ประภาส ชลศรานนท์ ที่ผมแอบมอง
---
1
จำไม่ได้ว่าผมหยิบหนังสือ "เพลงเขียนคน ดนตรีเขียนโลก" มาจากหิ้งหนังสือของห้องสมุดแห่งไหนในจุฬาฯ แต่จำได้แม่นว่า นี่คือหนังสือเล่มหนึ่งที่เติมสารประกอบสำคัญเข้ามาในสมอง และหล่อหลอมให้เกิดความคิดแบบหนึ่งขึ้นในหัว กระทั่งวันนี้ความคิดนั้นยังคงอวลอยู่ไม่ไปไหน
...Continue ReadingPrapha sachon saranon that I sneak peek at
---
1
I don't remember which library I picked up "music writing" from which library in chula, but I remember this is a book that added an important compound into my brain and forged. One thought in my head until today, that thought is still going anywhere.
The idea that is " many more
Along with the feeling that our little hands can write the world.
I have been listening to "Chaliang" since elementary school. Milk hasn't set (now). I still). I understand. When I was in University, the band disband disband has left just a story on the wood sheet for me. A lot of music never old. Those are written from the end of brother chik's pen - prapha chon Sara non
Reading this book makes you see the idea behind each song, and even more you see the author.
For me, whether brother chik wrote a song, wrote a book or made a movie, all he tried to do is ask people to try to look at the corner with more than just the corner.
See the world and your heart will be expansive.
Many more (many more that we don't know. We see it. Just in case we haven't seen it yet), Hibiscus Tree and blind (blind, but the mind is still bonded beauty), if there are only two of us in this world (time I'm hungry. Two of us will eat sticky rice with chicken noodles. Who to buy), it's up to who (it's up to who sees it, who can hear it, who decides), calm down bro (where are you going to fight with? I don't have time. Search for mind) etc.
Many songs of the lyrics are annoying. Such as when a lot of love songs say, " there are only us in this world brother chik asked me. Who will you want to eat noodles, who do you buy from? During a loud song If you don't love me, tell me. Tell me a word. " brother chik also wrote a song. Calm down. Where are you going? Let's see.
Khun Prapha Somchai cuddle will see the world in the drone corner. It's flying up to see the wide picture and spread out that there may be a corner that we forget to look at. The world could be something else.
...
2
"many more" in the meaning of brother chik doesn't eat just one thing. There are hundreds of thousands of possible sources, but it also means looking at everyone. Everything is equally important. Equally beautiful. Not comparing to take it to take the beams, but look beautiful. Of that person then pull out that potential to create value
" Classic, don't insult jazz
Jazz don't watch clan pop
Pop, don't mind the country.
Don't be sulking with doctor lam.
Doctor Lam, don't think more than classic. It's high "
This is a message on the screen in the concert. The song makes me think of what brother chik told me in this book. "people are like fingers. It's not equal but fingers too and have different duties" is a teacher's speech. Teaching kids in the young movie of piak posters.
To this day, the " finger is not equal " has been interpreted and wittalion. But in the meaning that I understand that brother chik wants to press, the " difference " rather than " inequality " is thumb is different from Index Finger and pinky and brother chik says " you could be a pinky finger which is more important than the index finger in some things read and think that our round fingers are valuable in our way.
"Tao" which sees the value of the nature of things like this. Often seen in the work of brother chik.
...
3
Mr. Prapha is not a big person. If there are two sides, brother chik will not stand on one side. Maybe because of the eyes that sees the beauty of each thing, each mind and an open view. I don't believe that anyone is all right. Or all wrong. Everything is good or bad.
Most importantly, this kind of thought resilience is believed that the people or the extreme thoughts we see are not eternal, but it can always change. The Extreme can also be adjusted, divided, exchange. New ingredients in themselves.
Once I had an opportunity to sit and talk with brother chik. Then we went to consult about making tv show. Our team is interested in a program that focuses on content. Easy, I want to pass knowledge to the audience. When I tell you the pattern and content to you. Listen to the brother ask, " is knowledge necessary that it must not be fun stop thinking and continue asking " is entertainment necessary to be ridiculous "
Just these two questions expand our view. We can see a new area that there is still space in the middle that combines what we thought were irrelevant. Different Worlds. and if we could, we could, we wouldn't cut off any kind of value.
...
4
That's another feature of brother chik that I secretly look at. This guy doesn't teach straight away, doesn't comment, but he likes to ask questions. Let the partner to consider it himself. This technique is used in writing as well.
