【新歌上架!!】
這是一首和 國立臺灣史前文化博物館 National Museum of Prehistory 及 蓋亞文化 出版的台灣史前奇幻冒險小說「風暴之子」擦出火花的歌曲-〈古老森林的後裔 Grandsons of Ancient Forest〉。
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歌曲以風暴之子的故事情節為發想,用聲音和旋律來打造人們對於這個失落卻無比珍貴的臺灣古文明一卑南文化的情感連結。在三千多年前的部落裡,人們追隨著古老的信仰,彼此相依的在這塊土地上生活著,而這片土地,我們稱呼為「台灣」,你是否也曾聆聽過這片山林,山林裡長眠於此的人們,正在與我們訴說這片土地的美麗故事,而這一切從來就不該被遺忘。
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*NEW SONG RELEASED*
各大平台聆聽 Hear it at Digital Platform:https://snd.click/trt
ps. 部分國際平台因應年末假期會晚點曝光唷:D
Some platforms during the year-end holiday will postpone the release date 😀 More detailed song information is as follows!
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特別謝謝帶我們了解許多卑南文化的 葉長庚、宜婷、芸甯,難忘那天驅車前往台東參觀卑南文化的遺址、由你們帶領我們翻閱文獻、近距離觀看這些出土文物,聆聽背景文化與故事。卑南文化做為台灣重要的史前文化之一,能有這些轉譯的發想與執行,每個環節都令人興奮,期待越來越多人以新的目光聆聽這些土地蘊藏的美麗故事。
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【歌曲介紹】
Vali,是風的古語,也曾是一名少年與一頭雲豹的名字。狂風暴雨中,一條獨木舟劇烈起伏,卻始終不曾沉沒。船上什麼都沒有,只有一個昏迷的小孩—瓦利。這個在風暴中存活的奇蹟男孩,在踏上海境的土地後,將以風為名,在異族部落裡蛻變重生,開啟屬於他的遠古冒險長征......。
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歌曲內少年歌唱著一段部落長老們流傳的古老旋律,旋律裡唱述著:
Dee ie enssaa dnaaya(半月下的太陽之子)
Ii issee ento ui(靈魂永駐幻化成樹)
Kii inssee essaa libaya(聽,森林的細語唏囌)
io si kenna(唱述大地的美麗故事)
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而歌曲開端則訴說:
Mriya dehita
iude taka emu
Ameyín sáiya
(所有神話的背後都源於一段真實故事)
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主要演奏樂器為Lira de la estela de Luna,是由伊比利半島Luna(月亮)小鎮出土的一座石碑上圖案所復刻出的樂器,中文譯為月亮里拉琴(或稱塔特西里拉琴),該石碑目前存放於西班牙當地Zaragoza博物館,年代距今三千年左右,恰好與卑南文化時期有所重疊。歌曲中點綴著多種原始的傳統樂器,像是以羊趾甲製作而成的 Chajchas、早期以木頭製成的笛子 Quena、會發出下雨聲音的Palo de Lluvia 求雨棒、以種子製成的 Güiro de calabaza seca、跳舞專用的腳鈴 Pad Ghungroo、羊皮手鼓Frame Drum等等,期許用更開闊的聲響,編織出人們對於卑南文化的無限想像。
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【Information about Grandsons of Ancient Forest - Vali Original Soundtrack】
Vali is Taiwan’s first fantasy-adventure novel set in prehistoric times (more precisely, about 3,000 years ago). It is based on the Peinan culture.
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• Plot: The word “vali” means “wind” in an ancient language of Taiwan, and it is also the name of the boy and clouded leopard in the story. During a fierce storm, a canoe is violently tossed about on the water, staying afloat in spite of the tempest. All that is in the canoe is an unconscious boy, whose survival is a miracle and who will later be named after the wind—“Vali.” He ends up living with a tribe that is not his own, transforming, experiencing rebirth, and embarking on a long adventure…
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• About the song: The song, inspired by the plot of Vali, creates a musical and emotional link between listeners and a lost yet incomparably precious ancient civilization of Taiwan—the Peinan culture. Over 3,000 years ago, the inhabitants of a settlement on this island lived and depended on one another while following their religious beliefs. We call this island “Taiwan.” Have you ever listened carefully to its mountain forests and the people who sleep eternally in them? They are telling us the beautiful stories of Taiwan, stories that never should have been forgotten.
