關於 good time中文歌 ，我們在網路上蒐集到這些相關的討論、資訊與評價

在充滿台灣風佈置 聞的到醬油味的東京酒吧
放三小時以上的中文歌
(看現場一直shazam 有趣

很難有的體驗
珍惜 感恩

CITAN TAIWAN DAYありがとうございました！日本で3時間以上に台湾音楽かけてみんなさんの笑顔を見せてくれて、すごく大切な体験をもらいました！
　　
10.04
"CITAN TAIWAN DAY" @ 日本橋CITAN
　　
18:00-
L.O.T / 林以樂
Aim High / 9m88
Das Wort / DJ-KOZE
台東人 / 陳淑樺
楓港的小孩 / 雀斑
遺夢Imon / 我是機車少女
我渴望愛 / 小蟲
夠不夠 / 方大同
宛若新生 / 李榮浩
花火祭 / 家家
當我來到這裡 (feat. 葛仲珊) / 蛋堡
葡萄成熟時 / 姚乙
微微的一笑 / 陳淑樺
小品文 / 張德蘭
你的心裡還有愛 / 尤雅
此情待追憶 / 李逸
溫暖 / 萬沙浪
黃昏裡 / 鄧麗君
風中的早晨 / 馬宜中 & 王新蓮
微涼的你 / 陳綺貞
妳在他鄉 / 剛澤斌
　　
20:00-
最高品質靜悄悄 (feat. Leo王) / 9m88
孬種走了 / 吕士軒
在教室 (feat. 老莫 ILL MO) / 艾文同學
Money Money / 鐵竹堂
SWAG午覺 (feat. 9m88) / 異鄉人
噓…… / 蛋堡
少女 / 林宥嘉
Villa / 落日飛車
讓我貼近你的笑臉 / 藍心湄
Old Time / 黃大煒
大膽愛我 / 葉歡
When Two Are In Love / 藍心湄
我的思念 / 李碧華
釀愛 / 蘇慧倫
甜蜜的房間 / Everfor
不標準情人 / 雀斑
三月的街頭 / DSPS
Ashs / 巨大的轟鳴
透早就出門 / 陳建瑋
部落 Party Night / Matzka
They Don't / Leo37+Soss
　　
22:00-
Common / iri
Palm Tree / YOUR SONG IS GOOD
無病呻吟 (feat. 蛋堡) / Leo王
討厭紅樓夢 / 陶喆
香草把噗 / 南拳媽媽
真想見到你 / 李玟
快快說愛我 / 李佳薇
Cappuccino / 蕭亞軒
保持帥哥 / 呂士軒
50個或許 / 家家
青春小鳥 / 糯米糰
I want you / 蛋堡
恁姐仔住市內 / 康康
Galala / 愛是唯一 love_1
江水向東流 / 紫薇
等無限時批 / 陳昇
台上一分鐘 / 巨大的轟鳴
拒絕再玩 / 張國榮
愛情雨 / 9m88
涼呀涼 / 鳳飛飛
桃花過渡 / 張乃仁
傲慢與偏見 / 陳淑樺
打錯了 / 王菲
標準在誰口袋 / 庾澄慶
受不了 / 麻吉弟弟
　　
ending b2b
愛奴 / 李英宏
最後一次說再見 / 薛岳
離開你的愛 / 蘇慧倫
做工做到人曉傻 / 邱清雲
稻香 / 周杰倫

Hello PBFs! I slept a lot and just woke up = =
Today's stream will start at 9pm (TW time 8pm)

Below is today's schedule!
IRL : Opening Fan's Gifts ! + New Dating Simulation Episode (First Kiss Episode)
Game : Wizard of Legend
Game : Hearthstone (Fun Deck Contest in Rank Game)
PBFs will make fun deck for me and I will play them on Rank game .. (please make good fun deck please Please PLEASE)
Once you make deck, upload your deck on discord channel (hearthstone-try-my-deck)

Today I will test total 5 decks and the highest win rate of the deck will get total 2000yoomcoins ..!!!!!! DUNDUNDUN!!!

IRL : 88 song (New Mandarin Song)

You will need time to make deck so I will start at 9pm ! (TW 8pm)

See you at 9pm!

