【天青色等煙雨,而我在等你】(English writing below)
我看著客人眼淚
滴滴答答的打在桌面上
筆記本
濕了
本子上的字
糊了
她的心酸
猶如洪泉遇到崩裂的堤壩
一波一浪的破牆而出
一個被愛情辜負的女子
看了真是心疼
我不由自覺的
想到了自己
你懂我的
像我這樣剛烈的女子
爲了愛情
我絕不退縮
祇是一個勇字
又豈能成事呢
童年
過得心驚膽顫
家裡常吵得
雞犬不寧
爸爸沒想要
把我生下
媽媽常說
要把我趕出去
我很努力讀書
我很努力做個乖孩子
我覺得我做得很好
人小小本事很大
但這些終究無法
讓我在美滿的家庭長大
多少個夜晚裡
我被媽媽打得
想奪門而出
永不再見
可是想到誰來照顧她
我又忍下來
我很恨
為何我命運不如人
第一次談戀愛時
我是多麼多麼的雀躍
內心裡的煙花
不斷地爆開
我終於等到了
不再是
沒人要的孩子了
我終於
值得有人愛了
初戀的絢麗
卻也如七彩美麗的煙花
一聲巨響後
就消失在漆黑的夜裡
他常常在我面前
提到他如何深愛著
他中學時的校花
她是如此的美好
有一次
這校花來我們的學校
他得知後
破課室的門而出
沒見到她
他哭了一整個星期
心中的不安
讓我常常與他吵架
三年零八個月裡
我不是一個好女友
服滿兵役後
他喜歡上大學迎新會
的一位混血兒
後來
我和一位校友打了幾次桌球
某夜
他在ICQ向我索吻
對他的印象
就一落千丈了
(你以為老娘在賤賣嗎?)
不久一位朋友告訴我
他約會的對象
不只我一個
我有一位
很好很好的朋友
我在新加坡時
他常陪我
深夜打桌球到清晨
聊佛法聊人生
一起上佛學班
一起學國標舞
從未有一個人
如此瞭解我的心
如此照顧著我
但無所不談的當兒
他也不斷告訴
這麼多年來
他如何愛念著
一個女孩
對她始終無法忘懷
我又輸給
活在記憶中的人了
我這一份單戀
長達兩年
很磨人很磨人很磨人
差一點走不出來
第二次談戀愛
他常在我面前提起
一個他追了半年追不到的女孩
他說
有一天一定要去問她
為什麼不選擇他
在家裡的毒打
並沒有隨著我成人
而停止
後來拜師學藝
卻因爲品德不良
被師父一句
「你不是我要找的人。」
斷然吃了閉門羹
那天我哭得痛徹心扉
覺得自己
好像是
個沒人要的孩子
方文山因爲
八百年前
宋徽宗皇帝御批的這句
「雨過天青雲破處」
而在周傑倫《青花瓷》裡
寫了『天青色等煙雨,而我在等你』
他說
愛情里最無力的無奈
就是「等待」
天青色得等待
不知何時會降的雨
雨停
積雲散去
朗朗晴空中
天青色才能顯現
如同我
只能被动而安静的
等待着
不知何时才会出现的妳。
慢慢的
我開始認為
我這輩子等不到了
月老應該沒幫我
綁上紅線
學佛多年後
忽然恍然大悟
一個道理
没有东西是必须拥有的
沒有它
也不代表自己的不足
愛情
是一個填不滿的慾望
所以愛情劇長紅
在2015年2月21日年初三,根本上師蓮生活佛在台灣中天綜合電視台的訪談中說:https://youtu.be/EPDxwSt6a5I (時間12:08)
「師尊本身的愛是這樣的。我既然愛她,就是要她幸福,不是要佔有她,這種愛不是佔有,其實愛不是佔有。如果愛是佔有的話,那就是屬於慾望。如果愛不是佔有,我是祝福她,雖然我愛她,她不愛我,她愛別人,我就祝福她。如果愛別人會比較幸福,我就祝福她。這種愛就不是佔有的愛。如果是佔有的愛,一定會產生痛苦。」
原來我真正在等的
是自己
自己的智慧開了
心變闊達時
才不會讓他人決定
自己幾時可以幸福
可以幸福多久
命運在我手中
怎麼走本來就是我說了算
我輕輕的拿起桌上的紙巾,遞給女客人。她一把鼻涕,一把眼淚的向我道謝。
借了師父慣用的笑話,我柔聲細語的說:「別哭,新加坡缺水,要哭要到蓄水池哭,這樣我們可以少看馬來西亞的臉色做人。」
她破涕而笑。
我再說:「我看了妳的八字,現在又看到妳真人,勸你跟我講話老實一點,要不然我幫不到妳。妳明明一直做人家的小三,還敢跟我哭沒有男人要和妳結婚?妳不也偷偷拿了他不少錢嗎?我看妳明明就是一張愛錢的臉。」
奉勸各位大俠,在我面前,若要用眼淚爲武器,請三思,因爲虛偽的,我必定拆你面具。
..........................
I looked at the teardrops of my client, pitter patter onto the table top. My client's notebook got wet. The words got muddled.
All the pains in her heart were like the angry river crushing through a broken dam, tearing down the walls as the tears flowed.
To see a lady being let down by love was indeed heart-breaking.
I couldn't help but thought of myself.
You know me. An unyielding character like mine will not shrink like a coward in the name of love. Alas, there are things in life that can't be accomplished solely with courage.
My childhood was filled with a lot of fear. There were often quarrels at home.
My dad didn't want me to be born. My mum often said she wanted to chase me out of the house.
I studied very hard. I did my utmost to be an obedient kid, and I thought I did very well as young child but I was already very capable. However, all these were not enough for me to grow up in a complete family.
So many nights, I got beaten up so badly by my mum that I wanted to just break out of the door and never to see her again. But the mere thought of nobody looking after her pulled me back.
I hated so much. Why wasn't my destiny comparable to other people?