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In the song, the boy sings an ancient melody passed down by the village elders, which goes:
Dee ie enssaa dnaaya (Children of the sun, beneath a half moon.)
Ii issee ento ui (Their spirits live eternally in the form of trees.)
Kii inssee essaa libaya (Hear the whispers of the forest,)
io si kenna (singing the beautiful stories of this land.)
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The beginning of the song goes:
Mriya dehita
iude taka emu
Ameyín sáiya
(All myths are based on true stories.)
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The main instrument is Lira de la estela de Luna(Lyre of Luna). It is the recreation of one of the oldest string instruments of the Iberian Peninsula. It was created based on an engraving representing a string instrument similar to an ancient Mediterranean lyre. This engraving is on an anthropomorphic funeral stele dating back three thousand years that was found in the town of Luna (Zaragoza) in 1975. The characteristics of the engraving are very similar to the style of the Tartessian period (10 to 6 B.C.).
Besides, this song is dotted with a variety of original traditional musical instruments, like Chajchas, Quena, Palo de Lluvia, Güiro de calabaza seca, Pad Ghungroo, Frame Drum, etc.
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小說《風暴之子》作者:奇幻作家 葛葉
封面繪師:Nofi
國立臺灣史前文化博物館授權
Yerko Fuenzalida Lorca
同時也有4部Youtube影片,追蹤數超過38萬的網紅CH Music Channel,也在其Youtube影片中提到,《魔道祖師 - 前塵編》 季路 / Kiro / 四季歸途 / Road of Seasons 作詞 / Lyricist:aimerrhythm 作曲 / Composer:飛内将大 編曲 / Arranger:飛内将大、玉井健二 歌 / Singer:Aimer 翻譯:澄野(CH Music C...
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- 關於it follows中文 在 與芬尼學英語 Finnie's Language Arts Facebook 的最佳解答
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it follows中文 在 Jessie Chung锺潔希 Facebook 的精選貼文
星音符剧团即将为您💥震撼上演——中国古代四大名著之首《红楼梦》话剧。
Symphony Theatre proudly presents the stage play “The Dream of Red Mansions”, an adaptation of the most celebrated classical Chinese novel! 💥💥
❤古代长篇巨作《红楼梦》,即将在大马首度以话剧形式呈现,星音符剧团将根据史实与原著改编。为您演绎一场刻骨铭心、至真至爱、荡气回肠的爱情故事。
❤此次,星音符剧团力邀锺洁希演出话剧女主角——出淤泥而不染的林黛玉。男主角为全球万里挑一,犹如贾宝玉再现的——林霆坚。<别说爱错>的领衔主演——美籍导演浪漫王子李安田,与<音乐盒>话剧的领衔主演——魅力型男马杰飞也会重磅加盟!
💥必看8大重点💥
✨《红楼梦》在大马首度以话剧演出
✨《红楼梦》根据史实和原著改编
✨国际艺人锺洁希与多位资深演员同台演出
✨最新3D科技绝美LED背景视觉影像
✨特邀美国音乐人为《红楼梦》打造主题曲与插曲
✨逼真的音效与专业背景音乐配搭
✨精致的古风道具布置
✨精美雅致大气有诚意的古代服装
❤锺洁希曾演出《七步诗》、《月光》、《音乐盒》、《别说爱错》话剧等…精湛的演技受到媒体与观众的肯定,演出的话剧更是场场爆满,大受观众的欢迎与认可。 李安田自小在美国和台湾两地成长,属于性格派演员,并且曾在美国受过名师指导拍摄及导演。马杰飞曾经演出《音乐盒》话剧与《别说爱错》话剧,他也是多部电影、短片和MV男主角,深受大众喜爱。马杰飞也是一名导演,他将要推出的力作是与李安田导演携手执导的一部话剧名为《没有泪的天空》。马杰飞、李安田、林霆坚都是在大学主修戏剧及音乐表演系。
❤ “四大名著” 之一《红楼梦》描绘了人生百态, 是一部能够体现中华民族文化与智慧的经典完美结合著作。《红楼梦》话剧根据史实与原著改编,以荣国府为背景,情节以贾宝玉和林黛玉之间的故事贯穿全剧。
❤ 值得一提的是,许多人提到红楼梦中的林黛玉,都会觉得她就是柔弱的化身。事实上,林黛玉是一个勇敢聪慧的女子,她比任何红楼梦中的女子更加敢于挑战世俗。 很多人把林黛玉比喻为水芙蓉,只因这种植物有 “出淤泥而不染” 的赞誉。贾宝玉与林黛玉纯真又刻骨铭心的爱情,更是红楼最凄美动人的故事。至于林黛玉的眼泪,绝不能简单地理解为眼泪代表柔弱,就像王熙凤用银子来修炼自己在世俗中的能力一样,或许林黛玉她是用一生的眼泪来修炼爱情。