Hello PBFs! 我睡了很久剛剛才起來= =
今天的實況會從9點開始（台灣時間8點）

下方是今天的实况行程！
IRL:粉絲禮物開箱！約會模擬新篇章（初吻篇）
Game : Wizard of Legend
Game : Hearthstone (Fun Deck Contest in Rank Game)
PBFs 會提供一些有趣的牌組給我，我會在Rank使用那些牌組(please make good fun deck please Please PLEASE)
如果你有有趣的牌組，請貼在Discord
(hearthstone-try-my-deck)
今天我會玩五個牌組，勝率最高的會得到2000yoomcoins!!!!!

DUNDUNDUN!!!

IRL : 88 song (新的中文歌)

你們會需要時間組排，所以我會從晚上九點開始實況 (TW 8pm)

See you at 9pm!

안녕하세용! 오늘 넘나 많이자서 방금일어남! ㅋㅋㅋ 오늘 방송은 9시에 시작할거에요!

아래는 스케줄입니다
IRL : 팬들한테 받은 선물 열어보기 + 새로운 에피소드 데이팅 시뮬레이션 (첫키스 편)
Game : Wizard of Legend
Game : 하스스톤
여러분의 똥덱으로 랭겜을 해봅니다! 여러분이 똥덱을 만들어주시고 디코 hearthstone-try-my-deck 채널에 포맷에 맞춰서 덱을 올려주시면 그덱들로 랭크겜을 해볼거에용 가장높은 승률을 갖은 똥덱은 2000윰코를 얻습니다 제발 좋은 똥덱 갓 똥덱 부탁드림니다
IRL : 88노래

여려분 덱만드는데 시간이 좀 걸릴테니 오늘방송은 9시에 시작하도록 하겠습니다 ! 그럼 9시에 만나용!

我哥之前因為陪朋友去考街頭藝人證照看到一些評審對街頭藝人的態度發聲 而上了新聞。我覺得他很勇敢的去做了一件對的事。

希望政府不會時間過了就不關心這些事情。希望我們都可以更客觀的去看藝術，尊重不一樣藝術和藝術家。我覺得以下我哥說的非常好，想跟大家分享。

想知道之前的事可看新聞連結：
http://www.storm.mg/article/270611

親愛的大家：


我想感謝所有支持我、以及給予我鼓勵意見的每個人；同時也要感謝熱情關注此事、協助揭露街頭表演者們應試處境問題的許多媒體與記者們。我很抱歉這些日子我保持著沉默—僅有一個原因：我並不希望這件事情，在台北市文化局正式給予溝通管道之前就發展到無法控制的程度；我很抱歉遲至今日我才發表這篇文章，但我確實需要一些時間來沉澱彙整我心中的感受和想法，而我也需要時間及一些協助使這篇文章能夠以中文來呈現。

在我採取更進一步的行動之前，我其實未曾預料到這件事情在媒體與社交媒體上的感染力如此龐大；我受寵若驚的感動能夠聽見發自你們每個人內心的聲音，而我也著實感到抱歉，面對著如潮水般湧來的各種訊息，似乎超過我所能負荷。請原諒我未能夠逐ㄧ去回應每個人的訊息，但我真的想讓你們知道，你們每ㄧ個人都讓我感到不可思議、帶給我深深的感動及感謝。

我不認為自己是一個勇敢的人，我也自知自己並非街頭藝人的代表或者發言人。但我是一個藝術創作者，一個表演藝術家，一個教育者，而最重要的，我身為一個 "人"。我的家人、朋友及師長們，總是教導我應該為正確的事情挺身而出。

我明白事情有時候總是不像我們所期待的永遠是非分明。但發生在5月21日星期天的街頭藝人評審事件，是對藝術群體的一種「極不尊重」。不論反面評論者所提出的藉口、理由或是文化差異等緣由，這些應試的表演者們，很顯然是被視為次等公民，或者（經驗與技能不夠成熟？）的學生等級。而與此同時，同樣非常清晰的是，街頭藝人評審制度或許是立意良善，但其審查過程的執行層面，卻是嚴重缺失連連。

藝術並非一種特權的這件事情如今已完全被遺忘。台北市文化局本應提倡所有具有文化及藝術可能性的事情，但它並未做到這ㄧ點。很顯然的，一個「對表演者的基本尊重」並不存在 — 許多表演者都如此感覺，有些人則深感受傷。

