網紅themblan,也在其Youtube影片中提到,I have always wanted to play through The Legend of Zelda: Breath of the Wild (ゼルダの伝説 ブレス オブ ザ ワイルド) with the Japanese voices. After beating this game ...
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- 關於get force experience 在 themblan Youtube 的最讚貼文
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- 關於get force experience 在 Tiara S. Dusqie Youtube 的最讚貼文
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get force experience 在 林郁晉- Yu Jun LIN Facebook 的精選貼文
《 #籠罩下的巨大哀愁 》
正式開展啦~
歡迎各位到台北當代藝術館
/
詳細資訊|https://reurl.cc/bXy09v
________________________________________________
A Dark Cloud of Sorrow Looms Over
by Yu-Jun LIN
Late mornings and sleepless nights. Frustration. Anxiety.
They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.
In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.
However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.
Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.
A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.
Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.
Chung Chih Ting|I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.
Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.
Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?
Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.
Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.
Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?
Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
_____________________________
《籠罩下的巨大哀愁》展覽資訊
展覽日期|2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點|台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間| Mon. ─ Sun. 16:00-21:00
特別感謝| 贊助單位
厭世會社 @mis.society
#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社
get force experience 在 謙預 Qianyu.sg Facebook 的精選貼文
【3, 2, 1, ACTION!】
從我2016年6月懵懵懂懂的第一次做臉書直播,到現在有68隻影片上載在Youtube,不知不覺已有四年了。
有位二十多歲的女客人說,她和男朋友看了我早期的影片,再看我現在的影片,他們驚嘆我的改變如此的大。
是啊,我自己也沒想到有一天,我能坐擁來自世界各地三萬多的訂閱人數。
一隻影片的背後,承載著很多人的心血。
我拍片、寫稿、打扮自己,在鏡頭前的表情控制、眼神力度和說話語氣和速度,這些都是經歷了多年的千錘百鍊。有時一些影片我不滿意,隔天還會重拍。
我有一位新加坡的小幫手,他幫我做初剪,打出中英文字幕稿,然後再發給我,往往我都得再修改,才把初剪和字幕稿發給台灣的剪輯師做後製。
這整個過程需大約六個工作天。
剪輯師把完成作品發給我,經過我們一到兩輪的修改後,就是你們看到的Youtube 影片了。
都說了嘛,現在當風水命理師需要十八般武藝,要會寫會說會拍片會剪片還要會拍照⋯⋯懷念那種拿個「算命」布幡遊走街坊的日子~😂
有些觀眾問,為什麼我無法接受他們的諮詢要求。因為我並非每天都見客,每個星期裡我都得留些時間做製片的工作。
不是每個人都有能力請我,而有些是遭到身邊人的反對。我希望做到的是,每個人我都能多少幫到一點點,而我的影片就是我實現這希望的方法之一,因此很抱歉,我不會為了多賺諮詢費而不做影片。☺️
你們看我的影片,不用付費。我沒有設YouTube 會員區,也沒有啟動Youtube的廣告功能,這樣你們看影片不會被打擾。
我賺的客人諮詢費,還是足以應付我製片的費用,我無需另外啟動其他收費功能,所以小女子我在這裡感謝所有的投資商。😄
我承認,我絕對是個嚴師。有些客人在未見面時,在電郵裡的禮貌若欠佳或太隨便,會被我訓一番。
我從不勉強人,我會說如果他們不喜歡被我糾正,可以另請高明,其實出色又盡責的風水命理師,世界各地都有很多,我師父 - 玳瑚師父,就是其中一人。
往往這些被我糾正過的客人,都會選擇還是要見我,但偶爾也會遇到一些可能心裡不是很平衡的本地客人。
表面上說還要見我,但在諮詢當天會放我鴿子,給個藉口不來了。
這樣的人,看著也是可憐。一個好好的人,活到三四十歲,甚至五十歲的,怎麼這麼多不順,看來也是他她一手造成的,傲慢永遠解決不了問題,也無需爛慈悲在他們的身上。
我不會再給第二次機會,不是因為我怨他們,氣他們,我心中沒有敵人。
只是既然已經給過機會,也教導過了,他們看我影片也會獲益,我也沒欠他們了。他們放棄了原本約好的時間,讓另外一個有需要的人無法得到我的幫助,這也不是善。
那倒不如,我把這機會讓給更有誠意的人,或多拍些有益的影片服務大眾,也是一件樂事呀~ ❤️
况且最重要的是,他們都已經捐款給慈善機構了。
世界很大,要體驗的事很多,要見的人也還很多,我們都不必為不需要我們的人蹉跎青春歲月,而忘了 - 其實失去也是一種大福報。
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It has been four years since my very first FB Live in June 2016 and now I also have 68 videos on YouTube.