When I first fell in love, I was so elated. The fireworks in my heart exploded non-stop. I finally found someone. I was no longer that child which nobody wanted. I was finally worthy of someone's love.
The splendour of first love, however, was as temporal as the rainbow-coloured fireworks. After a loud explosion, it vanished into the darkness of night.
He would often tell me in my face, how much he pined for and loved his secondary school crush, apparently the prettiest and most perfect girl in school.
Once, this campus belle came to our school. When he got wind of the news, he dashed out of the classroom. Failing to see her, he cried for one whole week.
My insecurity caused me to quarrel with him often. In those 3 years and 8 months, I wasn't a great girlfriend. After his NS, he got together with a girl of mixed blood at his university's Orientation camp.
I played pool with a uni mate a few times. One night over ICQ, he teased me for a kiss. My impression of him dropped like hot cakes. Did I look like I was lelong-ing myself? Later, a girl pal told me that he was dating several girls at the same time.
I had a very good friend. Whenever I was in Singapore, he would accompany me to play pool till wee hours. We talked about Dharma, life, and we attended Buddhism and ballroom dancing classes together. I had never met a person who understood me and took care of me so well.
But among our endless conversations of everything and anything, he always told me how he still loved a girl from his school. He couldn't forget her.
Again, I lost to someone who lived in the memory of the guy I liked.
This one-sided love of mine burned for two years. It was very, very, very excruciating. I almost didn't make it out alive.
In my second relationship, the boyfriend would always tell me about a pretty girl whom he pursued for half a year, but failed to win her heart. He told me firmly that if he had the chance, he wanted to ask her why she did not choose him.
The abusive beating at home did not stop even after I grew up.
Later on, when I wanted to become Shifu's disciple, he turned me down flat because he didn't think I had good morals and values. He was blunt, "You are not the person I am looking for."
That night, I cried painfully hard. Suddenly, I felt like I was the kid from my childhood whom nobody wanted.
800 years ago, Emperor Huizong of Song Dynasty wrote in an imperial decree "雨過天青雲破處". It was this that inspired Vincent Fang (方文山) to write the lyrics 『天青色等煙雨,而我在等你』in Jay Chou's song 青花瓷 (Blue and white porcelain).
Vincent Fang said, the most powerless kind of helplessness in love was waiting.
The sky green colour had to wait for the rain, which it had no idea when it would arrive. After the rain stopped, the thick clouds dissipated, in the clear skies, the sky green colour would then be able to appear. This was just like how he could only passively and quietly wait, for his lady whom he had no idea when she would appear.
Gradually, I started thinking that in this lifetime, I would not be able to wait for that person to appear. Perhaps Yue Lao (the elderly celestial under the moon) did not tie the red string on me.
After many years of learning the Dharma, one day, I suddenly came to the realisation that nothing is a must to own.
Secular love is a black hole of desires. That is why romantic shows are evergreen.
On 21 February 2015, the 3rd day of the Lunar New Year, my Root Guru Living Buddha Lian-Sheng spoke in an interview with the Taiwan CTI Television Inc.: https://youtu.be/EPDxwSt6a5I (timestamp 12:08)
"My personal take on love is this. Since I love her, I will want her to be blissful, and not to possess her. Such love isn't possession. Actually love isn't possession. If love is possession, that belongs to desire. If love isn't desire, I will wish her well. Although I love her, she doesn't love me, but loves another person, so I will give her my best wishes. If loving another person brings her more happiness, I will wish her well. Such love isn't possessive love. If it is possessive love, there will surely be pain."
Then I realised, the one that I had been waiting all along for is myself. Waiting for my wisdom to develop, waiting for my heart to be more open, so that I would not place my happiness in the hands of another person, and let the person decide for me when I should be happy, for how long I can stay happy...
My destiny is in my hands. How it pans out is up to me to say.
I gently picked up a serviette from the table and passed it to my lady client. In a mush of mucus and tears, she thanked me.
Borrowing an old joke from Shifu, I gently told her, "Don't cry. Singapore lacks water. If you want to cry, you should cry at a nearby reservoir. This way, we don't have to see the colours of Malaysia in order to get more water."
She broke into a smile among her tears.
I continued, "After looking at your Bazi, and now that I have seen you in person, I advise you to be more honest with me, or else I will not be able to help you. You have all along been a mistress to other men, and you dare to come crying to me that no man wanted to marry you? Didn't you also stole some money from them? The way I see you, you obviously have a money grubber face."
My advice to all swordsmen: If you wish to use your tears as a weapon in front of me, think thrice. Because if you are a hypocrite, I will definitely rip your mask apart.
同時也有17部Youtube影片,追蹤數超過4萬的網紅王Leo,也在其Youtube影片中提到,00:00 消化不良 (Bad Digestion) 03:51 白飯 (Baifun) 07:14 都有體會 (Experienced That) 11:15 鏡子 (Mirror) Bad Digestion, a four-song EP from Taiwanese hip-hop inn...