就算是得到全世界所有理應被如此對待的原因及理由，他們仍然感受到自己的不被尊重；因為這就是事實。

再一次的我想強調我並不是認定台北市文化局與該評審是一個「壞人」，我想強調的只是這個評審街頭藝人表演的執行環節，究竟有多麼的不妥當與糟糕。

我試著回應一個反面評論者所提到的觀點：若街頭藝人證照是ㄧ場「考試」、考試就會有考試的規則。評審無需與應試者惺惺相惜，掉頭就走是因為模擬街頭現場環境以及時間到了。再一次的，在我描述現場狀況的前ㄧ篇文章中，大家或許還記憶猶新：許多表演者根本沒有完整的短至一分半鐘的時間可以好好表演，遑論是超過2-5分鐘的時間限制了。

而這樣的回應是否也指出了另一個值得我們去思考的問題： 為什麼我們會將它視為一種「考試」，而不是ㄧ個表演者的「試鏡」呢？

首先，這些表演者們並不是學生。事實上，許多人更可能是一個專業的音樂家、舞者、或者正從事著表演藝術的人。當然，我不否認也可能會有些正在學習中的族群。但，最重要的是，當他們「在屬於他們應得的演出時間與機會裡 (而且還是付費才有的），他們就是ㄧ個真正的表演者。」

他們不應該被看待成一個不成熟的學生或者次等的公民。而就算一個人擁有著學生的身分，這個身分也不應該影響或侷限他或她，作為一個藝術創作者的身分及所有可能性。「藝術家」並非是透過一個人的職業身分或者社會地位來定義的。

所謂「考試」的這個字眼指涉著ㄧ個學術教育機構，而我們都知道台北市文化局所應該扮演的角色與作用，並非一個學術性的教育機構，也並非是用來教育藝術創作者們該知道些什麼？該怎麼表現？藝術教育及審美的養成也從來不是在追求填鴨式教育裡的ㄧ個標準答案。將街頭藝人的徵選視為「考試」的視角，或許本身就有待商榷。

評審的場所是在一個公共場合，許多居民與遊客都會圍觀欣賞著表演，其中有些人或許不了解藝術；因而這些人也許會將在場的評審們，視做為某種藝術的衡量標準；試問，當這些人看到評審對待表演藝術家的行為與態度，當他們看到評審總是任意打斷演出，並且掉頭就走不帶ㄧ句回應時，人們日後還能懂得尊重街頭表演藝術家嗎？

沒錯，我們都知道這是一場「考試」，我們也很清楚這些手上拿著計分表的人們就是評審；因此，事實上評審們根本無需「模擬」街頭現場那些會隨時走掉的陌生人們。

這些評審以及相關單位的人員，理應提倡藝術，並且作為ㄧ種示範與典範，讓普羅大眾都能夠看到該如何去欣賞ㄧ場演出。一個表演者並不會因為他選擇在街頭表演，就因此比不上一個在大舞台演出的藝術家。我自己就曾在世界各地超過百個不同的絢麗舞台演出過，但我仍然汗顏自己可能也不比這些街頭藝術家們來的優秀。

我曾擔任過ㄧ些國際比賽的評審，我也曾舉辦過專業的試鏡；我從來沒有聽過關於尊敬一個人的這件簡單事情，會需要在時間充裕的前提下才能夠發生。

如果一點表情會洩漏出評審成績的好惡，其實也真的可以不用笑或是無需在表演結束時說一聲謝謝。而評審也真的「不需要」與考證照的街頭藝人感覺惺惺相惜，因為這些都不是我想討論的重點。

我在意的是，表演者所需要的，只不過就是一個對人與對一個演出者的「基本尊重」而已。這樣的尊重存在與否，如人飲水冷暖自知，在人與人的接觸中就能直接感受的到，著實無需仰賴規則或語言的贅述。

我作為一個藝術創作者和教育者，穿梭各地工作超過15年的職業生涯經驗，或許會因此被視為一個外國人，但我的身分就是一個台灣公民。身為一個39歲的成年人，我可以分辨何謂尊重，而表達尊重甚至不需要浪費到任何一秒鐘。如果一個人會需要至少五分鐘以上的充足時間才有可能表達出對另外一個個體的尊重的話，那他可能需要重新再思考一下，尊重對他而言意謂著什麼？


再度回應一位也曾擔任過街頭藝人評審的老師所提出來「中途要求更換曲目或要求表演者改唱另ㄧ種語言的歌」的理由，是因為評審們不會希望一個街頭藝人一整年下來只會唱同一種語言、甚至是只唱同ㄧ首歌。

