【全球強勁支持台灣參與WHA】
第74屆世界衛生大會於5/31落幕,武漢肺炎肆虐全球一年多以來,國際間深刻理解全球防疫合作迫切需要全球參與,尤其應讓台灣🇹🇼加入,外交部誠摯感謝友我國家史無前例的強勁支持!
🔹會前多國表態力挺
此外,超過40個國家及歐盟 #行政部門 以多元方式支持,日本🇯🇵首相菅義偉、內閣官房長官加藤勝信及外相茂木敏充、加拿大🇨🇦總理小杜魯道(Justin Trudeau)及外長賈諾(Marc Garneau)、瑞典🇸🇪 總理Stefan Löfven、比利時🇧🇪副總理兼外長薇梅絲(Sophie Wilmes)、美國🇺🇸國務卿布林肯(Antony Blinken)及衛生部長貝塞拉(Xavier Becerra)、荷蘭🇳🇱 外長Stef Blok及醫療照護暨體育部長Tamara van Ark,及法國🇫🇷外交部國務員Jean-Baptiste Lemoyne,均公開表達支持。
🔹會中發出正義之聲
今年會議中,我國14個 #友邦 透過提案、致函、執言或在全會及總務委員會為我「二對二辯論」等多元方式強力促請WHO邀請台灣參與,#理念相近國家 如美國🇺🇸、日本🇯🇵、英國🇬🇧、加拿大🇨🇦 、澳大利亞🇦🇺及馬爾他騎士團,以及德國🇩🇪 、法國 🇫🇷、紐西蘭🇳🇿、捷克🇨🇿、立陶宛🇱🇹 為我強力發聲及呼籲廣納各方參與。
🔹多方首次提及我國
加🇨🇦、法🇫🇷、德🇩🇪、義🇮🇹、日🇯🇵、美🇺🇸及英🇬🇧組成的 #七大工業國集團 (G7)及歐盟在本年 #G7外長會議公報 首度明確提及台灣。歐盟與美國首次進行中國議題高階對話會後聯合新聞稿指出台灣有意義參與WHA等國際組織的重要性。在WHA開議當天,美 🇺🇸、日🇯🇵、澳🇦🇺、加🇨🇦、英🇬🇧、法🇫🇷、德🇩🇪7國駐台機構串聯官方臉書發聲助我,美🇺🇸、日🇯🇵、澳🇦🇺3國駐台機構也首度發表聯合聲明聲援台灣。
🔹多國國會議員助我
全球迄逾百國超過3千人次 #國會議員 具體行動助我,聲勢之大前所未有。丹麥🇩🇰、法國🇫🇷、捷克🇨🇿、斯洛伐克🇸🇰、宏都拉斯🇭🇳、巴拉圭🇵🇾、美國🇺🇸聯邦眾議院外委會、中美洲議會,及美國🇺🇸21州及1屬地、日本🇯🇵過半的28都道府縣等國會及地方議會通過支持我參與WHA的友我決議或聲明,其中丹麥🇩🇰、法國🇫🇷及斯洛伐克🇸🇰首次參與,深具意義。
逾百名跨黨團歐洲議會議員聯名 #致函 WHO幹事長、美國🇺🇸近50位聯邦眾議員以及加拿大🇨🇦逾百位國會議員,分別為我案聯合致函美國務卿布林肯(Antony Blinken)及加國外長賈諾(Marc Garneau),全球計逾1,500名國會議員以個別或聯合方式致函助我。
🔹線下線上強力支持
美國🇺🇸國會所發起的 #讓台灣幫忙 #LetTaiwanHelp 社群媒體串聯活動,超過50國250多位國會友人響應, #對華政策跨國議會聯盟 (IPAC)16位來自11國及歐洲議會共同主席或國會議員接力拍片助我。 #福爾摩沙俱樂部 包含歐洲、拉美、非洲、亞西、印太及加勒比海6個地區、超過百國逾1,000名國會議員共同支持。此外,重量級國際醫衛組織如 #世界醫師會 (WMA)理事會,以及 #歐洲醫師常務委員會 (CPME)等歐洲、拉美及非洲區域也強力助我,在在顯示國際間行政、立法及專業人士一致支持台灣參與WHA。
全球仍面臨疫情嚴峻威脅的挑戰,台灣無法置身事外。台灣是國際間良善的力量,有意願也有能力做出貢獻,呼籲WHO接納並聆聽國際社會發出的強大正義之聲,儘速讓台灣完整參與包括防疫及疫苗在內的WHO所有會議、機制及活動,以確保全球公衛及防疫體系之完整。
我國完整訴求請見留言。
.