The question that brother chik throws at can make us think " can it be something else " or " can it really see one way
This kind of conversation is like a kind adult who doesn't block. It doesn't draw the line what it should be. But let us choose by ourselves. This is how to tease you think with the question that khun prapha can use this kind of weapon. Praew praew praw praw praw praw The more and more.
If anyone has worked with brother chik, maybe it feels why I came up with this idea! I'm really good! But in fact, we can think because we are triggered by his brother's questions, but we will feel good because no one has ordered us to do that. We make our own decisions.
So it's not just creative work, but the way of working is also creative.
...
5
The Picture of brother chik that I remember when I was looking at the idol in the conference room is a picture of a playful executive like a little boy who had the big one who had the power to make any decision.
I saw his brother spinning pen, drawing a picture, and poke him out while everyone was meeting seriously thinking about it.
Good ideas often come up during our relaxing time -- I've heard many good thinking people say that. Many people say that if we don't lose our children, we will always keep the potential to imagine and creative.
Photo of Mr. Prapha in the conference room for me like a playful kid.
Another picture that I remember is in the conference room and dining table of the group who often meet each other. Brother Chik will tease the scared by putting a glass of water. The Edge of the table. It seems to fall to test if that person can endure enough. That person keeps moving deep. Mr. Prapha will laugh and says, " can't you stand it? Can't you stand this kind of thing
A Writer, a creative thinker that we have been following for a long time. Admired and thought that he would be quiet. But when he met the real one, he became a playful little boy, fast talking, Pear, praw and questioning. A very fun conversation.
...
6
If I would write about "the" from the eyes that I would have written many pages of paper because I have been looking at brother chik since the work behind my thoughts to read every interview that I saw until I had a chance to meet on the occasion. I'm always looking at verbs, symptoms and thoughts of brother chik. Teacher's Melody.
Finally, brother chik is not crazy. People may see the work, but they don't have to see his own. We know the song. Scream and laugh with brothers and musicians. We love the program of work. Point or many other creative works caused by this brother's mind, but often we don't even know or don't even think there is him behind it.
This is another thing that brother chik taught me. We can make a change or create something without letting people see us. in some cases, it's more powerful than having better cuddle results.
We have seen Mr. Prapha through some work, but I believe there are many pieces of this sharp and round anchor that we didn't know was his work.
The fit of being seen is something that brother chik manages to learn and nan cuddle baht.
Prapha Chon Saranon is a teacher with many lessons to sneak peek and learn.
Thank you brother chik for being an inspiration, an open thought perspective. He ignites the dream of writing books and giving "many more" tips in my heart since I was in teenagers through your work.
Congratulations to brother chik for the National Artist Award in performing arts as the creator of International Thai entertainment and music event this year.
I really want to tell brother chik that "music writing music"
At least one of me is the productivity from your song.
With love and thanks
Ehhh (round finger)Translated
同時也有4部Youtube影片,追蹤數超過12萬的網紅SDthaitay,也在其Youtube影片中提到,Thank you so much for having us, and help them to understand life and make them happy. we are happy to be here with the love of GOD. this is the meani...
jazz concert meaning 在 SDthaitay Youtube 的精選貼文
Thank you so much for having us, and help them to understand life and make them happy. we are happy to be here with the love of GOD. this is the meaning of Born Again. Peace and Love.
#thaitanium #sdthaitay #hiphop #bornagain #GODBLESS #movie
follow me on
facebook/sdthaitay
instagram/sdthaitay
twitter/sdthaitay
youtube/sdthaitay
jazz concert meaning 在 orihararyoji Youtube 的最讚貼文
Ryoji Orihara
Fretless bass player in Japan.
Rarity players specializing in fretless bass.
https://orioriori.exblog.jp
Started installation work called "BGA (BackGround Ambient) “Toumei na Kagu" from 2010.
“Toumei na Kagu", meaning “Impalpable Furniture".
is an expression with the concept of
- Not background music
- Not a concert
- Not heat up.
In recent years, this activity has also increased.
Ryoji Orihara is looking for a performance request for BGA (Back Ground Ambient) "Toumei na Kagu".
There are various places where you can perform.
