今早為Asian Medical Students Association Hong Kong (AMSAHK)的新一屆執行委員會就職典禮作致詞分享嘉賓,題目為「疫情中的健康不公平」。
感謝他們的熱情款待以及為整段致詞拍了影片。以下我附上致詞的英文原稿:
It's been my honor to be invited to give the closing remarks for the Inauguration Ceremony for the incoming executive committee of the Asian Medical Students' Association Hong Kong (AMSAHK) this morning. A video has been taken for the remarks I made regarding health inequalities during the COVID-19 pandemic (big thanks to the student who withstood the soreness of her arm for holding the camera up for 15 minutes straight), and here's the transcript of the main body of the speech that goes with this video:
//The coronavirus disease 2019 (COVID-19) pandemic, caused by the SARS-CoV-2 virus, continues to be rampant around the world since early 2020, resulting in more than 55 million cases and 1.3 million deaths worldwide as of today. (So no! It’s not a hoax for those conspiracy theorists out there!) A higher rate of incidence and deaths, as well as worse health-related quality of life have been widely observed in the socially disadvantaged groups, including people of lower socioeconomic position, older persons, migrants, ethnic minority and communities of color, etc. While epidemiologists and scientists around the world are dedicated in gathering scientific evidence on the specific causes and determinants of the health inequalities observed in different countries and regions, we can apply the Social Determinants of Health Conceptual Framework developed by the World Health Organization team led by the eminent Prof Sir Michael Marmot, world’s leading social epidemiologist, to understand and delineate these social determinants of health inequalities related to the COVID-19 pandemic.
According to this framework, social determinants of health can be largely categorized into two types – 1) the lower stream, intermediary determinants, and 2) the upper stream, structural and macro-environmental determinants. For the COVID-19 pandemic, we realized that the lower stream factors may include material circumstances, such as people’s living and working conditions. For instance, the nature of the occupations of these people of lower socioeconomic position tends to require them to travel outside to work, i.e., they cannot work from home, which is a luxury for people who can afford to do it. This lack of choice in the location of occupation may expose them to greater risk of infection through more transportation and interactions with strangers. We have also seen infection clusters among crowded places like elderly homes, public housing estates, and boarding houses for foreign domestic helpers. Moreover, these socially disadvantaged people tend to have lower financial and social capital – it can be observed that they were more likely to be deprived of personal protective equipment like face masks and hand sanitizers, especially during the earlier days of the pandemic. On the other hand, the upper stream, structural determinants of health may include policies related to public health, education, macroeconomics, social protection and welfare, as well as our governance… and last, but not least, our culture and values. If the socioeconomic and political contexts are not favorable to the socially disadvantaged, their health and well-being will be disproportionately affected by the pandemic. Therefore, if we, as a society, espouse to address and reduce the problem of health inequalities, social determinants of health cannot be overlooked in devising and designing any public health-related strategies, measures and policies.
