💕「愛台灣,我的選擇」系列第13發:金鐘獎節目主持人阮安祖 Andrew Ryan保存台灣故事和記憶的聲音
「我在美國西北大學學華語,當時就深深愛上這個語言。1994年夏天我跟著『哈佛世界教學計劃』到了上海,當時上海才剛開了第一家麥當勞。大學畢業後,我想繼續進修華語,但我也想到台灣看看,所以我在1996年申請了傅爾布萊特獎學金來台灣教英文,並研究台灣的英語教學環境。
我第一年在台灣時遇到一對荷蘭夫妻,他們問我打算在台灣待多久,我說一年,他們聽了哈哈大笑說,等你遇到那些也說只待一年的人就知道了。一轉眼我已經在台灣20年了。我在1999年1月開始在中央廣播電台工作。我曾經到北京教鞏俐一年英文,但她後來沒有演出那個角色,那是在她演出《藝妓回憶錄》之前。鞏俐和史蒂芬·史匹柏會面時我剛好也在北京,她後來去了好萊塢,我也回到台灣繼續在中央廣播電台工作。
在北京待過、聽過北京的聲音之後,我回到台灣,重新感受並聆聽台灣的聲音,那個時候,我第一次從心底油然而生,一種在我去中國前沒有的感受,我覺得:「我到家了」。於是我開始思考廣播電台的獨特性,以及如何做一個最適合電台的節目。電台不是電視節目,不是一本書,也不是一首詩或是視覺藝術,而是聲音,這就是我製作「Sound Postcards聲音明信片」廣播節目的起源。
台灣有些聲音還是跟以前一樣,有些聲音則因為人事更迭而消失,但還是有一些古早時期流傳下來充滿台灣故事和記憶的聲音,這些傳統的聲音是我真正想要保存下來的。人們總是拿著手機拍照,但是紀錄台灣的聲音對我來說是一種看世界的獨特方式。
談到台灣的廣播電台,我覺得最有趣的就是地方電台,就像計程車上會聽到有人唱卡拉OK那種。有一次我在屏東訪問摘鳳梨的果農時,他們也開著廣播聽,聽他們最喜歡的原住民音樂。像這種地方電台,我以為現在已經沒有了,沒想到還持續存在。我剛到台灣時去上了華語課,有一堂課叫做新選廣播劇,基本上是以警廣的廣播劇來進行教學。16年後我也製播了一個廣播劇,並獲得廣播金鐘獎。」
⭐️阮安祖是中央廣播電台節目主持人兼製作人,曾獲得3座廣播金鐘獎和1座電視金鐘獎。他的廣播與電視節目以中英雙語進行。
⭐️欣賞安祖的《聲音明信片》(現為《貼緊台灣的洋耳朵》): https://en.rti.org.tw/radio/programView/id/710
💕Why I chose Taiwan #13 – Award-winning host Andrew Ryan’s journey to discover the voices and memories of Taiwan
"I studied Chinese in college at Northwestern and fell in love with the language. Then I went to Shanghai the summer of 1994 with the Harvard WorldTeach program. The first McDonald’s had just opened in Shanghai that summer. When I graduated from college, I wanted to continue learning Chinese but I was interested in coming to see what Taiwan was like.
I came to Taiwan in 1996 as a Fulbright Fellow teaching and doing research on Taiwan’s English teaching environment. The first year I was here, I met a Dutch and American couple and they asked me, 'How long are you gonna be here in Taiwan?' and I said, 'A year.' and they both laughed and said, 'Wait until you meet all the other people who said they would just be here a year.' And here I am 20 years later.
I started working at RTI in January 1999. I actually went to Beijing for a year to teach English to 鞏俐 Gong Li, the Chinese movie star. It was for a role that she did not end up doing, just before Memoirs of a Geisha. I was actually in Beijing when she met with [Steven] Spielberg. When she went to Hollywood, I came back to Taiwan to return to my job at RTI.
After having been in Beijing and hearing the sounds of Beijing, then coming back to Taiwan and hearing Taiwan with fresh ears, for the first time, I felt like I was sharing a collective sound experience, a feeling I hadn’t had before I went to China. And I felt like: 'This is home.' I started thinking a lot about radio and how to do a show that’s perfectly suited to radio: it couldn’t be a tv show; it couldn’t be a book; it couldn’t be a piece of poetry or a work of visual art. That was what inspired me to start doing Sound Postcards.
