書畫例行展〔筆墨見真章〕2020年第4季全新展件和大家見面!
Revelatory Brushwork: A Guided Journey Through the NPM's Collection of Chinese Calligraphy
【明 文徵明 書蘭亭敘(卷)】Preface to the Orchid Pavilion, Wen Zhengming (1470-1559), Ming dynasty
🔽關於文徵明
文徵明(1470-1559),江蘇長洲人。本名壁,字徵明,以字行,別號停雲生、衡山居士。詩文書畫俱工,亦精鑑藏。
Wen Zhengming (1470-1559) was a native of Changzhou in Jiangsu province. His given name was Bi, and he had the sobriquets He Who Stops the Clouds (Tingyunsheng) and the Recluse of Mount Heng (Hengshan Jushi), but he typically went by his style name, Zhengming. In addition to being an accomplished poet, prosaist, calligrapher, and painter, Wen was also an erudite connoisseur of the arts.
🔽書法賞析:
文氏好寫〈蘭亭敘〉,本卷末自題書於八十九歲。用筆、結字和章法與傳世王羲之(303-361)書〈蘭亭敘〉多不相同,應是意臨之作。筆法內斂含蓄,間架縝密,筆意連綿貫串處,極為自然生動。
Wen Zhengming was fond of making copies of the "Preface to the Orchid Pavilion." In his inscription on the tail end of this scroll, he noted that he was eighty-nine years of age at the time of writing. Wen's brushwork, the structures of the characters, and the overall composition markedly differ from the received version of the "Preface to the Orchard Pavilion" in Wang Xizhi's (303-361) hand, indicating that Wen was making a study of the spirit of Wang's writing, rather than its technical particulars. Here the brushwork is understated and reserved, allowing for finely-structured characters. The many places where brush strokes flow one into the other give the scroll an outstanding sense of natural movement.
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🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10909/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10909/en/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh109/calligraphy10909/jp/page-1.html
同時也有1部Youtube影片,追蹤數超過4萬的網紅五哥頻道,也在其Youtube影片中提到,Marina about China/HK’s situation: China ~ is going to go to globalism - that’s what they say, and they are also going to have two riots, it’s going ...
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本季的筆墨見真章,照例地,策展人依書法從古到今發展的歷程,為觀眾挑選了多件不同時代的名家精品(展件清單請看這 👉https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-3.html),期待您蒞臨欣賞。
今天和大家一同來看一件可能是米芾(1052-1108) 臨仿之作的【傳晉 王羲之 大道帖】
【The Great Dao Inscription】Attributed to Wang Xizhi (303-361), Jin dynasty
🔽書法析賞:
此帖行草書兩行:「大道久不下,豈先未然耶。」拖尾有趙孟頫(1254-1322)至元丁亥年(1287)跋:「龍跳天門,虎臥鳳閣。」此帖筆畫腴潤圓柔,第一行「大」字到「下」字,連筆而書,最後一字「耶」的末筆拉長,收筆加粗,成彎弧狀。由於王羲之(303-361)沒有這類書法風格的作品 傳世,故多數論者認為可能是米芾(1052-1108)的臨仿之作。
🔽 This inscription comprises two lines written in cursive script (also called "grass script," from caoshu). The first reads, "The Great Way has not descended for some time, how were things not this way before?" Additional paper later attached to the scroll contains a calligraphic colophon written by Zhao Mengfu (1254-1322) in the Dinghai year of the Yuan dynasty (1287), which compares Wang's brushwork to a "dragon leaping through Heavens' Gate or a tiger lying at Phoenix Pavilion."
The brushstrokes in Wang's inscription are ample and rounded. In the first line, all of the characters—from the first one, "great," to the last one, "descended"—were written in a single flourish. The final brushstroke in the ultimate character, an exclamation pronounced " ye," was incredibly drawn-out, and then thickened at its tail end before turning in an arc. Because there are no other extant works by Wang Xizhi in this style, most theorists posit that it is likely a study of Wang's work by Mi Fei (1052-1108).
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🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh…/calligraphy10907/…/page-1.html
scroll through中文 在 國立故宮博物院 National Palace Museum Facebook 的最讚貼文
本季的筆墨見真章,照例地,策展人依書法從古到今發展的歷程,為觀眾挑選了多件不同時代的名家精品(展件清單請看這 👉https://theme.npm.edu.tw/exh109/calligraphy10907/ch/page-3.html),期待您蒞臨欣賞。
今天和大家一同來看一件可能是米芾(1052-1108) 臨仿之作的【傳晉 王羲之 大道帖】
【The Great Dao Inscription】Attributed to Wang Xizhi (303-361), Jin dynasty
🔽書法析賞:
此帖行草書兩行:「大道久不下,豈先未然耶。」拖尾有趙孟頫(1254-1322)至元丁亥年(1287)跋:「龍跳天門,虎臥鳳閣。」此帖筆畫腴潤圓柔,第一行「大」字到「下」字,連筆而書,最後一字「耶」的末筆拉長,收筆加粗,成彎弧狀。由於王羲之(303-361)沒有這類書法風格的作品 傳世,故多數論者認為可能是米芾(1052-1108)的臨仿之作。
🔽 This inscription comprises two lines written in cursive script (also called "grass script," from caoshu). The first reads, "The Great Way has not descended for some time, how were things not this way before?" Additional paper later attached to the scroll contains a calligraphic colophon written by Zhao Mengfu (1254-1322) in the Dinghai year of the Yuan dynasty (1287), which compares Wang's brushwork to a "dragon leaping through Heavens' Gate or a tiger lying at Phoenix Pavilion."