Although a higher rate of incidence and deaths have been widely observed in the socially disadvantaged groups, especially in countries with severe COVID-19 outbreaks, this phenomenon seems to be less discussed and less covered by media in Hong Kong, where the disease incidence is relatively low when compared with other countries around the world. Before the resurgence of local cases in early July, local spread of COVID-19 was sporadic and most cases were imported. In the earlier days of the pandemic, most cases were primarily imported by travelers and return-students studying overseas, leading to a minor surge between mid-March and mid-April of 874 new cases. Most of these cases during Spring were people who could afford to travel and study abroad, and thus tended to be more well-off. Therefore, some would say the expected social gradient in health impact did not seem to exist in Hong Kong, but may I remind you that, it is only the case when we focus on COVID-19-specific incidence and mortality alone. But can we really deduce from this that COVID-19-related health inequality does not exist in Hong Kong? According to the Social Determinants of Health Framework mentioned earlier, the obvious answer is “No, of course not.” And here’s why…
In addition to the direct disease burden, the COVID-19 outbreak and its associated containment measures (such as economic lockdown, mandatory social distancing, and change of work arrangements) could have unequal wider socioeconomic impacts on the general population, especially in regions with pervasive existing social inequalities. Given the limited resources and capacity of the socioeconomically disadvantaged to respond to emergency and adverse events, their general health and well-being are likely to be unduly and inordinately affected by the abrupt changes in their daily economic and social conditions, like job loss and insecurity, brought about by the COVID-19 outbreak and the corresponding containment and mitigation measures of which the main purpose was supposedly disease prevention and health protection at the first place. As such, focusing only on COVID-19 incidence or mortality as the outcomes of concern to address health inequalities may leave out important aspects of life that contributes significantly to people’s health. Recently, my research team and I collaborated with Sir Michael Marmot in a Hong Kong study, and found that the poor people in Hong Kong fared worse in every aspects of life than their richer counterparts in terms of economic activity, personal protective equipment, personal hygiene practice, as well as well-being and health after the COVID-19 outbreak. We also found that part of the observed health inequality can be attributed to the pandemic and its related containment measures via people’s concerns over their own and their families’ livelihood and economic activity. In other words, health inequalities were contributed by the pandemic even in a city where incidence is relatively low through other social determinants of health that directly concerned the livelihood and economic activity of the people. So in this study, we confirmed that focusing only on the incident and death cases as the outcomes of concern to address health inequalities is like a story half-told, and would severely truncate and distort the reality.
Truth be told, health inequality does not only appear after the pandemic outbreak of COVID-19, it is a pre-existing condition in countries and regions around the world, including Hong Kong. My research over the years have consistently shown that people in lower socioeconomic position tend to have worse physical and mental health status. Nevertheless, precisely because health inequality is nothing new, there are always voices in our society trying to dismiss the problem, arguing that it is only natural to have wealth inequality in any capitalistic society. However, in reckoning with health inequalities, we need to go beyond just figuring out the disparities or differences in health status between the poor and the rich, and we need to raise an ethically relevant question: are these inequalities, disparities and differences remediable? Can they be fixed? Can we do something about them? If they are remediable, and we can do something about them but we haven’t, then we’d say these inequalities are ultimately unjust and unfair. In other words, a society that prides itself in pursuing justice must, and I say must, strive to address and reduce these unfair health inequalities. Borrowing the words from famed sociologist Judith Butler, “the virus alone does not discriminate,” but “social and economic inequality will make sure that it does.” With COVID-19, we learn that it is not only the individuals who are sick, but our society. And it’s time we do something about it.
Thank you very much!//
Please join me in congratulating the incoming executive committee of AMSAHK and giving them the best wishes for their future endeavor!
Roger Chung, PhD
Assistant Professor, CUHK JC School of Public Health and Primary Care, @CUHK Medicine, The Chinese University of Hong Kong 香港中文大學 - CUHK
Associate Director, CUHK Institute of Health Equity
同時也有17部Youtube影片,追蹤數超過7,890的網紅Teri Timeout,也在其Youtube影片中提到,本年度最陽剛又最性感的MV就是Lil Nas X了😆 喜歡的話記得留言讓我知道,也別忘了訂閱我的頻道和開啟通知哦! Hey all! Make sure to leave a comment to show love, and don’t forget to LIKE, SHARE, and SU...
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nothing really中文 在 Christopher Doyle 杜可風 Facebook 的精選貼文
[出走地平線:由零開始]
Flattening The Curve: Starting over
有接近十年,我都是周遊列國。
在很多人視為「成長期」的階段,我都是一名「老外」、「法朗人」(泰文,意為「歐裔人種」)甚至是「鬼佬」。
太長時間沒有用自己的母語英語,有時一句句子也說不出來。在對話中夾雜著不同語言,但心底還是想找到自己的聲音。
我想如小孩一樣,發掘到屬於自己的一種新語言。
我當時認識一點西班牙語和阿拉伯語,但對中文和中國一無所知。可以說我就像白紙一張,一切都要由零開始。
還記得三歲的時候,父親把我拋進大海裡(他當時有點醉意),想看看我究竟多快學會游泳。
在這一回,我讓自己跳進中文的辭海裡;嘗試用新的眼光看看事情,學習新的泳法。
For close to ten years I had traveled the world.