❤ 《红楼梦》话剧首次搬上大马舞台,带观众走进《红楼梦》的世界,体会《红楼梦》的深刻内涵,享受红楼作品的美学呈现,让观众深刻体验古典名著的艺术魅力。同时,透过根据史实与原著改编的《红楼梦》话剧,想带大家更深一层的认识出淤泥而不染的贾宝玉与林黛玉。❤🧡💛💚💙💜
❤《红楼梦》话剧24/07星音符剧场首演,星音符为您诚意打造《红楼梦》话剧,让您深刻体验古典名著的艺术魅力。敬请期待!
📅🗓️《红楼梦》话剧演出6场,演出日期如下🏹🏹🏹
[第一场] 24/07/2020(五)
[第二场] 25/07/2020(六)
[第三场] 26/07/2020(日)
[第四场] 31/07/2020(五)
[第五场] 01/08/2020(六)
[第六场] 02/08/2020(日)
【地点】星音符剧场
【时间】晚上8点钟⏳
【联络号码】012-642 0336(负责人梁小姐)
【中文对白,附有英文字幕】
想要购买话剧入门票🤩?请点击这里 :
📲📲📲https://wa.link/1zlg05 (012-642 0336)
此活动由马来西亚自然医学公会(MNA)主办,为癌症病患筹募基金。以获取更多最新资讯,请守住洁希脸书!
Symphony Theatre proudly presents the stage play “The Dream of Red Mansions”, an adaptation of the most celebrated classical Chinese novel! 💥💥
❤ “The Dream of Red Mansions”, an early, lengthy masterpiece, is about to be performed in Malaysia for the first time in drama form. With the play based on the original historical novel of the same name, Symphony Theatre is bound to portray for you an unforgettable, passionate, and heart-rending love story.
❤This time, Symphony Theatre invited Jessie Chung to take the stage as lead actress, portraying the pure and unadulterated Lin Daiyu. The lead actor, Terry Lim, was chosen out of a ton of applicants from around the world. Joining the ranks is lead actor of “Meant to Be”, the romantic, princelike American director Paul Lee and lead actor of “Music Box”, the charismatic heartthrob Jeffrey Beh!
💥 8 Reasons Why You Should Watch 💥
✨ This marks the first public performance of the stage play “The Dream of Red Mansions” in Malaysia
✨ “The Dream of Red Mansions” is based on the original historical novel
✨ International artist Jessie Chung takes the stage with many experienced actors
✨ Stage backdrops created through the latest 3D technology for stunning, lifelike environments
✨ American musician brought on board to compose the theme song and soundtrack
✨ Accompanied by realistic sound effects and professional background music
✨ Stage design incorporates exquisite ancient Chinese elements and props
✨Actors wear elegant, refined, majestic and authentic period costumes
❤Jessie Chung has performed in stage plays including “The Quatrain of Seven Steps”, “Moonlight”, “Music Box”, “Meant to Be” and more. Her superb acting skills caught the attention of the media and audience alike. She is known for her sold-out performances that are popular with and praised by theatregoers. Paul Lee, who was raised between the U.S. and Taiwan grew to be a character actor and has learned the craft of cinematography and directing under a few renowned in instructors in the U.S. Jeffrey Beh, who has starred in the stage plays “Music Box” and “Meant to Be”, has also starred in several films, short films and music videos that are well-received. Jeffrey Beh is also a director, and he will be directing alongside Paul Lee in an upcoming masterpiece of his, the stage play “Tearless Sky”. Jeffrey Beh, Paul Lee, and Terry Lim all majored in performing arts and music.
