🎹鋼琴的大千世界/名家名言:「為何稱我為大師?主人在這裡(指著鋼琴),我只是他的奴才。」
— 李斯特著名的弟子,德國鋼琴家、作曲家、教育家 萊森奧爾(Alfred Reisenauer)
Why, there is the master (pointing to the piano), I am only the slave.”
— Alfred Reisenauer (1 November 1863 – 3 October 1907) German pianist, composer, and music educator.
📹 跟隨在李斯特學習長達十二年至李斯特過世(1874-1886)的萊森奧爾,演奏李斯特的第十號匈牙利狂想曲:
https://youtu.be/e12YwuHiQtY
📰 延伸閱讀 - 【李斯特學派 / the school of Liszt】♩.♪
https://www.facebook.com/notes/fan-chiang-yi-%E8%8C%83%E5%A7%9C%E6%AF%85/%E6%9D%8E%E6%96%AF%E7%89%B9%E5%AD%B8%E6%B4%BE-the-school-of-liszt/289155141104454/
———————————————————————1905-1906 鋼琴名家萊森奧爾(Alfred Reisenauer)在美國進行數月的巡迴演出,並接受美國著名音樂雜誌”Etude”的專訪。文章於1906年七月出版,隔年他在德國巡迴演出期間於下榻的飯店房間內過世。
📰 藝術家的養成 - 萊森奧爾的見解
The Making of an Artist - The Views of Alfred Reisenauer.
▪️With Liszt
“When I had reached a certain grade of advancement it was my great fortune to become associated with the immortal Franz Liszt. I consider Liszt the greatest man I have ever met. By this I mean that I have never met, in any other walk of life, a man with the mental grasp, splendid disposition and glorious genius. This may seem a somewhat extravagant statement. I have met many, many great men, rulers, jurists, authors, scientists, teachers, merchants and warriors, but never have I met a man in any position whom I have not thought would have proved the inferior of Franz Liszt, had Liszt chosen to follow the career of the man in question. Liszt’s personality can only be expressed by one word, ‘colossal.’ He had the most generous nature of any man I have ever met. He had aspirations to become a great composer, greater than his own measure of his work as a composer had revealed to him. The dire position of Wagner presented itself. He abandoned his own ambitions— ambitions higher than those he ever held toward piano virtuosity—abandoned them completely to champion the difficult cause of the great Wagner. What Liszt suffered to make this sacrifice, the world does not know. But no finer example of moral heroism can be imagined. His conversations with me upon the subject were so intimate that I do not care to reveal one word.
▪️Liszt’s Pedagogical Methods
“His generosity and personal force in his work with the young artists he assisted, are hard to describe. You ask me whether he had a certain method. I reply, he abhorred methods in the modern sense of the term. His work was eclectic in the highest sense. In one way he could not be considered a teacher at all. He charged no fees and had irregular and somewhat unsystematic classes. In another sense he was the greatest of teachers. Sit at the piano and I will indicate the general plan pursued by Liszt at a lesson.”
Reisenauer is a remarkable and witty mimic of people he desires to describe. The present writer sat at the piano and played at some length through several short compositions, eventually coming to the inevitable “Chopin Valse, Op. 69, No. 1, in A flat major.” In the meanwhile, Reisenauer had gone to another room and, after listening patiently, returned, imitating the walk, facial expression and the peculiar guttural snort characteristic of Liszt in his later years. Then followed a long “kindly sermon” upon the emotional possibilities of the composition. This was interrupted with snorts and went with kaleidoscopic rapidity from French to German and back again many, many times. Imitating Liszt he said, “First of all we must arrive at the very essence of the thing; the germ that Chopin chose to have grow and blossom in his soul. It is, roughly considered, this:(見譜例圖四)
Chopin’s next thought was, no doubt:(見譜例圖五)
But with his unerring good taste and sense of symmetry he writes it so:(見譜例圖六)
Now consider the thing in studying it and while playing it from the composer’s attitude. By this I mean that during the mental process of conception before the actual transference of the thought to paper, the thought itself is in a nebulous condition. The composer sees it in a thousand lights before he actually determines upon the exact form he desires to perpetuate. For instance, this theme might have gone through Chopin’s mind much after this fashion:(見譜例圖七)
The main idea being to reach the embryo of Chopin’s thought and by artistic insight divine the connotation of that thought, as nearly as possible in the light of the treatment Chopin has given it.
