【もう、人として生きていくことはできない】
昨日、スタートしたクラウドファンディング「西野亮廣×鴨頭嘉人コラボ講演 ~夢とエンタメで世界を変えていこう~」が、プロジェクト立ち上げから7時間44分で、目標金額の2000万円を突破しました。
たくさんのご支援、本当にありがとうございます。
【西野亮廣×鴨頭嘉人】
https://silkhat.yoshimoto.co.jp/projects/2037
知らない方の為に、このプロジェクトの概要をあらためて御説明させていただきます。
こちらは、YouTube講演家の鴨頭嘉人さんとチーム鴨頭の皆さんが仕掛けてくださった、言わば「西野亮廣応援企画」でして……僕と鴨頭さんのコラボ講演を、なんと3週間後に東京国際フォーラムでおこなうのですが、なんとなんと、その収益を全額、映画『えんとつ町のプペル』のチケットの購入代金にあてて、そのチケットを子供達にプレゼントしてくださるというのです。
もう、とんでもない規模の支援なんです。
昨日は丸一日、映画のアフレコ収録がありまして、その合間合間でスマホをチラチラと見ながら、今回のクラファンの動きを追わせていただいたのですが……Twitterのタイムラインを見ると、チーム鴨頭の皆さんが一丸となって、「行け〜!」といった感じで、応援してくださっているんです。
もう一度言いますが、これは自分達の為にやっているわけではなくて、動機は「今回は西野亮廣を勝たせる」の一点なんです。
本当はお一人お一人に会いに行って、キチンを御礼しなきゃいけないところなのですが、映画制作が佳境に入っていて、今はどうしても現場を離れられなくて……なので心の中で「ありがとうございます」と言って、スマホを閉じ、また映画制作に戻りました。
今、チーム鴨頭の皆さんをはじめ、本当にたくさんの人が映画『えんとつ町のプペル』を、そして『西野亮廣』を応援してくださっています。
一度、『♯えんとつ町のプペル』でエゴサーチしてみてください。今、応援の輪が本当に、すごいことになっているので。
昨日もお話ししたのですが、今年は皆大変です。
100年に一度のウイルスに襲われて、僕らは今日も溺れそうになりながら、その乗り越え方を探している。
皆、不安で不安で仕方ないと思うんです。
自分のことでやらなくちゃいけないことがまだまだある。
そんな中、僕の挑戦にその大切な時間を分けてくれて、「西野、頑張れ〜」と言ってくださっている。
本当に本当にありがたいし、罪深いなぁと思っています。
よく、映画制作の現場で、監督が怒鳴り散らしてたりするじゃないですか?
…というか、監督って、なんか怒ってますよね?
前にある椅子を蹴ってるイメージありません(笑)?
僕、身体がナヨナヨしているので、怒鳴ったり、モノに当たったりしても似合わないから、ああいう表現はしないのですが、
あの「怒り」は、すごくよく分かります。
これは、映画に限らず、リーダーと呼ばれる人や、経営者もそうだと思います。
「怒鳴りちらすのは人としてどうなんだ?」という真っ当なご意見もありますが(超わかるよ!)、しかし一方で、リーダーは、この背景、このセリフ、この音楽、このワンシーンを存在させる為に、どれだけの人が動いてくださったか、そして、動いてくださった方々の顔かを常に想像しています。
その人達が、どれだけのものを犠牲にしてくれたかを知っているんです。
僕はありがたいことに「一緒に働きたい」という声をよくいただいて、それこそサロン内で学生インターンを募集すると、毎回、一瞬で数百人の応募がくるんです。
でも、彼らに、よく言うんです。
「その程度の覚悟なら、僕に近寄って来ないでくれ。そのペースで走りたいのであれば、僕の隣なんかよりも、もっともっと居心地の良い場所がある」
僕はあなたの首根っこを掴まえて、「僕の隣で働け」とは絶対に言わないんですね。
「他所でやります」と言われても、一切引きとめない。どうぞどうぞ。
ただ、あなたの意思で、「西野の隣で働く」というのであれば、覚悟は決めて欲しい。
1000時間かけようが、それがツマラナイものであれば、僕は1秒でゴミ箱に捨てます。
恨むのなら、好きなだけ恨んでもらって構いません。
ただし、恨む相手を間違っちゃいけない。
ここは「これだけ頑張ったのに」が通用する世界じゃない。
一番悪いのは、1000時間かけているのにツマラナイものしか作れない自分です。
「恨むなら、自分の弱さを恨め」といったところです。
時々、僕は、見る人が見れば「血も涙もないような判断」をする場合があります。
それこそ、「これ、デモなんですけど」といってあげてきてくださった時に、それが、たとえ完成度でいうと10%程度であろうが、そこには、その人が今回の仕事にかけている想い・姿勢が全部出るじゃないですか。
そこで、流れ作業のようなものを出してこられる方とは、もっというと血の匂いがしない方とは、僕、二度と仕事をしないんです。
もう二度と会わない。
理由は、その人が可愛そうだから。
ここは、そんな人が生きられる世界じゃない。
そして、何より、この背景、このセリフ、この音楽、このワンシーンを存在させる為に、どれだけの人が動いて、どれだけのお金が動いて、どれだけ人が、ここに立ちたくても立てなかったを知っているからです。
応援されればされるほど、現場では人としていられなくなって、鬼みたいになっちゃうんですけど、でも、ここは、そういう世界なので、それでいいと思っています。