❤One of the Four Great Classical Novels, “The Dream of Red Mansions” depicts various aspects of life and is a comprehensive, literary work that embodies the culture and wisdom of the Chinese. “The Dream of Red Mansions” was adapted from true historical events and traces the bittersweet tragedy at the Rong Mansion between Jia Baoyu and Lin Daiyu.
❤It is worth mentioning that many people believe for Lin Daiyu of “The Dream of Red Mansions” to be the epitome of frailty. That couldn’t be further from the truth. Lin Daiyu was a brave and intelligent woman who dared—more than any woman in “The Dream of Red Mansions”—to challenge the worldliness around her. Many liken Lin Daiyu to a lotus, because the flower is known to grow out of the mud unsoiled. The pure and unforgettable love between Jia Baoyu and Lin Daiyu is the most poignant and moving story in “The Dream of Red Mansions”. As for Lin Daiyu’s tears, they should not be simply understood as symbols of weakness. Just as Wang Xifeng used money to perfect her materialistic ways, perhaps Lin Daiyu used a lifetime of tears to perfect her love.
❤ “The Dream of Red Mansions” is set to be staged in Malaysia for the first time, and will transport the audience into the world of the original novel so they can feel its profound literary treasures, enjoy its aesthetical presentation, and experience intensely the artistic charms of this classical masterpiece. Moreover, through the stage adaptation of the original historical novel—“The Dream of Red Mansions”—we hope that everyone will have a deeper understanding of Jia Baoyu and Lin Daiyu, who kept their purity even in a filthy world.
❤ “The Dream of Red Mansions” debuts on July 24 at Symphony Theatre. This stage play presented by Symphony Theatre will allow you to intensely experience the artistic charms of this classical masterpiece. Don’t miss it!
📅🗓️ Six shows have been scheduled; the performance dates are as follows: 🏹🏹🏹
First show: Friday, July 24, 2020
Second show: Saturday, July 25, 2020
Third show: Sunday, July 26, 2020
Fourth show: Friday, July 31, 2020
Fifth show: Saturday August 1, 2020
Sixth show: Sunday, August 2, 2020
Venue: Symphony Theatre
Showtime: 8 p.m. ⏳
Contact number: 012-642 0336 (Representative Ms. Leong)
Performed in Mandarin with English surtitles
Want to purchase tickets? 🤩 Visit the following link:
📲📲📲 https://wa.link/lck748 (012-642 0336)
The show is a fundraiser organized by the Malaysia Naturopathic Association (MNA) to help cancer patients in need. Stay tuned on Jessie’s Facebook for more updates and information!
it follows中文 在 與芬尼學英語 Finnie's Language Arts Facebook 的最佳解答
《回應連登仔 能者多努 話我英文廢,憑咩教人》
一定有followers話,Tiffany其實你已經做得好好,唔需要為呢啲hater煩心。我知道。但我想藉此討論下香港學英文風氣嘅問題,因為香港學英文同教英文嘅風氣真係好有問題。
1)50000人follow就算上位?
Po主好介意我英文咁廢,都有50000幾60000人訂閱我channel。
唔好傻啦,我地啲片平均幾千到萬幾人睇,其實我有咩影響力丫。
2)我唔係聖人,我英文都會錯。
的確,睇番你改我篇文,如果我唔寫could have spent呢一句,文句的確會容易明啲。其實我當時係想講could have spent more wisely;再加上當時寫文係DSE之後,我覺得學生本身可以花喺理解英文嘅時間花咗喺背誦度,所以我先咁寫。
Inculcate呢個字我用得唔好,其實講cultivate或者foster會好好多,brain fog寫錯,多謝你指正。
曾經有學生同我講software唔加s,我先突然恍然大悟省起,係wor,software唔加s。
我冇話自己勁,亦冇話自己唔會錯,不過我可以將生活裡面都八九成思考嘅嘢,都可以同舒服用英文講。我覺得呢樣嘢,比起錯唔錯緊要好多。
3)有時算錯定唔算錯,係主觀嘅
“能者多努”話我唔可以講Teachers either don’t have the time, resources, permission, or expertise (cultural, literary and general knowledge)Teachers either don’t have the time, resources, permission, or expertise (cultural, literary and general knowledge) to
foster real and two-way interchange among students. They resort to imparting knowledge through lecturing,
to make English lessons interesting, engaging or even exciting.