我所思考的是當一個街頭藝人遵守規定，付費且努力準備去應試時，他ㄧ定會準備了符合完整時間長度的、同時也是自己最擅長、最喜歡或者是最期待能被看見的那些內容；表演一首歌曲或者ㄧ種風格並不代表他就只會唱那ㄧ首歌；而且就算是當做他只會唱ㄧ種語言、ㄧ首歌，如果他能把這首歌反覆演繹的淋漓盡致時, 又有什麼不好呢？

難道我們不曾注意到百老匯的音樂劇就是同樣的那幾部，而獅子王也已經在舞台上展演了20年了嗎？許多同樣內容重複的音樂劇票房始終歷久不衰，持續帶給觀眾們心靈的滿足。而人氣歌手愛黛兒從頭到尾也只會用英文唱歌，而且幾乎都是類似的曲風，我們可曾在乎過她有沒有能力去唱中文歌呢？

ㄧ部舞蹈作品光在荷蘭本土就能有至少五十場大大小小的演出機會。但在台灣，ㄧ部作品如果能有五個場次的演出，可能已經算是很長壽了。這樣的環境迫使藝術創作者們必須不斷快速的「生產新作」，而將舊有積累的作品與經驗拋在腦後。就所有對於藝術的挹注與投資（不僅僅是金錢）來說，這樣的情況對藝術的生產是ㄧ種過度消耗與浪費，也並未真正教育到民眾如何去看待藝術的價值。

而最終，這樣的評審過程與態度並不僅僅是對街頭表演藝術者的不尊重，同時也是對於藝術的不尊重。

台北市文化局星期ㄧ曾經聯絡過我，親切向我表示將與我進一步聯絡並討論這件事情；他們要求我先將評審的照片拿掉—我答應取下照片，但前提是他們必須確實誠意的允諾一個面對面的溝通。這幾天我也暫時迴避了一些報導媒體的詢問（還請大家見諒）只因我衷心希望能先與台北市文化局及該評審當面談一談。我ㄧ直等待，但我也持續的看到了相關機構或人員回應給媒體的諸多理由與藉口； 自從將照片從網路上取下之後，直到今日都沒有人再跟我連繫過。慢慢的我突然明白星期一的那通電話，或許純粹只是ㄧ個希望我能將照片取下的操作手法，而並非真的試圖去了解整個經過以及解決問題。我對這個本應提倡藝術與文化的機構感到無比失望。

我知道我並非一個公眾人物，而我也不能代表所有想要考取街頭藝人執照的表演者們；自從我的臉書網頁訊息爆炸之後，我就不斷的在思考這件事情，我反覆思考自己是否該繼續爭執此事，這似乎並非與我切身相關的事情，然而，身為一個藝術教育者，我卻又感受到深切的責任。

經過反覆的思考以及與朋友們的討論，我意識到不論我們的展演形式如何不同，我們同樣都是表演藝術群體中的一分子。台北市文化局最後很可能將持續充耳不聞，而這位被我所抱怨的評審也可能繼續做他這些年來ㄧ直在做的事—用他ㄧ貫的態度。除非他們願意傾聽與改變，否則我無法改變任何人。

我真心相信有些事情值得改善，也可以改善。我必須強調我並不是想要攻擊或羞辱任何人。我只希望能有機會去討論如何讓審查的過程變的更適當。我看到台灣有許多優秀的藝術家，但環境對藝術和藝術家的不尊重不但打擊同時也限制了他們的發展；更遺憾的是，這一切可能是在許多疏忽之中造就出來的環境。

許多評審過程如果能夠在尊重藝術的前提之下思考和進行，事情或許會截然不同。
只要有一點點可能去拋開面子的問題，或許也就有機會明嘹我們所期待的結果其實是一樣的。

事實上我之所以說了這麼冗長的話語，並非是要不尊敬所謂的評審或師長，而正是因為我對藝術的尊敬，使我更深切的關注身為一個教育者所代表的意義。今天我看到了街頭表演藝術家是如何被不當的對待，而很顯然的我也不會是唯一的目擊者。某個程度上我的聲音似乎被放大了，但我也知道我的聲音並不是唯一的一個，我是許許多多的聲音中的ㄧ份子。

William

---------

Dear All,

I would like to thank you for all the encouraging messages and supportive comments. I would also like to thank all the journalists and reporters who are passionate about this issue and are so willing to expose the problem that was faced by these street performers. I am sorry that I have been quiet but with a reason: I don’t want it to get much bigger than it already was until I talked to the Taipei Cultural Affair. I apologize that it took me a while, but I needed some time to gather my thoughts and help to translate my writing into Chinese.

