關於 malaysia deforestation ，我們在網路上蒐集到這些相關的討論、資訊與評價

A meaningful piece by our talented local artists. ❤️❤️❤️
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Human action threatens the species with global extinction. The animals are struggling to survive in the face of deforestation, severe droughts, the ever changing weather (it's been crazy hot lately 🔥, and the unexpected weather the artists faced working on this piece, heavy rain), we see this in the daily news, some might experience it in their daily lives. Flash floods, forest fires, landslides, earthquakes, what are we doing to change it? Step up and make a change! 🌏 🐅🐘🦏🌳🌱🌺
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Don't forget to follow their page for updates ✌🏼
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📍 Kota Kinabalu, Sabah, Malaysia 🇲🇾 .
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#sabahtourism #sabahPOTD #exploresabah #sabahinfo #kkcity #nokokito #ilovesabah #malaysiatrulyasia #visitmalaysia2020 #vm2020 #wallart #murals #arts #instaart #graffiti #kkgraffiti #hellosabahmy #wildlife #chaigo #crackoartgroup #crackoart #sabahokbah #awareness #artappreciator @ SABAH, Malaysian Borneo

“The Witness” .... Evocative, thought provoking art on Merdeka 🇲🇾 ♥️🇲🇾 by @shaqkoyok_art #malaysianart #balaiseninegara #deforestation #beautifulMalaysia @ National Visual Arts Gallery Malaysia

This has got to stop! 😡

Amsyar Imani Bin Ahmad Zaifuddin, a.k.a. Kejora Amsyar , Kejora pets, is the most notorious illegal wildlife trader in West Malaysia. Over the past 8 years, he and his team have been trading and selling protected wildlife on social media. Thousands of protected Malaysian wildlife like baby sun bears, baby langurs, baby leopard cats, baby civets, baby gibbons, baby raptors, baby hornbills, baby marble cats, baby flat headed cats, baby owls, baby slow loris, etc. He and his gang are responsible for the deaths of thousands protected wildlife in West Malaysia. Lately he claimed that he has letter from the Malaysian Royal family and the palace to do whatever he wanted to do! If he and his gang continue to do what they have been doing over the past 8 years, soon the Malaysian forest will become an empty forest with standing trees but without wildlife, as all wildlife being poached for pet trade and make Amsyar Imani Bin Ahmad Zaifuddin and his gang very rich!

We urge the wildlife authorities in West Malaysia, Department of Wildlife and National Park, a.k.a., PERHILITAN, together with the Royal Police of Malaysia, Inland Revenue Board of Malaysia, Bank Negara, Ministry of Water, Land and Natural Resources, and other relevant agencies can investigate the crimes that Amsyar Imani Bin Ahmad Zaifuddin committed seriously like other human related criminals. In his social media, we can see clearly his full name as Amsyar Imani Bin Ahmad Zaifuddin. His cell phone number is 019 6643065 and his Maybank account number is 1627 4024 3585 and CIMB Bank account as 7619-2989-70.

Eight years are a long time for any syndicate to operate their illegal activities. As Malaysian wildlife numbers are dwindling down at an alarming rate due to deforestation, poaching and illegal wildlife trade and illegal pet keeping, it is time to stop Amsyar Imani Bin Ahmad Zaifuddin anf his gang from further killing our precious wildlife.

Lately, Amsyar Imani has advertised to sell sun bear cub, marble cat and a black panther online! These few individuals have resulted way too much damages to our remaining wildlife population!

Please share this post. The voice to save our remaining precious wildlife need to be heard nationally and globally! Several wildlife protectors and wildlife heroes in Malaysia like Bam and Joleen have lodged a police report against the crimes committed by Amsyar Imani Bin Ahmad Zaifuddin. We need your help to do the same!

*Share your police report statement (blur away your personal and officer's details) on social media, or send to Bam & Gibbon Protection Society of Malaysia your statement for their database purpose!

#TumpaskanKejoraAmsyar #SaveMalaysianWildlife #VoicingTheirSilence #BecauseWeCare #WeFightTogether

Say hi to the latest addition to my balcony garden!

I’m so grateful to wake up every morning to the sound of birds chirping and the sight of glorious lush greenery all around me. But for how much longer? There are few pockets like this left.

In 2018 Malaysia lost 35,790 Stadium Merdeka’s worth of forest while that same year, 38,000 Malaysians were displaced from their homes due to climate-related disasters.

Climate change is real and it is happening.

One tree can absorb 21.8kgs of carbon, we need trees as much as trees need us to protect them.

