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Kon'nichiwa everyone 🙈🙈🙈 Yubari Melon 🍈 and Sakura Lemon 🌸🍋 bring back my memories to Japan. 🇯🇵 Love every sip of the drinks. Both drinks have their own uniqueness. Check out Geisha Garden campaign introduce by Coolblog and both drinks available at all Coolblog outlets. The promotion start from 22 Julai 2021 until 26 August 2021.
@coolblogmalaysia
#GeishaGarden #GeishaGardenCoolblog #CoolblogMalaysia#Coolblog #SakuraLemon #YubariMelon #contentcreator #kolmalaysia
💕「愛台灣，我的選擇」系列第13發：金鐘獎節目主持人阮安祖 Andrew Ryan保存台灣故事和記憶的聲音
「我在美國西北大學學華語，當時就深深愛上這個語言。1994年夏天我跟著『哈佛世界教學計劃』到了上海，當時上海才剛開了第一家麥當勞。大學畢業後，我想繼續進修華語，但我也想到台灣看看，所以我在1996年申請了傅爾布萊特獎學金來台灣教英文，並研究台灣的英語教學環境。
我第一年在台灣時遇到一對荷蘭夫妻，他們問我打算在台灣待多久，我說一年，他們聽了哈哈大笑說，等你遇到那些也說只待一年的人就知道了。一轉眼我已經在台灣20年了。我在1999年1月開始在中央廣播電台工作。我曾經到北京教鞏俐一年英文，但她後來沒有演出那個角色，那是在她演出《藝妓回憶錄》之前。鞏俐和史蒂芬·史匹柏會面時我剛好也在北京，她後來去了好萊塢，我也回到台灣繼續在中央廣播電台工作。
在北京待過、聽過北京的聲音之後，我回到台灣，重新感受並聆聽台灣的聲音，那個時候，我第一次從心底油然而生，一種在我去中國前沒有的感受，我覺得：「我到家了」。於是我開始思考廣播電台的獨特性，以及如何做一個最適合電台的節目。電台不是電視節目，不是一本書，也不是一首詩或是視覺藝術，而是聲音，這就是我製作「Sound Postcards聲音明信片」廣播節目的起源。
台灣有些聲音還是跟以前一樣，有些聲音則因為人事更迭而消失，但還是有一些古早時期流傳下來充滿台灣故事和記憶的聲音，這些傳統的聲音是我真正想要保存下來的。人們總是拿著手機拍照，但是紀錄台灣的聲音對我來說是一種看世界的獨特方式。
談到台灣的廣播電台，我覺得最有趣的就是地方電台，就像計程車上會聽到有人唱卡拉OK那種。有一次我在屏東訪問摘鳳梨的果農時，他們也開著廣播聽，聽他們最喜歡的原住民音樂。像這種地方電台，我以為現在已經沒有了，沒想到還持續存在。我剛到台灣時去上了華語課，有一堂課叫做新選廣播劇，基本上是以警廣的廣播劇來進行教學。16年後我也製播了一個廣播劇，並獲得廣播金鐘獎。」
⭐️阮安祖是中央廣播電台節目主持人兼製作人，曾獲得3座廣播金鐘獎和1座電視金鐘獎。他的廣播與電視節目以中英雙語進行。
⭐️欣賞安祖的《聲音明信片》(現為《貼緊台灣的洋耳朵》): https://en.rti.org.tw/radio/programView/id/710
💕Why I chose Taiwan #13 – Award-winning host Andrew Ryan’s journey to discover the voices and memories of Taiwan
"I studied Chinese in college at Northwestern and fell in love with the language. Then I went to Shanghai the summer of 1994 with the Harvard WorldTeach program. The first McDonald’s had just opened in Shanghai that summer. When I graduated from college, I wanted to continue learning Chinese but I was interested in coming to see what Taiwan was like.
I came to Taiwan in 1996 as a Fulbright Fellow teaching and doing research on Taiwan’s English teaching environment. The first year I was here, I met a Dutch and American couple and they asked me, 'How long are you gonna be here in Taiwan?' and I said, 'A year.' and they both laughed and said, 'Wait until you meet all the other people who said they would just be here a year.' And here I am 20 years later.