因為either or只可以跟either A or B,其實喺informal contexts,好多人都會講either A, B, C or D。呢篇文只係一篇listacles,我簡單抒發己見,唔預學生睇,當我要教either or呢個conjunction我當然唔會舉either A, B, C or D咁嘅例子。
就好似both呢個字,傳統想要講Both A & B,如果要講三個或以上items,理論上要講all A, B and C。但現代英文裡面,大家都會講 both A, B and C。
如果你大學有讀descriptivism同prescriptivism嘅分別,應該會明白。
4)Youtube同社交媒體都係產業,我好相信quality follows quantity,所以我每個禮拜都出緊大量內容
或者你會覺得咁樣係誤人子弟,但我好相信我每出一篇文同一條片,學生都係係咁綺larp兩眼,因為我地世界步伐太快,佢地唔會當我每條片同每篇文章係精讀篇章咁「倫」。
當我每個禮拜都推出內容,我出咩錯嘅時候自然就會有觀眾出黎指正我,呢樣嘢我不嬲都好歡迎,我會心心晒佢地啲comment。
當一個禮拜出緊>5 Medium文;3套Youtube片;2集podcast;2篇email newsletter同>10嘅IG post嘅時候,雖然我儘量避免,但忙中有錯係必然。
如果你覺得能夠做到咁樣製作內容嘅速度,加上有你滿意嘅英文水平嘅人,可以喺Youtube出樣教英文?如果你識得有咁嘅人,希望你介紹比我識。
5)回應世界英文資源咁多,多我一個唔多;少我一個唔少
我自己好相信我嘅分享有用;而我呢個信念亦得到我好多嘅followers確認,我先會繼續做落去。
如果我冇我嘅存在價值,我相信好難做到多人訂閱。因為Youtube係一個競爭激烈嘅空間,演算法係民主嘅。有英文channel係教英文嘅,但好多都係用普通話或者英文。English with Lucy、Papa Teach me、English Like A Native,普通話嘅有阿滴英文等等,呢啲頻道我全部都有睇,佢地當然有佢地嘅作用。但我覺得自己channel嘅價值在於聯繫香港同亞洲文化落英文度,我覺得咁先可以令學生原本唔鍾意英文,變成發現英文同佢地有興趣嘅嘢其實好有關係。
有一句說話係咁講嘅:No one can do what you do, the way you do it。唔好成日集中精神喺人地叻唔叻,留意下人地幫唔幫到人。呢個世界已經夠黑暗,可唔可以欣賞下會攞個心出黎幫人嘅人,幫唔幫到人,而唔係人地有冇資格;叻唔叻?
6)呢個世界唔係你踩其他人,人地就會認同你叻
就算我同其他教英文嘅人,包括蕭叔叔、阿滴英文、馬米高、English Lesson for Freedom、Miss Charlotte、哥倫布等等嘅教學理念未必完全一樣,我從來冇走去踩佢地。
如果一定要搵,每個人嘅英文同知識面都一定會搵到可以挑剔嘅地方,但係咪代表我需要搵佢地錯誤出黎挑機同批評?
我從來冇咁做,除咗因為我focus on我自己做好之外,因為我知道佢地做嘅嘢最起碼都係啱多於錯;幫到人多於害到人。
我唔會嘗試批評佢地,顯出我自己幾叻,無論佢地教英文係為興趣定牟利都好,我覺得最緊要大家個mission有意義;做嘅範疇係自己鍾意,能力範圍內儘量做好,已經好好。
7)你話我屋邨英文水平,唔同我有IB同拔萃學生黎搵我教佢地Eng lit,又同你講咩?
又唔通,我走去Youtube教IB英文咩?會唔會有人睇?會唔會有說服力?唔通我UE A CE 5*又同你不斷同你講咩。
唔同有band 1學生走黎比我我幫佢地出mock卷,我又同你講?
有咩意思?
人地只覺得我精英主義同show quali。
8)香港,需要唔怕錯,勇於表達嘅老師
我覺得香港嘅老師真係好怕錯;學生都係,當老師咁怕錯,點說服學生唔怕錯?