“It is not so much the performer’s duty to play mere notes and dynamic marks, as it is for him to make an artistic estimate of the composer’s intention and to feel that during the period of reproduction, he simulates the natural psychological conditions which affected the composer during the actual process of composition. In this way the composition becomes a living entity—a tangible resurrection of the soul of the great Chopin. Without such penetrative genius a pianist is no more than a mere machine and with it he may develop into an artist of the highest type.”
▪️A Unique Attitude.
Reisenauer’s attitude toward the piano is unique and interesting. Musicians are generally understood to have an affectionate regard for their instruments, almost paternal. Not so with Reisenauer. He even goes so far as to make this statement: “I have always been drawn to the piano by a peculiar charm I have never been able to explain to myself. I feel that I must play, play, play, play, play. It has become a second nature to me. I have played so much and so long that the piano has become a part of me. Yet I am never free from the feeling that it is a constant battle with the instrument, and even with my technical resources I am not able to express all the beauties I hear in the music. While music is my very life, I nevertheless hate the piano. I play because I can’t help playing and because there is no other instrument which can come as near imitating the melodies and the harmonies of the music I feel. People say wherever I go, ‘Ah, he is a master.’ What absurdity! I the master? Why, there is the master (pointing to the piano), I am only the slave.”
▪️The Future of Pianoforte Music.
An interesting question that frequently arises in musical circles relates to the future possibilities of the art of composition in its connection with the pianoforte. Not a few have some considerable apprehension regarding the possible dearth of new melodic material and the technical and artistic treatment of such material. “I do not think that there need be any fear of a lack of original melodic material or original methods of treating such material. The possibilities of the art of musical composition have by no means been exhausted. While I feel that in a certain sense, very difficult to illustrate with words, one great ‘school’ of composition for the pianoforte ended with Liszt and the other in Brahms, nevertheless I can but prophesy the arising of many new and wonderful schools in the future. I base my prophecy upon the premises of frequent similiar (sic) conditions during the history of musical art.” These are Reisenauer’s views upon this matter.
Continuing, he said: “It is my ambition to give a lengthy series of recitals, with programs arranged to give a chronological aspect of all the great masterpieces in music. I hope to be enabled to do this before I retire. It is part of a plan to circle the world in a manner that has not yet been done.” When asked whether these programs were to resemble Rubinstein’s famous historical recitals in London, years ago, he replied: “They will be more extensive than the Rubinstein recitals. The times make such a series posssible (sic) now, which Rubinstein would have hesitated to give.”
As to American composers, Reisenauer is so thoroughly and enthusiastically won over by MacDowell that he has not given the other composers sufficient attention to warrant a critical opinion. I found upon questioning, that he had made a genuinely sincere effort to find new material in America, but he said that outside of MacDowell, he found nothing but indifferently good salon-music. With the works of several American composers he was, however, unfamiliar. He has done little or nothing himself as a composer and declared that it was not his forte.
▪️American Musical Taste.
Reisenauer says: “American musical taste is in many ways astonishing. Many musicians who came to America prior to the time of Thomas and Damrosch returned to Europe with what were, no doubt, true stories of the musical conditions in America at that time. These stories were given wide circulation in Europe, and it is difficult for Europeans to understand the cultured condition of the American people at the present time. America can never thank Dr. Leopold Damrosch and Theodore Thomas enough for their unceasing labors. Thanks to the impetus that they gave the movement, it is now possible to play programs in almost any American city that are in no sense different from those one is expected to give in great European capitals. The status of musical education in the leading American cities is surprisingly high. Of course the commercial element necessarily affects it to a certain extent; but in many cases this is not as injurious as might be imagined. The future of music in America seems very roseate to me and I can look back to my American concert tours with great pleasure.
▪️Concert Conditions in America.
“One of the great difficulties, however, in concert touring in America is the matter of enormous distances. I often think that American audiences rarely hear great pianists at their best. Considering the large amounts of money involved in a successful American tour and the business enterprise which must be extremely forceful to make such a tour possible, it is not to be wondered that enormous journeys must be made in ridiculously short time. No one can imagine what this means to even a man of my build.” (Reisenauer is a wonderfully strong and powerful man.) “I have been obliged to play in one Western city one night and in an Eastern city the following night. Hundreds of miles lay between them. In the latter city I was obliged to go directly from the railroad depot to the stage of the concert hall, hungry, tired, travel worn and without practice opportunities. How can a man be at his best under such conditions—yet certain conditions make these things unavoidable in America, and the pianist must suffer occasional criticism for not playing uniformly well. In Europe such conditions do not exist owing to the closely populated districts. I am glad to have the opportunity to make this statement, as no doubt a very great many Americans fail to realize under what distressing conditions an artist is often obliged to play in America.”
