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A phrase thrown around so frequently, but to understand its relevance, you need an understanding of what is happening internally.
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Our body is made up of a system of pivots and levers. These are pulled and stabilised by various muscles in order to move us and various mass forms against the draws of gravity.
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Where the centre of the mass sits relative to the application of force (and vector of it) and the pivots being levered drastically affects the force required by the muscles internally in order to create movement.
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Muscles produce force.
Muscles grow to produce more force as an adaptation to the stimulus of being taken near their limits of being able to produce force.
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If the goal of your exercise is to move as much of a certain mass as possible through a set of rules then yes, you’re a powerlifter or crossfitter etc, and I guess progressive overload to you is all external. There’s nothing wrong with that, I salute and stand in awe of those capable of doing so with staggering amounts of weight through their hard work, consistency and beautiful segmental proportions + muscle insertions. Focus on external loads is sport though.
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If the goal is progressively increased internal force requirement from a muscle group, then we need progressively increased torque requirement at a joint. This MAY come from more mass, or, depending on how the increased mass affects the movement and resulting moment arm, it may not. Equally, the torque requirement can be manipulated, increased (and often improved, if we consider the accompanying joint strain) just by changing the influence of other joints or better aligning the intended muscle fibres... or THE RANGE moved through.
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Range is so much more than just range of external motion or even moment arms. It’s range of contractile lengths available to a muscle, that will almost always face increasing mechanical disadvantage past a certain point (think bone angle) - often drastically increasing the torque due to a reduced relevance of the internal force vector to the momentary direction of movement.
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Yes, it’s semantics. A ramble. Is it a relevant one? I don’t know - do you get paid to think about exercise at the highest level?
#Opinion by Peter Chow 周鉅原 | "It can thus be predicted that Biden will strengthen and repair its relations with allies in the future, but will not rush to sign any FTAs – including the Comprehensive and Progressive Agreement for Trans-Pacific Partnership CPTPP), which some Asian countries have been looking forward to. These Asian countries can only keep on waiting patiently. However, Biden will reach cooperative agreements with trusted allies and partners on high-tech cooperation such as Internet of Things (Iots), artificial intelligence, 5G, cloud technology, and digital trade outside the scope of WTO regulations. Taiwan has mastered the high-end technology of chips, a product whose status in this era of the digital economy has been compared to the oil in the past. Therefore, we can be optimistic about the prospect of Taiwan and the US strengthening their relations, forming alliances and reaching a digital trade agreement."
Read more: https://bit.ly/3vbz301
"由此觀之，未來拜登會加強跟盟邦修補關係，但是不會急著簽訂任何FTA，甚至是一些亞洲國家所期待的重返CPTPP（跨太平洋夥伴全面進步協定），亞洲國家只能耐心等待。但是拜登會跟可信賴的盟邦與夥伴，就高科技的合作如Iots（物聯網）、人工智慧、5G、雲端科技及在WTO規範範圍之外的數位貿易，達成合作協定。台灣掌握了晶片的高端技術，晶片在數位經濟的地位，被比喻為「昔日的石油」，所以台美兩國在數位貿易方面強化關係、結成聯盟，達成數位貿易協定是可以樂觀期待的。"