Before I go on any further, I never expected my story would go viral on the media and the social media. I am humbled and touched to hear from many of you. All the messages I’ve received have been overwhelming. I am not able to reply to all of them, but I’d like you to know that I am honored, thankful, and touched by every single one of them.

I do not consider myself as a brave person, nor do I consider myself a representative for the street performers. BUT I am an artist, a performer, educator, and most of all I am a human being.I have always been taught to stand for what’s right by my family, friends and mentors.

I understand things are not as black and white as we all wish sometimes. However, what happened on Sunday 21st of May was a disgrace to the art community. Regardless of all the excuses that were given or cultural differences, it was very obvious these performers were treated like lower-class citizens; if not, students. It was also very clear that the intention might be well, but the execution of the busker’s exam was done horribly.

Somehow the idea that ART is NOT a privilege had been forgotten. Taipei Cultural Affair is supposed to be advocating for all things cultural and artistic but it was not conveyed that day. It was very clear the respect was not there. Many felt it and some got their feelings hurt. Even with all the excuses there are in the world, many experienced the disrespect. That was the truth. Again I have to emphasize that I believe Taipei Department of Cultural Affair and its adjudicators are good people, but the execution of the exam was poor.

It brings to the question…. why is it called an exam? Shouldn’t it be an audition?

These performers were not students when they took the exam. Some of them were actually professional musicians, dancers, or performers. Just because one is a student, it doesn’t make him or her less of an artist. Artists are not defined by their social status or occupation.

The term exam suggests an educational institution, but we know Taipei Department of Cultural Affair is not an educational institution. They do not decide what these artists need to know. These performers were not given any materials to study, thus the term exam is very misleading.

The exam took place in a public space. Many tourists and residents were there to enjoy the event. Many do not understand arts. So they may look up to these adjudicators as role models who are experienced in the arts. When they saw how this exam was being done, do you think they would have any respect for these performers afterwards? They saw these adjudicators interrupting the performers and left without saying a “thank you.” We all knew it was an exam, we all knew these people were adjudicators. They did not need to pretend to be street spectators who just walk away. They all carried their score boards in their hands.

Just because a performer performs on the street, it doesn’t make that performer any less of a performer than someone who is performing on big stages. I myself have performed over hundreds of stages around the world and I do not dare to think myself better than these performers.

I have judged a handful of international competitions. I have also held professional auditions. I have never heard an excuse that respect can’t be shown when time is limited. You do not need to smile to simply say “thank you.” Since when, a smile means “I favor you.” What a performer need is respect. Over the 15 year span of my professional career as an educator and artist, and 39 years of being a human being, I know what respect looks like. It doesn’t take more than a second to show it. If it takes longer than 5 minutes to show what respect is, I think you may need to rethink what respect means to you.

Another excuse that was presented was that they don’t want a street artist performs only one kind of songs or genre throughout the year. Don’t they know broadway musicals? Lion King has been performed over 20 years. They’ve been doing the same musical numbers for years to sold out audiences. Adele has been singing the same genre of music and always in English. Does it matter that she doesn’t sing in other genre or sing in Chinese?

One dance production in the Netherlands can be performed up to 50 performances within the Netherlands itself. In Taiwan, a dance work only performed 5 times the most. They are forced to constantly create new works and leave the old works behind. That is a waste of arts funding and it doesn’t educate the public on the value of the arts. These performers is old enough to decide what they want to show these judges with their limited time.

In the end it wasn’t just disrespectful to the performers, but also to the arts.

I was contacted by the Taipei Cultural Affair on Monday, the representative spoke nicely promising that they would discuss further with me. He asked me to take the adjudicator’s picture down, I agreed with the condition of meeting in person to further discuss what could be done better. I have refused to talk to reporters for the last few days. I have been waiting but I then heard the excuses given to the media. Since I’ve taken down the picture of the head adjudicator, they haven’t made any attempt to contact me. I came into a realization that when they made the call, it wasn’t to address the problem but simply to manipulate me to take down his picture. I’m disappointed at this institution that was supposed to promote the arts and culture.

