💕「愛台灣,我的選擇」系列第15發:臺虎董事長黃一葦(Peter Huang) 要讓臺虎精釀 Taihu Brewing成為台灣年輕人才發光發熱與實踐夢想的平台
「儘管我有著東方面孔,但我不是台灣人,家族根源也不在台灣。一直到我念大學時 (美國麻薩諸塞州的威廉斯學院,非常棒的學校),我才透過普林斯頓北京中文培訓班的機會,真正到東亞來闖蕩。
大學畢業之後,我埋首於數字和表格之間,精釀啤酒陪我撐過了這段辛苦的歲月。我的職涯始於紐約,但後來輾轉來到亞洲 (名義上是去新加坡,但主要是在印尼、緬甸和馬來西亞)。
在數字間打轉從來不是我的夢想。身為一個負責任且典型的千禧世代,我一直很想獨立開創自己的事業,如果能將個人興趣和創業機會相結合,那就太完美了。而精釀啤酒就是那完美的交集點!精釀工藝的精神我深有同感,這是一種對未來可能性充滿嚮往、不盲目接受現狀的精神;同時也代表著與一群優秀的人才,一起開發令人驚喜的產品,並打造屬於自己的社群。
成立臺虎精釀的契機出現之後,我立刻想到台灣。之所以選擇這裡,不是因為台灣文化很吸引人 (雖然確實是),不是因為台灣有著厚實的文化傳統 (雖然確實有),更不是因為台灣的好山好水。
我選擇台灣的主要原因是這裡遇到的人。很多人會說,人生中有兩個家庭,一個是你的原生家庭,另一個是你自己選擇的家庭。對我來說,那個我自己選擇的家庭,似乎就在台灣。
臺虎精釀的商標 (由台灣傑出設計師Jess Lee設計) 由老虎、啤酒花和葫蘆三個元素組成,葫蘆是古代盛酒的容器。
葫蘆就不需要多加解釋了,但啤酒花是當代精釀啤酒的基石,代表著創新創意的精神。事實上,我們使用的絕大多數啤酒花都來自美國,畢竟美國是精釀啤酒的中心 (過去20年一直都是)。美國的啤酒花產業 (還有麥芽產業) 可以說是世界之最,也難怪經典IPA啤酒中最受歡迎的啤酒花都來自美國。
商標中的老虎是為了向早期台灣作為「亞洲四虎」(亞洲四小龍) 的年代致敬。當年台灣經濟快速起飛,產業朝氣蓬勃,民眾無不對未來充滿樂觀和期待。
老虎代表的正是那樣的生機勃勃、神采煥發。臺虎167名員工幾乎都是台灣人。我們認為,與其說臺虎是一個釀酒廠,不如說臺虎是讓台灣年輕人才發光發熱、實踐夢想的平台。
我們的目標是吸引並培育人才,最終目標希望能夠在台灣發展出欣欣向榮的創業生態圈。Sway是我們成立初期的成員,她一開始是在吧台工作,非常優秀。在小公司工作的好處就是,你可以盡你所能所想去做,Sway後來開始慢慢接觸進口通關業務,現在是我們全球物流的主管 (很不簡單)。
也許有一天,她會開創自己的事業,進而將這份育才的信念在台灣新創圈繼續傳承下去。」— 臺虎董事長黃一葦 Peter Huang
💕Why I chose Taiwan #15 – Taihu Brewing Founder Peter Huang leads Taihu to become a platform for Taiwan young talents to carry out their dreams and express themselves
“Despite appearances, I’m neither Taiwanese nor have roots here. It took college (Williams College in Massachusetts – phenomenal place), to really bring me out to East Asia via Princeton’s immersion program in Beijing.
Post-graduation, I paid my dues shuffling numbers around in a spreadsheet. Craft beer made it bearable-ish. Working life began in New York, but ultimately landed me in Asia (nominally Singapore, primarily Indonesia, Myanmar, Malaysia).
