關於 meaning of life tv ，我們在網路上蒐集到這些相關的討論、資訊與評價

This painting is one of my oil pastel series that i did before 2010. Will try to post some of my older stuff for those who never seen any of my old works. Till then.. Stay safe people..

Title : Journey to Happy Land
Medium : Oil Pastel on paper
Size: A2
2009
Current owner : @richard simon

Everyone have their own version of happy land. This thought or emotion happens randomly. It could be because of time, certain situation, surrounding environment or “just because”. So they do a journey to a certain goal that they set.

The green character depicted without arms is a representation of people that feels, think that they are missing something in their life. (It can be anything, nothing in specific). Most of the time they looking for that feeling of joy, happiness, achievement or a sense of fulfillment. During this time is where the doubt, excitement, paranoid kicks in and that's why he’s walk with a slouch with eyes open.

The smiling creatures or monsters on the sides is a representation of people around. Some will give encouragement or support, some will say good things in front and bad things at the back. But most of the time they will just look and thats about it. Your journey is their entertainment.

The road or path is colored in yellow is an adaptation of “the yellow brick road from the wizard of oz” that brings a meaning the road to success or happiness..

The jack in a box “Swindler, cheater” is a representation of the challenges that usually happen along the way, when a person is in search of their happy land.

This whole painting are basically everyone’s journey in life. You can’t see the goal here because (its a personal “something” to everyone, not all of us have the same happyland” but the “journey” that’s the most important part of life.

-
Bahasa pasar/ sembarang sabah.

Semua orang ada angan-angan/ mimpi/ impian pasal dorang punya tempat/ keadaan hidup yang best. Ni fikiran pandai datang tiba-tiba. Mungkin pasal ada barang yang jadi dalam hidup dorang, mungkin pasal keadaan keliling dorang atau sengaja mau cuba. Jadi mulalah diorang mencari jawapan.

Tu orang hijau tiada tangan macam perumpamaan orang-orang yang rasa, fikir yang dorang ada kekurangan dalam hidup. (Ni boleh jadi apa saja, tiada 1 jenis jawapan). Biasa dia, yang kana cari tu perasaan gembira, semangat, pencapaian atau kepuasan. Ni masa lah datang tu perasaan/ fikiran tidak yakin, telebih semangat, fikir yang bukan-bukan (Ni kali maksud paranoid yang simple). Pasal tu dia jalan bongkok trus mata dia tingu-tingu. (ni yg part paranoid. Takut salah, takut orang cakap bukan-bukan.. macam-macam lah)..

Yang monster senyum-senyum di siring tu umpama orang sekeliling. (yang dekat kah yang jauh kah). Ada yang tolong, support. Ada yang cakap bagus-bagus di depan tapi kasi buruk-buruk di belakang. Biasa dia ada saja yang tingu tu biarpun ko tidak tau (macam drama tv).

Tu jalan warna kuning kana guna reference “the yellow brick road “jalan batu warna kuning” dalam wayang wizzard of oz). Maksud ni ayat jalan kejayaan atau kegembiraan.

Di depan tu jalan ada clown dalam kotak “Jack in a box”. Maksud jack in a box ni orang yang menipu. Dia jual kotak kosong sama orang yang beli barang. Jadi dalam ni perjalanan mau sampai tu “happy land” ada saja cabaran.

Jadi ni lukisan cerita dia pasal semua orang punya perjalanan hidup dalam mencari erti. Dia punya hujung tiada dalam ni lukisan sebab lain orang lain yand dia cari. Tapi perjalanan, pengalaman mo kasi sampai, itu yang paling mahal.

《 #籠罩下的巨大哀愁 》
正式開展啦～
歡迎各位到台北當代藝術館

/
詳細資訊｜https://reurl.cc/bXy09v

________________________________________________

A Dark Cloud of Sorrow Looms Over

by Yu-Jun LIN

Late mornings and sleepless nights. Frustration. Anxiety.

They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.

In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.

However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.

Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.

A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.

Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.

Chung Chih Ting｜I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.

Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.

Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?

Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.

Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.

Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?

Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

《籠罩下的巨大哀愁》展覽資訊
展覽日期｜2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點｜台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間｜ Mon. ─ Sun. 16:00-21:00

特別感謝｜ 贊助單位
厭世會社 @mis.society

#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社

There are some circumstances that are out of our hands, but what we choose to do with what we’re given determines the kind of life we will live.

So excited and very proud to share our upcoming TV drama #SinglePaPa #暖男爸爸 on ViuTV.

Catch this beginning Oct 26th, starring Ronald Cheng and Maggie Cheung. You’ll get to see me pop in every now and then, and I hope you’ll appreciate the timely message and meaning behind this project.

Thankfully, we completed this quite some time back— when this Covid wave was far off! We’re a lucky bunch with a hardworking team to have pulled this through!

