關於 in the internet on the internet分別 ，我們在網路上蒐集到這些相關的討論、資訊與評價

除了記得領五倍券，有件事也要筆記一下👇

今年本院院區開放（Open House）四倍成長，從之前的1⃣天變成4⃣天！
但是，不要跑來人擠人喔，因為今年：

⭐️ ⭐️ ⭐️全！線！上！ ⭐️ ⭐️ ⭐️

因應疫情，首度以全線上方式辦理。以往僅舉辦1天的活動也特別加場，橫跨二個週末，將分別於📍10月30日(六)、📍10月31日(日)、📍11月6日(六)、📍11月7日(日)舉行。共有超過上百場的活動，其中預計推出數十場數理科學、生命科學、人文社會等領域的直播演講，可直接與研究人員線上互動。

🔥官方網站正式上線：https://openhouse.sinica.edu.tw/

----------
📌【觀展重點】
✅主題演講：六大人文與社會社學主題，從不同角度切入，反思COVID-19疫情帶給人類社會的衝擊。
✅線上自由參加無限定人數場次
✅限定人數場次：預先登記抽籤制！✍️
✅線上集章抽大獎
✅學生學習證明

📌【重要日期】限定人數場次：預先登記抽籤
⚠️10月4日（一）至15日（五）：公告活動場次、登記活動（無分先後，於此段時間登記者皆有抽籤資格）
⚠️10月18日（一）：上午十時，公告有無中籤。

💭還有疑問？常見問答區：https://openhouse.sinica.edu.tw/questions

#院區開放 #線上 #中研院

──────
Due to the impact of the COVID-19 pandemic, all Academia Sinica Open House activities will be hosted on the Internet, allowing people to take part from home. In addition, this year’s Open House will last for four days spanning two weekends: October 30-31 and November 6-7. Hundreds of events, including dozens of talks in the fields of mathematical sciences, life sciences, and human and social sciences will allow visitors to interact with researchers online. For our eagerly anticipated Keynote Speeches, six humanities and social sciences researchers from the recently published book Reflections on COVID-19 will provide different perspectives on how the pandemic has impacted human society. Videos of these Keynote Speeches will be made available on our website.

#OPENHOUSE #Online #AS

《我的幸福5/2 週末》

*週日下午兩點誠品信義書店「廿世紀典範人物」新書分享會，我下午二時開始演講，離上次在台灣大學公開演説。快半年了！分享會報名一小時預告已額滿，但TVBS電視台慷慨的支持。派出SNG車，屆時TVBS文茜的世界周報YouTube 及世界周報Facebook 都將同步直播。

*新書分享會後我將直奔高雄衛武營，參加劉孟捷（李斯特巡禮之年）鋼琴獨奏會。這是劉孟捷回台，最重要的一場音樂會，我目睹他用盡了一切心力。過去即使21歲時在費城代打缺席大師的音樂會，劉孟捷都未曾如此緊張。他此次回台，手術前為了沒有遺憾，共舉行三場音樂會：其中4/17與5/30皆是與國家交響樂團NSO合作：530那一場指揮是呂紹嘉。但他告訴我，某些曲目對他而言，是Piece of Cake ：惟獨衞武營這一場，曲目由他自己決定，現場錄影，並且找了金曲獎錄音師同步錄音。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

劉夢捷明白他即將面對一個大手術，手術風險之外，他的免疫系統疾病，將使他的康復之路更長。

沒有人可以預知未來，為了圓他的夢，醫院每天都要求他早上、晚上量血壓，報告直接傳給院長。振興醫院院長魏崢雖然是亞洲第一把心臟外科醫師，但也不敢大意。

畢竟這個人的生命那麼脆弱，他的心臟主動脈剝離，那是實質的「心碎」了：但他仍有詩，仍有音樂夢。在生命的交接處，在白日與黑夜的交义口，劉孟捷想為他的音樂生涯，留下最美好的紀錄。

他選擇了李斯特。

在這場音樂會前，他甚至以英文寫下了自己與音樂、疾病的半生回顧：如李斯特的巡禮，有仰望，有沉思，有失落，有幽微的疼痛。他以詩篇般的演奏模式，傾訴，詠嘆。他曾得到天賦，也走過死蔭的幽谷。命運是一層又一層的黑影逼近，老天爺隨時想帶走他。

