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感謝 Oqliq 帶我們進入時尚。
感謝 R-Flow 精銳的唇舌詞工。
感謝 出力音樂 社長 戒音 與副社 蘇菲 辛勞搓成。
《棋戰輪迴》這首曲子創作的方式
就是在第二段把正向的句子倒過來演奏
也嘗試過把段落顛倒過來
為了維持整體的順暢度在段落上還是維持相同行進
呼應Oqliq這次NYFW紐約時裝周與LFW倫敦時裝周設計的概念：莫比爾斯之環Möbius band 與 象棋中的將、士、馬、車、卒、楚河漢界等意象為走秀主役
透過R-Flow 猛烈般的槍詞箭語
沒有邊境, 無限輪迴的戰役
如此反覆地循環，陷入其中、無可自拔的愚蠢與浪漫
不多說，點下去吧⋯⋯
ROBOCOP (1987) was released today.
Let’s celebrate one of the best movies ever made.
“I’d buy that for a dollar!”
The screenplay had been offered to (and been rejected by) virtually every big director in Hollywood before Paul Verhoeven got hold of it. He threw it away after reading the first pages, convinced it was just a dumb action movie. However, his wife read it all the way through and convinced him that the story was layered with many satirical and allegorical elements, after which Verhoeven finally decided to direct the film.
The RoboCop suit was designed by Rob Bottin and his team. The production team wasn't satisfied with the initial design, and kept changing it and putting additions to it for months. Ultimately, nothing seemed to work and they went back to what was pretty much Bottin's original design. This caused considerable delays, and by the time the suit was completed, it was three weeks late and arrived at the studio on the day that the first RoboCop scene was scheduled to be shot. It took 11 hours for Bottin's people to fit Peter Weller into the suit, and when it was done Weller found that all his mime exercises were now useless because he needed time to get used to the suit and to perform as a robot in it. Production was halted so that Weller and his mime coach, Moni Yakim, could learn how to move in the suit. The suits were the most expensive items on set. While the price range varies, the producers indicated that they spent anywhere between US$500,000 to US$1 million for the suit.
A very unique part of this movie like other Paul Verhoeven movies is how he brings you more into the universe, news coverage and fake commercials are featured in the film all combined are over 5 minutes long. The world of future Detroit was actually shot in Dallas, Pittsburgh, Detroit and Los Angeles. The locations were all seamlessly woven together making it feel like one city by Production Designer William Sandell.
Because the hands of the ROBOCOP suit were made of foam rubber, the car keys would bounce off of Peter Weller's hand every time he attempted to catch them. The production took up to 50 takes and an entire day's worth of filming before finally getting the shot right.
Paul Verhoeven and Robocop suit creator Rob Bottin clashed repeatedly before and during production over the design and make-up of the RoboCop character. What they argued most about was the scene where Murphy takes off his helmet. Bottin wanted the scene to be filmed in a darkened area, fearing that harsh light would reveal too much of the make-up effects; Verhoeven wanted the scene to be filmed as brightly as possible, citing that director of photography Jost Vacano would be able to light it properly without revealing anything. Verhoeven got his way and Bottin refused to talk to him any further for the remainder of production. However, at the premiere, both men were so impressed with how the scene had turned out, that they instantly forgave each other. Bottin, who had even vowed to never again work with Verhoeven, happily accepted the offer to work on Verhoeven's next project, Total Recall (1990).
To Bring ED-209 designed by the great Craig Davis to life for some of the sequences Phil Tippet and Randal M. Dutra in my opinion did some of the best stop motion work ever done, I think what makes it so epic and memorable is yes it’s super smooth and almost seamless the way it cuts from stop motion to go motion but what’s truly special to me is the amount of character and humor they were able to provide for ED-209, this being the perfect example, the way ED-209 tries to navigate the stairs its almost toddler like, the sound editors even added a baby tantrum mixed with a pig sound effect as ED-209 tries to get up at the bottom of the stairs. stop motion animators Harry Walton and Tom St. Amand also helped make some beautiful work on this sequence.