因為香港太多鍾意品評其他人英文嘅唔出樣但寸寸貢嘅鍵盤戰士,所以好多英文老師怕比人捉到錯處,而唔拍片。再加上Youtube動輒會有幾廿萬人睇到你犯錯,好多人都承受唔到呢個心理壓力。
我曾經去過香港Google嘅event同教師分享點做Youtube,我覺得就係呢種熱愛批評嘅態度,令到好多教育工作者都唔敢拍片。
英文,唔應該係用黎突顯自己英文有幾叻;自己有幾叻;英文係一個工具比我地更加豐富咁表達自己同睇呢個世界。
9)我冇睇唔起香港嘅日校英文老師,請你唔好亂咁解讀。
我話明好多英文老師冇時間培養香港學生對英文嘅興趣,因為好多時學校冇呢個自由度比佢地;至於expertise,一定有啲老師都係喺expertise上面有欠缺的,只不過呢個唔代表呢個一定係佢地錯,又或者佢地就係好廢,又或者我睇唔起佢地。
10)英文裡面,溝通裡面,grammar唔係唔重要,pronunciation唔係唔重要,但仲有更加重要嘅,係attitude,同識得match番溝通嘅objective同埋講嘢方式
我成日都講beyond grammar;例如歌詞裡面嘅smile a little smile;Star Trek裡面嘅To boldly go where no one has gone before;蘋果嘅think different;麥當勞嘅I’m loving it,因為我知道rules are made to be broken。grammar只係達意嘅工具,最重要係你用嘅語言同你溝通嘅objective match。我唔覺得你有領會一點,一個人英文叻唔叻唔係在於一個人寫嘢有幾正確;而係在於佢嘅語言可以達到幾versatile/wide-ranging嘅objectives同purposes。
例如一個人識得用英文寫DSE文章或者office嘅email,唔代表識得寫blog posts;識得寫詩;識得拍Youtube video。我喺寫作上面,一直都experiment緊,以前都有幫人寫詩,自己寫literary essays,唔係淨係你講嘅Medium文。
Attitude方面,我一直都覺得香港學生(正如林沛理所講),淨係留喺read for information,未做到read for style、賞識英文呢個境界,亦有好多學生對英文冇興趣,只係當英文係生存嘅工具,咁樣係好難學好英文,只會搵捷徑(例如將好多時間投資喺考試技巧)同囫圇吞棗咁背詞語/句式。
11)Medium係我碎碎念嘅地方
我日日都寫Medium文,我寫Medium文多過我屙屎,好多都唔打算係比學生精讀嘅,更莫講或中學生。如果你睇我嘅中文文章,或者同樣係錯漏百出,但我嘅文係寫比讀者略讀嘅,每日當專欄咁寫,我唔覺錯有咩大不了。
能者多努,如果你仍然想批評,可以批評埋我喺Medium寫嘅其他英文文章,唔好淨係執我篇Listacle;同埋唔好喺連登出post問人有冇見過女仔屙尿,咁樣只會顯得你心理變態。
I am not the brightest; I am not the smartest. But I show up for my audience. That's what that matters.
Medium原文link:https://medium.com/@tiffanysuen/whats-wrong-with-hong-kongs-english-education-14bf7d0ca73f
LIHKG原link:https://lihkg.com/thread/2005909/
it follows中文 在 CH Music Channel Youtube 的最佳貼文
《魔道祖師 - 前塵編》
季路 / Kiro / 四季歸途 / Road of Seasons
作詞 / Lyricist:aimerrhythm
作曲 / Composer:飛内将大
編曲 / Arranger:飛内将大、玉井健二
歌 / Singer:Aimer
翻譯:澄野(CH Music Channel)
意譯:CH(CH Music Channel)
English Translation: from the official music video
背景 / Background :
https://i.imgur.com/jf7HKHA.png
版權聲明:
本頻道不握有任何音樂所有權,亦無任何營利,一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。
Copyright Info:
Be aware this channel is for promotion purposes only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.
すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽(または画像)の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。
如果你喜歡我的影片,不妨按下喜歡和訂閱,你的支持就是我創作的最大原動力!
If you like my videos, please click like and subscribe! Thx :)
粉絲團隨時獲得最新訊息!