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great things lyrics 在 鴨頭 嘉人 Facebook 的最佳貼文
【キンコン西野、HYDE愛を語る】
今日は大切なお知らせが二つございます。
まず一つ目ですが、映画『えんとつ町のプペル』のオンラインムビチケの発売が開始しました。
コチラ→https://mvtk.jp/Film/070395
前売価格なので、若干お買い得になっていて、一般が1500円。子供が800円です。
でもって、オンラインムビチケ(前売券)の購入特典として、「特製スマホ壁紙」がプレゼントされます。
こちらは、初公開となる映画『えんとつ町のプペル』のメインビジュアルです。
個人的にメチャクチャお気に入りの一枚で、今日は、この絵のことを少しだけ説明させていただきます。
主人公のプペルとルビッチが煙突の上に座って、上を向いているのですが、「上を向く」というのが今作のテーマでもあるんですね。
劇中、高いところが苦手な煙突掃除屋の少年のルビッチ君が、ハシゴを登る時に下を見ちゃうシーンがあります。
下を見ると、体重が後ろにかかるもんですから、立てかけてあるハシゴが揺れるんですね。
それに対して、下で見守っていたルビッチ君のお父さんの「ブルーノ」さんが、「下を見るから揺れるんだ。上を見ろ」とアドバイスするわけですが、これはハシゴに引っ掛けた世の理で、僕らは上を向いている時は体力的に少々大変でも頑張れる。
それこそコロナなんて「来月終わります」と言ってもらえたら、その希望をオカズに1ヶ月ぐらいの貧乏は我慢できる。
だけど、コロナの場合は「いつ終わるか分からない」という、「希望が取り除かれた状態」だから、精神的にかなりグラついてしまう。ともすれば鬱っぽくなる。
そう考えると、「希望」というのは、僕らが生きていく上で必要なもので、「上を見る理由」を提供することは僕ら表現者の仕事の一つでもあるなぁと思いました。
映画『えんとつ町のプペル』は来年公開に延期する話も上がったのですが、「いやいや、今年公開しよう!」とワガママを言いました。
大変なのは百も承知で、だけど、だからこそ、皆と同じように大変な中で頑張って、頑張って頑張って結果を出す。
その姿を見せることができたら、「ああ、こんな中でも死ぬ気で努力すれば活路が見いだせるんだな」と思ってもらえて、誰かの規模になることができるなぁと思って、今年公開に踏み切りました。
メインビジュアルは、そういう気持ちを全部込めて、「煙に覆われて、なかなか星が見つからない町の中で、それでも上を見続ける主人公達の横顔」にして見ました。
この絵が頑張る人のお守りになると嬉しいです。
オンラインムビチケをご購入いただけると、特典で付いてきますので、是非!
https://mvtk.jp/Film/070395
んでもって、大切なお知らせの二つ目です。
昨夜、YouTubeの生配信で喋ったのですが、HYDEさん愛が爆発してしまって1時間近く喋っちゃったので、あたらめて短くまとめます。
映画『えんとつ町のプペル』のオープニング主題歌「ハロウィンパーティ プペルver.」の配信が開始されました。
コチラ→https://hyde.lnk.to/hppoupelleTP
HYDEさんが子供達と歌っているのですが、これ、本当にビックリするぐらいカッコイイので、一度聴いてください。
僕は昨夜から、かれこれ20回ぐらい聴いています。
こちらの楽曲は、もともと2012年頃に発表されていたんです。
それが、もう、とっても素敵で……まもなく、日本にもハロウィンが一つの文化として根付いて、その後、様々なハロウィンソングが世に出てきたのですが、僕個人的には、この楽曲を超える「ハロウィンソング」には出会わなかったんですね。
やっぱりブッちぎりだったんです。
映画『えんとつ町のプペル』のオープニングシーンの脚本を書くときも、後ろにずっとこの曲を流していて、この曲に引っ張られるようにオープニングを書いたんですね。
で、いよいよ「オープニング曲の制作をしよう」という段階に差し掛かった時に、「いや、ちょっと待てよ」と。
2012年から、HYDEさんの「ハロウィンパーティ」を超える曲が出てこなくて、んでもって、そもそも「ハロウィンパーティー」を流しながら、この曲に合うように本を書いてしまっている。
この条件で、「ハロウィンパーティーを超える曲なんて作れるんだっけ?」と思ったんですね。
というわけで、「一旦、ダメ元で、HYDEさんに、この曲を使わせていただけるか、お願いしてみよう」と。で、「ダメだったら、頑張って作ろう」ということで、話がまとまったんです。
やっぱり、「イイものはイイ」ので。
変にエゴをこじらせて、何でもかんでも「自分でやる」とするのではなくて、素晴らしいものにあやかれるのなら、あやかった方がイイ。
それが製作総指揮の仕事だなぁと思ったんです。
で、ダメ元で、HYDEさんにお願いしたところ、これが本当に本当にありがたいことに、なんとHYDEさんが、そもそも『えんとつ町のプペル』のファンでいてくださって、快く「オッケー」をくださったんです。
こんなにありがたいことはありません。
そして、もっとありがたいのはここからです。
ここから僕のHYDE愛が爆発するのですが……映画館で流すとなると規格も変わりますし、さらには前後の音楽とのバランスもあって、今回、「ハロウィンパーティー」を映画用にアレンジする必要があったんですね。
そこからのHYDEさんが本当に最高すぎたのですが、HYDEさんったら、楽曲を提供して終わりじゃないんです。
「えんとつ町」には、こういう音は鳴らない」とか「煙の中から聴こえてくる音は、こっちだ」といった感じで、映画用のアレンジを本当にトコトン付き合ってくださったんです。
テレビのインタビューだと「オッケー、オッケー」といった軽い感じで受けて、サクッとやりました感が出ていますが、どっこい、皆さんが思われている「トコトン付き合う」の5倍ぐらいトコトン付き合ってくださった。
歌詞も若干変わってるんです。
もともと歌詞の中に、「月明かり」というワードがあったのですが、「えんとつ町」は煙に覆われて空を知らない町なので、月も知らないので、「月明かり」が「薄明かり」になっていたり、その他にも、えんとつ町にあるハズがないものは歌詞から省いて、えんとつ町仕様に変えてくださったんです。
んで、また、子供の声との相性が抜群!