A lady client in her 20s told me that after watching my earlier videos and then my current videos, she and her boyfriend were surprised at the big change in me.
Me too. I never imagined that one day, I would have a channel of 31.5K subscribers.
The making of a video involves the blood and tears of many people behind the scenes.
Filming myself, writing the script, dolling myself, and while in front of the camera, controlling my expressions, intensity of my gaze, speed and tone of my speech, all these took years of hammering it out.
Sometimes I get dissatisfied with the videos filmed and I reshoot them the next day.
I have a little helper in Singapore who helps me with the first cut and typing of Chinese and English subtitles. I will edit them again before sending them over to my Taiwan video editor for post-production.
When my video editor sends me the finished product, there will usually be 1 to 2 more rounds of correction and viola, that’s the uploaded video you see on YouTube.
This whole process takes about 6 working days.
Not so simple to be a Chinese Metaphysics practitioner in these social media data’s,. Must learn how to write, present, script, film, edit video, take photos......I miss those olden days of walking the marketplace with a cloth banner that says “Fortune Telling”~😂
Some audience asked me why I do not accept their consultation requests after I close my booking forms.
I do not meet clients every day, because I still need to set aside time for video production work.
Not everybody has the ability to engage me, and some are obstructed by the people around them.
My wish is to at least touch as many lives as possible in a positive way, and my videos are one way for me to actualise that. So my apologies that I would not do more consultations at the expense of my videos. ☺️
It is free for you to watch my videos. I did not turn on my Youtube channel membership or put ads in my videos, so you won’t be disrupted while watching my videos.
The fees I earn from my consultations can pay for my video productions, so I do not need to activate other monetisation models. Thank you to all my video investors. 😄
I admit I am definitely a very strict teacher. When clients lack the etiquette in their emails or are too casual, I will correct them.
I do not like to force anybody and will tell them if they dislike being corrected, they can always look for another Master. There are outstanding and responsible Chinese Metaphysics practitioners all over the world, one of them being my Shifu - Master Dai Hu.
These clients will usually choose to still meet me, but occasionally there will be some local clients who may feel emotionally imbalanced at being corrected.
While they still insist to meet me, they will stand me up on the consultation day and give some reason for their no-show.
I have sympathy for such clients. For a grown-up in his/her 30s/40s and some even in their 50s, why do they still experience so many misfortunes in their lives?
Seems like it is all self-inflicted. Being egotistical never solves problems. There is no point wasting blind compassion on them.
I never give second chances not because I bear a grudge against them or get angry at them. There is never enmity in my heart.
But since the opportunity has been given and lessons taught, plus they have also gain from my video contents, I don’t owe anything to them. They forsook our original appointment, and deprive another person from getting my help. This is not virtuous of them. Why not I give this chance to another one who is more sincere, or use the time to create more video content to benefit more people. That would be just as joyous~ ❤️
Moreover, to me, what is most important isn’t the red packet that I should have received but the donation that they have already done to the charities.
The world is vast, with many new experiences waiting for us and many more people to meet. Don’t let youth slip by us and hanker for people who don’t need us. Remember this, sometimes, losing someone or something is good fortune in disguise.
get force experience 在 themblan Youtube 的最讚貼文
I have always wanted to play through The Legend of Zelda: Breath of the Wild (ゼルダの伝説 ブレス オブ ザ ワイルド) with the Japanese voices. After beating this game in 2017, I have also wanted to play through this game again, but not in Master Mode; I find Master Mode goofy. The enemy-placement and such do not make sense as far as game-progression made by the player is concerned, nor as far as the story is concerned.