I had been a “foreigner”, a “ farang”, a “gweilo” all through what are most people’s “formative years”.
I had spoken so little of my native English for so long, I could barely form a sentence anymore. I spoke pidgin versions of many languages but I wanted to find a new voice.
I wanted to grow in a new language as a child grows in its own.
I already knew a little Spanish and Arabic, but I knew nothing of Chinese or China, so I would be really new born innocent, really learning from nothing.
When I was three years old, my dad had thrown me into the sea ( he was a little drunk) to see how quickly I would learn to swim.
This time round I am throwing myself into a sea of Chinese words and ways to see with new eyes, to learn to swim in a new way.
#彌敦道 #香港 #霓虹燈
#NathanRoad #HongKong #neonlight
nothing really中文 在 茱力&Black Music Lovers Facebook 的最佳解答
茱力看到有外國網友在 J.Sheon (街巷) 官方youtube下面苦求「旋律讚,但聽不懂中文RRR」,因此做了個 #呼吸 (Breathing)的英文歌詞翻譯,已火速在水管上回覆給每個想聽懂中文的粉絲囉💜這是一個「#西天吸金」的概念,進軍國際、勇敢自信世界同行,翻成英文,翻翻翻翻,我翻就是了!(吵)
.
Lyricist:J.Sheon街巷/雀斯坦莊
Composer:J.Sheon街巷/雀斯坦莊
.
(Lyrics Translation: #BREATHING💜
Translation from an old pal of J.Sheon, whose name is also J.)
.
🔰IDEAS:This song is about one of J.Sheon's IDEAL TYPES, a cat-like lady or maybe a cat-like gentleman who remains mysterious, graceful and lovable🌈.
.
---(the following part is J.Sheon’s lyrics----)
.
You usually don't remember all the details that well,
Do you still have me as someone special on your little Kitten mind?
.
All of a sudden, your face pops out in my head and I would like to touch your palms gently.
.
Do you mind if I ask you out on an real DATE? If a stray like you, ever really needs some company from me.
.
Let me spend time with you, scratch you on the back and idle days away.
.
.
You've made me a slave and stole my heart, all for you.
You've got me locked in a maze, I'll do anything, anything, anything for you.
Your hair made me lose my breath, Oh, totally got me blown away.
.
How am I supposed to NAIL you anyway?
Your sexy back got my heart all drenched in wine.
(like Norah Jones' "don't know why")
.
My casual habit is CHILLING with ju and talking about nothing at all.
Chill on the bench at park,
flirting with you,
humming your favorite lyrics.
.
You are so BOSSY that you take over my entire BED, keeping me away from DREAMing and IDLING away.
You do it on purpose, yes you do.
.
TAKE IT SLOW, let's ROLL.
Hold my hand tight, do not let go.
.
You've made me a slave and stole my heart, all for you.
You've got me locked in a maze, I'll do anything, anything, anything for you.
Your hair made me lose my breath, Oh, totally got me blown away.
.
How am I supposed to NAIL you anyway?
Your sexy back got my heart all DRENCHED in wine.
.
(like Norah Jones' "don't know why")
.
You've made me a slave and stole my heart, all for you.
You've got me locked in a maze, I'll do anything, anything, anything for you.
Your hair made me lose my breath, Oh, totally got me blown away.
.
(DONE,已處理🤙)
.
PHOTO CREDIT:BANG,2017/06.
.
nothing really中文 在 Teri Timeout Youtube 的精選貼文
本年度最陽剛又最性感的MV就是Lil Nas X了😆
喜歡的話記得留言讓我知道,也別忘了訂閱我的頻道和開啟通知哦!
Hey all!
Make sure to leave a comment to show love, and don’t forget to LIKE, SHARE, and SUBSCRIBE to my channel and RING THE BELL so you don’t miss anything from me.