而他已不再流淚，不再沉浸於悲愴告別：因為對他而言活著並不容易，他要讓自己更深刻的抓住每一分時光之美。

如果時間和空間，正如哲人們所形容的
都是不實際存在的東西：那從不感到衰敗的太陽，也不會比我們了不起多少！

他如艾略特的詩句中所形容的：我們為什麼要如此貪心總在祈禱，想活上整整一個世紀？

蝴蝶雖僅活了一天，已經歷了永恆。

當他的身軀如露水還在藤蔓顫抖時，他送給我們一場「完全浪漫又超技的李斯特」。

等音樂會結束了，至少有一張CD，一段YouTube 影像：不論孟捷代表生命的那朵鮮花是否枯萎，他彈奏如天使的音聲不會飛離，它會停留在那夜，繼續釋放芬芳。

這是盡生命之力、之情獨奏的音樂會。劉孟捷説：這樣當他走進手術室時，會少一點悲傷。

或許快樂的日子本來就不多，但讓這場「完全李斯特．完全劉孟捷」的獨奏會放出神聖的光彩吧！

我必將赴會，不會錯過！我知道此刻的獨奏會，很難複製，因為它綜合了太多的情感、愛念，釋放與生命的抒情。

*劉孟捷為此次獨奏會寫下的文字：This past year has seen some unprecedented changes in the world. Many lives have been lost and many have changed. The world has changed while many of us confront the uncertainty of the future.

For most musicians, life has changed. For months, we have been conducting our lessons online, and concerts have mostly stopped or become an online experience as well. More time has been spent learning how to improve the online teaching experience than one could have imagined. While I have felt the duty to continue teaching, the format the pandemic requires for teaching leaves me unwilling to spend more time than I have to.

And truly, I have had other things to deal with. When the pandemic started to worry the American public in March, I was in the middle of a tour with the String Quartet-in-Residence at Curtis, the Vera Quartet. However, our concerts were canceled, and everything came to a sudden halt.

I felt the universe had sent me an unexpected gift, as I had also just received some terrible news concerning my worsening aortic arches and a diagnosis of kidney cancer. The sudden halt in my professional schedule seemed perfect in its timing. I was able to settle into a monastic existence, to simply practice and attempt to heal.

I see many musicians itching to be concertizing again, and many stepped into new territory, performing on the internet. Many took time to develop new podcasts, and to write new materials for their art. Sadly, many have struggled as they have fallen into desperation without any concert incomes. Altogether the music industry seems to be in peril, and many worry about how music and musicians will survive.

However, I had my own survival to think about. Having been through many difficult experiences in my life, I knew this might be the most difficult I would encounter. My Doctors describe me as a walking time bomb. My condition could be lethal at any moment if my blood pressure gets out of control. So while others wrestle with the fate of the music industry, I’ve needed to face my own fate and mortality.

Playing concerts can mean many things to people. At different times throughout my life, I’ve felt the need to express different aspects of myself. When I was young, I wanted to embody the spirit of romanticism, playing lots of Chopin and Schumann. Then there was a period of time when I wanted to challenge myself by showing off pyrotechnics. I had a brooding period where I turned to the pathos of Rachmaninoff, and then felt the need to return to the purity of Schubert and nobility of Brahms. Throughout this pandemic, I wanted to play Bach. Through Bach’s music I found a kind of spiritual sanctuary.

In considering the program for this concert, I felt again the urge to play music that reflects my current feelings and state of mind. The title of today’s recital, “Years of Pilgrimage” seems to fit exactly what I am experiencing.

Liszt wrote several volumes of “Années de pèlerinage” throughout his life to reflect on thoughts he had during his travels. He links his philosophical thoughts to the scenery which inspired them. “Au Bord d’un Source” describes feelings of rejuvenation while standing next to a clear stream of water, a symbol and source of life and energy. It seems to say, when the stream is so pure, life can be so full of joy.

In the Les jeux d'eaux à la Villa d'Este (The Fountains of the Villa d'Este), the water has a magical and supernatural quality, as Liszt himself wrote in the inscription: "But the water that I shall give him shall become in him a well of water springing up into eternal life,"( from the Gospel of John.)