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Fujii Kaze - "Kaerou"
Director：Kodama Yuichi（vivision）
Assistant Director：Sato Ryuken（DIAMOND SNAP）
Cinemato Grapher：Okuguchi Makoto（Tsuji Office）
1st Camera Assistant：Shimizu Erika
DIT：Oyama Taito（progressive）
Lighiting Director：Kobayashi Kosei
1st Light Assistant：Omura Kiron
Prop Artist：Sakai Toshihide（TATEO inc）
Art Assistant：Sano Mariko（TATEO inc）
Grip：Taniguchi Takashi（OF）
Camera Car：Arai Keita（S3）
Casting：Yamauchi Tomokazu／Nishimura Kazuyuki（KOSEI）
Location Cordinator：Yamauchi Hiroshi
Stylist：Sugiyama Mayumi／Masuda Mika
Stylist Assistant：Oga Nozomi
Costume（fujii kaze）：YOHJI YAMAMOTO
Hair & Maike up（fujii kaze）：Takai
Hair & Maike up Assistant（fujii kaze）：Morishita Haruka
Color Grading：Ishihara Yasutaka（SONY PCL）
Shooting Editor：Gorilla（vivision）
Offline Editor：Kodama Yuichi（vivision）
VFX：Mizuno Masaki／Kawasaki Kotomi（Khaki）
CGI：Takagane Koji（Khaki）
Mixer：Masutomi Kazune
Producer：Inagaki Mamoru（GEEK PICTURES）
Production Manager：Taniguchi Yuki（GEEKPICTURES）
PM Assistant：Kanazawa Satoru／Takahashi Hiroki／Takeguchi Akefumi／Oshida Keiji／Iwanaga Yasuhiro／Mimori Yosuke／Sakamoto Ryosuke（GEEK PICTURES）／Sato Yosuke（GEEK PICTURES）
CAST
Aoyama Asami
Isse
Ichizo
Kathleen
Saikatsu
Sandy K
Shibamoto Yasuyoshi
Taira Jin
Tateishi Kirara
Tanaka Jin
Daikohara Chieko
Tenkou Mayumi
Hotta Shinzo
Fujii Kaze
MASASHI
Yamaki Koharu
Yoshizawa Kazumi
Ruri
☆ 05.20(wed) release 1st ALBUM "HELP EVER HURT NEVER"(CD)
▶️ https://Fujii-Kaze.lnk.to/HEHN
1. Nan-Nan
2. Mo-Eh-Wa
3. YASASHISA
4. Cause It's Endless
5. Flavor Of Sin
6. Cho Si Noccha Te
7. Tokuni Nai
8. I'd Rather Die
9. Hey Mr.Wind
10. SAYONARA Baby
11. Kaerou
【First Edition】 ¥4,000(+tax) UMCK-7064/5
＜Bonus＞
・Special booklet
・HELP EVER HURT COVER ＜11 songs＞
1. Close To You
2. Shape Of You
3. Back Stabbers
4. Alfie
5. Be Alright
6. Beat It
7. Don't Let Me Be Misunderstood
8. My Eyes Adored You
9. Shake It Off
10. Stronger Than Me
11. Time After Time
【Normal Edition】 ¥3,000(+tax) UMCK-1659
【Digital】 ¥2,100(+tax)
iTunes Store: https://itunes.apple.com/jp/artist/%E8%97%A4%E4%BA%95-%E9%A2%A8/1486113150?app=itunes&at=10I3LI&ls=1
Spotify: https://open.spotify.com/artist/6bDWAcdtVR3WHz2xtiIPUi
YouTube Music: https://music.youtube.com/channel/UCxjfYUXFwmjUCGHMeBri5_w
Amazon Music: https://music.amazon.co.jp/artists/B0819FY3KC?ref=dm_sh_e043-549a-9e40-b221-a1efe
LINE MUSIC: https://music.line.me/artist/mi0000000011ec3db5
Official APP: http://c-rayon.com/fujiikaze/
Official site: http://fujiikaze.com/
Instagram: http://Instagram.com/fujiikaze
twitter: https://twitter.com/FujiiKaze
Go Home
Written by Fujii Kaze
Prod by Yaffle
Mixing Engineer Masahito Komori
Recording Engineer Yoshimasa Wakui / Daishi Iiba(birdie house)
Recorded at AOBADAI STUDIO / ABS RECORDING STUDIO
Mixed at ABS RECORDING STUDIO
Mastering Engineer Tsubasa Yamazaki
Mastered at EELOW
Drums Leon Yuki
Electric Bass Naoki Kobayashi
Percussion Takashi Fukuoka
1st Violin Rina Odera
2nd Violin Natsue Kameda
1st Viola Mikiyo Kikuchi
2nd Viola Reiichi Tateizumi
Cello Yuki Mizuno
Acoustic Piano Fujii Kaze
You are melting into sunset
I am fading into sunrise
If our path never cross again
Then, that is the way it is
You're turning on the lamp
I'm searching for the light
We both have nothing to fear, nothing to lose
We both have nothing at all in the first place
See you, see you again
Those boys' eyes aren't innocent anymore
Those evening bells are ringing out but can't be heard anymore
That is, that is almost like
Everything seems to be over
Far from it, We've got a long way to go, and I'll never forget...