.
MOFA would like to give sincere thanks for the unprecedented level of support shown for #Taiwan’s inclusion in the #WorldHealthAssembly, which drew to a close on May 31! In a year in which #PublicHealth has come to the forefront of global concern, we’re grateful that the executive and legislative branches of allies and #LikeMindedCountries around the world, as well as international parliamentary organizations, have recognized the importance of leaving no one behind in the global health security network.
Fourteen of our WHO member allies made the case for Taiwan’s inclusion through proposals, writing letters, in addresses to the assembly, or during the two-plus-two debates. They were joined by the voices of like-minded countries, including the #US, #Japan, the #UK, #Canada, #Australia, the Sovereign Order of #Malta, #Germany, #France, #NewZealand, #CzechRepublic, and #Lithuania, all of which have expressed their support through various channels.
Beyond the confines of the WHA itself, we’re also grateful for the unprecedented level of support we’ve seen from over 40 countries and the European Council, including heads of government like Japan’s Prime Minister Suga Yoshihide, Canada’s Prime Minister Justin Trudeau, and #Sweden’s Prime Minister Stefan Löfven.
Parliamentarians from over 100 countries have expressed their support for Taiwan a total of 3,000 times, with related resolutions passed by the Danish Folketing, the French and Czech Senates, the Slovak National Council Foreign Affairs Committee, the National Congress of Honduras, the Congress of Paraguay, the US House Foreign Affairs Committee, the Central American Parliament, as well as 22 regional legislatures in the US and 28 in Japan.
Some highlights of this year’s campaign included the #LetTaiwanHelp social media campaign launched by the US House of Representatives, the #G7 expressing their support in a communiqué, the expressions of support from the now six Formosa Clubs around the world, and the letters on our behalf from the World Medical Association Council, the Standing Committee of European Doctors (CPME) and similar medical organizations in #LatinAmerica and #Africa.
#WHA74 #EndThisPandemic #TaiwanCanHelp
同時也有41部Youtube影片,追蹤數超過70萬的網紅Spice N' Pans,也在其Youtube影片中提到,Singapore is a multiracial and multicultural country with ethnic Chinese (about 76% of the citizen population), Malays (15.0%), and ethnic Indians (7%...
「no thanks in french」的推薦目錄:
- 關於no thanks in french 在 外交部 Ministry of Foreign Affairs, ROC(Taiwan) Facebook 的最佳解答
- 關於no thanks in french 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳貼文
- 關於no thanks in french 在 Leo王 Facebook 的最佳解答
- 關於no thanks in french 在 Spice N' Pans Youtube 的最讚貼文
- 關於no thanks in french 在 kimbiestyle Youtube 的最佳貼文
- 關於no thanks in french 在 Yuka Kinoshita木下ゆうか Youtube 的最佳貼文
- 關於no thanks in french 在 How to Say "No Thanks" in French - YouTube 的評價
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no thanks in french 在 Fan-Chiang Yi 范姜毅 Facebook 的最佳貼文
🎹鋼琴的大千世界/名家名言:「為何稱我為大師?主人在這裡(指著鋼琴),我只是他的奴才。」
— 李斯特著名的弟子,德國鋼琴家、作曲家、教育家 萊森奧爾(Alfred Reisenauer)
Why, there is the master (pointing to the piano), I am only the slave.”
— Alfred Reisenauer (1 November 1863 – 3 October 1907) German pianist, composer, and music educator.
