FRI 01 OCTOBER 2021
【ARTHRALGIA】
at Contact Tokyo
OPEN 22:00
UNDER 23 / ¥1000
BEFORE23:00 / ¥1000
GH G MEMBERS / ¥1500
GH S MEMBERS / ¥2000
DISCOUNT / ¥2500
DOOR / ¥3000
RA: https://jp.ra.co/events/1461629
GENRE Techno | House | Bass
STUDIO X:
Lil Mofo
Mari Sakurai
Hibi Bliss
FELINE & K8
CONTACT:
DJ mew
0120
ShioriyBradshaw
Celter (Eclipse)
DJ Poipoi
==========================================
セレクターの精鋭が集い再稼働させる音の溶鉱炉
LSDXOXOやCEMといったタレントを招き、アンダーグラウンドの深淵をなぞる破壊的な高揚と、歪んだ磁場を発生させてきたARTHRALGIAが1年振りの開催。今回も、Studio XとContactフロアの依存度の高い二面性で魅せる快楽のるつぼがダンスミュージック・フリークを誘惑する。
NTS RadioやLYL Radioでのレギュラープログラムや、〈The Trilogy Tapes〉の設立者Will Bankheadの目にとまったことで生まれた「TTT mixtape」など、Lil Mofoの世界的な認知度の上昇は言うまでもないが、このラインナップの効能は大きく想像を上回る。レゲエやトラップ、ベース、テクノなどジャンルと年代を限定しないトラックは、トラックであることから解放され恍惚のミュージックジャーニーを形作る。そのギグの価値は、現在極端に現場出演を減らしていることにはなく、紛れもなく音楽愛が生み出す強い快感にある。2020年3月のBoiler Room パーティからおよそ1年半ぶりにLil MofoがContactに帰還だ。レフトフィールドやテクノ、民謡までをも用いてカルティックな狂気を飼いならすFELINEと、ゴムやUKサウンドの遠心力をエレクトロニクスにかけ合わせるK8とのB2Bもまた支配的なレイヴタイムを繰り広げそうだ。さらに、サウンドのパンプとエモーションで激しくバウンスさせるHibi Blissや、Mari Sakuraiによるハードなドライヴと止めどないアタックは、フィジカルなエネルギーに溢れるStudio Xの方向性を象徴している。
一方、Contactフロアには強い幻覚作用と没入感が漂う。DJ mewによる多国籍ビートと先鋭的エレクトロニクス、柔と剛を統べるその豊潤な音楽体験は、このフロアのハイライトとなりそうだ。個々に高い音楽性をもつAI.UとEMARLEによる0120の、サイケデリックかつオルタナティヴなサウンド・デザインはこの夜に欠かすことはできない。さらにアグレッシブにイマジネーションを発展させるShioriyBradshaw、Celterによる高温のエクペリメンタルや、DJ Poipoiの極彩色のトリップなど、オブスキュア・サウンドのエキスパートが集まり徹底的にフロアを溶解させる。
旺盛なダンスミュージック・ファンに正面から答えてきたスーパー・フィジカルなARTHRALGIAの再開だ。
A gathering of elite selectors to restart the blast furnace of sound
ARTHARALGIA, having featured talents of the likes of LSDXOXO and CEM gave birth to a warped magnetic field that moves around the abyss of the underground, returns for the first time in 1 year. This time again, the two sides of Studio X and Contact floors will lure the dance music freaks with intoxicating pleasures.
Lil Mofo caught the attention of Will Bankhead, the founder of 〈The Trilogy Tapes〉 and「TTT mixtape」, as well as regular programs like NTS Radio and LYL Radio. It goes without saying her rise in global recognition plays a big part in this lineup. Reggae, Trap, Bass, Techno, and tracks not bound to genre and generation form an ecstatic music journey that is liberating. The true value of her gigs lies not in the fact that she is currently reducing her appearances, but in her devotion and the love of music. After a year and a half since the Boiler Room party that took place in March of 2020, Lil Mofo returns to Contact. Using Leftfield, Techno, and even Folk songs to create a cult-like madness that is tamed, FELINE goes B2B with K8, who’s sound focuses on Gqom and UK sounds suited perfectly for that rave vibe. In addition, we have Hibi Bliss, making you bounce to the pumping sounds with emotion, and Mari Sakurai attacking with her hard and unstoppable drive will fill Studio X with physical energy.
On the contrary, Contact floor will be immersed in a vivid hallucinatory atmosphere. We can expect DJ mew’s multi-national beats and cutting-edges electronics to be the highlight of this floor, creating a soft yet rigid musical journey. 0120, a unit comprised of AI.U and EMARLE both with high musical sensibilities, brings psychedelic and alternative sound design that will be essential for the evening. Obscure sound experts of the likes of ShioriyBradshaw aggressively expanding the imagination, high experimental sounds by Celter, and DJ Poipoi’s richly colored trippy sounds will be gathering in this floor.