ロックミュージシャンと子供が、メチャクチャイイ感じに融合している。
一言でいうと、「HYDEさんが好きだ」ということです。
学生時代、僕はアルバイトで、ラルク・アン・シエルさんのコンサートスタッフをさせていただいたんです。
スタッフはステージに背を向けて、お客さんの方を見なきゃいけないのですが、両耳は全部ステージの方を向いていて、実は、その時のライブに、まだ出会う前の梶原君も来ていて、僕はスタッフとして、梶原君はお客さんとして、ラルクさんのライブに参加させていただいたんです。
ときどき梶原君と、その話になるのですが、あの日、あのライブを観て、ステージ上のラルクさんを観て感じたことは、僕も梶原君も全く同じで、僕らが目指したのは「お笑い」だったのですが、もうちょっと大きな枠として捉えた時に、「いつか、あっち側に行ってみたいな」と思ったんです。
なんか、本当にキラキラしていた。
コンサートの撤収でパイプ椅子とかを片付けながら、「あっち側に行きたい」と、ずっと思っていました。
なので、今回、こういった形でご一緒させていただくことになったのは、あの日の自分の希望でしかなくて、もしタイムマシン的なものがあれば、あの日に戻って「お前、メチャクチャ頑張ったら、いけるぞ」と彼に言ってやりたいです。
まぁ、とにかく、HYDEさんが映画『えんとつ町のプペル』用に作り直してくださった「ハロウィンパーティー」が本当に、本当に最高なので、是非、聴いてみてください。
あと、とはいえ「いただきっぱなし」は気持ちが悪いので、今回、お力を貸してくださったHYDEさんに対して、また、HYDEさんをずっと支えてくださったファンの皆様、スタッフの皆様に対して、僕なりの恩返しはさせていただきます。
そちらは11月上旬に発表します。
そのアクションでもって、「あの日の僕の胸を熱くさせてくれたHYDEさんって、こんなにカッコイイだぜ」ということを、あらためて、世の中にお伝えします。
お楽しみに。
西野亮廣(キングコング)
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https://salon.jp/nishino
▼Instagram版はコチラ↓
https://nishino73.thebase.in/items/25497065
[Xin Nishino, Hyde talks about love]
We have two important news today.
It's the first one, but the movie ′′ a no-′′ online bangabandhu is now on sale.
Here → https://mvtk.jp/Film/070395
It's an early bird price, so it's a bit of a bargain, and the general is 1500 yen. The child is 800 yen.
′′ Special Smartphone Wallpaper ′′ will be present as a special gift for the purchase of online bangabandhu (early bird tickets).
This is the main visual of the first movie ′′ a in town ′′ (in Japanese)
One of my personal favorites, and today, I'm going to explain a little bit about this painting.
The protagonist," and Ruby are sitting on the chimney, and they are on their way up, but it is also the theme of the creation of the creation.
In the play, there is a scene where the chimney cleaner boy, who is not good at high, is looking down when climbing the ladder.
When you look down, the weight is behind, so the propped ladders are swaying.
On the other hand, Levitch's father, Bruno, who was watching downstairs," is swaying because he looks down. Look up I advise you, but this is the understanding of the world that hook up to the ladders, and when we are on the way, we can do our best to be a bit hard.
If you say corona is ′′ it will end next month you can resist the poor for about 1 months in the wank.
But in the case of Corona, ′′ I don't know when it's going to end," it's a state of hope removed," so it's mentally quite a bit of a I feel depressed.
If you think so, ′′ hope ′′ is what we need to live, so I thought that providing ′′ the reason to see above ′′ is also one of the work of our expressions. I'm sorry.
The movie ′′ a town ′′ has risen to the public next year, but," no, no, let's publish this year!" I was selfish.
I know it's hard, but that's why I'm going to do my best in the middle of the day, and I'm going to do my best, and I'm going to do my
If you can show the appearance," oh, if you try to die in this way, you'll find a find," and you'll be able to become someone's scale, and you'll be able to publish this year. I went to the crossing.
The main visual is all about that feeling," I saw it in a town where I can't find a star, and I still keep looking up,"
I would be happy if this painting would be the amulet of the person who works hard.
If you can buy online bangabandhu, you'll be able to follow it with special benefits, so come on!
https://mvtk.jp/Film/070395
And it's the second one of the important announcement.
Last night, I talked about a live broadcast on Youtube, but Hyde's love exploded, and I talked about it for almost 1 hours, so I'm going to have a short summary of it.
The opening theme song ′′ Halloween party persie ver." for the movie ′′ a ′′ has started.
Here → https://hyde.lnk.to/hppoupelleTP
Hyde is singing with the kids, but this is really cool to be surprised, so please listen to it once.
I've been listening to it about 20 times since last night.
This song was originally announced around 2012
It's already very nice...... soon, Halloween will be rooted as one culture in Japan, and after that, various Halloween songs came out in the world, but I personally, over this song ′′ You didn't meet the Halloween song.
I knew it was a prude.
Even when I wrote the script of the opening scene of the movie ′′ a in town ′′ I've been playing this song for a long time, and I wrote the opening to be pulled by this song.
So, when I finally got to the stage of ′′ Let's make an opening song," no, wait a minute,"
Since 2012, I didn't have a song over Hyde's ′′ Halloween party ′′ and I wrote a book to fit this song while playing ′′ Halloween party ′′ in the first place.
In this condition," I thought I could make a song over Halloween party?"
So," I'm going to ask Hyde to use this song once," So," if you don't do it, let's make it hard," the story was organised.
As expected," good things are good,"
It's better to be able to take a look at the ego, not to ′′ do it yourself ′′ but if you're going to be aya by something wonderful.
I thought it was the work of the production general command.
So, I asked Hyde for a bad time, and this is really a blessing, and Hyde was a fan of ′′ a town ′′ in the first place, and I was delighted to give you ′′ okay ′′
There's never been such a blessing.
And more thankful is from here.
My Hyde love is exploding from here, but...... when it comes to the movie theater, the standard changes, and even more, there is also a balance with the music before and after, and this time, I'm going to have a ′′ Halloween party ′′ for the movie You needed to arrange it.
Hyde from there was really the best, but Hyde-San, it's not the end of offering songs.
′′ a town ′′ doesn't sound like this or ′′ the sound of listening from the smoke is this way it's really a ton of place for the movie.
In a TV interview, I received a light feeling like ′′ okay, okay I feel like I'm going to have a quick time, but I'm going to have a good time, but I'm going to have a good time with the ′′ place dating ′′ that everyone is thinking about. Thank you for dating me.
The lyrics are slightly different.