Check my Facebook page for more information!
https://www.facebook.com/chschannel/
中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=5051982
英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/kiro/
日文歌詞 / Japanese Lyrics :
灰色 曇り空
溶けない白さは 愛した二月の色
重ねる時間は 解けない魔法で
失くした季節を知った
溜息も白く染めて
木陰の歌 失くしたままで
暮れる空を君は見たか?
時計の針が心を打つ
過ぎゆく時が辿る路を
何度も同じ景色を携え
淡い夢を見よう
優しい言葉さえ知らない
凍てつく夜の欠片たちよ
涙に濡れた蕾を抱きしめ
その春を待っていた
編む 時間の絢
閉ざした世界に落とした紅色が
導く 季節の帰路
囁きを藍く染めて
黄金の空 夢見たままで
温もりまで遠く見えた
時計の針は戸惑いなく
過ぎ行く春の欠片たちよ
かすかに香る真夏の気配に
ふわり揺れながら
優しい秋は前触れなく
凍てつくような冬の影まとい
涙にぬれた蕾を抱きしめ
ただ春を待っていた
今 螺旋の中
季節は巡る
辿って 迷って
何度も躓いては
同じ花届けるために
時計の針が心を打つ
過ぎゆく春の欠片たちよ
かすかに香る真夏の気配に
ふわり揺れながら
優しい秋は前触れなく
凍てつくような冬の影まとい
涙にぬれた蕾を抱きしめ
また春を待っていた
あの 螺旋の中
中文歌詞 / Chinese Lyrics :
冥冥壟罩的灰陰天穹
溶不盡的雪白,是令我愛慕的、二月的顏色
時光荏苒堆砌,彷彿被施下了解不開的魔法
令人拾回了逝去的季節
嘆息也沾染上雪白色的氣息
仍無法憶起,曾同於樹蔭下的伴歌
你能否望見,遠方薄暮低垂的茜色夕日?
時鐘的指針同此心擺動
轉動的時間中,在曾同走過的路途
景物依舊,惟回首無數
入一場淡色的夢吧
再也無法吐露,一絲溫柔的話語
冷冽的寒風、夜色的碎片們啊
請抱起抿著淚水的花蕾
於此編織期待已久的春日
靜候春日歸來
彷彿閉鎖的幽靜世界灑下赤色的和煦
引領著季節的歸途
喃喃細語也沾染上細流蔚藍的氣息
如夢境重現一般的、金黃色的天穹
僅是遠望著都能感受其溫暖
時鐘的指針不再躊躇
春日的碎片徐徐飄揚
伴著微微盛夏的氣息
搖曳紛飛
溫柔的秋日不作聲響
悄悄引著冷冽寒冬的身影
抱起抿著淚水的花蕾
僅是靜待春日的到來
陷入無止盡的螺旋之中
四季輪迴交替
時而循著向前、時而迷失方向
哪怕幾度失足跌落
全為使你看見如過往般的繁花綻放
時鐘的指針撥動心弦
春日的碎片徐徐飄揚
伴著微微盛夏的氣息
搖曳紛飛
溫柔的秋日不作聲響
悄悄引著冷冽寒冬的身影
抱起抿著淚水的花蕾
僅是靜待春日的到來
於那反覆輪迴的螺旋之中
英文歌詞 / English Lyrics :
Cloud sky of gray
Unmelted white,
Colors of my beloved February
Layers of time
Found the lost season
With the help of an unbroken spell
Tinting the sighs in white
With the song under the tree remained lost
The sky is gathering darkness; have you seen it?