The return of ARTHRALGIA, the super physical party that’s been facing vigorous dance music fans head-on.
同時也有234部Youtube影片,追蹤數超過1萬的網紅translation,也在其Youtube影片中提到,#'96年にメロディが開発、発売した、98用ACT作品。 軍事組織"スレイブ・ドッグ"の出現により4カ国に別れた世界はその均衡を崩したが、政府は国に属さない戦闘集団"スティール・フォックス"を編成し反撃を開始。 星間戦争を題材にしたロボットACTであり、そのキャラクターの微細なアクションやスクロー...
「hard trap music」的推薦目錄:
hard trap music 在 Facebook 的精選貼文
hi everyone! i wanna share with you a little bit more about myself today! my name is rayray and yes im from taipei, taiwan! you probably know me as an alien or a crazy person who likes to lie on the stage or drink vodka from the bottle. maybe this is something you don’t know - i started djing back in 2009, and I was a hip-hop dj. i was super into hip-hop culture and all the underground hip-hop music. i used to play vinyls and scratch. i competed quite a few dj competitions and finally i won the Red Bull 3Style taiwan championship in 2013. after that year, my whole world changed. i started to meet a lot of artists around the world & I got to explore more different music genres. i got myself into producing after I went to SXSW in 2015. and after that year, trap music became really big. i was so happy i found a music style I could explore and have fun with it. In 2016, i got selected in RBMA & that was another life turning point for me. i got to work with the super talented artists in the world in montreal. i also met Yellow Claw that year too. i’m so grateful that they gave me the opportunity to be part of Barong Family label. in the past few years, i tried to level up myself by learning how to sing & rap in my own music, and i have been devoting myself to the bass music scene in Asia. ive been releasing 3 EPs on barong family, and so many tracks on different labels. i’m really happy to be who I am & i always tell myself everything happens for a reason. many thanks to all the people who has been helping me & thank you for the opportunities and the support. it’s been a very hard time for all the artists since last year, but we are going through this all together. looking forward to see you all very soon, god speed!👽
#theloop
hard trap music 在 達明一派 Tat Ming Pair Facebook 的最佳解答
//Tender in the darkness|Pat To Yan
Published (HKT): 2020.11.22
In the last show of Tat Ming Pair’s concert, Anthony Wong shared a letter from a fan in mainland China. The fan was born in the 2000s. The fan was once misled by the Chinese Government’s propaganda and was puzzled by the images of their beloved Hong Kong in a riot (Anthony has omitted the gender of the fan). Then s/he found that all their favorite bands suddenly disappeared from all music platforms, including Tat Ming, My Little Airport, and C All Stars. Why is it that all of their favorite bands are supporting ‘Hong Kong’s Independence’! Hahaha! (The fan said). Then they searched for more information and found the MV of Tat Ming’s Remembering is guilty. The fan was stunned by the MV and was confronted with the truth finally.
There’s actually a dark side to the Hong Kong resistance movement. On the internet, hate speech toward mainland Chinese was easily found. Some Hong Kongers think they are superior since Hong Kong dares to resist and revolt. I am sure most of them are not frontline fighters. If you have experienced the battles on the streets, you know the protesters are a mix of different kinds of people including new immigrants and mainland Chinese. In the election of the District Council last year, the districts having a high population of new immigrants voted for the candidates of the democratic camp, like Shui Chuen O Estate. Mainland Chinese being cowardly in fighting against the government is just a stereotype. People holding this view fall into the trap of extreme nationalism which I have hated my whole life. On the other hand, they fall into the trap of the Chinese Government. In these ten years, the Government has been hard at work to tear apart mainland Chinese and Hong Kongers. They are afraid of us spreading the seeds of resistance in the mainland. In fact, strategically, we should work closely with Chinese who are willing to resist.
It’s a topic that can’t be discussed thoroughly. Some Hong Kongers would turn a deaf ear when you want to discuss with them. I know Tat Ming shared letters by mainland Chinese fans every night of his show. Anthony just read the letters and did not make any statement. Nevertheless, his sharing was already a combat against the stereotype.
In the show, Tat Ming makes good use of the power of tenderness. Hong Kong is deeply depressed and the show can easily go in the direction of self-indulgence. The mood of suppression was demonstrated in the pauses of the show. People chanted the slogans that were said to be forbidden for five whole minutes. We’re happy to grasp the chance to release and relieve. Tat Ming keeps reminding us to carry on what we’re doing. And most importantly, we should keep our sense of humor. Yes, it’s true. The Totalitarian Government doesn’t like it when people laugh. Taking everything easy and making fun of everything are the strengths of Hong Kong culture. Our right of humor should not be deprived.
