關於 singers chinese actors ，我們在網路上蒐集到這些相關的討論、資訊與評價

//A Cantopop star publicly supported Hong Kong protesters. So Beijing disappeared his music.

By AUGUST BROWN

The 2 million pro-democracy protesters who have flooded the streets of Hong Kong over the last few months have been tear-gassed, beaten by police and arrested arbitrarily. But many of the territory’s most famous cultural figures have yet to speak up for them. Several prominent musicians, actors and celebrities have even sided with the cops and the government in Beijing.

The protesters are demanding rights to fair elections and judicial reform in the semiautonomous territory. Yet action film star Jackie Chan, Hong Kong-born K-pop star Jackson Wang of the group GOT7 and Cantopop singers Alan Tam and Kenny Bee have supported the police crackdown, calling themselves “flag protectors.” Other Hong Kong cultural figures have stayed silent, fearing for their careers.

The few artists who have spoken out have seen their economic and performing prospects in mainland China annihilated overnight. Their songs have vanished from streaming services, their concert tours canceled. But a few musicians have recently traveled to America to support the protesters against long odds and reprisals from China.

“Pop musicians want to be quiet about controversy, and on this one they’re particularly quiet,” said Anthony Wong Yiu-ming, 57, the singer and cofounder of the pioneering Hong Kong pop group Tat Ming Pair.

Wong is a popular, progressive Cantopop artist — a Hong Kong Bryan Ferry or David Bowie, with lyrics sung in the territory’s distinct dialect. But he, along with such singer-actors as Denise Ho and Deanie Ip, have made democratic reforms the new cause of their careers, even at the expense of their musical futures in China. Wong’s on tour in the U.S. and will perform a solo show in L.A. on Tuesday.

“It’s rebelling against the establishment, and [most artists] just don’t want to,” Wong said. “Of course, I’m very disappointed, but I never expected different from some people. Freedom of speech and civil liberties in Hong Kong are not controversial. It’s basic human rights. But most artists and actors and singers, they don’t stand with Hong Kongers.”

Hong Kong protesters
Hundreds of people form a human chain at Victoria Peak in Hong Kong on Sept. 13.(Marcus Yam/Los Angeles Times)
The protests are an echo — and escalation — of the Occupy Central movement five years ago that turned into a broad pro-democracy effort known as the Umbrella Movement. Those protests, led by teenage activist Joshua Wong (no relation), rebelled against a new policy of Beijing pre-screening candidates for political office in Hong Kong to ensure party loyalty.

Protesters were unsuccessful in stopping those policies, but the movement galvanized a generation of activists.

These latest demonstrations were in response to a proposed policy of extraditing suspected criminals from Hong Kong to mainland China, which activists feared would undermine their territory’s legal independence and put its residents at risk. The protests now encompass a range of reforms — the withdrawal of the extradition bill, secured voting rights, police reform, amnesty for protesters and a public apology for how Beijing and police have portrayed the demonstrations.

Wong, already respected as an activist for LGBT causes in Hong Kong, is one of vanishingly few musicians to have put their futures on the line to push for those goals.

Wong’s group Tat Ming Pair was one of the most progressive Cantonese acts of the ’80s and ’90s (imagine a politically radical Chinese Depeche Mode). When Wong spoke out in favor of the Umbrella Movement at the time, he gained credibility as an activist but paid the price as an artist: His touring and recording career evaporated on the mainland.

The Chinese government often pressures popular services like Tencent (the country’s leading music-streaming service, with 800 million monthly users) to remove artists who criticize the government. Artists can find longstanding relationships with live promoters on ice and lucrative endorsement deals drying up.

“This government will do things to take revenge on you,” Wong said. “If you’re not obedient, you’ll be punished. Since the Umbrella Movement, I’ve been put on a blacklist in China. I anticipated that would happen, but what I did not expect was even local opportunities decreased as well. Most companies have some ties with mainland China, and they didn’t want to make their China partners unhappy, so they might as well stop working with us.”

Censorship is both overt and subtly preemptive, said Victoria Tin-bor Hui, a professor and Hong Kong native who teaches Chinese politics and history at the University of Notre Dame.

“Every time artists or stars say anything even remotely sympathetic to protesters or critical of the government, they get in trouble,” Hui said. “You can literally have your career ruined. Denise Ho, after she joined the Umbrella Movement, everything she had listed online or on shelves was taken off. Companies [including the cosmetics firm Lancôme] told her they would have nothing more to do with her, and she started doing everything on her own.”

So Wong and other artists like Ho have been pushing back where they can.