Some sounds have been consistent in Taiwan. Some have disappeared because life has changed. But there are still traditional sounds from an older way of life that contain stories and memories of people in Taiwan. Those are the ones that I really want to preserve. People walk around taking pictures of things with the cameras on their phones. But the process of recording the sounds of Taiwan is really a special way of looking at the world.
And when I think about radio, for me the most exciting radio in Taiwan is the local radio. Like taxi driver radio where you can hear somebody singing karaoke. I interviewed these pineapple pickers in Pingtung. They had the radio on and they were listening to the music they love, indigenous music. Such local radio, I would have thought would be gone by now, but it’s still there. When I first came to Taiwan and I was taking Chinese, one of the classes I took was called New Radio Plays. It’s essentially like lessons built on actual radio plays that were played on Police Broadcasting Service. 16 years later I actually wrote a radio play that won a Golden Bell Award."
⭐️ Andrew Ryan is a host and producer with Radio Taiwan International. He is the recipient of three broadcasting Golden Bell Awards and one Television Golden Bell Award. He broadcasts and hosts television shows in both English and in Mandarin.
⭐️ Check out Andrew's Sound Postcards/ Ear to the Ground here: https://en.rti.org.tw/radio/programView/id/710
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ผมไม่ได้ไปร่วมชุมนุมในวันที่ 14-15 ตุลาคม ที่ผ่านมา เพราะก่อนหน้านี้ผมไปชุมนุมบ่อย และที่บ้านก็ทัดทานเอาไว้หลายครั้งว่าอย่าไป อย่าทำให้ตัวเองและครอบครัวเดือดร้อน
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แต่การไม่ได้ไปสองวันที่ผ่านทำให้ผมรู้สึกเหมือนมีชะนักติดอยู่ในใจ มันเหมือนเวลาเราดูหนังสงคราม แล้วเพื่อนทุกคนหยิบดาบจับปืนไปรบกันหมด เหลือแต่เราที่ไปไม่ได้ ...จะด้วยเหตุผลอะไรก็แล้วแต่...มันทำให้ผมรู้สึกผิดมาก
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พอรู้ว่าจะมีการชุมนุมวันนี้อีกวัน ผมเลยคิดว่า เออ...เราอยากไป...อยากชดเชยสิ่งที่เพื่อน ๆ ทำไว้เมื่อสองว...
Continue ReadingI didn't go to the congregation on October 14-15th, since I went to gather more often and at home, I have decided not to go. Don't bother myself and family.
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But not going to the last two days makes me feel like I have a chance to be stuck in my mind. It's like when we watch a war movie and all friends pick up swords and fighters. There are only reasons we can't go... It makes me feel so guilty.
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When I knew there would be another gathering today, I thought, um, we wanted to go... I wanted to make up for what friends did two days ago.
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I drove through Chidlom station from 3 pm. I saw the police set up a police station, messing up and investigating from many directions. I saw that I was taking control of all the rules from 2 pm. I was still talking to friends. Today, I should be Moob. I'm ′′ pouring Let me come to watch.
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After stirring until Siam, around 4 o'clock, eating and working. Waiting for news about how we are going to do it. Mob announces really postponed. Made an appointment at 5 o'clock, but moved to close to Pathumwan. ...
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I walked from Paracetamol to the middle of the intersection with Kerry, sound, and the speaker. And the people stood down. But it wasn't like two days ago. From the angle where I stood from the stereo for 20 Meters. People are watching from the corner. Very few. (Let's see the picture behind the side where there are many people. It's the road in front of Bunchak
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Standing to listen to the speech. The atmosphere is normal. The first time, it seems to be a smooth talk. But there is a sound. There is a sound in the moment that ′′ go out ′′ from the side of the Suphai field. I guess I'm going to chase the agent. I'm trying to break through, normally someone gives me free drinking water. I accept it without knowing it will save my life later....
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It's raining while it's raining. I'm standing in the rain and working in the middle of the Mop (imitation of Northern Netanya). Sister, the lady pokes me, ′′ Do you want a rain coat? I bought it for those who don't have it. ′′ Which I also accept. Thank you very much.
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Talking to his sister, standing behind me, makes me look at the back road (in front of paragon). I see the emergency light far away..... Do you think it's an emergency vehicle? I don't know how to feel... so I went to see it.
