Happy Chinese New Year!!! 🧧
Some excited news for the Year of Rats !! You will see me in the following events:
2020
🧨1/31 - 2/1 McCormick Marimba Festival – without borders recital
🧨2/2 Shoals Symphony Orchestra “Preludes and Polovtsian Dances”
🧨2/10 12:20 University of Alabama at Birmingham - clinic
🧨2/29 Alabama Day of Percussion – recital/clinic
🧨3/14 Shoals Symphony Orchestra “Midsummer Night’s Dream”
🧨3/23-28 SoCal Tour (detail will be announced soon )
🧨3/27 Santa Ana College – recital
🧨4/14 University of Alabama at Huntsville - clinic
🧨4/14 UNA Percussion Ensemble Concert – instructor and performer
🧨4/25 Bay Area, CA – performance
🧨5/1 Shoals Symphony Orchestra “Raiders of the Lost Ark”
🧨5/9 Downriver Day of Percussion, MI - clinic
#yunjupan #alicepan #upcomingevents #percussion #marimba #performance
同時也有1部Youtube影片,追蹤數超過2,250的網紅Benjamin Man — iBenTV,也在其Youtube影片中提到,[1/3] I got FULL MARKS for this composition as part of my IB Music HL composition coursework (25% of my final grade)!!!! Note: some of the dynamic mar...
marimba ensemble 在 Pei-Ching Wu 吳珮菁 Facebook 的最讚貼文
【珮菁的擊樂世界 Pei-Ching's Percussion World】
打擊樂家喬瑟夫.葛萊利 Joseph Gramley 為密西根大學音樂系教授,畢業自紐約茱莉亞音樂院。2000年馬友友邀請他加入「馬友友與絲路合奏團」,除在美國各城市作廣泛的巡迴演出之外,也遠赴北美、歐洲及亞洲各地最頂尖的音樂廳演出;他學習擊樂的歷程與他跟管風琴家克萊.卓斯克爾-史密斯 Clive Driskill-Smith 組Organized Rhythm管風琴打擊二重奏團的故事非常精彩,歡迎您一起聆聽!
10/10(四) 20:00 Bravo FM91.3 台北都會音樂台(首播)
10/10(四) 22:00 Classical FM97.7 台中古典音樂台
10/12(六) 21:00 Bravo FM91.3 台北都會音樂台(重播)
PC 電腦收聽
http://hichannel.hinet.net/radio.do?id=1001
Mobile 手機收聽
https://goo.gl/Y5oOcK
精選節目
http://bravo913.com.tw/index.php?route=choice/program_detail&choice_program_id=129
播出曲目:
1.Darius Milhaud - Concerto Pour Batterie et Petit Orchestre
2.Keiko Abe - Prism for Marimba
3.the Silk Road Ensemble and Rhiannon Giddens - St. James Infirmary Blues
4.Kojiro Umezaki - Cycles America
5.Camille Saint Saens - Aquarium from Carnival of the Animals
6.Aaron Copland - Fanfare for the Common Man
marimba ensemble 在 Pei-Ching Wu 吳珮菁 Facebook 的最佳解答
【珮菁的擊樂世界 Pei-Ching's Percussion World】
打擊樂家喬瑟夫.葛萊利 Joseph Gramley 為密西根大學音樂系教授,畢業自紐約茱莉亞音樂院。2000年馬友友邀請他加入「馬友友與絲路合奏團」,除在美國各城市作廣泛的巡迴演出之外,也遠赴北美、歐洲及亞洲各地最頂尖的音樂廳演出;他學習擊樂的歷程與他跟管風琴家克萊.卓斯克爾-史密斯 Clive Driskill-Smith 組Organized Rhythm管風琴打擊二重奏團的故事非常精彩,歡迎您一起聆聽!
10/10(四) 20:00 Bravo FM91.3 台北都會音樂台(首播)
10/10(四) 22:00 Classical FM97.7 台中古典音樂台
10/12(六) 21:00 Bravo FM91.3 台北都會音樂台(重播)
PC 電腦收聽
http://hichannel.hinet.net/radio.do?id=1001
Mobile 手機收聽
https://goo.gl/Y5oOcK
精選節目
http://bravo913.com.tw/index.php…
播出曲目:
1.Darius Milhaud - Concerto Pour Batterie et Petit Orchestre
2.Keiko Abe - Prism for Marimba
3.the Silk Road Ensemble and Rhiannon Giddens - St. James Infirmary Blues
4.Kojiro Umezaki - Cycles America
5.Camille Saint Saens - Aquarium from Carnival of the Animals
6.Aaron Copland - Fanfare for the Common Man
marimba ensemble 在 Benjamin Man — iBenTV Youtube 的最佳解答
[1/3] I got FULL MARKS for this composition as part of my IB Music HL composition coursework (25% of my final grade)!!!! Note: some of the dynamic markings are messed up because im recording this on panorama mode :(
This song is a rewrite based on my previous IGCSE composition 'The Maze Runner' (https://youtube.com/watch?v=3VpPBgywVzA)!
Reflective Statement:
My initial intention for ‘Haunting’ was to compose for mallet quartet describing my own IB journey. I wanted to experiment with a 5-octave marimba, and was also intrigued by extended ternary form (AABA) in chamber music. I was inspired by the soundtrack from “Legend Of The Wind” by Studio Ghibli, but was also influenced by minimalist music such as “Mallet Quartet” by Steve Reich. A performers note has been included to help clarify the meaning of each section and to convey its meaning.
I began composing this piece on the marimba with the intention of a four-mallet marimba solo due to its wide range. However, I then decided to expand it to a small ensemble so that I could experiment with different textures, timbre and harmonies. As a result, I fragmented the main melody to include more tone colour in the piece. As a percussionist, I was aware of the many unique techniques capable of the marimba and vibraphone, thus I wanted to exploit that and transform my composition by writing in unconventional techniques and notations (such as handle- on-handle and rapid glissandi) and was able to choose more interesting rhythms. I developed my piece by adding an entire section using mainly triplets to create a contrast in rhythm, which helped create a climax.
The outcome of this piece is that I learnt how to develop ideas from fragments of melody, and how to compose a rhythmically challenging piece whilst still maintaining an overall cohesiveness. I also learnt how to compose for a repetitive melody yet still being able to add colour and maintain interest as the piece progresses. As a result, this lead me to discovering many vibraphone techniques I hadn’t learnt prior, such as mallet-dampening and learning how to use the pedal properly!
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