I started working at RTI in January 1999. I actually went to Beijing for a year to teach English to 鞏俐 Gong Li, the Chinese movie star. It was for a role that she did not end up doing, just before Memoirs of a Geisha. I was actually in Beijing when she met with [Steven] Spielberg. When she went to Hollywood, I came back to Taiwan to return to my job at RTI.
After having been in Beijing and hearing the sounds of Beijing, then coming back to Taiwan and hearing Taiwan with fresh ears, for the first time, I felt like I was sharing a collective sound experience, a feeling I hadn’t had before I went to China. And I felt like: 'This is home.' I started thinking a lot about radio and how to do a show that’s perfectly suited to radio: it couldn’t be a tv show; it couldn’t be a book; it couldn’t be a piece of poetry or a work of visual art. That was what inspired me to start doing Sound Postcards.
Some sounds have been consistent in Taiwan. Some have disappeared because life has changed. But there are still traditional sounds from an older way of life that contain stories and memories of people in Taiwan. Those are the ones that I really want to preserve. People walk around taking pictures of things with the cameras on their phones. But the process of recording the sounds of Taiwan is really a special way of looking at the world.
And when I think about radio, for me the most exciting radio in Taiwan is the local radio. Like taxi driver radio where you can hear somebody singing karaoke. I interviewed these pineapple pickers in Pingtung. They had the radio on and they were listening to the music they love, indigenous music. Such local radio, I would have thought would be gone by now, but it’s still there. When I first came to Taiwan and I was taking Chinese, one of the classes I took was called New Radio Plays. It’s essentially like lessons built on actual radio plays that were played on Police Broadcasting Service. 16 years later I actually wrote a radio play that won a Golden Bell Award."
⭐️ Andrew Ryan is a host and producer with Radio Taiwan International. He is the recipient of three broadcasting Golden Bell Awards and one Television Golden Bell Award. He broadcasts and hosts television shows in both English and in Mandarin.
⭐️ Check out Andrew's Sound Postcards/ Ear to the Ground here: https://en.rti.org.tw/radio/programView/id/710
從2007/02/28成立至今，Crescent Lament 恆月三途正式走過十個年頭。感謝一路陪伴的各個夥伴與聽眾，也感謝無數貴人的相助，我們幸運的在音樂的道路上，一直向前行。
身為台灣本土的樂團，我們想要將台灣的故事傳唱下去；在歷經2008年的兩張EP & 2011年的首張專輯 “Behind the Lethal Deceit / 末路之召”，我們逐漸摸索出明確的定位，以成為台語歌德/民謠金屬樂團為目標，並於2015年發行了第二張專輯 “花殤 / Elegy for the Blossoms”。在今年啟動的第三張專輯計畫中，我們將繼續以台灣歷史文化為主軸，唱阮台灣人的歌。
在歷經大大小小的表演後，我們在成軍的第十年 – 2016年，踏上了比利時音樂祭Metal Female Voices Fest的舞台。在這個歐洲的大舞台上，我們用台語歌唱著台灣藝妲的故事，用台灣藝妲的故事感動著不同文化的聽眾。是的，在滿場熱情的歐洲聽眾前，我們以身為台灣樂團感到無比光榮！
接下來，我們會繼續承接這個責任，繼續向前邁進。
謝謝你，一起十年。
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Crescent Lament’s “10th Anniversary Documentary” is a visual review recording the most exciting moments we experienced in the past 10 years. Thanks to all friends and fans, without your support and encouragement, we wouldn’t be able to have so many beautiful memories.
As an indigenous band of Taiwan, our creations are greatly inspired by Taiwan’s history and culture, both musically and lyrically. After releasing 2 EPs in 2008 and debut album “Behind the Lethal Deceit” in 2011, we began to integrate traditional Taiwanese instruments with metal music. The result was “Elegy for the Blossoms” (2015), a conceptual album recounting the story of Taiwanese geisha in ancient Taiwan. Such a gothic/folk metal style will remain the principal theme in our future creations.