Enforcement Droid 209's voice is that of producer Jon Davison, its growls are of a jaguar, and its squeals are of a pig. ED-209's body was based on the design of a Bell helicopter and the overall appearance is reminiscent of a line of toys named Robotech (1985) which were based on a 1980s Japanese anime series.
Peter Weller said one of his favorite memories of his film career was filming the drug bust sequence. While filming the sequence, Weller was listening to Peter Gabriel's song "Red Rain" on his Walkman inside the RoboCop helmet as he exchanged gunfire with various bad guys.
“Guns,Guns,Guns”
The shootout at the cocaine factory was not originally intended to be so fast-paced. The automatic guns used in the scene kept malfunctioning during filming. Most camera shots did not provide more than three seconds of usable footage, because most guns were usually jammed by that time. This necessitated quick cuts during editing, which proved to be advantageous for the scene.
RoboCop's first Directive, "Serve the public trust", was inspired by a fortune cookie.
The convenience store robber was played by the movie's stunt men who gladly accepted to be one of RoboCop's victims and contributed the idea of being hit into the door of the glass cooler.
The film was submitted to the MPAA 12 times before securing an R rating.
The script for Robocop was rejected by just about every major movie studio since it was conceived in the early 1980s. Orion films took the chance and Robocop's success continued on with 2 follow up sequels to the movie, two cartoon series, a television show, several comic book series, and a made for TV series of 4 movie length episodes as well as a fan made parody film. It has also spawned over a billion dollars in children and adult toy lines and collector statues which are still being released to date.
“Your move creep”
In Sacramento, California, a robbery suspect fled into a darkened movie theatre to escape pursuing police. He became so engrossed in the movie playing on screen (RoboCop), that he failed to notice that police had evacuated all other patrons from the theatre. When the lights flipped on, the stunned man was taken into custody.
Thank you for your cooperation
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Mugshot photo and short interview by The Sun Daily: Given the interest that he has displayed for art ever since he was a child, no one was surprised that Aleff, grew up to be an artist. Almost always seen with a smile on his face, he is an optimist known for being quiet, but sociable. I met him in his studio atop two flights of stairs, on the third floor of an unmarked building in Kuala Lumpur. All around us lay his artwork, both completed works and those in progress. The space is undeniably home to an artist – and a passionate one at that. He sat down on the floor, popped open a can of industrial paint, grabbed a paintbrush, continued his work, and we started talking.
How did you know you wanted to take up fine arts? “My dad used to tell me that when I was small, he would buy colouring book and a box of Staedtler Luna colour pencils. “When he went to work, I would start colouring. All in one day. At the end of the day, I would go to him and say: ‘Dad, I finished. Can I have another?’ “From there, I realised that my interest [in art] was in my blood. It started with small things. “My artistic side came from my mother. She’s not an artist, but she used to sew clothes and do embroidery. From there, I think the appreciation for art [transferred] to me. “The perfectionism comes from my father’s side. My dad is a mechanic, and to be a good mechanic, you must pay attention to detail. So I think it’s the combination of both [traits] that makes me the artist I am today.” Did you study fine arts? “Yes. I have a diploma and degree in fine arts from UiTM Seri Iskandar, Perak. I studied fine arts for five years. For my degree, I majored in painting and minored in graphic design. “So that’s why you see my work has more illustrative concepts and ideas. Most of my concepts play with colours and composition. “Some pieces look like runners (the frame) from a plastic model kit. A lot of them are inspired by toys. When you insert random shapes and geometric shapes, it becomes more interesting.” What was your first significant achievement? “My friend was studying in Australia. At the time, I was already busy doing art. He saw one of my art pieces on Facebook.“ Text by: Azizul R.I
#トレジャーが開発、セガが発売した、アクションシューティングであり、トレジャーを立ち上げて製作した一作目のソフトでもある。
サイドビュー視点で、プレイヤーはショットと特殊攻撃を使用して敵を撃破しつつ進む。途中には中ボス、ステージ最後にはボスがおり、これらを倒すとステージクリア。
大量のザコを蹴散らす爽快感あるアクション、豊富な武器、ダイナミックな演出、巨大な敵キャラに眼を見張るゲームバランス。現在でも多くのファンから支持される作品。
BGMはクォース(AC/'89年)や、エイリアンソルジャー(MD/'95年)等の半沢氏が作曲。
サウンド・デザイン：村田智氏
作曲：半澤一雄氏
Manufacturer: 1993.09.10 Treasure
Sound: YM2612,SN76489
computer: mega drive / genesis
Sound Design: Satoshi Murata
Composer: Kazuo Hanzawa
---------------------------------------------------
00:00 01.Intro (オープニングデモ)
02:17 02.Legend of the Gunstars (タイトル画面、ストーリーデモ)
04:03 03.Choose a Path (ステージセレクト)
05:14 04.Military on the Max-Power (古代遺跡ステージ)
08:29 05.Bravoo Man (ブラボーマン戦)
11:26 06.Defeat Pinky Roader! (ピンキーローダー戦)
14:21 07.Level Clear (ステージクリア)
14:31 08.Rolling Chaser (地下採掘所ステージ)
19:02 09.Theme of Seven-Force (セブンフォース、グリーン、
コアガードシステム(ユニット・オブ・ザ・ランナー)戦)
22:10 10.Stairs Too High
26:44 11.Dancing-Smash-Hero
29:17 12.Dice-Dance-Days (スゴロク要塞ステージ)
32:30 13.Defeat Them All! (ブラックビートステッパー、ブラックフライ戦)
35:40 14.Empire - The Final Assault
39:25 15.Theme of Smash Daisaku (スマッシュ大作、ピンクロブスター戦)
42:33 16.Decision
45:59 17.Good Night, Baby!
49:11 18.Control Unit HDR
51:57 19.Last Party on The Moon
56:22 20.Theme of Golden Silver (ゴールデンシルバー戦)
59:43 21.The End of the Battle -To Out World-
01:05:03 22.Heroes - Reprise for Yellow
01:08:51 23.Miniboss Defeated! (中ボス撃破)
01:08:57 24.Continue (コンティニュー画面)
01:11:17 25.Game Over (ゲームオーバー)
---------------------------------------------------
http://www.TheBuild.tv
The spiral is out and the new stairs are framed up and functional!
#TheBuildTV #LoveTheProcess
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https://www.pinterest.com/CarrinoAnthony
Based on Koujee's true story.
Sneezer draws inspiration from Koujee's very own life experiences. "I have experienced countless ups and downs for the past 10 years. I've gone through and seen many betrayals of trust and friendship over the years. I feel the need to make a stand and address this issue that I've been battling with. After 2 years of silence, I've decided to turn this life experience into this MV, calling on the society to be responsible with their words", Koujee said.
The MV features two prominent characters which are the "Ghossiper" and “Queen Of Whisperer" to express the consequence of spreading false rumours.
"Believe nothing of what you hear and only half of what you see."
"Rumors are carried by haters, spread by fools, and accepted by idiots."
来自于真实故事。
Koujee表示，此作品的灵感来自于生活。“出道10年，经历过无数的风风雨雨，看着自己或朋友曾经面对过的被背叛和伤害事件，让我觉得应该站出来，向社会反映这件事。沉寂了2年后，我决定把经历化为作品，呼吁社会停止散播谣言和巅倒是非。”
MV的音乐和画面含盖了许多暗示性表达⼿法，特别设计了“是非精” (Ghossiper) 以及“是非⼥王”(Queen Of Whisperer) 两个角⾊，用来表达谣⾔的恐怖性。你也可以在MV里看到Koujee亲自创作的绘画作品。
http://www.facebook.com/koujeebeatbox
http://www.instagram.com/koujee_beatbox
______________________________________________________
Sneezer Lyrics:
"Have you ever wonder
dusk and flu are not the only reason that causes you to sneeze
There is one more. . ."
啊气
我没有伤风感冒
啊气
是否又被无理取闹
Check 1 2 走投无路
被人搞得糊涂
所以我创出江湖
We born to communicate
We educate
With da certificate
And yet So?
Proving everybody
Or fooling everybody
Living in this society
And yet so?
