關於 running script chinese calligraphy ，我們在網路上蒐集到這些相關的討論、資訊與評價

筆墨見真章—故宮書法導賞（現正展出中）
書法是漢文化圈特有的藝術，和前面的宋代不同，元代繼起轉而提倡復古，於是晉唐書法傳統得以延續。今天看的這一件是當時的領導人物「趙孟頫」的作品。
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【元 趙孟頫 柔毛帖】趙孟頫（1254-1322）是元代文人畫書的領導人物，其藝術復古理論影響深遠。
　　〈柔毛帖〉原是一通隨禮品附上的尺牘。「#柔毛」指羊，「#牟粉」泛指麥粉。通篇行書，摻雜章草。字體大小、線條粗細有豐富的變化，行氣端莊，章法錯落有致。書風源自王羲之（303-361），但常用果斷重壓、鋒芒畢露的筆法，讓線條中的銳角和圓轉、輕快的牽絲映帶互相襯托，更增流利嫵媚之感。
【Roumao Modelbook】Zhao Mengfu, Yuan dynasty
Zhao Mengfu (1254-1322) was a leader in Yuan dynasty literati painting and calligraphy. The artistic principles he espoused, which called for a return to ancient ways, had a far-reaching influence.
The contents "Roumao Modelbook" were originally a formal letter included along with a gift. "Roumao" is a reference to sheep. The letter was written in running script (xingshu), with the occasional appearance of draft cursive (zhangcao). There are rich permutations in the sizes of the characters and the thicknesses of the lines. The columns of writing present dignified straightness, while the overall composition is one of delightfully elegant disorder. This calligraphy is Wang Xizhi's (303-361) stylistic descendant, but it includes frequent use of decisive, heavy downward pressure on the brush and full exposure of the brush's tip. These techniques set off the interactions between the angular and rounded turns in the characters' lines, as well as the quick traces of the brush's movements and the relationship between dots and lines, increasing the work's charming sense of fluency.
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筆墨見真章—故宮書法導賞（展期：2020/12/26~03/29）
陳列室：北部院區 第一展覽區 204,206
https://theme.npm.edu.tw/exh109/calligraphy10912/index.html
The Expressive Significance of Brush and Ink: A Guided Journey Through the History of Chinese Calligraphy (Dates: 26 DEC 2020~29 MAR 2021)
https://www.npm.gov.tw/en/Article.aspx?sNo=04011536
Gallery: 204, 206 (Northern Branch) Exhibition Area I
日本語：https://theme.npm.edu.tw/exh109/calligraphy10912/jp/page-1.html

筆墨見真章—故宮書法導賞（現正展出中）
書法是漢文化圈特有的藝術，宋人為保存前賢書法並長遠流傳，於是刻帖日漸盛行，不過宋代的人們並不以繼承傳統為滿足，書法取向表現也偏向個人情性與趣味。今天看的這件是 蘇軾的【楚頌帖】。
🟢【宋 蘇軾 楚頌帖】Chusong Modelbook
🔼 1084年，蘇軾出遊陽羨（今天的江蘇省宜興市），他在船上寫下〈楚頌帖〉，說自己想在此地種橘、築亭的心情。不過原蹟已佚，僅刻本傳世。此帖由譚伯羽、譚季甫先生捐贈。
🔼策展人說：「通篇行書，線條圓轉處豐厚而內斂，方折處剛斷而勁健。字體大小錯落，又逐漸加大，再嘎然而止。章法一任自然，毫不造作，正是乘興而書的佳作。」
🟢釋文：請點進附圖觀看
Chusong Modelbook
Su Shi, Song dynasty
Su Shi (1037-1101), whose style name was Zizhan and whose sobriquet was Dongpo ("Eastern Slope"), was one of the four masters of Northern Song dynasty calligraphy.
In 1084, while Su Shi was traveling overwater to Yangxian (Yixing in present day Jiangsu province), he wrote the contents of the "Chusong Modelbook," which express his desire to plant mandarin oranges and build a pavilion in this region. Su's original inscription is lost, and only block-printed editions remain. This modelbook, written entirely in running script (xingshu), was donated to the NPM by Mr. Tan Boyu and Mr. Tan Jifu. It is distinguished by lines that show generous thickness as well as discretion where they make rounded turns, but are decisive and forceful where they make angular turns. The characters fluctuate in size, given rein to gradually grow until brought to sudden stops. The overall composition is unrestrainedly natural and utterly unaffected—this is clearly a work of excellence written in a flourish of inspiration.
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筆墨見真章—故宮書法導賞（展期：2020/12/26~2021/03/29）
陳列室：北部院區 第一展覽區 204,206
https://theme.npm.edu.tw/exh109/calligraphy10912/index.html
The Expressive Significance of Brush and Ink: A Guided Journey Through the History of Chinese Calligraphy (Dates: 26 DEC 2020~29 MAR 2021)
Gallery: 204, 206 (Northern Branch) Exhibition Area I
https://www.npm.gov.tw/en/Article.aspx?sNo=04011536