For me, I have never felt more connected to Liszt than when he looked upon the valley of Obermann and questioned the meaning of existence. At this moment in my life, I often find myself reflecting my experiences of what I see and read into philosophical musings. Perhaps many people come to a time when this is so.

In all this I have felt gratitude for the love stories and sonnets that one can romantically indulge in, and for storms so violent that they threaten to destroy one’s spirit, even the hell-bound journey which brings up questions about the purpose of life…

On this journey, I felt full and alive as a human being. Looking back on this journey, I am grateful for everything, whether happy or sad, to have made an impact, found and imparted meaning to this life.

The unusual time of this pandemic has marked a milestone for me. I have journeyed back home, and as it happened, this is the first time I have spent so much time in my hometown Kaohsiung in over 35 years. It’s particularly nostalgic to play these pieces as some of them were significant in my early musical career. Vallée d’Obermann was the piece I played in my first competition at the junior high school level, in which I won first prize on the national level, which allowed me to be qualified to apply for a special permission to study abroad. This meant my dream to be educated as a musician could be continued in an environment where I could develop fully. In the following year when I was 13, I won the first Asia-Pacific Youth PIano Competition with the Dante Sonata. The competition catapulted me into national attention as I was headlined in several newspapers, and especially since it was held in Kaohsiung, I became a local hero as well. During the same event, I had a fateful meeting with one of the important influences in my life, Mr. Gary Graffman, who then mentored me throughout not only the years when I was studying at Curtis, but throughout my illness and recovery as a pianist. Right before I departed to study in Philadelphia, I played my first solo recital throughout Taiwan, and along with the Dante Sonata, I also performed the three sonnets.

It’s perfect that now, back in Kaohsiung, all these memories have flooded back into my head. I feel so lucky to have been born here, and to have met my first teacher, Chin-Li Lee, who inspired me on the path to become a musician. Prof. Alexander Sung filled me with dreams of becoming an artist. I am grateful for his belief in my talent, when he chose to give a 12 year old such philosophical pieces to play.

Having once again spent some months in Kaohsiung, I can freshly appreciate the source of inspiration it once was for me. I have returned to the source to heal. Having already glimpsed hell’s gate several times, battered and weathered by the storms of life, I know there is a reason life is this way, and it all will be alright.

Meng-Chieh Liu
April, 2021

*劉孟捷衛武營《李斯特巡禮之年》演奏會中，包括李斯特以佩脫拉克三首情詩譜寫的鋼琴琴詩：這三首情詩是從大詩人佩脫拉克一百多首情詩挑出來的，詩本身就很優美，依此激發李斯特的浪漫主義創作靈感，成為琴藝上最困難演奏，但也特別細膩溫柔的琴詩。

這三首分別是：
〈佩脫拉克第47號十四行詩〉〈佩脫拉克第104號十四行詩〉及〈佩脫拉克第123號十四行詩〉。
Franz Liszt（1811-1886）: Sonetto 47 del Petrarca, Sonetto 104 del Petrarca, Sonetto 123 del Petrarca, from Années de pèlerinage, Deuxième année: Italie