Play fair?
Think out of the square
Climb up the stairs look clearly if you dare
Look around you who's around you success or not depend who's around you
散播谣言 散播谎言
自导自演
简直一派 胡言
满口谎言 贪得无厌
打马虎眼
他妈的 讨厌
缺德的钱奴才 自欺欺人
博取众人的 信任
获得 权力 地位
刻薄他人
炫耀权威
I dont know what you did to get them boosted
I dont know what you did to make them lose it
Who the hell are you
What the hell are you
Time will reveal the true you
Its ok ignored me
Im just a somebody fak u bic
啊气
是谁说你坏话
啊气
到底是谁说你坏话
Check 1 2 走投无路
被人搞得糊涂
所以我创出江湖
反口覆舌 变化无穷
信用 是何物也
暗箭中人 出口伤人
Feeling it oh yeah
前后 一个样
面具款式 各种各样
Faking for the the rest of ya life
ya think is really nice?
我的背后 渐渐插着那么多的箭
暗里度过的夜 是否让我 学会了奸
别怪我无情 这痛 痛的不只一天
痛得不再有感觉 仿佛 我成了仙
Yo
Eyes on a wheelchair
Judgemental mindset
Feed with the illusion facts
Acts speak louder
Or the words speak louder?
Do you really care one another?
fulfilling the role of an elder?
顶, 神又是你 鬼又是你
Seriously, I don't give a FART! Ops..
Nah, I didn't curse with the word fuck.
Oh fuck I just did it..
Oh yea, me as a fucking believer and a fucking educator, I shouldn't use the word fuck,
Yea right, you fucking hypocrite are too fucking free to fuck people around, repent your sins before is too late mother fuckers!
啊气
我没有伤风感冒
啊气
是否又被无理取闹
Check 1 2 走投无路
被人搞得糊涂
所以我创出江湖
啊气
是不是你说我坏话
啊气
怎么你又说我坏话
Check 1 2 走投无路
被人搞得糊涂
所以我创出江湖
____________________________________________________
KOUJEE EDUTAINMENT Present
Director KOUJEE | Writer KOUJEE | Film Producer KOUJEE | Video Editing KOUJEE | Video Colouring KOUJEE | Character Design KOUJEE | Art KOUJEE | Album Design KOUJEE | Music Composing KOUJEE | Lyrics KOUJEE | Record Producer BROO PRODUCTION |
Cast KOUJEE as Koujee | DEEKA as Back Packer | MARVIN as Ghossiper 1 | SIMON as Ghossiper 2 | FEEDER as Ghossiper 3 | JUN LEONG as Ghossiper 4 | POOI YAN as Whisperer | HUIBY NGAN as Aunty 1 | OLIVIA ONG as Aunty 2 | SARAH SHU as High Schooler | SAMUEL CHER as Blinded Man 1 | VICTOR TONG as Blinded Man 2 | HUIBY as Blinded Woman 1 | SANDRA BOON as Blinded Woman 2 | TEDDY / GATSBY as Koujee's Cat | Photography CASH STUDIO | Production Design KOUJEE EDUTAINMENT | Image Consultant FAYE LAI | | Videoed by DAVE CHAN/ VICTOR TONG/SAMUEL CHER/ ANDREW LEE/ SANDRA BOON | Koujee's MakeUp & Hair Do FAYE LAI | Ghossiper's MakeUp FAYE LAI | Whisperer's MakeUp SHAN SHAN | Koujee's Hair Sponsor S KONCEPT HAIRZON / WAJASS | Venue by CUPCAT IMAGE / MEGA STAR ARENA | Dance by MUSTANG DANCE ACADEMY/ ORI'BOND DANCE BOXX STUDIO | Props Team KOUJEE / FAYE LAI | Spiderman Mask MK Tong | Floor Manager SAMUEL CHER | Floor Assistant SARAH SHU | F&B Sponsor GARAGE 51 | Printing Sponsor SINCERE SERVICE GROUP |
stairs design 在 190 Stairs ideas | stairs, house design, staircase design 的推薦與評價
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