There was originally a word ′′ Moonlight ′′ in the lyrics, but ′′ a town ′′ is a town that is covered in smoke and does not know the sky, so I don't even know the moon, so the ′′ Moonlight ′′ is ′′ thin ′′ It's been a light, and other things that are not in a town, I left it from the lyrics and changed it to a town specification.
And also great compatibility with children's voice!
Rock musician and kids are fused with a mess.
In One Word, it means ′′ I like Hyde,"
In my school days, I was a part-time job, and I was able to do a concert staff of ral ann.
The staff has to turn back on the stage and see the customer, but both ears are all looking for the stage, and actually, the live of the time, and the sugawara-kun before he still met. And I was a staff, and sugawara-kun was a customer, and I was able to participate in the live of Mr. Ral.
Sometimes it's going to be a story with sugawara-kun, but that day, I saw that live, and I saw Mr. Ral on stage, and I was also the same as sugawara-kun, and we aim for it ′′ It was a comedy, but when I captured it as a little bigger frame, I thought, ′′ someday, I'd like to go to the other side,"
It was really sparkling.
I've always thought that I want to go to the other side while cleaning up the pipe chair at the evacuation of the concert.
So, this time, I'm going to be with you in this form, and I'm going to have a good time with my hope that day, and if there's a time machine, I'll go back to that day ′′ you're so messed up I want to tell him that if you do your best, you'll be able to do it
Well, anyway, the ′′ Halloween party ′′ that Hyde recreated for the movie ′′ a no-in-town ′′ is really the best, so please listen to it.
Later, ′′ I'm left ′′ is disgusting, so I'm going to have a good time with Hyde, and I'm going to have a good time with Hyde, and I'm going to have a good time with all the fans who have been able to support Hyde for a long time, and I'm going to I will give back.
We will announce it in early November.
With the action, I will tell the world that Hyde, who made my chest hot that day, is so cool,"
Look forward to it.
Ryo Nishino (King Kong)
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishino
▼ Instagram version is here ↓
https://nishino73.thebase.in/items/25497065Translated
great things lyrics 在 闊樂集 BroadBand Facebook 的最讚貼文
闊樂集全新組合首度登場![ENGLISH BELOW]
集合眾多優秀歌手的大型製作!
>>>Link in comments! 連結在留言區裡!<<<
演唱經典動畫「 數碼寶貝」主題曲
紀念已故歌手和田光司,致敬屬於我們這世代的回憶!
透過合唱創造希望,為2020年開展一道曙光!
—————
2020年,世界,似被烏雲籠罩般一片愁雲慘霧。生活被恐懼 侵蝕,彼此的距離越來越遠。當期待不再,希望之光黯淡,對於此景,闊樂集想做些什麼...
我們一直想做的,是透過音樂傳達正面能量給世界上需要的人,為彼此生活增添色彩。人聲傳達語言的真摯細膩,和聲展現音樂的張力,讓我們能為歡欣喝采,也予人寬慰溫暖。
「如果能和大家合唱那該有多好啊!」為世界合唱的念頭油然而生,想再次喚醒人們對生命的讚嘆。
闊樂集和歐普思音樂藝術以及AL Studio聯合闊歌手們連袂獻聲,一同為我們珍愛的人事物發聲!
動畫數碼寶貝的主題曲
希望藉由眾歌手們的演繹,把這份正能量帶到現實世界, 如同動畫「被選召的孩子」般,我們一齊用音樂創造希望。今年適逢原唱和田光司逝世4週年(2016/4/3)藉由作品向他致敬。
The new BroadBand’s first debut is a large-scale production with many exceptional singers!
BroadBand is singing the theme song of the classic animation Digimon–Butter-Fly to commemorate the late singer Wada Mitsuji, and pay tribute to the memories of our generation!
Let’s create hope through our chorus and launch a dawn for 2020!
—————
In 2020, the world seems like a cloud of gloom. Life is eroded by fear, and the distance between each person is getting farther. When we no longer have expectations the light of hope dims. What does BroadBand want to do about this?
We have always wanted to convey positive energy through music, and have wanted to add color to each other's lives. The human voice conveys sincerity and delicacy, and harmony shows the tension of music, which allows us to cheer and comfort one another.
"It would be great if I could sing with everyone!" The idea of singing for the world was hopeful, but we wanted to awaken people's admiration for life again.
BroadBand with OPUS MUSIC ARTS and AL Studio join forces with singers to give them voices, speak out together for the things we cherish!
The theme song of the animated Digimon–Butter-Fly–is not unfamiliar to ears of the generation born in the 80s and 90s. This lively rock song of the Japanese anime features energetic, inspirational lyrics. The resonating chorus has also become food that feeds our soul.
We hope that through our performance, this positive energy will be spread to the throughout the world. Just like the animated "DigiDestined", we use music to create hope. This year coincides with the 4th anniversary of the death of Hara Sang Wada Mitsuji (2016/4/3), we hope to pay tribute to him by covering his work.
演唱/Main Vocalists-
闊樂集 BroadBand 闊樂集 BroadBand
女高音/Soprano-崔璀璨 Tristan H. 崔璀璨 Tristan H.