Shops (coffee shop, hotel, massage shop, spa, body preparation etc),
Event,
We are looking for various ideas.
ryoji orihara@gmail.com
織原良次/Ryoji Orihara
Fretless bass
三田村亮/Ryo Mitamura
Shooting
織原鉄工/Orihara Tekkou
Location
Saitama Japan
『BGA(Back Ground Ambient)透明な家具』は、無形のインテリアである。
https://orioriori.exblog.jp/28187617/
『BGA(Back Ground Ambient)透明な家具』は
〇BGMではない
楽曲を演奏することはありません。
長時間の受動的なパフォーマンスにより各シチュエーション特有の表情が生まれます。
〇ライブではない
メイン・アクトとしては成立しません。
漠然とある、透明なインテリアのようなものです。
〇盛り上がらない
盛り上がりません。
無形のインテリアとしての『透明な家具』をお楽しみください。
織原良次はBGA(Back Ground Ambient)透明な家具のパフォーマンスする場所、
お店(喫茶店、ホテル、マッサージ店、スパ、整体など)、
イベント、
各種アイデアを募集しています。
お気軽にオファー、ご提案などお待ちしております。
ryoji orihara@gmail.com
©2010-2019 BGA(Back Ground Ambient)透明な家具
jazz concert meaning 在 SenzaACappella Youtube 的最讚貼文
http://senzahk.com
SENZA A Cappella
SENZA A Cappella is an a cappella group from Hong Kong Baptist University established in September 2009. The name 'senza' is an Italian word meaning 'without', which coincides with its unique a cappella singing style where songs are performed without musical instruments.
The ensemble comprises students from various disciplines in school. Active both on and off campus, it aims to promote a cappella culture to the Hong Kong society, through performing a rich repertoire from classical pieces to songs from Broadway, jazz and Canton-pop.
SENZA A Cappella made its debut appearance in November 2009 in the 3rd anniversary concert staged by The Contemporary A Cappella society of Hong Kong. It continues to perform in other public events, including the 5 evening Season Of Love concerts in 1881 Heritage, Tsim Sha Shui, and as the guest performers in The Chinese University of Hong Kong -- Tung Wah Group of Hospitals Community College's singing contest, as well as in ICAC I-Generation Farewell Party.
In March 2010, SENZA A Cappella attended the masterclass coached by Angelina Choo, the founder of Singapore's A Cappella Society, in the University of Macau. The next day it costarred with other a cappella groups in a joint-places concert in the University of Macau, starring FindaVox from Shanghai, Oops from Taiwan and UM Singers from Macau.
Senza has just won their Championship in Hong Kong Baptist University Joint-Society Singing Contest in April, 2011. In the same period, they represent Hong Kong Baptist University to compete in the "Inter College Singing Competition 2011" and Senza has won their first group championship in this Joint University Competition. At the same time, they also won the "Best Choreograph Award" in this competition.
In 2012, Senza was invited to perform with Kay Tse in "Kay Tse Concert 2012", first time singing on the stage of dream - Hong Kong Coliseum. In the same year, Senza was invited to perform in the Hong Kong 2012 International A Cappella Festival - Alfresco A Cappella.
無伴奏合唱組合 - SENZA A Cappella
SENZA A Cappella 是香港浸會大學於二○○九年成立的無伴奏合唱組合。「Senza」一字本為意大利文,解作「沒有」,跟組合「沒有伴奏」的風格相符。
以浸會大學為基地的 SENZA A Cappella 於2009年11月首次亮相,所有成員都是來自浸會大學的不同學系。組合在學園內外皆十分活躍,短短2年間已有多次演出經驗,並獲得好評。他們旨在以不同類型的樂曲(包括來自古典樂,音樂劇,流行曲,爵士樂等)向社會推廣無伴奏合唱。
組合曾獲邀分別參加了由新加坡無伴奏合唱組織創辦人Angelina Choo指導和著名組合Key Elements成員Vaughan Tan先生所指導的大師班,被喻為"a group of talented young singers!"。SENZA更獲邀於澳門舉行的跨地域音樂會中演出。
組合於同年5月份,獲邀前往海南島演出,同台藝人有謝安琪、張雨綺和張靜初等。SENZA更有幸能與謝安琪合唱《囍帖街》的無伴奏合唱版本。同年,SENZA獲邀於"抱抱低碳生活音樂會"中再度與謝安琪合唱。
組合更於2010年9月12日舉行了他們的首場周年音樂會,並於2011年在浸會大學的聯系歌唱比賽中得到冠軍。同年,SENZA代表浸會大學以自己改編的《約定》參加《大專聯校歌唱比賽2011》,獲得合唱組別的冠軍以及最具台風獎,廣獲一致好評。
組合獲邀於2011年11月舉行的亞洲無伴奏音樂節2011中擔任演出嘉賓,更與C All Star同台合唱。SENZA更在2012年1月首度踏上紅磡體育館舞台,於《謝安琪你們的幸福演唱會2012》中演出。SENZA更將會於人2012國際無伴奏音樂節中的無伴奏音樂會中演出。
SENZA將不斷提升其演出水平,希望在來年和以後的日子為大家帶來更多好聽的音樂。