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I walked closer to the emergency light in front of Paragon. I saw a man standing in front of the board, turning to the Ratchadraphaphat crossroads. And I found a lot of police, standing in front of the board in the formation, preparing to invade the back. There was a majestic water in the back. With a megaphone order all the time.
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I was shocked, ran back to the spot where I was standing assembly and shouted, ′′ The water car comes! The water car came!" The people who listened for the first time. Most of them were shocked. I couldn't do anything right. I passed about 5 seconds until I started to move. It's broken now.
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The biggest dharma puzzle in my life today is when I came running back to tell the news and thought it's okay. I sent the news and someone found out.... and I ran back to the front line of the point.... Why did I run.....
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While going back, I heard a megaphone. ′′ Give the demonstrators 3 minutes to leave the area
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Come back this time, vertical. Let's get the demolition like a shield. Prepare to get water from the water car. Sparta warrior in the movie 300 with a little ironing. There is a noise from the telephone. Counting down. My heart is beating like a battlefield.
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10.... Damn. What do I do?
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9.... They will be positive.
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8.... Damn went to push the fence with him.
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7.... I shouldn't be okay. You won't be healthy. You
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6.... Let's take a video!
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Taken my mobile phone camera and took it on the roadside. Not on the road.
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3... 2... 1 Police move in vs Demonstrators
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First round of sprinklers - second round. Federal station, no problem. The demonstrators are shouting. Happy to shoot around three times. Straightly hit the demonstrators. I watched the time they defeated the riot in the abroad. The water pressure was very high. I got the body blown away.
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Demonstrators still stand. Water car. Change water color. Injection color to blue. Shooting at the demonstrators in mind. I wonder why they changed colors?.... But in the middle of the road, they were pushed for minutes. The situation is very disturbing. It seems like they saw the person. Snatch the shield from the police and use it to push the police.
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A while back, some demonstrators joined the metal fence to the forefront. But it wasn't much, but it wasn't much. The demonstrators retreated and broke down from where I was standing for a while. The car was injected with the footprint. Made the front of me crack. I was in the second row. I took a water car and shot it. Now it's in my head. Face in my mouth.
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I got water for 2-3 seconds. I feel pain in my eyes and face. Someone said that it's mixed with tear gas. So I took the water bottle that they gave away when I listened to it. I washed my face but I had less oil because I ate and divided other people. So I escaped into Siam. There was a person standing and watching in Siam. It was about 20 people from the point of the vagina. There was a woman shouting ′′ There was water in the water. If anybody got gas, I could wash my face
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I have a sister. The old one was around the corner and said that ′′ you need to wash it off, you have been left before. It will have long term consequences
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I tried to wash as much as I could and ran out of the area. Keep my life in the next battle. We will fight for a long time.
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Ps. Found out later that blue is injected to identify the demonstrators to easily catch. Clear water is a chemical mix of eye pain.Translated
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Black Panther 導演悼念 Chadwick Bosemen 極度真摯的一封信。極度令人感動。What a great man. Calm, assured, always studying. Just like me.
Before sharing my thoughts on the passing of the great Chadwick Boseman, I first offer my condolences to his family who meant so very much to him. To his wife, Simone, especially.
I inherited Marvel and the Russo Brothers' casting choice of T'Challa. It is something that I will forever be grateful for. The first time I saw Chad's performance as T'Challa, it was in an unfinished cut of Captain America: Civil War. I was deciding whether or not directing Black Panther was the right choice for me. I'll never forget, sitting in an editorial suite on the Disney Lot and watching his scenes. His first with Scarlett Johansson as Black Widow, then, with the South African cinema titan, John Kani as T'Challa's father, King T'Chaka. It was at that moment I knew I wanted to make this movie. After Scarlett's character leaves them, Chad and John began conversing in a language I had never heard before. It sounded familiar, full of the same clicks and smacks that young black children would make in the States. The same clicks that we would often be chided for being disrespectful or improper. But, it had a musicality to it that felt ancient, powerful, and African.
In my meeting after watching the film, I asked Nate Moore, one of the producers of the film, about the language. "Did you guys make it up?" Nate replied, "That's Xhosa, John Kani's native language. He and Chad decided to do the scene like that on set, and we rolled with it." I thought to myself, "He just learned lines in another language, that day?" I couldn't conceive how difficult that must have been, and even though I hadn't met Chad, I was already in awe of his capacity as actor.