Shuffling numbers was not the dream. So, as a responsibly stereotypical millennial, I had an urge to venture out on my own. Ideally, to try something at the intersection of opportunity and interest. Craft beer! The craft movement itself struck a chord - a yearning for what could be, rather than blind acceptance of what is. It is about building communities around delightful products and, critically, wonderful people.
When the opportunity to start Taihu appeared, my mind immediately went to Taiwan. Not necessarily because the culture is fantastic (though it is), nor because it has a strong cultural heritage (though it does), and not even because the island itself is a magical composition of mountains meeting oceans.
Ultimately, I chose Taiwan because of the people I met here. There’s a tired trope that you get two families in life, the one you’re born into and the one you choose. For me, that chosen family, well, it seemed like it could be in Taiwan.
Taihu Brewing’s logo (designed by brilliant local artist, Jess Lee) is comprised of a tiger and hops within a hulu (traditional Chinese alcohol vessel).
The hulu needs no explanation, but hops are the cornerstone of modern craft beer. They represent the innovation inherent in the space. In fact, the vast majority of the hops that we use are from the United States. Since the US is the epicenter of craft brewing (and has been over the last twenty years), the American hop industry (malt too, actually) is arguably the best in the world. It is for good reason that the most popular hops in category-defining IPAs are American.
The tiger is a nod to an earlier era when Taiwan was one of the “Four Asian Tigers.” Taiwan’s meteoric economic rise was accompanied by deterministic optimism, vibrancy, and general excitement about the future.
The tiger represents that energy. That sense of opportunity, positivity, and hope. Taihu’s 167 employees are almost entirely Taiwanese. Internally, we think of Taihu as more of a platform for young Taiwanese talent than as a brewery, a medium for that energy to express itself.
Our goal to attract and develop talent with the ultimate goal of developing the burgeoning entrepreneurial ecosystem here in Taiwan. One of our earliest team members, Sway, came on board as a bartender -- a fantastic bartender. At a small company, you do what you can, where you can, and Sway ended up taking up some of the slack in our logistics. Now she runs all of Taihu’s international supply chain (no small feat).
With luck, one day she’ll be running her own successful Taiwanese business, and, in doing so, perpetuate the cycle.” — Peter Huang, founder of Taihu Brewing
同時也有3部Youtube影片,追蹤數超過12萬的網紅ClumsyCynthia 黃可樂,也在其Youtube影片中提到,we filmed another video! https://youtu.be/F2HAHsTXy2A ▼ You can also find me here! ▴▴▴▴▴▴▴▴▴▴▴▴▴▴▴▴▴▴▴▴▴▴▴ » Instagram: https://bit.ly/2QRx52C » Dr...
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和各位球迷分享彥青在阪神加盟的新聞,給大家搶先看阪神版的彥青😆
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https://www.daily.co.jp/tigers/2017/11/07/0010712255.shtml
By 冒著被老闆火掉風險也要先發文的Y編
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<<冒用亞裔姓名而獲詩作入選所引發的軒然大波
A White Poet Borrows a Chinese Name and Sets Off Fireworks>>
New York Times, Sept. 8th (by Jeniifer Schuessler) -- This year’s edition of the anthology “Best American Poetry” has come under criticism for including a poem by a white poet writing under a Chinese pseudonym, touching off intense online debate about diversity, inclusion and racial entitlement in the poetry world.
在收錄了一名用中文筆名寫作的白人詩人的作品後,今年的《美國最佳詩作》選集受到不少責難。此事在網路上引發了詩壇中關於多樣性、包容性和種族特權的熱烈討論。
“The Bees, the Flowers, Jesus, Ancient Tigers, Poseidon, Adam and Eve” was submitted to the anthology, published on Tuesday by Scribner, by a little-known poet named Michael Derrick Hudson, under the pseudonym Yi-Fen Chou. After the poem’s selection, Mr. Hudson revealed his identity to the volume’s editor, Sherman Alexie, who decided to include it anyway, along with a note explaining the use of the pseudonym.