同時也有2部Youtube影片,追蹤數超過2,210的網紅DJ Macky Suson,也在其Youtube影片中提到,A Short Film Under the Filmalogues Series "The Artist", Singapore | #Shorts "The Artist", Singapore's Hidden Talent I was walking from Clarke Quay t...
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listening to music other term 在 Lyra Media Facebook 的最讚貼文
有遊戲玩啦~記得留意主編講解既影片,再去ProStereo 專頁答相關問題就有機會架啦!
#機會嚟啦飛雲 #近排佢好忙
https://www.youtube.com/watch?v=BEkiGqf6jLU&t=69s
【ProStereo H2 獨一無二聖誕有獎問答遊戲】
聖誕又到了! 每一個你都是這個世界上獨一無二的人,就好像我們的ProStereo H2在市場上都是獨一無二!!
現在只要跟著下面的遊戲玩法回答問題,就有機會取得ProStereo H2陪你過聖誕~ 如果同時擁有2部ProStereo H2,它的音樂共享功能讓你與摯愛能一起在聖誕樹下同步聽著同一首歌,每個節奏都零分差,這不就是傳說的無獨有偶嗎lol。加上有耳機狂人Cato在影片中給大家線索,由即日起至2017年12月19日,香港時間23:59前參與,就有機會獲獎,總共有14份獎品等著你啊!~
------------------------- 遊戲玩法 -------------------------
步驟1.讚好《ProStereoTM》Facebook專頁;
步驟2. 登入連結觀看由Cato親自介紹ProStereo H2的影片
(https://www.youtube.com/watch?v=BEkiGqf6jLU&t=69s);
步驟3. 讚好本帖
步驟4. 在本帖的「回應」中標註3 位朋友並回答以下2 條問題:
問題1: ProStereo H2是市場上第一部同時擁有哪兩個高規格藍牙傳輸模式的藍牙耳機呢? Cato在片段中首次提及到的是幾分幾秒?
問題2 :如果你得到一部ProStereo H2,你最想與誰去分享其音樂共享的功能? 為什麼? (字數上限:50字)
*ProStereo將選取14位得獎者並於2017年12月22日於本Facebook專頁內公佈得獎結果
*條款及細則請參閱宣傳海報
=====================================
https://www.youtube.com/watch?v=BEkiGqf6jLU&t=69s
【ProStereo H2 Unique Christmas Prize Quiz】
Christmas is coming~ Everyone is unique in the world, just like our ProStereo H2 which is also an unique Bluetooth headphones in the market!!
Answer our questions by the following steps on or before 23:59HKT 19 Dec 2017, you may get a ProStereo H2 to accompany you for Christmas~ If both of you and your companion own a ProStereo H2, you can share music with each other via its music sharing function, imagine how awesome if both of you are listening to the same song in exactly the same beat with zero deviation under the Christmas tree, you will never be alone~~~ Just answer 2 questions by watching the ProStereo H2 product review video listed at the top of this post by HK popular audio KOL- Cato Mak (the Chief Editor of Lyra Media). 14 lucky stars can get the X’mas gifts, can’ t wait to see you there!
------------------------- How to play ------------------------
Step 1. Like《ProStereoTM》Facebook Fanspage;
Step 2. Watch the ProStero H2 product video (https://www.youtube.com/watch?v=BEkiGqf6jLU&t=69s);
Step 3. Like this post
Step 4. Tag 3 friends and answer below 2 questions in “Comment”
Question 1: Which 2 high-standard Bluetooth transmission modes does ProStereo H2 has to make it unique and as the first Bluetooth Headphones in the market? Which exactly moment did Cato mention this in the video?