-TERI xx
【完整翻譯】Lil Nas X & Jack Harlow - Industry Baby
Baby back, couple racksCouple Grammys on him, couple plaquesThat's a fact, throw it backThrow it back
我回來了 帶著滿架子的獎牌
葛萊美拿了好幾座 白金唱片得了一堆
這一切鐵證如山
所以趕快轉過去熱舞來討好我
And this one is for the championsI ain't lost since I beganFunny how you said it was the endThen I went did it again
這是獻給稱霸的冠軍
踏上路以來 我從來就未曾迷失
你不覺得好笑嗎? 酸民說我玩完了
但我回來了 又大獲全勝
I told you long ago on the roadI got what they waiting for
I don't run from nothing, dogGet your soldiers, tell 'em I ain't layin' low
早在那條老街上 我就說了吧
我有大家引頸期盼的東西
我可不會隨便逃跑
所以告訴你的大軍 我沒有要低調引退的意思
You was never really rooting for me anywayWhen I'm back up at the top, I wanna hear you sayHe don't run from nothin', dogGet your soldiers, tell 'em that the break is over
反正你也從來沒喜歡過我
當我重返榮耀 我要聽到你說
「他不會輕易離場」
所以集結你的大軍 告訴他們休息時間結束了
Need to get this album doneNeed a couple number onеsNeed a plaque on every song
Need mе like one with Nicki now
我得把這張專輯完成
我得再拿下幾座冠軍
我要每一首歌都有白金獎牌
我要和Nicki一起站上高峰
Tell a rap nigga I don't see yaI'm a pop nigga like Bieber
I don't fuck bitches, I'm queer
But these niggas bitches like Madea
告訴嘻哈饒舌仔 我眼裡根本沒有你
我就像小賈斯汀一樣 流行到爆
妹子?我沒興趣 我是酷兒
你們這些酸民就像個老媽子一樣
let's do it
I ain't fall off, I just ain't release my new shit
I blew up, now everybody tryna sue me
You call me Nas, but the hood call me Doobie
開工吧
我沒有跌落神壇 我只是新歌還沒發
我一夕爆紅 現在每個人都想告我
你們叫我Nas 但我家鄉的人叫我Doobie
[Jack Harlow]
My track record so clean, they couldn't wait to just bash meI must be gettin' too flashy, y'all shouldn't have let the world gas me
我沒拿什麼獎 他們等不及就說我沒實力
我肯定是太招搖了 你們不該讓全世界噴爆我
It's too late 'cause I'm here to stay and these girls know that I'm nastyI sent her back to her boyfriend with my handprint on her ass cheek
太遲了 因為老子我已經要在這裡待下
妹子們都愛我
讓我在她的翹臀上留下紅紅的掌印
再回去找她男朋友
City talkin', we takin' notesTell 'em all to keep makin' postsWish he could, but he can't get close
OG so proud of me that he chokin' up while he makin' toasts
I'm the type that you can't control, said I would, then I made it so
謠言四起 我們做著筆記
告訴大家繼續po文吧
他只是羨慕 但他永遠趕不上我
嘻哈大老們為我驕傲 他敬酒的時候還在哽咽
我完全不受控 我就是說到做到
I don't clear up rumors, where's y'all sense of humor?
I'm done makin' jokes 'cause they got old like baby boomers
Turned my haters to consumers, I make vets feel like they juniors
Say your time is comin' soon, but just like Oklahoma
我從來沒在闢謠的 你們難道都沒幽默感嗎
我也不想在開玩笑了 不然怎麼講都是老梗
把我的酸民變粉絲 讓老兵變年輕
你說你的時代已經要來了
Mine is comin' sooner, I'm just a late bloomerI didn't peak in high school, I'm still out here gettin' cuter
All these social networks and computersGot these pussies walkin' 'round like they ain't losers
但我的時代來的更快 我是大器晚成
我在高中不受歡迎 但現在我越來越討喜
這些鍵盤戰士 總是故意說著妹子怎樣 顯得自己比較不魯
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0:00 歌曲背景
3:59 歌詞解析
11:34 Industry Plants爭議
13:59 總結
nothing really中文 在 CH Music Channel Youtube 的精選貼文
《daydream》
twoface / 難以追求的真實容貌
作詞 / Lyricist:内澤崇仁
作曲 / Composer:内澤崇仁
編曲 / Arranger:玉井健二・飛内将大
歌 / Singer:Aimer
翻譯:澄野(CH Music Channel)
意譯:CH(CH Music Channel)
English Translation:Toria
背景 / Background - 小さな私 - ヒラカナ:
https://www.pixiv.net/artworks/80615993
版權聲明:
本頻道不握有任何音樂所有權,亦無任何營利,一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。
Copyright Info:
Be aware this channel is for promotion purposes only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.
すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽(または画像)の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。
如果你喜歡我的影片,不妨按下喜歡和訂閱,你的支持就是我創作的最大原動力!
If you like my videos, please click like and subscribe! Thx :)
粉絲團隨時獲得最新訊息!
Check my Facebook page for more information!
https://www.facebook.com/chschannel/
中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=4870280
英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/twoface/
日文歌詞 / Japanese Lyrics :
These words became this song あなたまで届かない
心は冷えきって 形はないのに揺れた
わたしはいつも通り 予定通り逃げ出して
こぼれ落ちた涙は 何も語らない
I don't want you anymore 傷つくのは得意
鼻歌 喜色満面 にじむ星屑を見るの
びしょぬれの夜はコントロールできない
それでも隠してきた でももう隠せないホントを
ホントのホント ホントの感情
Just wanna be with you 離さないで
悲しい夜を乗り越えて あなたに出会えた
息が止まる前に紡いで 終わりが来ても終わらせないで
知らないふりで笑ってたんだ 本当は大声で泣きたかった
何も無いって思ってた心が震えて
波しぶきが舞い上がって星屑を消した
闇と光の狭間で踊る夜光虫
額縁に入れた感情なんていらないホントを
ホントのホント ホントの感情
Just wanna be with you 恐れないで
涙も夢も引き裂かないで さよならしないで
まぶたも耳も塞いでたんだ 何度も何度も叫んでたんだ
気づかないふりで笑ってたんだ 傷つけていたのはわたしだった
命が消えて終わりじゃない ゼロに戻しても始まりじゃない
ねえ 世界に色を付けてみてよ
Just wanna be with you 離さないで
悲しい夜を乗り越えよう
本物 偽物 ホントもウソも とらえた心が見せてたんだ
あなたにとってわたしは何だ?わたしにとってあなたは?
中文歌詞 / Chinese Lyrics :
種種話語形塑成歌,卻無法響徹至你心中
心意早已冷落,不成形體卻仍受躁動擺盪
我亦如往常,如往常般逃離一切
滿溢而漫出流下的眼淚,已無需作任何解釋
「我已經不需要你了。」逐漸擅長傷害他人
哼著歌,嘗試滿面喜色地望著滲進夜空的星塵
虛偽的感情於磅礡的傾盆大雨中漸漸失去控制
儘管能夠掩藏至今,卻再也藏不住真正的——
心中最真切、真摯、不可否認的感情
「我僅是想伴在你的身旁,拜託別離我而去。」
撐過並跨越這滿佈悲傷的夜晚,只求能與你相遇
嚥下最後一口氣前苟延慘喘地編寫感情,即使終焉臨近也別令其完結
只是故作不知道而笑著,但其實一直都想放聲大哭
原以為早已死寂的內心卻如聲顫抖
浪沫拍打上黑夜洗去點點星屑
如浪中暗與明間隙穿梭躍舞的夜光蟲
我才不需要嵌進畫框般靜止的感情,而是——
心中最誠摯、真實、毋庸置疑的感情
「我只想和你在一起!」我已不再畏懼
請別撕裂那淚水與夢想遺留的種種,也請不要再作道別
我闔上眼也掩著耳,我可是這樣無數次地無數次地叫喊著
我竟能裝作未察覺而笑著,製造傷痛的人其實是我啊
生命流逝並不代表終點;回歸虛無也不代表起始
那你,試著將這世界染上色彩吧
「我僅是想伴在你的身旁,拜託別離我而去。」
度過並跨越這無數悲傷的夜晚
在理解真相、虛假、實話、謊言之後,我的內心已能夠辨別真偽
對你而言我是什麼?對我而言你又是什麼?