男高音/Tenor-賴浩軒 Justin Lai 賴浩軒 (Justin P'rangun Lai)
男高音/Tenor-張維麟 Winnie 張維麟
男低音/Bass-黃宇謙 Jimmy Huang 黃宇謙 (Yu-Chien Huang)
人聲打擊/Vocal Percussion-潘絃融 Pan Pan 潘絃融
闊歌手/Supporting Vocalists
女高音/Soprano-
林絲雯、李丞庭、陳佩均、陳亭如
陳嬿伃、黃詩馨、黃韻如、蔡天英
女中音/Alto-
今井里沙、林宇辰、吳佳晏、孫瑜
陳靖涵、張雯琦、韓佳霖、謝嫻
男高音/Tenor-
林京明、邱弋誠、陳一鈞、莊凱喻
許漢培、華烜慶、潘敏政
男低音/Bass-
林育賢、胡凱翔、鍾念峻、韓卓軒
人聲打擊/Vocal Percussion-
修瀚 I SHOW 修瀚
音樂製作/Song Production
原唱/Original-和田光司、財部有輝
作詞/Lyrics-千綿偉功、歌男
作曲/Composition-千綿偉功
編曲/Arrangement- Cameron Golinsky
製作/Production-闊樂集
錄音/Recording- 孫諾、 李天行 Alex Lee、張維麟
錄音助理/Recording Assistant- 王嬿甯
剪輯和混音/Editing and Mixing-孫諾
日文發音指導/Japanese Pronunciation Guide-今井里沙
藝人經紀/Artist Management
歐普思音樂藝術OPUS MUSIC ARTS
錄音室提供/Recording Studio
台北市視障者家長協會
EyeMusic音樂發展中心
維麟音樂工作室
影像製作/Music Video Production
製作/Production- A L studio/AL音像工作室
導演/Director-鄭伊珊
攝影/Videographer-鄭伊珊、唐子涵
剪輯/Editing-唐子涵
化妝/Hair and Makeup Artist- 許方寶
方寶Monica新娘秘書&整體造型
外景演出人員/On-site Performers
崔璀璨、陳佩均、陳亭如、今井里沙
賴浩軒、張維麟、胡凱翔、韓卓軒
林育賢、黃宇謙、潘絃融、修瀚
舞台設計/Stage Design-崔璀璨
服裝贊助/Apparel Sponsor-Mitch Mitch_Official
特別感謝/Special Thanks
EyeMusic 曉君姐
Z-Oner Studio/ 攝影場地租借、平面動態攝影、自有品牌研發 王鼎鈞
陽明山國家公園 陽明山國家公園
師友合唱團 師友合唱團 Shih-Yu Chorus
牧雲
We All Love Digimon!!!!!!
We All Love 闊樂集 broadband 後援會!!!!!!
#アカペラ #デジモン
great things lyrics 在 王Leo Youtube 的最佳貼文
00:00 消化不良 (Bad Digestion)
03:51 白飯 (Baifun)
07:14 都有體會 (Experienced That)
11:15 鏡子 (Mirror)
Bad Digestion, a four-song EP from Taiwanese hip-hop innovator/songwriter Leo Wang, is a snapshot of life in Taiwan -- or anywhere, for that matter -- in 2021.
Let's start with a familiar everyday scene: you're sitting at a table, chopsticks in one hand, phone in the other. You're shoveling down food with one hand, swiping through emotion and drama with the other.
All this grease and gripe, day in, day out, will eventually get to you. This idea inspired the reggae-driven title track, on which Leo sings: "It's emotion, it's hunger, it's fate, all pulling on me / All these mundane things in the world -- I just want to break free."
Time for a digestif, then. The Taiwanese don't agree on everything, but they agree a meal is always good with white rice, or "Baifun." This cut is Leo's ode to Taiwan's great uniter, and his backing band feeds us a generous serving, dripping with funk.
When the world's hard to swallow, one can medicate, but one can also meditate, as Leo does on the last two songs. The space jazz-rock-infused "Experienced That" reminds us of our cosmic selves, as we are constantly pushed and pulled between positive and negative forces. "Mirror" closes the EP with a morsel of common wisdom worth remembering: when we look at other people, what we actually see is a reflection of ourselves.
-----
Bad Digestion is a release from KAO!INC., and was produced by Jerry Li, who also contributes on electric guitar, and features Adriano Moreira on drums, Eugene Yu (UG) on bass, Tseng-Yi Tseng on keyboard, and Minyen Hsieh on saxophones.
released June 24, 2021
-
1. 消化不良 (Bad Digestion)
作詞 Lyrics:王之佑 Leo Wang
作曲 Compose:王之佑 Leo Wang、高飛 Adriano Moreira
製作人 Producer:李權哲 Jerry Li
編曲 Arranger:高飛 Adriano Moreira、李權哲 Jerry Li
爵士鼓 Drums:高飛 Adriano Moreira
電貝斯 Bass:俞友楨 UG
主奏吉他 Lead Guitar:李權哲 Jerry Li
節奏吉他 Rhythm Guitar:高飛 Adriano Moreira
鋼琴/風琴 Piano/B3 Organ:曾增譯 Mike Tseng
合成器 Synth:李權哲 Jerry Li
打擊樂 Percussion:李權哲 Jerry Li
和聲 Background Vocals:王之佑 Leo Wang、李權哲 Jerry Li、王彥博 NOTBADYB
O.P.:顏社企業有限公司 KAO!INC.
S.P.:Sony Music Publishing(Pte)Ltd, Taiwan Branch
ISRC:TWI452100044
2. 白飯 (Baifun)
作詞 Lyrics:王之佑 Leo Wang
作曲 Compose:王之佑 Leo Wang、高飛 Adriano Moreira、俞友楨 UG
製作人 Producer:李權哲 Jerry Li
編曲 Arranger:高飛 Adriano Moreira、俞友楨 UG、李權哲 Jerry Li 、王昱辰 Yuchain Wang
爵士鼓 Drums:高飛 Adriano Moreira
電貝斯 Bass:俞友楨 UG
電吉他 Guitar:李權哲 Jerry Li
電鋼琴 Wurlitzer:曾增譯 Mike Tseng
電鋼琴 Fender Rhodes:李權哲 Jerry Li
打擊樂 Percussion:李權哲 Jerry Li
高音薩克斯風/次中音薩克斯風 Soprano/Tenor Saxophones:謝明諺 Minyen Hsieh
長號 Trombone:林庭揚 Brandon Lin
和聲 Background Vocals:王之佑 Leo Wang、李權哲 Jerry Li
O.P.:顏社企業有限公司 KAO!INC.