The brushstrokes in Wang's inscription are ample and rounded. In the first line, all of the characters—from the first one, "great," to the last one, "descended"—were written in a single flourish. The final brushstroke in the ultimate character, an exclamation pronounced " ye," was incredibly drawn-out, and then thickened at its tail end before turning in an arc. Because there are no other extant works by Wang Xizhi in this style, most theorists posit that it is likely a study of Wang's work by Mi Fei (1052-1108).
*************************
🌐中文:https://theme.npm.edu.tw/exh109/calligraphy10907/index.html
🌐English: https://theme.npm.edu.tw/exh109/calligraphy10907/en/page-1.html
🌐日本語:https://theme.npm.edu.tw/exh109/calligraphy10907/jp/page-1.html
scroll through中文 在 五哥頻道 Youtube 的最佳貼文
Marina about China/HK’s situation:
China ~ is going to go to globalism - that’s what they say, and they are also going to have two riots, it’s going to be right in front of people’s faces. Chinese, they say, are not to be messed with. Their culture that are big in pride and when they are being attacked, they will fight, especially the section of Hong Kong because there was more opening, more freedom, more freedom of thinking, they were not suppressed. This is the reason why the stuff that is happening from Hong Kong, you don’t see in another region because the other regions were suppressed through the regime, whatever that was, Hong Kong was almost like a free-thinking, almost like England, and that’s why when you try to suppress the consciousness that was free, they’re much more aware of what’s really happening because of the information and this is the reason why it’s happening from there, from there, it’s going to be like a snowball for the entire country, it’s exposure and showing the pure evil of communism, socialism is not really socialism. it’s communism and fascism , those three are connected to each other, they say. And it’s just the “interlocking”, they are talking about interlocking bylaws that are implemented very sneakily they say in a governmental structure, not only through China, but including through the government of the US. And they say pay very close attention to California. because their “bylaws” that were interlocking with that type of regime, this was based on agendas for global control, this was not based on agenda for serenity and sovereignty to US. This was based on a global agenda. This bylaws - so anybody that looks at California, and what’s happening there, you’re going to see it.
we should watch her channel on her website - Freedom Awakening
The platform of the codes of the matrix are on track, the new modality of the increasing of the frequency already coming through the fields, so escalation will happen because the more the frequency is spinning in the quantum structure more people who is with balance or off balance is going to come information so don’t be surprised when you see all these fights that is happening and all these manipulation is happening because it’s somebody’s else’s survival even if it’s coming from completely different way of thinking. Again not a judgement for anybody but we should just be patient and do your research. Do research on Freedom Awakening in my sub channel of the Harmonic Reactor, there is a Freedom Awakening channel, scroll down, you are going to see it and one after the other your have proofs and the commentaries and whistleblowers that talk about stuff that I already know to be true from my reality, I do not post or support something that I am not already done. I post stuff that I am 100% sure that I got information on that already. Otherwise you will not see them posted.
Marina關於中國/香港的情況:
中國〜將走向全球化 - 這就是他們 (他們指The Council of Nine)所說的,他們也將發生兩次騷亂。他們說,中國人不應該被搞砸。他們為自己的文化自豪,當他們受到攻擊時,他們會戰鬥,特別是香港的部分,因為有更多的開放,更多的自由,更多的思想自由,他們沒有受到壓制。這就是為什麼香港發生的事情,你沒有在另一個地區看到因為其他地區被政權壓制,無論如何,香港幾乎像一個自由思想,幾乎像英國,這就是為什麼當你試圖壓制自由的意識時,他們會更加意識到由於信息而發生的事情,這就是為什麼它從那裡發生的原因,從那裡開始,它就像一個雪球整個國家,它暴露並表現出共產主義的純粹邪惡,社會主義並不是真正的社會主義。他們說,這是共產主義和法西斯主義,這三者是相互聯繫的。它只是“互聯”,他們談論的是互聯章程,他們在政府結構中非常狡猾地實施,不僅通過中國,而且包括通過美國政府。他們說要非常關注加州。因為他們的“章程”與這種政權相互聯繫,這是基於全球控制的議程,這不是基於對美國的寧靜和主權議程。這是基於全球議程。這條章程 - 任何看過加利福尼亞的人,以及那裡發生的事情,你都會看到它。
。
The Harmonic Reactor https://www.youtube.com/channel/UCKaW-6KuhVvEIX-oRG7cBZQ
網址:https://www.5MinutesMaster.com
Medium:https://medium.com/@5minutesmaster
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