この話を聞いて、「上等じゃねぇか」という方がいらっしゃいましたら、株式会社NISHINOのインターンを受けるか、もしくは、ウチの若手社員やインターン生から話を聞いて見てください。
本気でエンタメをやる気があるのであれば、この上ない環境であることは間違いないです。
ただ、「同い年で、せめて日本一ぐらいはとっとけよ。みっともねぇな」という領域での打ち合いになるので、参加されるのであれば、それぐらいの感じでお願いします。
なんじゃかんじゃで、すっかり徹夜になっちゃったのですが、今日はスタートが早くて、これからもうアフレコ収録です。
頑張ってきます。
あなたも頑張って。
▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino
▼Instagram版はコチラ↓
https://nishino73.thebase.in/items/25497065
[I can't live as a person anymore]
Yesterday, the crowdfunding that started ′′ Ryo Nishino x tsuji head collaboration lecture ~ Let's change the world with dreams and enta ~" but it's been 7 hours and 44 minutes since the project launched, and it's a goal I've breached 2000 yen of the amount.
Thank you so much for all your support.
[ryo nishino x]]
https://silkhat.yoshimoto.co.jp/projects/2037
For those who don't know, I will explain the summary of this project again.
This is the ′′ Nishino Ryo Nishino cheering project ′′ that was planted by the youtube speaker, Mr. Tsuji Chia-San and the team-head...... I'm going to have a collaboration lecture between me and Mr. Tsuji-San, what a 3 In a week, I'm going to go to the Tokyo International Forum, but I'm going to have a good time with the full price of the revenue, and I'm going to have a good time with the purchase of the ticket for the movie ′′ a town ′′ and I'm going to give it to the kids I'm sorry.
It's already a hell of a scale support.
Yesterday was a whole day, and there was a recording of the movie, and I was able to chase the movement of the fan this time while watching the smartphone glimmer in the middle of the day...... when I see the twitter timeline, I feel like I'm going to go to the middle of the day, and I'm going to go to the middle of the day, and I'm rooting for you.
I'll say it again, but this is not for us, but the motive is ′′ this time I'm going to win ryo nishino ′′
I really have to go to see each and every one of you, and I have to thank you for your support, but the movie production is in the the, and now I can't leave the site...... so I'm in my heart So I said ′′ thank you ′′ and closed my smartphone and went back to film production again.
Now, a lot of people are supporting the movie ′′ a town ′′ and ′′ Ryo Nishino ′′ from the team of the team.
Once," try to search ego in ♯ a town," Now the circle of cheering is really going to be amazing.