📹 跟隨在李斯特學習長達十二年至李斯特過世(1874-1886)的萊森奧爾,演奏李斯特的第十號匈牙利狂想曲:
https://youtu.be/e12YwuHiQtY
📰 延伸閱讀 - 【李斯特學派 / the school of Liszt】♩.♪
https://www.facebook.com/notes/fan-chiang-yi-%E8%8C%83%E5%A7%9C%E6%AF%85/%E6%9D%8E%E6%96%AF%E7%89%B9%E5%AD%B8%E6%B4%BE-the-school-of-liszt/289155141104454/
———————————————————————1905-1906 鋼琴名家萊森奧爾(Alfred Reisenauer)在美國進行數月的巡迴演出,並接受美國著名音樂雜誌”Etude”的專訪。文章於1906年七月出版,隔年他在德國巡迴演出期間於下榻的飯店房間內過世。
📰 藝術家的養成 - 萊森奧爾的見解
The Making of an Artist - The Views of Alfred Reisenauer.
▪️With Liszt
“When I had reached a certain grade of advancement it was my great fortune to become associated with the immortal Franz Liszt. I consider Liszt the greatest man I have ever met. By this I mean that I have never met, in any other walk of life, a man with the mental grasp, splendid disposition and glorious genius. This may seem a somewhat extravagant statement. I have met many, many great men, rulers, jurists, authors, scientists, teachers, merchants and warriors, but never have I met a man in any position whom I have not thought would have proved the inferior of Franz Liszt, had Liszt chosen to follow the career of the man in question. Liszt’s personality can only be expressed by one word, ‘colossal.’ He had the most generous nature of any man I have ever met. He had aspirations to become a great composer, greater than his own measure of his work as a composer had revealed to him. The dire position of Wagner presented itself. He abandoned his own ambitions— ambitions higher than those he ever held toward piano virtuosity—abandoned them completely to champion the difficult cause of the great Wagner. What Liszt suffered to make this sacrifice, the world does not know. But no finer example of moral heroism can be imagined. His conversations with me upon the subject were so intimate that I do not care to reveal one word.
▪️Liszt’s Pedagogical Methods
“His generosity and personal force in his work with the young artists he assisted, are hard to describe. You ask me whether he had a certain method. I reply, he abhorred methods in the modern sense of the term. His work was eclectic in the highest sense. In one way he could not be considered a teacher at all. He charged no fees and had irregular and somewhat unsystematic classes. In another sense he was the greatest of teachers. Sit at the piano and I will indicate the general plan pursued by Liszt at a lesson.”
Reisenauer is a remarkable and witty mimic of people he desires to describe. The present writer sat at the piano and played at some length through several short compositions, eventually coming to the inevitable “Chopin Valse, Op. 69, No. 1, in A flat major.” In the meanwhile, Reisenauer had gone to another room and, after listening patiently, returned, imitating the walk, facial expression and the peculiar guttural snort characteristic of Liszt in his later years. Then followed a long “kindly sermon” upon the emotional possibilities of the composition. This was interrupted with snorts and went with kaleidoscopic rapidity from French to German and back again many, many times. Imitating Liszt he said, “First of all we must arrive at the very essence of the thing; the germ that Chopin chose to have grow and blossom in his soul. It is, roughly considered, this:(見譜例圖四)
Chopin’s next thought was, no doubt:(見譜例圖五)
But with his unerring good taste and sense of symmetry he writes it so:(見譜例圖六)
Now consider the thing in studying it and while playing it from the composer’s attitude. By this I mean that during the mental process of conception before the actual transference of the thought to paper, the thought itself is in a nebulous condition. The composer sees it in a thousand lights before he actually determines upon the exact form he desires to perpetuate. For instance, this theme might have gone through Chopin’s mind much after this fashion:(見譜例圖七)
The main idea being to reach the embryo of Chopin’s thought and by artistic insight divine the connotation of that thought, as nearly as possible in the light of the treatment Chopin has given it.
“It is not so much the performer’s duty to play mere notes and dynamic marks, as it is for him to make an artistic estimate of the composer’s intention and to feel that during the period of reproduction, he simulates the natural psychological conditions which affected the composer during the actual process of composition. In this way the composition becomes a living entity—a tangible resurrection of the soul of the great Chopin. Without such penetrative genius a pianist is no more than a mere machine and with it he may develop into an artist of the highest type.”
▪️A Unique Attitude.