Wong’s recent single, “Is It a Crime,” questions Beijing crackdowns on all memorials of the Tiananmen Square massacre, especially in Hong Kong, where there was a robust culture of activism and memorials around that tragedy. The single, which feels akin to Pink Floyd’s expansive, ominous electronic rock, has been blacklisted on mainland streaming services and stores.

Wong plans to speak out to commemorate the anniversary of the Umbrella Movement on this tour as well.

“The government is very afraid of art and culture,” Wong said. “If people sing about liberty and freedom of speech, the government is afraid. When I sing about the anniversary of Tiananmen, is it a crime to remember what happened? To express views? I think the Chinese government wants to suppress this side of art and freedom.”

The fallout from his support of the protests has forced him to work with new, more underground promoters and venues. The change may have some silver linings, as bookers are placing his heavy synth-rock in more rebellious club settings than the Chinese casinos he’d often play stateside. (In L.A., he’s playing 1720, a downtown venue that more often hosts underground punk bands.)

“We lost the second biggest market in the world, but because of what we are fighting for, in a way, we gained some new fans. We met new promoters who are interested in promoting us in newer markets. It’s opened new options for people who don’t want to follow” the government’s hard-line approach, Wong said.

Hui agreed that while loyalty from pro-democracy protesters can’t make up for the lost income of the China market, artists should know that Hong Kongers will remember whose side they were on during this moment and turn out or push back accordingly.

“You make less money, but Hong Kong pro-democracy people say, ‘These are our own singers, we have to save them,’” Hui said. “They support their own artists and democracy as part of larger effort to blacklist companies that sell out Hong Kong.”

Ho testified before Congress last week to support Hong Kong’s protesters. “This is not a plea for so-called foreign interference. This is a plea for democracy,” Ho said in her speech. A new bill to ban U.S. exports of crowd-control technology to Hong Kong police has bipartisan support.

No Hong Kong artists are under any illusions that the fight to maintain democracy will be easy. Even the most outspoken protesters know the long odds against a Chinese government with infinite patience for stifling dissent. That’s why support from cultural figures and musicians can be even more meaningful now, Hui said.

“Artists, if they say anything, that cheers people on,” Hui said. “Psychologists say Hong Kong suffers from territory-wide depression. Even minor symbolic gestures from artists really lift people’s morale.”

Pro-democracy artists, like protesters, are more anxious than ever. They’ve never been more invested in these uprisings, but they also fear the worst from the mainland Chinese government. “If you asked me six months ago, I was not very hopeful,” Wong said. “But after what’s happened, even though the oppression is bigger, we are stronger and more determined than before.”

Anthony Wong Yiu-ming

Where: 1720, 1720 E. 16th St.
When: 7 p.m. Tuesday
Tickets: $55-$150
Info: 1720.la //

Love is everywhere❤️

[#WrittenBySimon] From Gill Paul to Qbobo: Prime act of an Indian Hongkonger

Gill Mohindepaul Singh may not be a familiar name to most Hongkongers but how about Qbobo (literally cute baby in Cantonese)?

We got to know him through TVB.
Many Hongkongers were amazed by this hunky Indian’s versatile, hilarious dance and juggling and most importantly, his almost irreproachable Cantonese. He shot to fame shortly after his maiden appearance in the reality TV show Minutes To Fame in 2005. That was how he earned his affectionate stage name “Qbobo”.

Qbobo was born to a Hong Kong Indian family in 1969. Before making his first splash into the entertainment industry, he worked as an assistant officer at the Correctional Services Department for more than 16 years.

In the next decade, as one of TVB’s most beloved actors, he appeared in more than 40 TV dramas, in particular sitcoms, and in a dozen comedy and action movies as well.
But his growing cult following among locals, including South Asians, didn’t help when his wife, who had been living in Hong Kong for more than 20 years, was denied a Hong Kong passport in 2012.

His wife originally planned to apply for the travel document for easier trips to Scotland where her younger son was attending school and receiving treatment for spine problems.

The Immigration Department didn’t bother with any explanation for the flat refusal, citing “confidentiality”.

Qbobo told media it was a big letdown and he couldn’t understand why since many of their fellow Indians in Hong Kong who couldn’t speak fluent Cantonese could get their Hong Kong passports.
That, ultimately, forced the couple to decide to emigrate to Scotland for the sake of their children. Like all the new arrivals there, Qbobo had to be physically in Scotland for the most part of the initial years so as to qualify for residency. That forced him, very reluctantly, to bid farewell to his fans in Hong Kong.

Qbobo started a new chapter in his performing career a year later when he returned to Hong Kong. In July, with the help of stenographers, he published a book in Chinese, Made In Hong Kong, a memoir of his own life and that of other South Asians. It’s a first-person account of the living history of Hong Kong’s ethnic minorities.

“Hong Kong is my home. I’m always proud of my Hong Kong identity,” he wrote on the cover of the book.