I talked about it yesterday too, but this year everyone is hard.
Being attacked by a virus once a year, we are going to drown again today, and we are looking for a way to get over it.
I don't think everyone is anxious and anxious.
There are still things I need to do with myself.
In such a way, I'm saying, ′′ go nishino ~" for sharing that precious time in my challenge.
I really really want to be, I think it's sinful.
Isn't the director ranting at the site of the movie production?
... I mean, the director is angry, right?
I don't have an image of kicking a chair in front of me lol?
I don't have an expression because my body is na, so I don't have a good expression because it doesn't suit me if i yell or hit things.
That ′′ anger ′′ is very well understood.
I think this is not limited to movies, people called leaders, and managers.
There is also a fair opinion that ′′ how about ranting as a person?" (I know it! ), but on the other hand, the leader is this background, this line, this music, how many people have moved to exist this scene, and the face of those who have moved. Always I imagine.
I know how many things they have sacrificed.
I'm thankful for the voice of ′′ I want to work with you ′′ and it's a student intern in the salon, and every time I get a few hundred submissions in a moment.
But I often say to them.
′′ don't come near me if you're ready for that extent. If you want to run at that pace, there's a more cozy place than next to me ′′
I'll catch your neck and never say ′′ work next to me,"
Even if you say ′′ I'll do it somewhere else I can't pull it off. Here you go.
I just want you to be prepared if you are ′′ working next to nishino," in your will.
1000 hours, but if it's a dwee, I'll throw it in the trash in 1 seconds.
If you hate it, you can grudge as much as you want.
However, don't wrong the opponent you hate.
This is not the world where ′′ I did my best ′′ is going to pass.
The worst thing is that I can only make a dwee even though it's been 1000 hours.
′′ if you hate it, grudge your weakness
Sometimes I see someone who sees it, ′′ judgement that there is no blood or tears ′′
That's what it's like to say, ′′ this is a demo," it's about 10 % of the completion, but there's the person who is the one who is the one who is the one who is the one who is the one who is the one who Isn't it all about your thoughts?
So, I don't work again if I don't smell the blood more than the people who can put out something like the flow work.
I'll never see you again.
The reason is because the person looks cute.
This is not a world where people like that can live.
And above all, this background, this line, this music, to exist this scene, how many people move, how much money moves, and how many people want to stand here. Stand up Because I know I didn't.
The more you cheer up, the more you can't be a person on the site, the more you're like a demon, but this is a world like that, so i think it's good.
Listen to this story, if you are interested in ′′ good," please take an intern of nishino co ltd. or listen to our young employees and intern students.
If you are seriously motivated by entertainment, there is no doubt that it is an environment that can't be done.
It's just," it's the same age, at least it's about Japan. It's going to be a dǎchi héi in the area of ′′ I don't know what to do, so if you're going to participate, please feel like it.
Well, it's been a long time since I've been in the middle of a long time, but today is the start of the day, and now I'm already recording the recording.
I'll do my best.
Good luck to you too.