Reisenauer’s attitude toward the piano is unique and interesting. Musicians are generally understood to have an affectionate regard for their instruments, almost paternal. Not so with Reisenauer. He even goes so far as to make this statement: “I have always been drawn to the piano by a peculiar charm I have never been able to explain to myself. I feel that I must play, play, play, play, play. It has become a second nature to me. I have played so much and so long that the piano has become a part of me. Yet I am never free from the feeling that it is a constant battle with the instrument, and even with my technical resources I am not able to express all the beauties I hear in the music. While music is my very life, I nevertheless hate the piano. I play because I can’t help playing and because there is no other instrument which can come as near imitating the melodies and the harmonies of the music I feel. People say wherever I go, ‘Ah, he is a master.’ What absurdity! I the master? Why, there is the master (pointing to the piano), I am only the slave.”
▪️The Future of Pianoforte Music.
An interesting question that frequently arises in musical circles relates to the future possibilities of the art of composition in its connection with the pianoforte. Not a few have some considerable apprehension regarding the possible dearth of new melodic material and the technical and artistic treatment of such material. “I do not think that there need be any fear of a lack of original melodic material or original methods of treating such material. The possibilities of the art of musical composition have by no means been exhausted. While I feel that in a certain sense, very difficult to illustrate with words, one great ‘school’ of composition for the pianoforte ended with Liszt and the other in Brahms, nevertheless I can but prophesy the arising of many new and wonderful schools in the future. I base my prophecy upon the premises of frequent similiar (sic) conditions during the history of musical art.” These are Reisenauer’s views upon this matter.
Continuing, he said: “It is my ambition to give a lengthy series of recitals, with programs arranged to give a chronological aspect of all the great masterpieces in music. I hope to be enabled to do this before I retire. It is part of a plan to circle the world in a manner that has not yet been done.” When asked whether these programs were to resemble Rubinstein’s famous historical recitals in London, years ago, he replied: “They will be more extensive than the Rubinstein recitals. The times make such a series posssible (sic) now, which Rubinstein would have hesitated to give.”
As to American composers, Reisenauer is so thoroughly and enthusiastically won over by MacDowell that he has not given the other composers sufficient attention to warrant a critical opinion. I found upon questioning, that he had made a genuinely sincere effort to find new material in America, but he said that outside of MacDowell, he found nothing but indifferently good salon-music. With the works of several American composers he was, however, unfamiliar. He has done little or nothing himself as a composer and declared that it was not his forte.
▪️American Musical Taste.
Reisenauer says: “American musical taste is in many ways astonishing. Many musicians who came to America prior to the time of Thomas and Damrosch returned to Europe with what were, no doubt, true stories of the musical conditions in America at that time. These stories were given wide circulation in Europe, and it is difficult for Europeans to understand the cultured condition of the American people at the present time. America can never thank Dr. Leopold Damrosch and Theodore Thomas enough for their unceasing labors. Thanks to the impetus that they gave the movement, it is now possible to play programs in almost any American city that are in no sense different from those one is expected to give in great European capitals. The status of musical education in the leading American cities is surprisingly high. Of course the commercial element necessarily affects it to a certain extent; but in many cases this is not as injurious as might be imagined. The future of music in America seems very roseate to me and I can look back to my American concert tours with great pleasure.
▪️Concert Conditions in America.
“One of the great difficulties, however, in concert touring in America is the matter of enormous distances. I often think that American audiences rarely hear great pianists at their best. Considering the large amounts of money involved in a successful American tour and the business enterprise which must be extremely forceful to make such a tour possible, it is not to be wondered that enormous journeys must be made in ridiculously short time. No one can imagine what this means to even a man of my build.” (Reisenauer is a wonderfully strong and powerful man.) “I have been obliged to play in one Western city one night and in an Eastern city the following night. Hundreds of miles lay between them. In the latter city I was obliged to go directly from the railroad depot to the stage of the concert hall, hungry, tired, travel worn and without practice opportunities. How can a man be at his best under such conditions—yet certain conditions make these things unavoidable in America, and the pianist must suffer occasional criticism for not playing uniformly well. In Europe such conditions do not exist owing to the closely populated districts. I am glad to have the opportunity to make this statement, as no doubt a very great many Americans fail to realize under what distressing conditions an artist is often obliged to play in America.”
no thanks in french 在 Leo王 Facebook 的最佳解答
AWO - It's a song by "TOTO BONA LOKUA", a studio album by Cameroonian jazz musician multi-instrumentalist Richard Bona, French song writer and also multi-instrumentalist Gerald Toto and Congolese singer- songwriter Lokua Kanza. It was released on April 20, 2004 through "No Format!".