The clock is ticking my heart
The passage of time follows a road
We will carry the same view over and over again
And dream a faint dream
Fragments of a frozen night
Don’t even know words of kindness
Holding the dewy buds in arms,
waited for that spring to come
Weaving the patterns of time
In a world shutting its door
A droplet of red
Leads the season home
Tinting the whispers in deep blue
While still dreaming of a golden sky
Even warmth seemed far away
The clock is ticking determinedly
And fragments of spring are passing by
Softly flowing
to the scent hinting midsummer
Tender autumn, all of a sudden
Is draped with the shades of freezing winter
Holding the dewy buds in arms,
just waited for spring to come
Now, we’re in a spiral
Seasons change
Tracing and wavering
And faltering time and time again
To deliver the same flower
The clock is ticking my heart
And fragments of spring are passing by
Softly flowing
to the scent hinting midsummer
Tender autumn, all of a sudden
Is draped with the shades of freezing winter
Holding the dewy buds in arms,
waited for spring to come again
In that spiral
Source: https://www.lyrical-nonsense.com/lyrics/aimer/kiro/
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it follows中文 在 大人的玩具 Youtube 的最佳貼文
論文摘要
現今社會,成年人有著來自社會與生活的多方壓力,而這種壓力需要釋放,以慰藉情感,供成年人把玩之玩具就可作為釋放壓力的一個途徑。
過去人們認為玩具是兒童的專利,成年人如果玩玩具就會被認為是不務正業。但隨著時代的不斷變化,人們對於玩具的認識也更加豐富和多元化,成年人在情感需求之要求下,也希望通過玩具來使情感需求得到滿足,
在NPD調查的12個玩具市場中,全球最大的玩具市場—美國2017年銷售額比2016年增長了1%,達207億美元。而中國也僅次於美國成為全球第二大玩具消費市場。
「公仔」(Figure)為玩具之其一分類,這個詞源自70年代香港、澳門,是世界動漫產業興盛發展的新辭彙。然而目前市面上普遍為歐美系與日系公仔居多,相較少有屬於中國文化之公仔。因此,實體化中國文學角色並符合現代潮流的公仔設計為本研究之創作動機。
本創作以少人著墨之鐵扇公主和牛魔王角色為目標,兩角色似中國版美女與野獸,有著獨特的設計與衝突的美感,藉由ZBrush為數位雕刻並以光固化3D列印實體化,創作出古典與現代二款造型之潮流創意公仔。
People are experiencing pressures coming from various sources like, from our society and life. We need ways to release those pressures. Toys made for adults may serve as one of the great ways to release our stress.
Having fun with toys has been regarded as children’s privilege in old days. Adults would be considered childish if they were found playing with toys. As time goes by, however, people now a days, have different points of view about toys. Grownups, now a days are having emotional needs as well, to be met and some of them can be achieved through spending time and energy on toys.
A survey conducted by NPD (NPD Group, Inc.) on the 12 major toy markets over the globe shows that the world's largest toy market—the USA market sales increased by 1% up to a total of 20.7 billion US dollars in 2017 compared to the sales number in 2016. China, though second only to the US market for toys, does not have much of its own culture or literature related in any toy products.
"Figures ", also known as “Gong-zai” in Chinese communities, is one of the toys’ categories. This word, originated from Hong Kong and Macao way back 1970s, it is a relatively new term for the worldwide booming animation industry. American, European, and Japanese figures overwhelming dominate current toy markets and only few Chinese figures can be found among them. In the light of this phenomenon, the ideas to make figures from famous characters in Chinese fictions or literatures that follows the modern features of figures transform the motivation of this research.
The figures created for this research are the roles called “Princess Iron-Fan” and “Bull Demon King” which are famous but less mentioned. They are like the Chinese version of Beauty and the Beast, which are innovative crafted and exhibit the conflicting beauty. The software ZBrush is used for digital engraving and a photo-curing 3D printer modeling. The final products are characters with two different styles--classic and modern ones.
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it follows中文 在 GreatKidsLearning Youtube 的最佳解答
唐詩欣賞 月下獨酌 - 李白(Drinking Alone Under the Moon)
中文原文﹕
花間一壺酒,獨酌無相親;
舉杯邀明月,對影成三人。
月既不解飲,影徒隨我身;
暫伴月將影,行樂須及春。
我歌月徘徊,我舞影零亂;
醒時同交歡,醉后各分散。
永結無情游,相期邈雲漢。
英文翻譯 / English Translation﹕ by Betty Tseng
In amongst flowers with a bottle of wine
I drink alone for there is no one close by.
I raise my chalice to invite the shining moon,
The moon casts me a shadow and we have a triad.
The moon never learns to drink,
My shadow absent-mindedly follows me.
Nevertheless I have them around me,
Moments should be enjoyed as they be.
I sing and the moon lingers,
I dance and my shadow whirled under.
In my sober moments we rejoiced together,
It is a company no longer once I am drunk.
Such fellowship shall last despite our parted ways,
When we shall come together again is up to the remote heavens above.
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