李斯特於1846年先出版藝術歌曲《三首佩脫拉克十四行詩》（Tre sonetti del Petrarca），再改成鋼琴獨奏版。

三首佩脫拉克十四行詩
中譯：焦元溥（元溥也是友情贊助，特別準備音樂資料，周日南下，聆賞劉孟捷的樂曲，並且陪同他盯著錄音共三天）

〈第47〉
祝福每天、每月、每年，
所有片刻與鐘點、時間與季節，
在那美麗的原野，

我為一雙眼眸魂縈夢牽。

祝福初遇時的甜，
與愛同在、受苦不停歇，
如弓箭刺穿令我淌血，
傷口永留感動在我心間。

祝福一切我發出的聲音，
當呼喚著我深愛的女郎，
渴望、嘆息、淚濕滿襟。
祝福我寫下的文字遠揚，
歌頌她的芳名，萬古長新。
我心永屬於她，無人能闖。

〈第104〉
我找不到和平，也無意打仗，
我恐懼、我期望，燃燒又冰透。
我向天飛升，卻躺在地上，
我一無所有，卻又擁抱整個宇宙。

我身陷囹圄，監牢又開敞；
我不受囚禁，卻銬著鎖頭。
愛情不讓我死，也不讓我飛翔；
不要我活，也不准我逃離悲愁。

欲看卻無眼，啞口還在發言，
我甘心殞滅，卻仍高聲呼救，
我痛恨自己，但仍愛著他人。

憂傷滋潤我，淚水伴隨笑臉，
生命不足惜，死亡也不煩憂；
我淪落至此，都是妳啊，我的愛人！
〈第123〉

我在塵世見到仙子的美，

她天堂般優雅無與倫比。
想起她讓我悲傷又歡喜，
所見如幻夢迷霧與幽黑。

妳的可愛眼睛使我落淚，
多少次讓太陽也要妒忌。
我還聽到四周發出嘆息，
移動了山嶽停止了河水。

愛情智慧憐憫憂傷財富，
在淚水中形成甜美聲響，
奇妙和諧世上未曾目睹。
天堂追隨著音樂的流淌，
雖然枝上樹葉並未飛舞，
空氣與風息卻充滿芬芳。

5/2衛武營-劉孟捷鋼琴獨奏會《李斯特巡禮之年》購票連結
https://www.opentix.life/event/1384752689074294784

〈船停在港口最安全，但那不是造船的目的〉

今天早上來跟大家分享 Netflix 網飛 的創新案例：

Netflix 網飛 成功經歷四次主要的企業轉型：
第一次轉型：從郵遞DVD到以網路串流的方式播出過去的電影和影集。
第二次轉型：從網路串流播出舊內容，轉變成播出外部製作公司拍攝的全新原生內容，例如《紙牌屋》。
第三次轉型：從購買外部製片公司的版權內容，到建立自己的工作室，拍攝出屢獲殊榮的電視節目和電影。
第四次轉型：從一家單純的美國公司發展成在190個國家提供娛樂的全球性公司。

Netflix 網飛 歷經四次企業轉型之後的市值突破2000億美元，創辦人暨執行長 里德海斯汀 Reed Hastings 在《零規則 No Rules Rules》這本書上提到企業創新轉型的經營心法，他認為創新的三大運作原則分別是：
原則一：高手同隊，如此才能彼此刺激進步，淘汰平庸。
原則二：大聲認錯，小聲慶祝，如此才能從優秀變傑出。
原則三：養成創業家精神，如此才能安心授權，分散決策，幫助人人建立「以公司最大利益為考量」的共識。

制定規則以及標準作業流程是大多數企業成長茁壯的必經過程，但也常常成為企業轉型的絆腳石，Netflix 網飛 為了讓每一次企業轉型都能夠保持靈活的彈性，選擇更少的規則促進更大的創新。企業領導者必須了解，船停在港口最安全，但那不是造船的目的，同樣的，SOP（標準作業流程）讓企業很安全，但那不是企業成立的目的。

各位早安，功夫老師鼓勵企業領導者提高個人與組織的彈性，才能讓創新轉型更靈活。

"It’s safest for a ship to stay in a port, but that’s not the purpose of shipbuilding."

This morning, I will share with you the innovative case of Netflix:

Netflix successfully experienced four major corporate transformations:
The first transformation: from shipping DVDs to broadcasting past movies and albums via Internet streaming.
The second transformation: from streaming and broadcasting old content to broadcasting new native content shot by an external production company, such as "House of Cards".
The third transformation: from buying copyrighted content from an external production company to setting up your own studio and shooting award-winning TV shows and movies.
Fourth transformation: From a purely American company to a global company providing entertainment in 190 countries.

After four corporate transformations, Netflix's market value exceeded US$200 billion. Founder and CEO Reed Hastings mentioned the business mentality of corporate innovation and transformation in the book "No Rules Rules". It is believed that the three operating principles of innovation are:
Principle 1: Masters are on the same team, so that they can stimulate each other's progress and eliminate mediocrity.
Principle 2: Acknowledge your mistakes loudly and celebrate in a low voice, so that you can change from being outstanding to outstanding.
Principle 3: Cultivate the spirit of entrepreneurship. Only in this way can we be assured of authorization, decentralized decision-making, and help everyone build a consensus of "taking the company's best interests as consideration."