I realized I am not a public figure, nor am I responsible for the well being of all artists who want to get a busker license. After my Facebook post went viral, I’ve been thinking so much about this issue. I kept going back and forth questioning whether I should keep fighting for this. It doesn’t feel like my fight, but at the same time I feel responsible as an art educator.

I truly believe this can be fixed. I need to emphasize, I am not attacking anyone. And I don’t want to shame anyone. I want to start a discussion how to make it better. Taipei has some of the best performers I’ve seen, yet the lack of respect for the arts and artists has suppressed their ability to excel. And ironically, it’s often done unintentionally.

If the exam is done based on respect for the arts itself, things might have come out differently. And just maybe if we all let go the “face” culture, we could possibly see further to realize that we are all wanting the same thing.

I saw mistreatments towards performers that day. It was very obvious I wasn’t the only one witnessing it. It was not that I don’t respect these adjudicators/teachers, but because I respect the arts and the meaning of a teacher that is why I had to speak up. Somehow my voice had been amplified this week. But my voice wasn’t and isn’t singular. I am simply a voice amongst many.

Sincerely,
William Lü

Taipei National University of the Arts 國立台北藝術大學
寶藏巖國際藝術村 Treasure Hill Artist Village
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
Department of Cultural Affairs, Taipei City Government

《Walpurgis》
ever after / 從今以後，永不分離
作詞 / Lyricist：aimerrhythm
作曲 / Composer：百田留衣、玉井健二
編曲 / Arranger：玉井健二、 釣俊輔
歌 / Singer：Aimer
翻譯：澄野（CH Music Channel）
意譯：CH（CH Music Channel）
English Translation: CH（CH Music Channel）

背景 / Background - 曇のち - 荻pote:
https://www.pixiv.net/artworks/84907990

上傳你的字幕吧！/ Submit your subtitles here!
https://forms.gle/MSsAM2WHpT31UuUh8

版權聲明:
本頻道不握有任何音樂所有權，亦無任何營利，一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。

Copyright Info:
Be aware this channel is for promotion purposes only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.

すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽（または画像）の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。

如果你喜歡我的影片，不妨按下喜歡和訂閱，你的支持就是我創作的最大原動力！
If you like my videos, please click like and subscribe! Thx :)

粉絲團隨時獲得最新訊息！
Check my Facebook page for more information!
https://www.facebook.com/chschannel/

中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=5130288

日文歌詞 / Japanese Lyrics :
あと少しでいいから　ここにいて
それくらい　いいでしょ？　気づいてよ
振り返るたび　いつもまぶしくて
あなたの笑顔が　よく見えない

かけがえのない時間(とき)　これからもずっと
続いていけるような
ありふれた願い抱えた手を
零さないように　重ねて

ただ笑ってたくて　そばにいて欲しくて
誰よりもその心に触れたくて
あなたの優しい声　聴かせて欲しいんだよ
目を閉じてほら　消えないように包みこんでいて欲しいんだよ

無理しなくていいから　窓開けて
ひとりにしないから　はなしてよ
握り返せないほど　凍えた
指先をそっと　とかすように

当たり前の奇跡　忘れてしまうほど
満たされてる日々を
白みゆく夜を見送るたび
想いだしていたいよ　何度も

ただ笑ってたくて　そばにいて欲しくて
探してしまう　心に触れたくて
吐息をたしかめて　ぬくもり分け合って
それだけでいい　この手を離さないでいて　いつまでも

擦り切れそうな言葉とか　剥き出しのままの欠片に
その瞳(め)が滲んでも　ここに　ここにいるよ　ずっと

ただ笑ってたくて　そばにいて欲しくて
誰よりもその心に触れたくて
あなたの優しい声　聴かせて欲しいんだよ
目を閉じてほら　消えないように包みこんでいて欲しいんだよ

中文歌詞 / Chinese Lyrics :
即使是短暫的片刻也好，陪在我身邊吧
只是任性一下並不過分吧？快察覺呀
回首看見的一切總是如此絢麗耀眼
燦爛得令我無法看清你的笑容