Question 2 :If you get 1 ProStereo H2, who would be the one you mostly want to share music with and why? (Not more than 50 words)
*ProStereo will select 14 winners and the announcement with winner’s names will be made on ProStereo Facebook page on 22 Dec 2017
*Term & Conditions can be found in promotion poster
listening to music other term 在 Corey The Man Yoga Facebook 的精選貼文
瑜珈改變基因表達
Yoga Changes the Gene Expression (English Below)
許多研究發現瑜珈對於身體及心理的幫助是有益的,但實際生化機制上是一個謎。挪威的奧斯陸大學最新研究顯示瑜珈練習對於基因表達(特別是免疫細胞)有快速及衝擊性的影響;這些數據顯示瑜珈練習的療癒效應會立即且全面性的影響身體的分子結構。
首先,瑜珈練習並不會改變你的基因,也就是下犬式做久了你不會變成一條狗,但瑜珈練習會影響你的基因表達(genetic expression)。何謂基因表達? DNA像是一部電影的膠卷,RNA像是電影的投射機,那麼製造出來的蛋白質變像是一部聲色俱佳的電影,這部電影就是基因的表達。換句話說,基因會像燈一樣被打開和關閉。
瑜珈的練習會造成一些基因的啟動,特別是免疫系統。
奧斯陸大學的研究了十名測試者,前兩天他們參與了兩小時的瑜珈練習,練習前後的抽血報告顯示,有111種的基因表達因此而改變 (Peripheral blood mononuclear cell 外週血單核細胞)。幾天後,他們讓這些測試者連續兩天在森林散步二小時,聽音樂放鬆,測試前後的抽血報告發現只有38樣基因表達被改變*。此項研究顯示瑜 珈是有效及快速地在基因層面提供對健康有益的因子。研究者說: 比起一般傳統的放鬆方式,瑜珈的練習在分子結構上影響較為廣泛。
Researchers first reported five years ago that practices such as yoga which elicit the “relaxation response” may have a long-term effect on gene expression. That’s the scientific term for whether a specific gene is “turned on,” meaning its protein or RNA product is being made. This latest study confirms those findings, links them to the body’s immune system, and suggests this effect may be instantaneous.
First of all, yoga doesn’t change your Gene (you won’t turn into a dog doing downward facing dog) but it will affect your gene expression. What is Gene expression ? DNA is like a film of a movie, RNA is like the movie projector and the protein it created is like a movie. The movie is the expression of the gene. In other words, the gene can be turned on and off like a light switch.
The University of Oslo experiment featured 10 participants who attended a week-long yoga retreat in Germany. For the first two days, participants spent two hours practicing a comprehensive yoga program including yogic postures (asanas), yogic breathing exercises (in particular Sudarshan Kriya), and meditation. For the next two days, they spent that same time period going on an hour-long nature walk and then listening to either jazz or classical music.
Immediately before and after each of the four sessions, the researchers drew blood from each participant. They then isolated and analyzed peripheral blood mononuclear cells, which play a key role in the body’s immune system. The researchers found that the nature walk and music-driven relaxation changed the expression of 38 genes in these circulating immune cells. In comparison, the yoga produced changes in 111. *
The two regimens, to some degree, affect similar biological processes,” the researchers write. That said, they note that yoga's impact was far more widespread, which indicates the practice “may have additional effects over exercise plus simple relaxation in inducing health benefits through differential changes at the molecular level.”
* http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0061910
listening to music other term 在 DJ Macky Suson Youtube 的最讚貼文
A Short Film Under the Filmalogues Series "The Artist", Singapore | #Shorts
"The Artist", Singapore's Hidden Talent
I was walking from Clarke Quay to Chinatown on a Friday night.
I had a few glasses of Guinness that night and was really tipsy.
I was about the approach the tunnel when I started to hear a man busking and singing a rock and roll song.
I wondered who this man would be?
I continued to walk and was mesmerised by his voice. There's a tone that is just wonderful to listen to. It is my first time to have met a busker in Singapore with such a voice.
I wondered, why is he not performing on a stage, I asked myself.
I initially tipped him $10 (as we all should do). But one song was not enough. I spoke to him and asked, " Can you sing more while I film you and I will give you $50?". He replied nicely and said, "Can I pick my own song?".
He started to sing more and more.
As I was there filming, I noticed the crowd started to stop and join him singing.
Some people already knew him and was there to request a song and sing a long.
He had a duet with a woman and sang it beautifully. They covered "Shallow" by Lady Gaga and Bradley Cooper.
This video showed his other side. He took a spin of the song "At My Worst" by Pink $weats. I was totally blown.
That night became so meaningful. I was tired and tipsy, but his passion radiated. I continued my journey to Chinatown to film my documentary. For now, enjoy this music.
With @dan_moshaa
If you are to #visitsingapore (@visit_singapore) any time soon, make sure to drop by at Clarke Quay and enjoy listening and singing along with Dan.
#VisitSingapore #PassionMadePossible
#SingaporeStories #SingaporeStreet #ArtistsSingapore
listening to music other term 在 samguw Youtube 的精選貼文
I am a HUGE Peak Design fanboy and that's why I am very critical of their products. I believe the only way a company can improve is by listening to issues users have and not just constant praise.
I have been using the 5L long for close to 2 years-ish and I absolutely love it. There are things that I think can be improved.
Let me know if you have any other questions about this fantastic bag.
My 2020 filmmaking/photography kit:
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Gear used in this video:
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Music I use:
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Lets do something together! Ask me anything you'd like!
[email protected]
Follow me on social media:
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