The formulation of rules and standard operating procedures is a necessary process for most companies to grow and thrive, but they also often become a stumbling block for corporate transformation. Netflix and Netflix, in order to allow each corporate transformation to maintain flexibility and flexibility, choose fewer rules to promote greater Innovation. Business leaders must understand that it is safest for a ship to stay in a port, but that is not the purpose of shipbuilding. Similarly, SOP (standard operating procedure) makes the company safe, but that is not the purpose of the establishment of the company.

Good morning everyone, I encourag business leaders to increase the flexibility of individuals and organizations, so that innovation and transformation can be more flexible.

大家早安。

No.2 2021-01-05 劉恭甫-功夫老師

#tenjinbashisuji #tenjinbashisujishoppingstreet #天神橋筋 #天神橋筋商店街美食 #大阪必吃 #大阪必買 #

Hello大家好, 我叫阿Tsar, Hello, everyone

今日帶大家嚟到全日本最長的商店街,位於大阪的天神橋筋商店街 Today I will show u the longest shopping street in Japan, the Tenjinbashisuji shopping street in Osaka

香港的彌敦道全長是3.6公里,這裏1丁目至7丁目的長度是2.6公里， The total length of Nathan Road in HK is 3.6 km, here the length from section 1 to7 is 2.6 km

相等於三分之二的彌敦道那麼長啦, 來這裏吃、買、玩交通相當方便 which is 2/3 long of Nathan Rd, is quite convenient to come eat, buy, and play for transportation

因為由天神1至7町目，橫跨了三個地鐵站 Because there are 3 subway stations are crossed from Tenjin sections 1 to 7

分別是「南森町駅」、「扇町駅 」和「天神橋筋六町目駅」，

有多達800間店鋪，當中包括餐廳、藥妝、衣服、 U to 800 shops including restaurants, cosmeceuticals n clothes,

雜貨、土產、傳統老店、居酒屋等等，應有盡有， Groceries, traditional old shops n izakaya, etc.U name it,

最重要是什麼呢, 這裏的吃買玩是街坊價錢！ What most important is the food and drink here is charged very low!

如果你的行程逗留大阪不是那麼久, 我建議你來這條街 If your itinerary is not so long in Osaka, I suggest you come here

一次過可以滿足你三個願望, 以最平的價錢、最集中的時間，去享受旅遊大阪的真樂趣 It satisfies your 3 wishes in one go, n enjoy the true pleasure of traveling to Osaka at the most affordable price and most concentrated time

我在google map, cap了張圖, 看看這裏連住三個地鐵站附近的酒店 I captured a photo for budget hotels nearby

三、四百hkd一晚, 是現在這一刻的價錢 Around 3 to 400hkd per night for the price at this period

大家如果下次去大阪, 不想住心齋橋、梅田那麼嘈吵的地方 For your next visit to Osaka, if u don't want to live in a noisy area like Shinsaibashi or Umeda................
這裏都可以是一個幾好的選擇, 比較貼地、接近大阪人的平民生活 U can enjoy the civilian lifestyle of Osaka locals

由於這條街太長, 所以我今日會介紹這裏的2丁目同埋3丁目 Since this street is too long, I will introduce only sections 2 chome and 3 today

長度相等於你從金鐘頭行到去灣仔中間的距離啦 The length is equal to the distance from Admiralty to mid Wanchai

我會重點推介一些值得吃買玩這個段落的地方, I will focus on recommending some places worth eating, buying n playing ..

這裏還可以有免費wi-fi上網, 速度都不錯㗎, They have free speedy wi-fi Internet access

邊行邊打卡給你啲friend啦, 快啲跟我一齊行啦, Are u ready? U can selfie n share with friends along. Are u ready?

嚟到2丁目, 你一定不可以錯過這間人龍排隊小店 When u come to section 2, u shouldn't miss this long queue store

它就是鼎鼎大名的 『中村屋』可樂餅啦, It is the famous croquette,

剛剛炸好的可樂餅, 金黃酥脆，外酥內軟，炸得香氣撲鼻， The freshly fried croquette, golden crispy on the outside and soft on the inside n fragrant,

被稱為是全大阪最好食的可樂餅！ Known as the best croquette in Osaka!

日本一個好權威的飲食網頁Tabelog攞到3.51分 It scored 3.53 in an authoritative food webpage in Japan called Tabelog

通常如果攞到3.4分已經是好好食, 所以你可想而知啦 Usually it's already delicious if you hit 3.4 points, so you can imagine

為何Tabelog的可信性是好高呢, Why is Tabelog's credibility so high?