彷彿這段最珍貴的時光與點滴
從今以後仍能持續
為了不讓滿溢的願望自手中遺落
兩人彼此雙手相疊，十指緊扣

只願能與你相笑、願你能與我相伴
比任何人還更渴望知悉你的心意
我只想聽聽你那溫柔的聲音
我只希望在我閉上眼之後，你仍能緊抱著我，不再放手

可以不用再勉強了，打開窗戶吧
我不會再讓你感到孤獨了，敞開心扉吧
如靜靜地融化你那——
冰冷至無法握緊的雙手與指尖般

早已快遺忘，猶如理所當然般的奇蹟
每度過一天充實的時間
每見證一次漸明的夜晚
不論多少次，我都想憶起，那份彼此相遇的奇蹟

只願能與你相笑、願你能與我相伴
渴望知悉你的心意而不禁起身探尋
配合彼此的呼吸、分享兩人的溫暖
我不多奢求，僅渴望不放開繫起的雙手，永遠不放開

漸漸磨損消逝的話語，與剝落顯現出的片刻點滴
即使那雙眸已因此濕潤朦朧，但我在這、我就在這呀，永不離去

只願能與你相笑、願你能與我相伴
比任何人還更渴望知悉你的所有一切
我只想再聽聽你那溫柔的聲音
我只希望在我閉上眼之後，你仍能緊抱著我，不再放手

英文歌詞 / English Lyrics :
A little bit is enough, please stay by my side.
It's not too much and wilful, right? Just notice me!
Turning around, your smile is dazzling.
So bright that I can't see you well.

From now on, those irreplaceable times will definitely,
Last forever after.
Putting our hands together, so that these ordinary desires wouldn't slip through and spill out.

I just want to smile with you, wanting to stay by your side.
I want to know all your heart more than everyone else.
I want to hear your gentle voice.
I want you to hold me tightly so that everything won't disappear while I close my eyes.

No need to force yourself, just open the windows.
You're not alone, just share your feelings with me.
As if I gently melting your frozen fingers that can't be grasped.

My days are so satisfying that I've completely forgotten the miracle I took for granted.
Every time I see the dawn illuminates the night,
I want to remember it, more and more.

I just want to smile with you, wanting to stay by your side.
I want to search for your heart.
Checking our breaths, sharing our warmth.
Those are good enough. I just want you to hold my hand tightly so that we won't let go forever ever after.

Frayed words and unconcealed pieces,
are making those eyes blurred in tears.
Hey, I'm here, always be here for you, forever ever after.

I just want to smile with you, wanting to stay by your side.
I want to know all your heart more than everyone else.
I want to hear your gentle voice.
I want you to hold me tightly so that everything won't disappear while I close my eyes.

我寫的第一首中文歌! 老婆有什麼反應？❤️🎵 | I wrote a song for my wife in Chinese! feat. Dena!

Hey It's Dena:
https://www.youtube.com/channel/UC8SL1DuWX8YpGe8Y781zq8A

Charlie:
https://www.youtube.com/channel/UCyD3eaCai2yyWZEuczgZ-fw

Subscribe me:
http://bit.ly/1nTklXP

合作邀約請寫信到：
imjonastw@gmail.com

Thank you for watching! The more views/likes/shares the more time I can devote into making good videos. Thank you all!

Youtube: http://bit.ly/1nTklXP
Instagram: www.instagram.com/jonas.tjd
Contact: imjonastw@gmail.com
Facebook: https://www.facebook.com/iamjonast/

2020 全世界被恐懼不安籠罩陷入一片低迷
此時此刻人與人之間更需要的是善意及正能量而非仇恨對立
讓我們一起互相扶持撐過這一切
相信一切都會好起來
We Are All One! We Will Persevere!
We Will Be #Good !

2020 The world is shrouded in fear
At this moment, people need more goodwill and positive energy instead of hate and confrontation.
We should support each other through these tough times
I believe everything will be fine
We Are All One! We Will Persevere!
We Will Be Good!


《KENJI 趙健志 - We Will Be Good》

Good Good Good Good Life
Good Good Good Good Food
Good Place Good Time
Good Friend Good Good Good Fun

Good Good Good Good Life
Good Good Good Good Food
Good Place Good Time
Good Friend Good Good Good Good Fun

太在乎別人怎麼看
從早忙到晚
孤獨奮戰
忙到累癱
忘了吃飯
OH OH

微風吹過草原
盛開的繡球花田
多久沒有看看
這片天有多藍

世界不停不停的轉
時間不停不停的趕
是該把腳步放慢
是該讓自己喘喘
OH
I know You know
你儂我儂
有你有我 衝出寒冬
OH Yeah

Good Good Good Good Life
Good Good Good Good Food
Good Place Good Time
Good Friend Good Good Good Fun

Good Good Good Good Life
Good Good Good Good Food
Good Place Good Time
Good Friend Good Good Good Good Fun