Without protecting or preserving our forests, we aren’t just short changing over 3800 species of animals of their home but we are creating a devastating future for ourselves and our kids.

So let’s get planting! Behold my beautiful Red Flame, I can’t wait to watch it grow up !

Thank you Nature Education Society (NEST) , Taman Tugu Project, Free Tree Society, Persatuan Patriot Kebangsaan and Leo Burnett Malaysia for having me a part of this meaningful campaign.

Spread along the message and tag your friends to plant a tree too!

Follow me on INSTAGRAM @nadiaheng
WEBSITE: www.nadiaheng.com

#NEST #tamantuguproject #freetreesociety #persatuanpatriotkebangsaan #malaysia
#Fight4OurPlanet #nadiaheng #nadiadailyvlog #balconygarden #plantatree

Filmed in 2017 - The fist music video in Kelabit language.

Watch the Official Music Video:
https://www.youtube.com/watch?v=qWGm-sUHxik

"Re Lekuah" is the first music video in the Kelabit language.
Director: Ashley Duong
Producers: Alena Murang and Ashley Duong
Featuring the track "Re Lekuah" by Alena Murang learnt from Tepu' Doo' Ayu and produced by Pepper Jam Productions.

Listen on iTunes, Deezer, Spotify, and Tidal.

Credits at the end of the video.

Kinuan pupuh tauh Kelabit — nuk ngilad, kinih, mey ngan anak tauh nuk riak neh

www.alenamurang.com
www.facebook.com/ashleyduongfilm




Every story is born of a place and of a people. To keep a story alive means to acknowledge the life of the place and people. The Kelabit people have a tradition of telling stories through song, the storyteller sitting for nights on the floor of the raised longhouse, singing an epic.

The last two generations have lived through rapid transitions: from practising headhunting, ceremonial tattooing and animal sacrifices, to embracing Christianity in the 1930s; from having zero electricity to 24-hour solar-powered energy. Parallel to this was the introduction of formal schooling, money and deforestation. Whilst the storytelling traditions could not carry speed with the vast changes, one thing remained constant for the Kelabit: hard work.

Re Lekuah is an old song rich with figurative meanings, many of which are lost and open to speculation. Literally though, the song gives insight to the hard work that young women had to do in the village, and perhaps a desire and longing for something more. Placed in an urban, contemporary setting, life isn’t much different.

Customarily, an elder would transmit the oral tradition to her children and grandchildren, but Alena’s grandmother didn’t live long enough to pass on her stories. Alena learnt this song from Tepu’ Do’o Ayu, asking her blessing to rearrange and to share the song outside the community - whatever it takes to make people listen, is the reply.

Re Lekuah, the music video, presents dualities: drawing parallels and contrasts across time (old versus young; past versus present) and space (rural versus urban).

"Re Lekuah" is the first music video in the Kelabit language.
Director: Ashley Duong
Producers: Alena Murang and Ashley Duong
Featuring the track "Re Lekuah" by Alena Murang learnt from Tepu' Doo' Ayu and produced by Pepper Jam Productions.

Listen on iTunes, Deezer, Spotify, and Tidal.

Credits at the end of the video.

Kinuan pupuh tauh Kelabit — nuk ngilad, kinih, mey ngan anak tauh nuk riak neh

www.alenamurang.com
www.facebook.com/ashleyduongfilm

Every story is born of a place and of a people. To keep a story alive means to acknowledge the life of the place and people. The Kelabit people have a tradition of telling stories through song, the storyteller sitting for nights on the floor of the raised longhouse, singing an epic.

The last two generations have lived through rapid transitions: from practising headhunting, ceremonial tattooing and animal sacrifices, to embracing Christianity in the 1930s; from having zero electricity to 24-hour solar-powered energy. Parallel to this was the introduction of formal schooling, money and deforestation. Whilst the storytelling traditions could not carry speed with the vast changes, one thing remained constant for the Kelabit: hard work.

Re Lekuah is an old song rich with figurative meanings, many of which are lost and open to speculation. Literally though, the song gives insight to the hard work that young women had to do in the village, and perhaps a desire and longing for something more. Placed in an urban, contemporary setting, life isn’t much different.

Customarily, an elder would transmit the oral tradition to her children and grandchildren, but Alena’s grandmother didn’t live long enough to pass on her stories. Alena learnt this song from Tepu’ Do’o Ayu, asking her blessing to rearrange and to share the song outside the community - whatever it takes to make people listen, is the reply.

Re Lekuah, the music video, presents dualities: drawing parallels and contrasts across time (old versus young; past versus present) and space (rural versus urban).