Here you can check the original version of the tune! - https://youtu.be/xK6vJcvLxyY
And my youtube channel link is here
https://youtu.be/x-B5TwiOhws
Big Up for everyone involved in this video!
Thanks 王昱人 for the big push to make all happen.
羅郁 for the time invested and of course for provide IREL STUDIO everytime we need.
塗士謀 for bring a raw spirit to the place and get what it needed in time.
黃蕍柔 for all the real support and good intentions for make the room look beautiful and calm.
Bless and Love !
no thanks in french 在 Spice N' Pans Youtube 的最讚貼文
Singapore is a multiracial and multicultural country with ethnic Chinese (about 76% of the citizen population), Malays (15.0%), and ethnic Indians (7%). We also have Eurasians as well as other non-Singapore citizens in Singapore. Given our racial proportion, one would have imagined that our coffeeshops or foodcourts only have Chinese, Malay or Indian food but no matter what, there will always be one stall selling what we term affectionately as Western food. In case you're wondering how a Western food stall looks like in Singapore, just google it and there are plenty of images out there. Interestingly, the Western food we get at coffeeshops or foodcourts are usually marinated in Chinese style. :)) We grow up eating this type of Western food and we love it! My favourite order at a Western food stall is always chicken chop. Roland's favourite is mixed grill because he likes variety. What's yours?
See the ingredient list below for your easy reference.
Hope you can recreate this yummy dish in the comfort of your home. Happy cooking!
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Singapore / Malaysian Style Chicken Chop 西式鸡扒
Ingredients:
Serves 3 pax
-------
Marinated chicken
-----
3 boneless chicken leg - butterflied (roughly around 220g or 7.76oz each)
3 tablespoons light soy sauce
2 tablespoons oyster sauce
0.5 teaspoon sugar
2 cloves crushed garlic
A few dashes of white pepper
Gravy
-----
20g (0.7 oz) unsalted butter
1 teaspoon grounded black pepper
1/3 of chicken stock cube
8g or 0.5 tablespoon all-purpose flour
200ml (6.76 fl oz) water
0.5 teaspoon dark soy sauce
Other ingredients
-----
Some french fries
Some baked beans
Some mixed vegetables
Some dinner rolls or bread
===
Don't know where to get the ingredients or don't know how they look like? See the links below.
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Grounded white pepper https://amzn.to/2Pr9YOa
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All-purpose flour https://amzn.to/3sqRoVm
Premium dark soy sauce https://amzn.to/3lckuDa
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Looking for similar cooking equipment like the one we used in the video? These might interest you:
Granite pan (used for blanching) https://amzn.to/2V5v9oT
Buy the exact set in Singapore: https://heyhommies.com/product/la-gourmet-shogun-twister-family-set/
-------------
Filming equipment: iPhone 11 Pro Max (Get from Amazon https://amzn.to/3eA24tz)
Microphone: Sennheiser AVX digital wireless microphone system
Get Sennheiser wireless microphone in Singapore: https://singapore.sennheiser.com/products/avx-mke2-set-3-uk?_pos=2&_sid=adb86a9d8&_ss=r
Get Sennheiser wireless microphone from Amazon: https://amzn.to/2NILqMR
-----------------------------------
If you like this recipe, you might like these too:
Super Easy Taiwanese Braised Pork Rice Recipe 台湾卤肉饭 Chinese Pork Recipe
https://youtu.be/hqcVtqGoRG0
Simplified Recipe • Super Crispy Pork Belly 脆皮烧肉 Airfryer/ Oven • Chinese Roasted Pork
https://youtu.be/wPZbCUa0Vck
Super Easy Chinese Braised Pork Belly Buns 扣肉包 Kong Bak Bao Recipe | Chinese Pork Recipe
https://youtu.be/6quaf9cGJO4
-----------------------------------
Disclaimer: Spice N' Pans is not related to these products and cannot guarantee the quality of the products in the links provided. Links are provided here for your convenience. We can only stand by the brands of the products we used in the video and we highly recommend you to buy them. Even then, preference can be subjective. Please buy at your own risk. Some of the links provided here may be affiliated. These links are important as they help to fund this channel so that we can continue to give you more recipes. Cheers!