英文歌詞 / English Lyrics :
These words became this song; it won’t reach you
My heart grew chilly and shook, despite having no form
Just like always, just like planned, I ran away
These overflowing tears tell no story
I don’t want you anymore, I’m so good at getting hurt
I’ll hum, beam with joy, and watch the streaks of stardust
I can’t control sopping-wet nights
Even so, I hid them… But I can’t hide them anymore, my true
True, true, true feelings
I just wanna be with you, don’t leave me!
I overcame a sorrowful night
And met you
Just speak, before my breath stops
Even if the end comes, don’t let it end
Laughing, pretending not to notice
What I really wanted to do was cry loudly
My heart shook, thinking it was nothing
The salt spray whirled into the air, erasing the stardust
The plankton glow, dancing between darkness and light
I don’t need feelings that sit in a picture frame, true
True, true, true feelings
I just wanna be with you, don’t be scared
Don’t rip up our tears and dreams
Don’t make this goodbye
You were covering your eyes and ears
Crying out over and over
Pretending not to notice and laughing
The one causing pain… was me
Even if your life burns out, that’s not the end
Even if you return to zero, that’s not the beginning
Hey, just try adding some color to the world
I just wanna be with you, don’t leave me!
Let’s overcome this sorrowful night
What’s real, what’s fake, truth, lies
My ensnared heart showed them all
Just what am I to you?
To me, you’re…?
nothing really中文 在 林子安 AnViolin Youtube 的精選貼文
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--
Violin cover by Lin Tzu An of Maria(마리아) from HWASA (화사)
世界總以毫不慈悲的方式留不住那些我們覺得很好的人,
生活中產生的傷痛憎惡折磨著我們,那些爛事瑣事不停迎面砸在我們臉上,
這首歌歡快的節奏裡藏著悲傷,希望大家能細細品味這些感情和其中情緒的轉變。
自認活得善良同時卻總有人把你推到水裡,掉進水裡不會淹死,毫無作為才會。
所以即使我們無法一下子轉換社會中的不良風氣,但可以轉換自己的心態。
學習不要活在別人眼裡,死在別人嘴裡,不論身在何處,總有人將你抬高或把你貶低。
改變不了他人目光,那就看著自己。
當你看著自己,做回自己,連一個眼神都是力量,這些人連你一個微笑都會害怕。
願那些走不出框架的人打破枷鎖,永遠都要相信自己是值得世上的美好,並且充分完美。
當世界黯淡無光,自己就是自己的信仰。
歡迎大家在沒有下雨的週末到信義區香堤大道,聽cover歌曲的live版!詳細演出相關資訊,我都會更新在我的Instagram 限時動態!
--
The game rules of our living world really suck, right?
Pain in life tortures us, and those terribly shitty matters keep hitting on our faces.
There are the dark sides and the fighting backs behind the cheerful rhythm of this song.
Hope everyone can see how meaningful the song is and how talented HwaSa changed her mind to deal with the struggles .
It seems to conflicting while we choose to be good and nice, there are always someone throwing shit on us or pushing us into the the water. Remember that you will not drown if being pushed into the water, neither the shit kills you. Doing nothing at all will.
So even we cannot change the lame rules of the society and we cannot stop those haters, we just focus on ourselves.
Accept yourself as you are and being whoever you truly are is the way to shine.
Yes, you are enough! You are imperfect and vulnerable and sometimes afraid, but that does not change the truth that you are also brace and worthy of love in the world❤️
Should you have any request regarding cover songs, just comment below and let me know.
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Don't forget to click the 🔔 bell to be notified when my videos come out!
Visit me at Taipei Shin Kong Mitsukoshi Xinyi Plaza to enjoy more my live cover songs. Check it out details on my Instagram stories!
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編曲Arrange:林子安 Lin Tzu An
混音Remix:林子安 Lin Tzu An
小提琴 Violin: 林子安 Lin Tzu An
攝影師剪接師 Photographer & Film editor: Santon.W
文字編輯 Social media editor/manager: Lily Wu
--
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--
【Cover by AnViolin】每週上傳新的小提琴cover影片,
喜歡的話請訂閱我的頻道 https://bit.ly/2EsTGMQ
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#HwaSa
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