It is always a huge pleasure and honor to attend a gig or a festival. Through these domestic and foreign performances, we are deeply touched by the genuine enthusiasm from the audience. Here, we must show our immense gratitude to each organizers/staff of performance, cooperative band, photographer/videographer, and audience. Among those unforgettable performances we've attended, the Belgian festival "Metal Female Voices Fest" in October of 2016 is particularly worth mentioning. It was truly an amazing experience to play our Taiwanese-style songs on a famous European stage. We saw joy on people's faces, and were deeply flattered by their passions. It was a memorable milestone to celebrate the 10th year of Crescent Lament. Many thanks to Helcanen Val and everyone of MFVF to create this beautiful memory with us!
The journey of Crescent Lament will be continued.
Thank you all for being with us for these 10 years.
—【十周年全記錄】影音製作 / Making of this documentary —
★ 影像 / Video
- 腳本 / Scenario：周慕姿 Muer Chou
- 素材挑選 / Footage selection：許至維 Wick Hsu
- 影片剪輯 / Film editing：邱振華 Wat Chiu
- 英文翻譯 / English translation：周岳弘 Komet Chou
＊特別感謝下列攝影師提供素材 / Special thanks to the photographers who providing the footage：Bongsoo Lee, Brian Chen, Ekim Lu, Hendrik Schroeder, Juergen Bardong, Kunio Huang, Lily Hsu, Nathan Lin, Rudi Marina Wauters, Rainer Kerber, Ton van Moll, 林布朗, 林峻, 吳旭曜（氫酸鉀）, 周承翰, 周劭儒, 侯政宏 Horace Hou, 陳采瑩, 陳沐新
★ 音樂 / Audio
1.「煙花易寒」演奏版 / Once Blossomy (instrumental)
- 作曲 / Music：周岳弘 Komet Chou
- 編曲 / Arrangement ：周岳弘 Komet Chou & Jedi Yeh
- 客座演出 / Guest appearance：楊子儀
2.「十年一瞬」/ 10th
- 作曲 / Music：周岳弘 Komet Chou
- 編曲 / Arrangement：恆月三途Crescent Lament
- 錄音 / Recording：邱振華 Wat Chiu & Jedi Yeh
- 混音 / Editing & Mixing：Jedi Yeh
追蹤我們的最新消息 / Stay up to date on Crescent Lament
Facebook - https://www.facebook.com/crescentlament
Website - http://crescentlament.site44.com/
There's a guy in the middle of Oklahoma building a massive Chinese JUNK in his back yard! I had to go and check it out!
My name is Doug Jackson. I am the ambition and drive behind SV Seeker, but my success comes from knowing a lot of brilliant and skilled people who are drawn together around the sailboat Seeker.
SV Seeker is not just a sailboat nor a yacht. SV Seeker is a work boat and a dream and a tool for making dreams come true. I’ve always wanted to do something grand and daring. Something that filled my passions, not just the hours of my day or a bank account. It started with building submarines, and with confidence it became building Seeker. When completed I will have every skill I need to keep her in shape, and she will have the strength to take us to the wonders and treasures of the world’s oceans.
Seeker will cater to adventurers, explorers, oceanographers, divers, wreck hunters, marine biologists and archaeologist and we will do it free of charge whenever possible. If you want to be a part, then allow me to welcome you aboard.
Our crew is forming now. You can join the volunteers that are helping to build Seeker. Sharpen your skills, pass your skills onto others, learn new skills, build friendships and earn your passage onto Seeker when she is plying the waters off some sandy beaches in search of sunken treasure.
Doug's Channel: https://www.youtube.com/user/submarineboat
⚫ If you want to see China like no one outside of China has ever seen it before: https://vimeo.com/ondemand/conqueringsouthernchina
⚫ Support me on Patreon: http://www.patreon.com/serpentza
Join me on Facebook: http://www.facebook.com/winstoninchina
Twitter: @serpentza
Instagram: serpent_za
Music used: Geisha X - Gentle Memories
My other channel: https://www.youtube.com/c/advchina