Synopsis, Cast and Production team can be found below 👇🏼

***

【ViuTV原創劇《暖男爸爸》10月26日星期一晚上9:30首播!】
妻子離世，單親爸爸阿榮(Ronald Cheng 鄭中基 飾）要獨力照顧阿仔「暴龍哥」，為咗方便照顧，決定喺學校附近經營便利店；
而妻子留低一份保單，就交由芷明 (張可頤 Maggie Hoyee Cheung 飾）跟進，慢慢慢慢二人了解更多內心，了解更多自己，了解點樣將暖意送畀其他可愛嘅人！❣️

#viutv原創劇 #暖男爸爸 #10月26日 #晚上9點半首播
強尼 Hailey Chan 余香凝 Jennifer Yu章尾而 jamie Suzuki 一五郎 李建邦 Crisel Consunji - Artist / Educator 陳子豐 Colin Chan 駱振偉 Thor Lok 邵仲衡 David Siu 文凱玲 Connie Man
#FWD #富衛保險 #CelebrateLiving
---
網絡平台 : viu.tv
IG: viutv
YouTube: http://bit.ly/2a8lbLu
App:
IOS-https://apple.co/2NJo9Iw
Android - http://bit.ly/2LCVG9U

女性力量 由放下開始 ~ [相聚一刻] ep186
播出：2017年12月18日, 8pm
嘉賓：Joy Fok, 世界旅行者, 紀錄片製片人
主持：Esther Lee
監製：Weller Choi, Tony Chau
場地：匯智社

要令一個女人開心，談何容易？一個女人如何能令自己快樂、幸福，甚至成為女性領導？你是否付出太多，以致乾枯了都不知道？你有把自己的需要、感覺放第一位嗎？你是否照顧別人，多過自己？你是否為其他人付責任？

今集，我們為你講女性的福祉，如何取得平衡？之致得到真正的幸福，遇見真正的自己。

基本上，大多數女性實際上是女強人，甚麼是女強人？我們經常會照顧身邊的每一個人，我們的家庭成員、父母、伴侶、孩子，還有，我們的團隊…。而且，我們經常把自己的需要運想要放在最後。這次，我們的嘉賓，Joy Fok, 一位世界級的旅行家和紀錄片製片人，她經歷了很多，我們都經歷了很多，才找到自己，甚麼是真正負責任？只要好好管自己的事，而不是試圖拯救世界或親人。

我們如何理清負責？甚麼是真正的愛，關心和付出？我們什麼時候該停止？我們應該在哪裡劃出”健康界線”呢？我們有很多人，只是付出、付出、付出，而不知道我們的企圖心是甚麼？是內疚？想扮演”拯救者”？做了別人媽媽的角色？到底為什麼？

我們從過去幾十年的生活中學到了很多智慧，才懂得先愛自己，把自己放在第一位。我們提出了七個成為一個幸福的女人的鑰匙，甚至成為是一個女性領袖。而且，如何活出豐盛的生活？

1）做你喜愛做的事情，不要妥協;
2）先照顧好自己的需要，將自己放第一;
3）自己沒有的，是不能給別人的;
4）你願意放棄”某些事”嗎？
5）你是否對自己太苛刻了？
6）需要時，要求幫助吧！
7）以自己的方式享受生活。

多謝收看！

Basically, most women are actually super women. We used to take care of every one around us, our family members, our parents, our partner, our children, our team… and very often, we put us at the end of the queue. Joy Fok, our guest this time, a world traveller and TV producer, and I had gone through a lot, to find ourselves, to be truly responsible, meaning care about our own business, and not trying to rescue the world or our loved ones.

What is your “Abundance Level”? How do we distinguish between being responsible? Being loving, caring and giving? When should we stop? Where should we draw the line of healthy boundary? Many of us just give, give, give, without knowing where we come from, such as guilt, playing rescuer, mothering others or what?

We have learned so much from our past decades of life, and come to love ourselves, and put ourselves first and foremost. We have come up with 7 Keys to Be A Happy Woman, even a woman leader. And, how to lead a lif of Abundance?

1) Do what you love only, do not compromise;
2) Take care of ourselves first and foremost;
3) You can’t give have we don’t have;
4) Are you willing to give up “something”?
5) Are you being too harsh to yourself?
6) Ask for help when you need to;
7) Enjoy life in your own terms.

Enjoy our interview!

Hello friends! A highly requested video is finally up! ?

I'm using an HSK vocabulary book, but you can use any resource like a novel, an article, a textbook or even a TV show to find new words. I color code my notes and color code the tones so I can associate a tone with a color.

In one notebook, I list the Chinese characters in black, the pinyin pronunciation in orange, and the Korean or English meaning in black. The circle with a number in it indicates which HSK level the vocab word is for. Example sentences are written in red, and when I need to, I'll rewrite the characters as much as I can until I memorize it.

Then I transfer the words without pinin to a separate notebook and only write the meaning. I then underline the characters with a color according to its tone.

PS: Some of you may notice my vocab is in simplified and one of my example sentences in traditional. I use both!