“We also love fish balls and steamed rice rolls. We also grew up watching Bruce Lee and Stephen Chow movies. We South Asians are all made in Hong Kong. Can society count us as Hongkongers?” he asked at the end of the book.

I recently had a casual chat with Qbobo, in Cantonese of course.
==================

Shen: Many of your fans are still curious about your family. Tell us how you grew up in Hong Kong.

Qbobo: My grandfather went from India to Shanghai alone in the 1930s and worked in the British Settlement. Later, he raised his own family there. They all fled to Hong Kong after China fell to the communists in 1949.
I went to Matteo Ricci Primary School, where most of the students were locals, and very quickly learned to speak Cantonese and how to use chopsticks.
My father was rather worried that I might become too “Chinese” and decided to send me to Sir Ellis Kadoorie school (Sookunpoo), a government school for ethnic minorities, so as to mingle more with my compatriots and other South Asians.
I joined the Hong Kong Correctional Services and I started to pick up my Cantonese with the help of local colleagues. I ended up spending 16 years there.
I don’t think my childhood was anything different from other Chinese kids back then. We all played in street parks, adored Cantopop singers like Leslie Cheung, Alan Tam and Samuel Hui, watched TVB’s children show 430 Space Shuttle every afternoon, and of course went to movies for Bruce Lee, Chow Yun-fat and Stephen Chow.

Shen: But still you live in two cultures — the local one and the Indian one. How did that influence your childhood?

Qbobo: I usually ate a lot of fishballs after school and I also used chopsticks like my classmates. But at home my father always wanted us not to forget our own culture and where we were from. We spoke Punjabi, went to Sikh Temples and all family members would put on traditional clothing (long loose trousers and a long sleeved jacket for men, long trousers over dress known as Salwar Kameez and Chuni (scarf) to cover the head for women) every Sunday.

Shen: What made you give up your job to become an actor?

Qbobo: Perhaps I was born with a penchant for acting. I liked to sing Alan Tam songs so my colleagues signed me up for a TVB reality show in 2005. At the beginning, I just wanted to let people know that South Asians could also sing in Cantonese.
I entered the finals and got many show invitations and so I resigned from the Correctional Services.

I wanted to project a positive image for Indians and other South Asians in the city. Throughout history people from India contributed greatly to Hong Kong — most of the officers were Indians in the earliest days of the disciplined services, the University of Hong Kong was established with large donations from Sir Mody and other Indian businessmen, the Star Ferry was founded by an Indian Parsee merchant and we all know that CLP is owned by the Kadoorie family from Mumbai.

But the government is now under fire for taking in refugees from South Asia and granting them non-refoulement permissions. This has somehow affected how Hong Kong society sees the entire South Asian community.

Shen: Why did you want to publish the book?

Qbobo: I had the idea for years. I have always been wondering what makes a person a genuine Hongkonger. Are Hongkongers ethnic Chinese only? As a metropolis Hong Kong has residents of all races and color. Since I was born and raised here, I consider myself a Hongkonger, even though some may not agree.
Racial discrimination is everywhere in this world and the problem in Hong Kong is not that serious by comparison. I have the luck to be an actor and I hope I can do something to raise people’s awareness of the life and rights of South Asians who also live here.

Shen: Since you’ve also lived in Scotland as well, tell me which place you like more, Hong Kong or Scotland?

Qbobo: I still love Hong Kong more, it’s my home.

We emigrated because we had to plan for our kids after my wife was denied a Hong Kong passport. We tried our best to settle into society but sadly there are still some hurdles, some arise from government policies or the system itself.
One more thing, Hong Kong’s political status is worrying, with all the dissension among people getting deeper rather than healing up. The housing problem has shown no sign of improvement either… Homes are getting ever smaller and more expensive.
All parents want a better future for their kids, so do we.

Shen: What are the problems and difficulties South Asians face in Hong Kong?

Qbobo: It’s not easy for Indians, Pakistanis or Nepalese to find a job. If you don’t speak Cantonese or can’t write or read Chinese, you just can’t get hired even if you have a college diploma.
Say if there is also a Westerner candidate who doesn’t know Chinese either, the chances are that the white guy is more likely to land the job.

Chinese language capabilities are vital for South Asians if they seek to move up the ladder and thus the government has been allocating more resources to training programs and vocational Chinese language courses.

Shen: How do you plan for your future career? Are we going to see more of your TV dramas and movies?

Qbobo: My wife wants me to go back to Scotland to spend more time with her and our kids and I think I may call it a day for my career in three to four years’ time, perhaps in 2020.
But I will always carry my Hong Kong identity even if I leave and don’t come back one day. Hong Kong is always my home.

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