因為Tabelog的收入不來源於餐廳的廣告，Because Tabelog's income does not come from restaurant advertisements,

而是來源於給用戶的增值服務。 It comes from value-added services to users.

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這裏的烏龍麵出名滑溜又Q彈，吃的時候一定要加一些炸小魚乾 The udon here are famous for being smooth n chewy.

炸小魚乾可以讓烏龍麵多了一種風味， Deep-fried dried fish can add a flavor to the udon

看看這幾位姐姐, 可以尋回學生時代迷過的偶像呀 What are they searching? Maybe searching for their idols in their childhood

CD只賣200yen(14hkd)一隻, 可能有啲是絕版呢 The CD only sells 200yen (14hkd), maybe some are out-of-print

這裏有好幾間理髮店喎, 我建議男士可以嚟試下 There are several barber shops here, I suggest bros to try

大家知道否為何全世界的理髮店門前都有一條三色柱呢 Do u know why there is a tri-color column in front of barber shops all over the world?

在1789年, 法國爆發大革命, 有一位革命的領袖被人追捕 In 1789, the French Revolution broke out and a revolutionary leader was pursued

走了入一間理髮店, 店裏面的員工成功地為這一位領袖擺脫了他的敵人 He hid into a barber shop, the employees in the shop successfully got rid of his enemy for this leader

在法國大革命勝利之後, 為了表揚這位理髮店工人的貢獻和支持 After the victory of the French Revolution, in order to praise this barber shop worker for his contribution and support

這位領袖就在理髮店門前放一個玻璃圓筒 The leader put a glass column in front of the barber shop

裏面裝上象徵著法國國旗的紅白藍三色柱, 不停轉動 It is filled with red, white and blue in column that symbolize the French flag and keeps turning

其後世界各地的理髮店都紛紛裝上這個三色柱 Since then, barber shops around the world have installed this three-color column

作為招攬客人的裝飾, 一直沿用至今 As a decoration to attract customers, it has been used until today

來這裏鋸扒餐都是800幾yen, Tabalog3.28分都過得去啦 The steak meal here is 800 yen, Tabalog 3.28 is rated

行一行這間妝藥店先, Akaran.........

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3丁目裏面有一間.......
....到3丁目一定要是這一間鳴門鯛燒本舖鯛魚燒連鎖店 This taiyaki sea bream cake chain shop is a must to come.

外面的皮用頂級小麥製作，口感偏脆， The outer layer is made of top-grade wheat, super crispy

皮薄而香噴噴，內餡有北海道十胜紅豆、宇治金時番薯、 The out layer is thin and fragrant, filled with Hokkaido Tokachi red beans, Uji Jinshi sweet potatoes,

亦有紅豆和蕃薯嘅雪糕夾餅，在日本好多分店,而且相當出名。 There are also red bean and sweet potato ice cream sandwiches, which are well-known in Japan w/many branches.

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我的youtube頻道大阪自由行的播放清單 Pls visit the playlist of my youtube channel for osaka travel

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睇完影片記得留個表情符號以示支持呀 Leave an emoji to show your support

幫我分享訂閱和like,我們下一條片再傾過,拜拜 CLS n with that said until next time, 88.

請用片右下角調4K睇片。

這次要來跟 @旅行YJ @諾斯Nox @後撤步 一起來玩密室逃脫桌遊《大搜查》! 真的是被這個遊戲搞到腦細胞死一堆啦!


以下介紹來自https://kknews.cc/zh-tw/news/oane6rp.html

謎題，從人類文明誕生之際開始一直延續至今。比如經典的斯芬克斯之謎：「什麼動物早晨用四條腿走路，中午用兩條腿走路，晚上用三條腿走路？腿最多的時候，也正是他走路最慢，體力最弱的時候。」從公元前400年左右被創作出來至今依然為人們所津津樂道。而到了21世紀，這個人類最為傳統的興趣愛好也與時俱進的以遊戲的姿態再次出現在我們的眼前。在當代，解謎遊戲一直是遊戲中的一個重要分類。從網際網路萌芽時代的《逃離紅色房間》，到剛推出不久的《銹湖》系列遊戲，雖然表現的形式稍有改變，但一直占有自己的角落，靜靜的發出璀璨的光輝。