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僕の日本デビュー・シングル「モノガタリ（Monogatari)」のミュージック・ビデオが完成しました。
この曲は、6月21日に発売になるアルバム『Music For You』にも収録されています。
みなさん、宜しくお願い致します！
■DOWNLOAD / ダウンロード・サイト
iTunes JAPAN： https://itunes.apple.com/jp/album/-/i...
iTunes USA: https://itunes.apple.com/us/album/mon...
レコチョク： http://recochoku.jp/song/S1004203778/
Mora： http://mora.jp/package/43000005/VE3WA...

■ストリーミング・サイト
Apple Music： https://itunes.apple.com/jp/album/-/i...
LINE MUSIC： https://music.line.me/launch?target=t...
AWA： https://s.awa.fm/album/7d59a880921157...

JVC VICTOR Entertainment Artist link: http://www.jvcmusic.co.jp/-/Artist/A025719.html

This is the official music video of "Monogatari", original lyrics & music by Eden Kai, is his debut single release as a J-pop artist. "Monogatari" is a Japanese word meaning 'story' or 'legend' and is the "Terrace House Aloha State" graduation song he was inspired to write on his ukulele during his stay in the Terrace House, seasons 1 & 2.

LYRICS (Japanese/English translation):
モノガタリ Monogatari
Story or Legend
🏝🏡
見上げたらそこには Looking up over there
ステキな家がありました There was a nice house
一歩踏み込んで I took a step forward
ドアを開けて Open the door
知らない顔が5つありました And there were 5 unfamiliar faces
"今からみんなと暮らすのか” って [mentality thinking] Imagining my new life with them
思いながら While thinking
外の景色を眺めてた I stared at the views outside
⚬
全然信じられなくて I had no faith in myself
毎回強がって I put on bravado
人に合わせ続けた I've always gotten along with everyone
それから見直して But after rethinking
何度も繰り返して And repeating and repeating
本当の自分になれたよ I've become my true self
⚬
見上げたらそこには Looking up over there
ステキなアートがありました There was nice art
瞳が綺麗で Her eyes were beautiful
笑顔が好きで I liked her smile
その想像力に見とれました That imagination [of hers] fascinated me
"今からその子を誘おうか" って [mentality thinking] "Are you going to ask her out now?"
思いながら While thinking
言いたいことを必死に考えてた I was desperately thinking about what I wanted to say
⚬
勇気を出して I Took courage
時間をかけて I Took time
同じ世界を見てみた To see the same world
それから見直して But after rethinking
何度も考えて Thinking over and over
正直になれたよ I have become honest
⚬
素直になって I have become myself
たくさん経験して And experienced more
同じ時間を過ごした We have shared the same moments
感謝がしたくて I want to thank you
ありがとうが言いたくて I want to tell you that
物語は続くよ My story still continues

Eden Kai: Main vocals, Backup vocals, Ukulele, Acoustic Guitar, Percussion
© 2017 Eden Kai LLC ASCAP All Rights Reserved.

With millions of fans around the world, Eden Kai has earned his reputation as being a ukulele and guitar virtuoso, a Pop/R&B vocalist, and an accomplished actor. While many were first introduced to Eden when he joined the cast of Netflix and Fuji Television’s Terrace House: Aloha State, the young star’s success had already been years in the making. He has since gone on to make additional appearances on Terrace House: Tokyo 2019-2020, appeared on Shiro to Kiiro on Amazon Prime and has performed at the Fuji Rock Festival (the largest outdoor music festival in Japan), Nisei Week Festival in Little Tokyo, OC Japan Fair and ANA Honolulu Music Week in Waikiki. Eden’s accomplishments have earned him interviews by NBC News and The Yomiuri Shinbun (the world’s most circulated newspaper).

His most recent album, Home Sweet Home, released in 2018 and was recorded in Tokyo, Japan, produced by his music label in Japan Victor Entertainment. Three tracks from that album were featured in episodes of Netflix Japan’s Terrace House during the show’s Opening New Doors and Tokyo 2019-2020 seasons. The series also featured Eden’s instrumental compositions of “Touch the Sky” and “Feel the Earth.” “Monogatari” was his debut pop vocal single, which he wrote and performed on the show. That music, as well as Eden’s past album releases, can be heard on all major streaming services and is available for purchase on Eden’s official website, www.EdenKai.com.

In addition to working on his own music, Eden has collaborated with some of the world’s top artists and producers, including EXILE and Dream. One of his compositions was used to create “Anuenue,” a hit J-Pop single recorded and released by Dance Earth Party, which landed at #11 on the Oricon Music Charts in Japan.

Eden also recognizes the importance of using his music to help others. He has hosted several ukulele workshops in Honolulu and Japan, been the featured performer at the Waikiki Spam Jam, benefiting the largest non-profit in Hawaii that feeds the needy, and the Hawaii Food and Wine Festival from which proceeds helped local children in the community.


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