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishino
▼ Instagram version is here ↓
https://nishino73.thebase.in/items/25497065Translated
i've never been to me意思 在 Teresa的英文俱樂部 Facebook 的最佳解答
🌸❤️祝媽媽們母親節快樂❤️🌸
我還沒有當媽媽
但是我身邊的朋友,家人都陸續當了媽媽
陪伴在他們身旁
讓我深深覺得
媽媽們真的是天下最偉大的一群人
當然,在我心目中,全天下最偉大的人就是我媽了❤️
請讓我獻上這首Backstreet Boys 的歌
Backstreet Boys 是我年輕時的偶像,
他們的幾乎每一首歌曲,我都耳熟能詳
當我想要附上一首母親節的歌曲時
這首歌馬上就從腦中跳了出來
這首歌好感人,在翻譯時都想哭了
Enjoy 😉
🌸❤️Happy Mother’s Day ❤️🌸
It takes a lot to know what is love
經歷了好多才知道什麼是愛
It's not the big things, but the little things
並不是那些偉大的事情,是渺小的事情
That can mean enough
這些渺小的事情就足以說明一切
A lot of prayers to get me through
透過許多禱告,幫我渡過難關
And there is never a day that passes by
沒有一天
I don't think of you
我沒有想到妳
You were always there for me
妳總是在我需要妳的時候在我身邊
Pushing me and guiding me always to succeed
督促著我,指導我如何成功
You showed me
妳教我
When I was young just how to grow
在我年輕的時候,如何成長
You showed me
妳教我
Everything that I should know
我所應該知道的每一件事情
You showed me
妳教我
Just how to walk without your hands
如何沒有妳的攙扶學會走路(學會獨立)
'Cause mom you always were the perfect fan
因為媽媽,您總是我最完美的粉絲
God has been so good
上帝一直以來都對我很好
Blessing me with a family who did all they could
給我有這個福氣,有個總是盡他們所能幫助我的家人
And I've had many years of grace
我已經有多年的恩典
And it flatters me when I see a smile on your face
當我看到您臉上的笑容,我感到高興
I want to thank you for what you've done
我要謝謝您所做的一切
In hopes I can give back to you
我希望我能回饋給您
Be the perfect son
當一個完美的兒子
You showed me
妳教我
When I was young just how to grow
在我年輕的時候,如何成長
You showed me
妳教我
Everything that I should know
我所應該知道的每一件事情
You showed me
妳教我
Just how to walk without your hands
如何沒有妳的攙扶學會走路(學會獨立)
'Cause mom you always were the perfect fan
因為媽媽,您總是我最完美的粉絲
You showed me how to love (you showed me how to love)
妳教我如何愛
You showed me how to care (you showed me how to care)
妳教我如何去在乎
You showed me that you would always be there
妳讓我知道妳永遠都會在那
I want to thank you for that time
我要謝謝妳陪我的那一段時光
And I'm proud to say you're mine
我很驕傲地說妳是我的媽媽
You showed me (you showed me)
妳教我
When I was young just how to grow
在我年輕的時候,如何成長
You showed me
妳教我
Everything that I should know
我所應該知道的每一件事情
You showed me
妳教我
Just how to walk without your hands
如何沒有妳的攙扶學會走路(學會獨立)
'Cause mom you always were the perfect fan
因為媽媽,您總是我最完美的粉絲
'Cause mom you always were
因為媽媽您總是
Mom you always were
媽媽您總是
Mom you always were
媽媽您總是
You know you always were
妳知道妳永遠都會是
'Cause mom you always were, the perfect fan
因為媽媽您永遠都會是我完美的粉絲
I love you mom
媽媽我愛妳
Show 是展示的意思,
在這裏我覺得它比適合翻成教
這邊有許多歌詞的文法都是用過去式,
因為現在孩子已經長大獨立了
搬出去獨立生活
他們在訴說小時候成長的那一段有媽媽陪的成長的時光
這首歌也是非常適合練習使用過去式的歌曲喔
https://www.youtube.com/watch?v=PCo9v5sCaRQ
i've never been to me意思 在 唱針在溝槽 Needle in that Groove Facebook 的最佳解答
當國外一片叫好對新科技phase歡呼中,DJ Rob Swift提出了不同的思考方向。
猜想他也不是全然反對,因為他也用Rane62跟djm-s9等數位產品。他的說法在於大家太容易隨便就接受了新科技取代人工這件事然後沒有疑問思考。「我沒聽說一個吉他手會抱怨他的琴弦一直壞掉需要換,他只是繼續換掉它然後繼續演奏」然後他舉了影片當例子,DJ Aladdin在比賽中左右交換時唱針多次跳針,通常這樣會搞亂原本既定的段子難以處理而亂掉內容,但Aladdin馬上用經驗跟記憶去判斷唱針大約跳針的位置且很快的用不同風格改變演出的內容,而且最後完成極美好的90秒旅程。
2000年後科技跳躍至電腦控制器跟各式樣的樂器跟DJ數位門檻降低,完全不需任何技術即可使用,至今2018更多厲害不費工的器具誕生不該只是為了服務商業跟讓一般人去消費玩耍,這些器材公司這些年來漸漸的沒有尊重DJ或音樂人來設計產品,而是強迫他們來為自己設計的產品代言,說實在這些產品大都缺乏了真正的DJ創意精神或音樂概念而且功能都很糟很表面功夫。
如果只是有錢跟圖方便,就算是擁有了多少台先進鼓機樂器合成器跟數位DJ器材,在演出大家看起來都一樣很沒意思。
I've been quiet all weekend about phase. Actually, practicing silence has been my method of operation as of late when it comes to the corny DJ shit I be seeing from so many of y'all. But this morning I woke up to a video of a guy lifting a control record off the turntable with that phase gadget still attached to it, making a mockery of scratching to be honest, and I just couldn't fight off the compulsion to speak my peace on the subject.