I always believe in the power of Art. Not many people can remember the name of the King of the Shakespearean age, but we are still enjoying Shakespearean works. The fan I have mentioned said Tat Ming’s works gave them energy and support, and they said they are ‘the frustrating kid galloping in the light’ (a line of lyric directly translated from a song of Tat Ming). We’re lucky enough to have Tat Ming in the age of darkness.//
(Pat To Yan, Active in Hong Kong and German Theatre. Playwright, Director, Lecturer. Elected Council Member and the Chairman of the committee of Literary Art of Hong Kong Arts Development Council.)
hard trap music 在 translation Youtube 的最佳解答
#'96年にメロディが開発、発売した、98用ACT作品。
軍事組織"スレイブ・ドッグ"の出現により4カ国に別れた世界はその均衡を崩したが、政府は国に属さない戦闘集団"スティール・フォックス"を編成し反撃を開始。
星間戦争を題材にしたロボットACTであり、そのキャラクターの微細なアクションやスクロールの細かさに驚かされる。
BGMはPANDA氏が作曲。opnながら、ACTの勢いを支える卓越した楽曲が耳に残る。
作曲:PANDA氏
manufacturer: 1996.03 Melody
Computer: PC-9801VX after series
Hardware: YM2203
Composer: PANDA
--------------------------------------------------------------------
00:00 01.MELODY (LOGO)
00:13 02.INITIAL VELOCITY (STG1A)
03:09 03.HARD RUSHING (STG2)
06:41 04.STORMY EDGE (STG3A)
09:41 05.INCREMENT (BOSS)
12:43 06.LAYERED NIGHT (STG5)
15:08 07.BOTTOM SWWP (STG6)
18:29 08.TRAP CELLAR (STG7)
20:39 09.MISSING SPACE (STG8)
23:25 10.FROSTY BOUND (STG4A)
24:20 11.SENSITIVE MOMENT (STG3B/STG1B)
26:14 12.TURN OVER (STG4B)
29:17 13.EMERGENCY!! (EMERGENCY)
29:39 14.RISKY TUNE (BOSS)
32:01 15.CONFUSION! (BOSS)
34:04 16.FLARE-UP (BOSS)
36:27 17.PRETENDER (BOSS)
37:58 18.UNCONSCIOUS DANGER (BOSS)
40:16 19.GET AWAY (BOSS)
42:03 20.SILENT GUILTY (LAST_BOSS1)
44:10 21.DEPTH (LAST_BOSS2)
47:38 22.COCKPIT (COCKPIT)
49:58 23.GO AHEAD! (STAGE CLEAR)
50:08 24.SO BAD! (MISSION FAILED)
50:18 25.NEVER MIND! (GAME OVER)
50:27 26.PREP (CONFIGURATION)
51:54 27.NEXT! (MISSION END)
52:48 28.OVERBLOW (TITLE)
53:13 29.NIGHT SLAVE (DEMO)
57:14 30.OBBLIGATO (PROLOGUE)
59:15 31.STEEL FOX (STANDARD1)
01:01:25 32.STEADY NOTE
01:04:14 33.WAR OF NERVES
01:06:57 34.SHAKEDOWN
01:07:53 35.SLAVE DOG
01:08:27 36.RELAXATION
01:10:13 37.ASSIGNMENT (STANDARD2)
01:12:31 38.TO TOUR HEART (CHIHO)
01:14:37 39.DESTINY
01:16:05 40.BESIDE ME
01:18:13 41.UNITY
01:19:18 42.SO FAR AWAY (ENDING)
01:23:59 43.SE
--------------------------------------------------------------------
hard trap music 在 DJ NATSUMI Japan Youtube 的最讚貼文
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hard trap music 在 DJ NATSUMI Japan Youtube 的最讚貼文
NATSUMI Presents Live Stream on Twitch (2021/06/01)
Unicorn House Episode 12
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Talk Time 1:40:35
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female / girl / Japan / Asia / international / DJ ane mag / club / edm / trap / dubstep / riddim / future bass / bass house / jersey club / jungle terror / hard dance / hardstyle / hardcore / psychedelic / drum and Bass / bass music / barong family / owsla / monstercat / never say die / black label / zomboy / skrillex / yellow claw / mija / alison wonderland / rezz / mosh pit / head banging / ultra / umf / tomorrrowland / edc / festival / bgm / mix / 女 / 日本 / 東京 / アジア / クラブ/ ダンス / ベースミュージック / トラップ / ダブステップ / ベースハウス / ジャングルテラー / ハードスタイル / ハードコア / サイケデリック / ドラムンベース / スクリレックス / イエロークロウ / バロンファミリー / 低音 / 治安 / モッシュ / ヘドバン / ウルトラ / ジャパン / フェス / 音楽 / 野外 / ナツミ / なつみ / イベント / パーティー / 海外 / 洋楽 / ミックス /
ageha tokyo / 新木場 / アゲハ / スタジオコースト / アリーナ / arena / main floor / メインフロア