Good Good Good Good Life
Good Good Good Good Food
Good Place Good Time
Good Friend Good Good Good Fun

Good Good Good Good Life
Good Good Good Good Food
Good Place Good Time
Good Friend Good Good Good Good Fun


《KENJI 趙健志 - We Will Be Good》
( #2020 #行政院 #農委會 及 #台灣休閒農業發展協會 聯合推出「#5G健康遊、#放心玩農場」的 #主題曲)

#製片 #Producer：京采活動工程股份有限公司
#監製 #Producer：AU 創藝娛樂全方位表演藝術
#攝製 #Filming：尚影映像錄製有限公司
#演唱 #Singing : KENJI 趙健志
#作詞 #Lyrics ：KENJI 趙健志
#作曲 #Compose：KENJI 趙健志
#製作人 #Producer ：KENJI 趙健志
#執行製作人 #Associate producer : 許瀚元 (Hank)
#編曲 #Arrangement ： 許瀚元 (Hank) 蔡豐懋 (BanQ)
#錄音 & #混音 #Recording & #Mixing ：許瀚元 (Hank)
#母帶後期處理 #Mastering ： 許瀚元 (Hank)
#錄音室 #RecordingStudio：Bright House Music 音樂藝術空間
#和聲 #BackingVocal ： SuperMaki
#舞者 #演員 #Dancer & #Actress : 王薇婷 李欣儒
#化妝 #Makeup : 吳育佳 (Charis 佳作 Makeup stylist)
#唱片 #封面設計 #Coverdesign：邱若儀

特別感謝

#財福海芋
#小崇ㄉ果園
#水月休閒藍鯨魚寮
#仙湖休閒農場
#向禾休閒漁場
#好蝦冏男社
#沐心泉休閒農場
#私房雨露
#卓也小屋
#馬蹄蛤主題館
#祥語有機農場
#勝洋休閒農場
#新峰農場
#頭城休閒農場
#龍雲農場
#佛光大學未來與樂活產業學系

【#WeWillBeGood】已上架到以下平台

[TW] #friDay音樂 http://omusic.friday.tw/albumpage.php?album_id=2410332
[TW] #myMusic https://www.mymusic.net.tw/ux/w/album/show/2318330
[TW] #KKBOX https://www.kkbox.com/tw/tc/album/qpDKo3djedQXN0F4h5l9009H-index.html
[TW] #遠傳 #電信
[TW] #LINE MUSIC #台灣

[CN] #虾米音乐 https://www.xiami.com/album/qy8kok758b8
[CN] #QQ #音乐 https://y.qq.com/n/yqq/album/0031L2QH1rlk2c.html#stat=y_new.singer.index.album_pic
[CN] #网易云音乐 https://music.163.com/#/album?id=91113807
[CN] #酷狗音乐 https://www.kugou.com/yy/album/single/38161981.html
[CN] #酷我音乐 http://www.kuwo.cn/album_detail/14508717
[CN] #咪咕音乐 http://music.migu.cn/v3/music/album/1134172653

[HK] #MOOV
[HK] #JOOX

[國際] #Spotify https://open.spotify.com/album/5dK1LFHr8hMEuHqcHt0jNF
[國際] #iTunes
[國際] #Amazon Music https://www.amazon.com/-/zh_TW/We-Will-Be-Good-Kenji/dp/B08BG5S4M4/ref=sr_1_1?dchild=1&keywords=KENJI+We+Will+Be+Good&qid=1592808633&s=dmusic&sr=1-1
[國際] #Deezer
[國際] #YouTube（已登錄 #ContentID 服務）
[國際] #Pandora
[國際] #TIDAL https://listen.tidal.com/album/145715893
[國際] #Apple Music

[海外] #iHeartRadio
[海外] #Napster https://us.napster.com/artist/kenji/album/we-will-be-good

#Youtube : KENJI 趙健志
#Facebook fan page : KENJI • 健志(https://www.facebook.com/ArtistKenji/
)
#Instagram: kenjiohya
Personal pages: kenjiohya.strikingly.com/

#台灣 #旅遊 #農遊券 #農場 #farm #Taiwan #travel #FUN #5G #玩
#kenji #趙健志 #WeWillBeGood #Futurebass #ElectronicDanceMusic #edm
#MUSIC #DANCE #POP #tiktok #chillmusic #summer #summermusic