I learned later that there was much conversation over how T'Challa would sound in the film. The decision to have Xhosa be the official language of Wakanda was solidified by Chad, a native of South Carolina, because he was able to learn his lines in Xhosa, there on the spot. He also advocated for his character to speak with an African accent, so that he could present T'Challa to audiences as an African king, whose dialect had not been conquered by the West.
I finally met Chad in person in early 2016, once I signed onto the film. He snuck past journalists that were congregated for a press junket I was doing for "Creed," and met with me in the green room. We talked about our lives, my time playing football in college, and his time at Howard studying to be a director, about our collective vision for T'Challa and Wakanda. We spoke about the irony of how his former Howard classmate Ta-Nehisi Coates was writing T'Challa's current arc with Marvel Comics. And how Chad knew Howard student Prince Jones, who's murder by a police officer inspired Coates' memoir Between The World and Me.
I noticed then that Chad was an anomaly. He was calm. Assured. Constantly studying. But also kind, comforting, had the warmest laugh in the world, and eyes that seen much beyond his years, but could still sparkle like a child seeing something for the first time.
That was the first of many conversations. He was a special person. We would often speak about heritage and what it means to be African. When preparing for the film, he would ponder every decision, every choice, not just for how it would reflect on himself, but how those choices could reverberate. "They not ready for this, what we are doing…" "This is Star Wars, this is Lord of the Rings, but for us… and bigger!" He would say this to me while we were struggling to finish a dramatic scene, stretching into double overtime. Or while he was covered in body paint, doing his own stunts. Or crashing into frigid water, and foam landing pads. I would nod and smile, but I didn't believe him. I had no idea if the film would work. I wasn't sure I knew what I was doing. But I look back and realize that Chad knew something we all didn't. He was playing the long game. All while putting in the work. And work he did.
He would come to auditions for supporting roles, which is not common for lead actors in big budget movies. He was there for several M'Baku auditions. In Winston Duke's, he turned a chemistry read into a wrestling match. Winston broke his bracelet. In Letitia Wright's audition for Shuri, she pierced his royal poise with her signature humour, and would bring about a smile to T'Challa's face that was 100% Chad.
While filming the movie, we would meet at the office or at my rental home in Atlanta, to discuss lines and different ways to add depth to each scene. We talked costumes, military practices. He said to me "Wakandans have to dance during the coronations. If they just stand there with spears, what separates them from Romans?" In early drafts of the script. Eric Killmonger's character would ask T'Challa to be buried in Wakanda. Chad challenged that and asked, "What if Killmonger asked to be buried somewhere else?"
Chad deeply valued his privacy, and I wasn't privy to the details of his illness. After his family released their statement, I realised that he was living with his illness the entire time I knew him. Because he was a caretaker, a leader, and a man of faith, dignity and pride, he shielded his collaborators from his suffering. He lived a beautiful life. And he made great art. Day after day, year after year. That was who he was. He was an epic firework display. I will tell stories about being there for some of the brilliant sparks 'till the end of my days. What an incredible mark he's left for us.
I haven't grieved a loss this acute before. I spent the last year preparing, imagining and writing words for him to say, that we weren't destined to see. It leaves me broken knowing that I won't be able to watch another close-up of him in the monitor again or walk up to him and ask for another take.
It hurts more to know that we can't have another conversation, or Facetime, or text message exchange. He would send vegetarian recipes and eating regimens for my family and me to follow during the pandemic. He would check in on me and my loved ones, even as he dealt with the scourge of cancer.
In African cultures, we often refer to loved ones that have passed on as ancestors. Sometimes you are genetically related. Sometimes you are not. I had the privilege of directing scenes of Chad's character, T'Challa, communicating with the ancestors of Wakanda. We were in Atlanta, in an abandoned warehouse, with bluescreens, and massive movie lights, but Chad's performance made it feel real. I think it was because from the time that I met him, the ancestors spoke through him.
It's no secret to me now how he was able to skilfully portray some of our most notable ones. I had no doubt that he would live on and continue to bless us with more. But it is with a heavy heart and a sense of deep gratitude to have ever been in his presence, that I have to reckon with the fact that Chad is an ancestor now. And I know that he will watch over us, until we meet again.
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