![post-title](https://i.ytimg.com/vi/kHc_DgWGQDE/hqdefault.jpg)
no thanks in french 在 kimbiestyle Youtube 的最佳貼文
Janvier vlog
13/01/2020
Many things happened when I arrived in France. I know nothing about French, I got no Internet.
When I arrived at NOEMA, the office was closed, so I lived outside. Thanks to the administrative teacher, I don't need to find a place on my own.
As soon as I arrived at Share & Cheers, I went out to apply a new phone number.
FREE: 19.99 euro per months.
Too lazy to edit videos, so I use words instead haha.
Many things happened, but good vibes only!
我抵達了法國,剛到的時候發生了好多事情。什麼都聽不懂,手機也沒有網路。
當天到了盧昂結果辦公室下班了哈哈哈,但是學校的行政老師非常天使的幫我在外面安排了住宿,後來我立刻跑出去辦理電話卡。
我買的是FREE 一個月19.99歐元
懶得剪影片了,那就文字記錄一下吧哈哈
雖然很多不太好的事情,但是我真的真的很期待接下來的生活喔!
STAY TUNED💫
⭐️Instagram:kimbiestyle
⭐️kimberheish@gmail.com
![post-title](https://i.ytimg.com/vi/28fRxgIb3pI/hqdefault.jpg)
no thanks in french 在 Yuka Kinoshita木下ゆうか Youtube 的最佳貼文
Yuka Kinoshita - 木下ゆうか
▼ Profile ▼
・Birthday : 4 February
・Born : Kitakyushu, Fukuoka
・No 1 Female YouTuber in Japan with the most subscribers
・Hobbies : Gourmet, Travel, Fashion, Make up, Music
・My Family ( :猫の顔: ):Mel & Lon
▼ Business Inquiries ▼
お仕事のお問い合わせはコチラ
info@yuka-kinoshita.com
▼ YouTube ▼
☆ Yuka Kinoshita - 木下ゆうか
https://www.youtube.com/user/kinoyuu0204
☆ 木下ゆうかのゆるちゃん - Yuka Kinoshita 2nd
https://www.youtube.com/channel/UCjpPqow_Rlv0A9RePeJ6nAA
▼ SNS Link ▼
☆ Facebook : https://www.facebook.com/木下ゆうか-KinoshitaYuka-825093884226382/
☆ Instagram : https://www.instagram.com/yuka_kinoshita_0204/
☆ Twitter : https://twitter.com/mochiko0204
☆ Weibo : https://weibo.com/mochiko0204
▼ Photo Book ▼
Yuuka Kinoshita Photo Book - “ yuuka ”
http://kc.kodansha.co.jp/product?item=0000041653
▼ Translation ▼
☆ TURN ON CC FOR SUBTITLES
Thank you for supporting my subtitles always!
If you have captioned / subbed one of my videos, please inform me via E-mail.
I would like to express my gratitude to you all. Thank you very much!
☆ 點 CC 打開字幕觀看
感謝您經常為我上字幕!
如果您有幫我的任何一個影片上了字幕,請 Email 通知我。
我想要好好地表達我的感謝。謝謝您!
Special Thanks ▼
English & Arabic subtitles:Waza_leji(Ieji_San)
チャンネルアート・エンディングイラスト:ケイジェー( Twitter:@K__j_344 )さん
せいこせんせい
素材提供 ▼
PIXTA
#木下ゆうか
#yukakinoshita
#木下佑香
#mukbang
#mukbang
#mukbangjapan
#mukbangeating
#mukbangasmr
#mukbangvideo
#mukbangshow
#eatingshow
#吃貨
#大胃王
#吃貨人生
#吃貨女孩
#吃貨日記
![post-title](https://i.ytimg.com/vi/KYtUGxZ6ppE/hqdefault.jpg)
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