在桌遊的世界當然也不會缺少解謎遊戲的身影。比如最近在摩點大熱並籌得了超過兩千萬人民幣的話題作品《迷宮·如意琳琅圖籍》就是一個圖書的形式將謎題呈獻到玩家眼前的桌遊。不過他並不是今天筆者要介紹的遊戲（畢竟還沒正式發貨並沒有辦法介紹）。今天真正要介紹的桌遊是另一個頗受推崇的解謎遊戲，也就是近期剛剛推出中文版的《大搜查（Unlock）》

《大搜查》是一個推出於2017年的系列作品，遊戲由一系列的卡牌組成。玩家在遊戲中的最終目標是在一個小時的時間內得出一個四位數的密碼逃離「密室」。在不同的劇本中密室所代表的意義也有所不同可能是個封閉住的房間也可能是一個荒島。這根據劇本的不同而不同——每一個劇本都是一個獨立的小故事。目前推出了中文版的是大搜查的第一季。打開遊戲外盒就可以看到作為劇本象徵的整整齊齊的三刀牌，但這其實還並不全部的遊戲配件。

《大搜查》在實際的遊戲進行中，除了需要這些卡牌之外，還有一個不在遊戲盒子中，但地位舉足輕重的額外配件,也就是APP，大搜查的遊戲無法脫離這個APP來完成。APP在這個遊戲中扮演的角色遠遠大於一個單純的計時器，他除了用於記錄一個小時的時間經過了多少之外，還負責驗證密碼正確與否，機關的破解方法是否正確，玩家錯誤嘗試扣除時間以及玩家提示。

這個提醒的作用要比想像中大很多，解謎遊戲中出現卡關再正常不過了，如果只是需要時間還好，但很多時候玩家卡關的原因是與設計師的腦迴路對不上，或者說沒有理解到設計師的用意，因為這種原因而造成的卡關往往無法通過時間來解決。比如《時間守望》基礎劇本的最終謎題筆者就因為這層原因卡了一個多小時，如果不是看了網上大神的攻略恐怕就要強行開門了。但在《大搜查》遊戲中，因為有了這個提示功能，雖然失去了些許懸念，但至少遊戲能順利的進行下去。

遊戲規則

遊戲中的主要卡牌分為四類：地點，物品，機關，密碼。

地點即是遊戲中的我們所處在的密室，在遊戲中起始卡背面必然是地點卡，地點卡上會有許多數字和字母代表著在遊戲中我們可以調查的事物（當然有些會隱藏起來，如果不仔細觀察是找不到的）。物品卡就很直接的是遊戲中我們獲得的物品了。物品的頂端通常會分為紅藍兩種，如果你覺得兩件物品組合在一起可能會發生奇妙的效果時，可以將這兩張卡的編號相加並打開對應的卡牌。機關卡意味著一個機關，我們需要在APP中輸入對應的號碼來開始挑戰機關，機關的正確解法可能就在機關自身之中，但也可能是需要在其他卡牌上尋找線索。密碼卡的意義就簡單了，它代表了這個地方有一道鎖，當玩家獲得了正確的密碼之後輸入APP，就會得到相對應的內容，如果這就是最終要打開的門的話，玩家也就通關了，遊戲會根據玩家在遊戲中的表現（耗時，錯誤嘗試，尋求提示次數等）給玩家得出一個最終得分，當然對於筆者這樣的體驗向玩家來說，只要能通關就好了（笑）

遊戲劇本

遊戲的第一季里包含了四個劇本，一個教學劇本和三個正式劇本。教學劇本由十張卡組成，但包含了正式遊戲中的所有內容，它會手把手帶著玩家了解這個遊戲如何進行，實際上可以起到一個代替說明書的作用——當然正式的說明書還是存在的。

遊戲的其他三個劇本就是正式的遊戲內容了，他們分別出自三個作者之手，每個作品的風格各不相同，劇情上也沒有什麼連貫性，應該算是獨立的。因為作者不同的原因，謎題的傾向也有所不同，比如第二個劇本「香腸鼠俠」就和其他兩個劇本迥然不同，不僅畫風無厘頭，很多謎題也十分的無厘頭。不過為了保證玩家的體驗我就不多講了，此間真意就留給玩家朋友們自己去體會吧。