S.P.:Sony Music Publishing(Pte)Ltd, Taiwan Branch
ISRC:TWI452100045
3. 都有體會 (Experienced That)
作詞 Lyrics:王之佑 Leo Wang
作曲 Compose:王之佑 Leo Wang、高飛 Adriano Moreira、俞友楨 UG
製作人 Producer:李權哲 Jerry Li
編曲 Arranger:高飛 Adriano Moreira、俞友楨 UG、李權哲 Jerry Li
爵士鼓 Drums:高飛 Adriano Moreira
電貝斯 Bass:俞友楨 UG
電吉他/古典吉他 Electric/Nylon Guitars:李權哲 Jerry Li
電鋼琴/合成器 Electric Piano/Synthesizer:曾增譯 Mike Tseng
高音薩克斯風 Soprano Saxophone:謝明諺 Minyen Hsieh
O.P.:顏社企業有限公司 KAO!INC.
S.P.:Sony Music Publishing(Pte)Ltd, Taiwan Branch
ISRC:TWI452100046
4. 鏡子 (Mirror)
作詞 Lyrics:王之佑 Leo Wang
作曲 Compose:王之佑 Leo Wang、高飛 Adriano Moreira、俞友楨 UG、曾增譯 Mike Tseng
製作人 Producer:李權哲 Jerry Li
編曲 Arranger:俞友楨 UG、李權哲 Jerry Li
爵士鼓 Drums:高飛 Adriano Moreira
電貝斯 Bass:俞友楨 UG
電吉他 Guitar:李權哲 Jerry Li
鋼琴 Piano:曾增譯 Mike Tseng
高音薩克斯風/次中音薩克斯風 Soprano/Tenor Saxophones:謝明諺 Minyen Hsieh
長號 Trombone:林庭揚 Brandon Lin
和聲 Background Vocals:李權哲 Jerry Li、王彥博 NOTBADYB
O.P.:顏社企業有限公司 KAO!INC.
S.P.:Sony Music Publishing(Pte)Ltd, Taiwan Branch
ISRC:TWI452100047
拍攝/影像合成 Video Production:呂儀婷 51
-
Leo王《消化不良》已全面上架:https://rock-mobile.lnk.to/leobd
|數位平台|
iTunes & Apple Music
YouTube Music
Spotify
KKBOX
MyMusic
friDay音樂
LINE Music
JOOX
QQ音樂
酷狗
酷我
bandcamp
-
|實體通路|
顏社官方商店
https://kao-inc.com/product/baddigestion
博客來
誠品
五大唱片
佳佳唱片(中華、漢口)
奮死唱片
小白兔唱片
元氣唱片行
M@M Records
海肯零七 Jr. 黑卡雜誌工作室
TCRC Records
鼓樓唱片
老頭唱片
#Leo王 #消化不良
![post-title](https://i.ytimg.com/vi/m2aE3g0sSWc/hqdefault.jpg)
great things lyrics 在 闊樂集BroadBand Youtube 的最佳貼文
闊樂集全新組合首度登場![ENGLISH BELOW]
集合眾多優秀歌手的大型製作!
演唱經典動畫「數碼寶貝」主題曲《Butter-Fly》
紀念已故歌手和田光司,致敬屬於我們這世代的回憶!
透過合唱創造希望,為2020年開展一道曙光!
—————
2020年,世界,似被烏雲籠罩般一片愁雲慘霧。生活被恐懼 侵蝕,彼此的距離越來越遠。當期待不再,希望之光黯淡,對於此景,闊樂集想做些什麼...
我們一直想做的,是透過音樂傳達正面能量給世界上需要的人,為彼此生活增添色彩。人聲傳達語言的真摯細膩,和聲展現音樂的張力,讓我們能為歡欣喝采,也予人寬慰溫暖。
「如果能和大家合唱那該有多好啊!」為世界合唱的念頭油然而生,想再次喚醒人們對生命的讚嘆。
闊樂集和歐普思音樂藝術以及AL Studio聯合闊歌手們連袂獻聲,一同為我們珍愛的人事物發聲!
動畫數碼寶貝的主題曲 Butter-Fly 對於七八年級生一定不陌生,濃濃日式動漫的輕快搖滾搭配充滿正能量的勵志歌詞,琅琅上又的副歌也成為我們生活的精神糧食。
希望藉由眾歌手們的演繹,把這份正能量帶到現實世界, 如同動畫「被選召的孩子」般,我們一齊用音樂創造希望。今年適逢原唱和田光司逝世4週年(2016/4/3)藉由作品向他致敬。
The new BroadBand’s first debut is a large-scale production with many exceptional singers!
BroadBand is singing the theme song of the classic animation Digimon–Butter-Fly to commemorate the late singer Wada Mitsuji, and pay tribute to the memories of our generation!
Let’s create hope through our chorus and launch a dawn for 2020!
—————
In 2020, the world seems like a cloud of gloom. Life is eroded by fear, and the distance between each person is getting farther. When we no longer have expectations the light of hope dims. What does BroadBand want to do about this?
We have always wanted to convey positive energy through music, and have wanted to add color to each other's lives. The human voice conveys sincerity and delicacy, and harmony shows the tension of music, which allows us to cheer and comfort one another.
"It would be great if I could sing with everyone!" The idea of singing for the world was hopeful, but we wanted to awaken people's admiration for life again.
BroadBand with OPUS MUSIC ARTS and AL Studio join forces with singers to give them voices, speak out together for the things we cherish!
The theme song of the animated Digimon–Butter-Fly–is not unfamiliar to ears of the generation born in the 80s and 90s. This lively rock song of the Japanese anime features energetic, inspirational lyrics. The resonating chorus has also become food that feeds our soul.
We hope that through our performance, this positive energy will be spread to the throughout the world. Just like the animated "DigiDestined", we use music to create hope. This year coincides with the 4th anniversary of the death of Hara Sang Wada Mitsuji (2016/4/3), we hope to pay tribute to him by covering his work.
演唱/Main Vocalists-
闊樂集 BroadBand
女高音/Soprano-崔璀璨 Tristan H.