People are so removed from the truer days of DJing they get easily sucked into technology hype. The DJs I see salivating as they look on while one of their DJ heroes is testing out the product will never be remembered or respected for the new DJ software being pumped into the scene by corporations that honestly care more about getting your money than whether or not you're developing your skills. The only true path to building and cementing your legacy in this art is down a one-way road called Practice Street.
It's to the point now where soon muhfuggas are just gon' be like... "Fuck it, I'm cool wit' letting technology do all the work for me. This way things can sound perfect and we don't have to worry about needles breaking or any of the stuff that DJs naturally deal with."
*I've never in my life heard of a guitar playing bitching about his guitar strings breaking. Dude just replaces it and continues playing.
Here's rare footage of DJ Aladdin's first round set in the 1989 New Music Seminar for World Supremacy. The beauty within the 90 seconds you're about to see/hear lie within this routine's imperfections.
Timeline
0:13 - Aladdin releases the right turntable and starts his 90 second round.
0:15 - Aladdin begins to obliterate the left turntable with some of the most aggressive scratches I've ever heard him execute in all his battles. *I think the sound he chose to manipulate (the word "Goes" from Orbit's "The Beat Goes") plays a major roll in his cuts sharpness.
0:29 - By now, Aladdin swaps over to the right turntable and starts going back and forth between both decks. Prepping to showcasing his "Juggling" abilities.
0:38 - Aladdin launches the right turntable and it skips on him.
0:41 - Once more Aladdin sets up to launch the right turntable and it skips for a 2nd time. It's obvious by now he's trying to "Juggle" the words "BEAT GOES" on both turntables but something is wrong with the right deck.
0:44 through 0:47 - You see Aladdin feverishly trying to launch the right table from the start point he intends but it refuses to cooperate. (*See 0:43: Aladdin gives the right deck a quick glance. He knows something is wrong).
0:48 - You could tell that as Aladdin is trying to trouble shoot the issue he's having with the right turntable he realizes he's running out of time in the round and needs to act fast before the buzzard signaling the round is over is heard.
0:50 - As Aladdin jumps back into some scratches on the left turntable he decides "...to hell with this" and stops the faulty deck's platter and commences to coax an entirely new rhythm from the left turntable. He rides the left table for 24 seconds!!!
1:14 - Aladdin moves back to the left turntable in one last ditch attempt to get that side of his set up to cooperate but to no avail.
1:21 - Aladdin jumps right back to the good ol' reliable left turnable, sets himself up, stops the right platter and improvises a clever escape out of a challenging first round.
I've witnessed my share of DJ battles and I can genuinely say this is one of the most exciting rounds of any competition I've seen. Not so much because Aladdin did something out of this planet or anything. It was that we were able to see an expert in his craft spontaneously figure out a way to work around the technical difficulties he experienced in his round. I so miss that rawness man. I've seen battle DJs cave in to that tension and end their round early. But when you're the pedigree of an Aladdin, you stay cool, calm and collected and rise to the occasion and figure out a way create magic anyway!
That coolness, that calmness, the skill you see in this video was cultivated from years of walking down Practice Street. I suggest a lot of y'all take a stroll down that road. You'll find yourselves there.