作為一款A社漢化的劇本類遊戲，就不得不順便聊一聊它的翻譯，畢竟A社再翻譯上有著很多不光彩的過去。不過這次A社的翻譯還是做的不錯的，至少在筆者遊玩的時候並沒有遇到什麼嚴重影響遊戲進行的BUG，大家可以安心購買。不過倒是有一個非翻譯問題帶來的BUG嚴重影響了遊戲。那就是教學任務中的67指的實際上是69，這個問題是英文一版就有的，並且在二版進行了糾正。而A社在推出中文版時是根據英文一版來的，這個錯誤並沒有糾正，而是完美的繼承了下來，讓大家可以體驗「原汁原味的錯誤冒險」。大家在進行遊戲的時候千萬要多留意一下。

小結

《大搜查》是我目前玩過的最好的劇情向遊戲之一，他在遊戲體驗上十分靠近電子遊戲的解謎遊戲和真人的密室逃脫。和電腦上的解謎遊戲相比在一些設定上還是有不同的，比如隱藏數字。在卡片上沒找到就是沒找到，可不存在靠亂點矇混過關的可能性哦（笑）。另一個不同在於可以和小夥伴們互動，小夥伴們群策群力逃出生天的感覺是電子遊戲里無法獲得的。

而且在《大搜查》的後期一些劇本中甚至還會出現一些需要兩組人通力合作才能完成的謎題，實際上已經超過了電子遊戲的能力範圍里，充分發揮了桌遊的優勢（雖然這個劇本真的很難）。而相比與真人的密室逃脫相比，《大搜查》的最大特點就在於體量，遊戲的本體只是一刀牌，攜帶方便，開局也方便。不過這三類遊戲體驗各不相同，難分伯仲，各種取捨還是要看玩家自己的傾向了。


《大搜查》比較創新的採用了APP來輔助遊戲，這個模式曾經很少見，但隨著時代的發展也漸漸變的多了起來，比如《瘋狂詭宅》第二版就也採用了APP輔助遊戲的這個模式。不過實際上最初看到這個模式筆者是不太喜歡的，畢竟桌遊的一大特點在於可以不插電的進行遊玩，用插電的設備來輔助本應不插電的桌遊讓人不由得覺得有些失去本心。但是實際體驗下來，APP的表現確實非常好，讓筆者不由得說一句真香。APP的加入能提供很多一般桌遊配件很難給予玩家的東西，比如時限步步逼近的緊張感，比如說用聲畫和遊戲的配合，不採用這種模式的話是絕難做到的。另一方面還可以封印一個玩家的手機讓他專心投入到桌遊當中，更是妙不可言（笑）。

《大搜查》的外文版目前總共推出了五個季度十五個劇本，這對於一個2017年推出的遊戲來說算是比較誇張了，不過作為一個以劇情為賣點的遊戲，擴展多意味著玩家可以體驗到的內容多，實際上也是一件好事。雖然目前中文只推出了第一季度的中文版，但是開坑的畢竟是A社，至少應該不會出現挖坑不填的現象。如果你是一個密室愛好者，又或者是一個愛好思考愛好解謎的玩家，這都是極為合適的遊戲，不妨趕快去入手吧。


原文網址：https://kknews.cc/news/oane6rp.html
Unlock! is a cooperative card game inspired by escape rooms that uses a simple system which allows you to search scenes, combine objects, and solve riddles. Play Unlock! to embark on great adventures, while seated at a table using only cards and a companion app that can provide clues, check codes, monitor time remaining, etc.

Unlock! Escape Adventures includes three separate scenarios for you to explore:

In The Formula, you enter a secret laboratory to recover a mysterious serum that has been developed by a scientist. Will you solve all the riddles and get out in less than an hour?
In Squeek & Sausage, you need to thwart the plans of the despicable Professor Noside!
In The Island of Doctor Goorse, you must visit the island of an eccentric antique collector billionaire and overcome its traps!

An included ten-card tutorial allows you to learn how to play without reading the game rules.

Use the link below in order to download the Tutorial and a demonstration scenario, both in print-and-play!

This box is not distributed in the U.S

Note: Unlock! requires a free application to be downloaded from the App Store or Google Play. Once downloaded, an internet connection is not required during game play.