男高音/Tenor-賴浩軒 Justin Lai
男高音/Tenor-張維麟 Winnie
男低音/Bass-黃宇謙 Jimmy Huang
人聲打擊/Vocal Percussion-潘絃融 Pan Pan
闊歌手/Supporting Vocalists
女高音/Soprano-
林絲雯、李丞庭、陳佩均、陳亭如
陳嬿伃、黃詩馨、黃韻如、蔡天英
女中音/Alto-
今井里沙、林宇辰、吳佳晏、孫瑜
陳靖涵、張雯琦、韓佳霖、謝嫻
男高音/Tenor-
林京明、邱弋誠、陳一鈞、莊凱喻
許漢培、華烜慶、潘敏政
男低音/Bass-
林育賢、胡凱翔、鍾念峻、韓卓軒
人聲打擊/Vocal Percussion-
修瀚
音樂製作/Song Production
原唱/Original-和田光司、財部有輝
作詞/Lyrics-千綿偉功、歌男
作曲/Composition-千綿偉功
編曲/Arrangement-Cameron Golinsky
製作/Production-闊樂集
錄音/Recording-孫諾、李天行、張維麟
錄音助理/Recording Assistant-王嬿甯
剪輯和混音/Editing and Mixing-孫諾
日文發音指導/Japanese Pronunciation Guide-今井里沙
藝人經紀/Artist Management
歐普思音樂藝術 OPUS MUSIC ARTS
錄音室提供/Recording Studio
EyeMusic 音樂發展中心
維麟音樂工作室
影像製作/Music Video Production
製作/Production-AL Studio
導演/Director-鄭伊珊
攝影/Videographer-鄭伊珊、唐子涵
剪輯/Editing-唐子涵
化妝/Hair and Makeup Artist-許方寶
外景演出人員/On-site Performers
崔璀璨、陳佩均、陳亭如、今井里沙
賴浩軒、張維麟、胡凱翔、韓卓軒
林育賢、黃宇謙、潘絃融、修瀚
舞台設計/Stage Design-崔璀璨
服裝贊助/Apparel Sponsor-Mitch
特別感謝/Special Thanks
EyeMusic 曉君姐
Z-Oner Studio王鼎鈞
陽明山國家公園
師友合唱團
牧雲
#anime #Chinesecover #acappella
![post-title](https://i.ytimg.com/vi/lKAuLEBoPVE/hqdefault.jpg)
great things lyrics 在 Khalil Fong 方大同 Youtube 的最佳貼文
#TWIOCAMIC #KhalilFong #FuMusic #賦音樂
"One planet, one people”
「地球子民,世界大同」
? 數位收聽/Stream on:
’TWIOCAMIC‘: https://KhalilFong.lnk.to/
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無論男女老幼 黑白胖瘦
地球子民 有你也有我
金曲歌王 方大同的終極理想
2020 最新單曲〈TWIOCAMIC〉
一個全人類攜手的世界大同
繼 2014 年的〈Peace〉之後,金曲歌王方大同生涯二度獻上全英文饒舌作品,為全人類的命運做出堅定呼籲。歌名〈TWIOCAMIC〉,原意為「世界僅一國,萬眾皆其民」(The world is one country, and mankind its citizens),是方大同長期信仰的巴哈伊教中心思想。從小時候起,方大同所受的教育讓他認知到自己生活在一個地球村。無論去到何處、認識什麼樣的人,他總是會在彼此身上發現許多共同點,也看到彼此的不同可以互補而完美。另一方面,全世界似乎都有相同的問題,暴力與仇恨不斷重演,偏見割裂了愛和信任。方大同認為這些難關,正是時代給予人類蛻變的契機。
在 2020 年,方大同終於將多年來腦海中一直醞釀著的概念付諸實現,完成了這首〈TWIOCAMIC〉。卸下華麗甜美的旋律和弦,在簡約行軍節拍中以認真口吻娓娓道來,點出「每個人皆獨特,但生而平等」的全曲核心。只要懷抱愛與耐心,人類必能團結合作,邁向真正的世界大同。如同在單曲封面上,象徵不同膚色的大大小小石頭,透過代表下一代的小朋友眼睛看去,是充滿無限希望的美好未來。
"One planet, one people, for true justice”:
Soulful Singer-Songwriter KHALIL FONG Drops Poignant New Hip-Hop Single ‘TWIOCAMIC’ on 7th August 2020
With more than 40 million music streams online, best known for his soulful lyrics and smooth R&B vocals, Chinese-American singer-songwriter Khalil Fong is using his gift to spread a message of unity and progression in his new hip-hop single, ‘TWIOCAMIC’.
“I’ve always identified as a world citizen which lets me see the similarities in all peoples and cultures. I believe the future depends on our children’s ability to see the past, present and future in a new light.” – KHALIL FONG
Produced at Fong’s home in quarantine, ‘TWIOCAMIC’, which stands for ‘The World Is One Country And Mankind Its Citizens’, sees the R&B artist rap philosophically about finding unity in diversity and achieving harmony amongst the human race. Addressing the moral concepts of ‘good’ and ‘bad’, Fong’s lyrics tackle the idea that until people start recognising their collective roles, we’ll continue repeating common historical mistakes:
“I’ve wanted to sing about these concepts for the past five years, but only recently did I have the full inspiration and motivation to complete the idea. The entire world is filled with conflicts and hatred, misunderstandings and lack of empathy. Humanity is facing great social struggles and environmental disasters. Unless we unite in an attitude of fellowship to collectively question things, it will be a challenge to find solutions in time.” – KHALIL FONG
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Lyrics & Music:Khalil Fong
Produced and arranged by Khalil Fong
Digital Editing by Jeff Li
Mixed by Richard Furch
Mastered by Joe LaPorta
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Label: Fu Music
Fu Music 賦音樂
Facebook: https://www.facebook.com/FuMusicAsia/
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Twitter: https://twitter.com/fumusicasia
Weibo: http://www.weibo.com/u/5927544466
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