Ah Let's forget everything and go home
Ah Let everything flow away and go home
Though that scar hurts, tho this thirst never be quenched
That doesn't matter anymore, Let's blow them all away
Let's go home with a nice breeze
Let's go home with a gentle rain
What is the use of hating each other
I'm, I'm gonna be the first one to forget
You are worried about the future
I am still attached to the past
This is our last time, I'm supposed to be a God
But still we are too much human
I looked at the world without me
From above, and I found out
It keeps on turning exactly the same as always
That made me feel easy somewhat
See you, see you again
We say farewell at the right before the highway
Leaving all the hustle-bustle behind, I walk alone
Taking, All my life was about taking
And not a bit of giving
Not knowing the meaning of this life I've lived
Ah, Let's give everything and go home
Ah, With empty hands, Let's go home
What we can give is just what we are given
Let's say thank you and be honored
I'm waiting for you, Let's go home
Let's go home where happiness never ends
What can we take with us when we leave this world
Let go of the burdens we're carrying, one by one
What is the use of hating each other
I'm, I'm gonna be the first one to forget
Ah, How am I going to live from today
【An open letter to Dr Tedros 一封致予譚德塞博士的公開信】
This is an open letter to Dr Tedros, the Director General of the WHO, in response to the accusations against Taiwan during the 8th of April WHO press conference.
這是一封致予世界衛生組織幹事長譚德塞博士的公開信，並針對其於4/8世衛記者會上對臺灣的公開指控，提出回應。
Dear Dr Tedros,
I am Vivi Lin from Taiwan, a current undergraduate student studying Infectious Diseases in the UK.
親愛的譚德塞博士，
我是Vivi Lin，一位目前正在英國念傳染病的臺灣大學生。
Upon hearing your response in the press conference today, I was utterly shocked and saddened that such misleading allegations could come from a supposedly respected health professional and the head of the world’s most influential international health organisation.
今天在聽聞您，作為現今世界上最具影響力的醫衛組織（WHO）的領導人，於世衛記者會上提出針對臺灣的不實指控，我深感錯愕及失望。
As a student who has been working closely with Taiwanese and British Medical and Health-related NGOs, I can affirm that there has never been any disrespectful comments from our government and our diplomats towards you and the African continent due to race, culture or skin colour.
身為一名在臺灣及英國的多個醫衛非政府組織服務的學生，我可以肯定地說，臺灣官方從未針對您及非洲人民，做出任何基於種族、文化或膚色的負面評論。
I am aware that there are various petitions online urging for your resignation from the WHO. However, none of the requests or criticisms were based on discriminations against your race or skin colour, nor people from the African continent.
我知道現在網路上有許多要求您辭去世衛幹事長職務的連署，但這些要求，都並非基於您的種族、膚色，或是針對非洲人民的歧視。
Taiwan has been striving to contribute as much as possible to the international community and to be a part of the global team in combating this pandemic. Although we have been excluded from the WHO, we have never given up. Our government has done an exemplary job in containing the virus, a feat that has been praised by officials and health professionals from all around the world. And now, as we have some spare capacity, we are sending aid to our allies and other countries, including those in America, Europe and in Africa who have been harshly impacted by the outbreak.
臺灣一直以來都非常努力地在為國際社會的醫衛做出貢獻，我們也始終希望能在這場全球傳染病戰役中，與世界站在一起。
即便我們被世衛排除在外，臺灣也從未放棄貢獻一己之力。
臺灣在這次COVID19防疫上的傑出成果，是世界有目共睹的。而現在，當我們有額外的資源時，也不吝於分享給我們在美洲、歐洲及非洲的友邦與其他正在受到疫情影響的國家。
According to our health professionals who used to work closely with various countries in Africa, a temporary hospital has been built by Taiwan in Eswatini at the moment, and some important medical supplies sent by Taiwan are finding their way to Africa as well.
根據我們曾在非洲駐點過的醫衛工作者指出，臺灣正在協助史瓦帝尼建立臨時醫院，也同時在安排許多醫療用品援助。
With all the aforementioned in mind, how can you, in a few sentences, attempt to smear Taiwan’s reputation with such irresponsible and false accusations?
而根據上述所有資訊，（譚德塞博士）您怎能用簡單幾句謬誤的指控，不負責任地污衊世界對臺灣的印象呢？
In the past two days, WHO hosted webinars in regards to how we, as individuals or as health professionals and officials, should confront the current info-demic. Ironically, just right after the webinar, Dr Tedros, as the DG of the WHO, was accusing Taiwan with misinformation.