Usually I replay Zelda-games, and doing so brings me great joy, but for Breath of the Wild and its nonlinear nature, I thought it didn't make sense. Fast forward to today. I don't want to find all the shrines nor all the Korok Seeds. I just want to experience the game again. That is how I like to play games in general: to experience the game. I am not a completionist. I have tried "completing" games before, but by the end, it makes me dislike the game and never want to play it again; I would rather play a game shallowly multiple times for my entire life.
With this playthrough, I will be playing with the Japanese voice-overs, and in general, I will try to play the game in a manner in which I find fun. I have already beaten the game on my main profile, with a lot of Korok Seeds and shrines discovered, and so I probably won't be exploring and experimenting too much (although this could change), both for the sake of viewability and my own enjoyment.
I still think this is the best game for Nintendo Switch, and I thought it was a shame that I only played through it once. This is why I want to replay this game. With past Zeldas, especially the 3D ones, I have replayed them multiple times. I like the lienarity to them, and being able to experience the game and the emotions it brings while going through the journey. I don't know if playing through Breath of the Wild again will give me that same experience, but I am willing to try to get it.
I don't know exactly how I am going to play the game. I just want to let the wind guide me as I try to make this a magical experience once again.
As I learned from my Let's Play of the Resident Evil 2 Demo, I don't like to force myself to talk while playing, and so I have decided to make this series a No Commentary series. I will find a use for my face and voice in another video someday.
Thank you for watching, and have a great day.
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Subscribe for more awesome videos! ► https://bit.ly/2M1H2Fy
----------------------------
The song in my intro and outro was done by Hyper Potions, and it is called Time Trials. You can check out the full song here: https://youtu.be/mnfNWe-HHsI.
get force experience 在 Adam Lobo TV Youtube 的最讚貼文
The DJI Spark is the latest release of the DJI drone lineup
and with its small and portable design as its catered towards people
who are either new with drones or already familiar with drones. Here a review and test from me as a non experience drone user
ECS Malaysia Official Website
http://www.ecsm.com.my/
Get yours at the link below:-
DJI Spark (Amazon US & Worldwide)
http://amzn.to/2yYx69s
DJI Spark (Lazada)
http://ho.lazada.com.my/SHV8mN
App Tested On:-
Android 7.0 (Samsung Galaxy S7 Edge)
IOS 10.2.1 (Iphone 5s)
App & Device tested with 10mbps Internet connection (Streamyx)
My YouTube Gear 2017: http://bit.ly/2so8Hrr
My Desk Setup 2016:
http://bit.ly/2kn80us
Instagram: https://www.instagram.com/adamlob0/
Twitter: https://twitter.com/adam_lobo
Facebook: www.fb.com/adamlobotv
Snapchat: @adamlob0
Adam Lobo TV: www.adamlobo.tv
Adam Lobo Official Profile Website: www.adamlobo.com
Dragon Red Band Official Website: www.dragonred.com
Fist Of Pain Band Facebook Page: https://www.facebook.com/fistofbandmalaysia/
get force experience 在 Tiara S. Dusqie Youtube 的最讚貼文
HELLO EVERYONE! :) ( MORE INFO BELOW!)
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Thank you all for watching!
Tiara xx
get force experience 在 如何使用NVIDIA Geforce Experience教學 - YouTube 的推薦與評價
第一支教學的影片請多多支持~**如果對不良語言有敏感請勿看影片**每個星期不定時上傳影片 ... ... <看更多>
get force experience 在 [閒聊] NVIDIA GeForce Experience | PTT 熱門文章Hito 的推薦與評價
大家午安閒聊一下剛才的發現之前會用NV的GeForce Experience來查看當下遊戲的FPS結果剛剛在設定FPS顯示位置的時候意外發現現在多了一些FPS外的效能也 ... ... <看更多>