在過去兩天當中，世衛舉辦了以「疫情假資訊」為題的線上研討會，提供個人、醫衛人士及官員一些面對疫情假資訊的建議。
然而，多麼諷刺的是，就在研討會剛結束的時候，世衛幹事長即帶頭用不實的資訊指控臺灣。
I firmly believe that health is a fundamental human right that should not be denied despite differences of any kind. Health for all, leave no one behind is also the core value that the WHO stands for. Please do not forget your dedication as a public health professional and the vows that you made when you ascended to the honorable position you are sitting at right now - health of people in the world comes first, not politics.
我一直相信，健康，是所有人皆擁有的基本人權。
全民健康，沒有人應被排除在外，也是世衛堅守的核心價值。
（譚德塞博士）請不要忘記您作為一個公衛專家的信念，以及您接任幹事長時所立下的誓言——「全球人民的健康當為第一位，而非政治。」
We are now facing the most challenging health crisis of our time. Taiwan cares about people’s health. We are willing to help, and we are helping now. Taiwan is a country that stands for progressive values, and we, as the Taiwanese people, are also known for our appreciation for diversity. We have never criticised you nor your actions based on your race, culture or skin colour.
全球現在正在面臨這個世代最嚴竣的健康危機，而臺灣不僅在乎所有人的健康，更願意幫忙、正在幫忙。
臺灣是一個相信進步價值的國家，臺灣人民，更是始終尊重多元、擁抱多元。我們從未因為基於您的種族、文化或膚色，而提出質疑。
I, on behalf of my beloved country and people, am now asking for an apology from you under the current circumstance.
現在，我與我熱愛的國家和臺灣人民，要求您針對4/8的不實指控，提出道歉！
Thank you for your time.
感謝。
Vivi Lin
2020.4.8
#StandWithTW
#WHO #COVID19 #Coronavirus
#DrTedros
#TaiwanHelps
*Disclaimer: The views and opinions expressed in this video are those of the authors. 影片內容僅代表作者本身之觀點。*
เปิดตัว All-New 2019 BMW 8-Series Coupe รถสปอร์ตคูเป้สุดหรู ก่อนเปิดตัวในไทย พฤศจิกายนนี้
The new BMW 8 Series Coupe is more than just a sports car. With this model, BMW gives the luxury segment a new identity, making automobile dreams come true and creating unique moments of pleasure. The spectacular TV commercial at the centre of the market launch campaign for the new BMW 8 Series Coupe takes as its motif the emotional impact of a completely new mobility experience that is realised for the first time ever. It shows the luxury sports car driving through the historical centre of Venice. Driving past magnificent palazzi and underneath the Rialto bridge, the new BMW 8 Series makes its way along the Canal Grande – a route never before covered by an automobile. For the driver, whose story is told in the short film, the childhood dream comes true of driving a car through Venice; meanwhile viewers are given a whole new perspective on the lagoon city, featuring moments of driving pleasure in a form that has never been seen before.
The film, which is directed by Daniel Wolfe and will be shown in versions lasting 15, 30 and 45 seconds, is about a young Venetian man who as a child discovers his love of automobiles in general and BMW in particular. A model BMW M1 becomes his favourite toy, and a boat-builder friend introduces him to the fascination of engine technology. But in a city in which boats are the sole means of transport, his yearning for sheer driving pleasure remains unassuaged, which is why he leaves Venice as a teenager, not to return until many years later. And now at last his childhood dream comes true – in the new BMW 8 Series Coupe and driving on pontoons that pave the way to a unique automobile trip through the canal network of his home city.
The scenario is symbolic of efforts to make the apparently impossible come true and turn long-nurtured dreams into reality. “Our models for the luxury performance segment are geared towards the lifestyle of a target group that dares to try out new things and go beyond the limits of feasibility,” ways Uwe Dreher, Director Brand Communication BMW, BMWi and BMW M. “We offer these individuals a mobility experience that corresponds to their idea of exclusivity and progressive luxury.”
06-may-2019 - Explora el tablero de KATTY "PAST PROGRESSIVE AND SIMPLE PAST" en Pinterest. Ver más ideas sobre ejercicios de ingles, actividades de ingles, ... ... <看更多>
past progressive 在 Past progressive or past simple with still 的推薦與評價
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