默默無聞的詩人Michael Derrick Hudson用周一峰(Yi-Fen Chou)作為筆名,向《美國最佳詩作》投稿了自己的作品《蜜蜂、鮮花、耶穌、古代的老虎、波塞頓、亞當和夏娃》。詩選由出版社Scribner於週二刊出。作品入選後,Hudson對《美國最佳詩作》主編Sherman Alexie表明了自己的真實身份,並附上對使用這一筆名的相關解釋。結果Alexie依然決定收錄這首詩。
In an essay on the Best American Anthology blog on Monday, Mr. Alexie, a Native American, defended his decision, saying he had paid closer attention to the poem because of the author’s name — a kind of “racial nepotism,” he said — but ultimately chose it because he liked it.
週一,身為土生土長美洲人的Alexie在《美國最佳詩作》部落格上發文為自己的決定辯護,他聲稱因為作者的名字,他給與了這首詩更多關注─他表示,這是一種「種族裙帶行為」─但選擇那首詩的最終原因是自己喜歡。
When Mr. Hudson revealed his use of a pseudonym, Mr. Alexie wrote, he debated how to deal with this instance of “colonial theft,” but decided that dropping the poem “would have cast doubt on every poem I have chosen” and “implied that I chose poems based only on identity.”
Alexie寫道,當Hudson表明自己用的是筆名時,他考慮過該如何處理這起「殖民盜用」事件,但後來下定決心,認為放棄這首詩「會讓我對選出來的每首詩產生懷疑」,並「意味著我只是根據作者的身份來選詩。」
“I hadn’t been fooled by its ‘Chinese-ness’ because it contained nothing that I recognized as being inherently Chinese or Asian,” Mr. Alexie wrote.
「我並沒有被它的『華人元素』給欺騙,因為它並沒有包含在我看來是華人或亞裔固有特色的成分,」 Alexie如此表示。
Mr. Hudson, who works as an indexer at the Allen County Public Library in Fort Wayne, Ind., did not answer messages requesting comment. But in the biographical note in “Best American Poetry,” he explained that he often sent poems out under the name Yi-Fen Chou.
Hudson在印第安那州韋恩堡的艾倫縣公共圖書館當索引編輯員,而他並沒有對於被提出的要求做任何回覆及評論。但在《美國最佳詩作》的簡介中,他解釋自己經常用周一峰的筆名投稿其詩歌創作。
“As a strategy for ‘placing’ poems this has been quite successful for me,” he said, noting that “The Bees” had been rejected 40 times under his own name but only nine times under the pseudonym before it was printed by the journal Prairie Schooner.
他認為「作為一種讓詩作『入眼』的策略,這個辦法對我來說相當成功,」,並指出自己用真實姓名寄出《蜜蜂》後被拒絕了40次,用筆名只被拒絕了九次,然後就在期刊《草原篷車》上被刊登了。
“If indeed this is one of the best American poems of 2015, it took quite a bit of effort to get it into print,” Mr. Hudson wrote. (Poems under his own name have appeared in numerous journals, including Poetry, this year.)
Hudson還這麼寫著「如果說這真的是美國2015年最好的詩作之一,那為了要刊登它還真是費了些功夫,」。(今年,以他真名署名的詩作出現在了包括《詩歌》[Poetry]在內的眾多期刊上。)
Mr. Hudson’s blunt explanation drew outrage and ridicule online. “Never thought I’d see poets using yellowface to get published in 2015 but here we are,” Saeed Jones, a poet and the literary editor of Buzzfeed, said on Twitter. Jezebel ran a post under the headline “If You’re a White Man Who Can’t Get Published Under Your Own Name, Take the Hint.”
Hudson這般露骨的解釋在網路上引發了憤怒和嘲諷兼有的一陣論戰。「從來沒想過,到了2015年居然會看到詩人為了能發表作品而假裝自己是黃種人,但現在還真就看到了,」本身也是詩人的Buzzfeed文學主編Saeed Jones在Twitter上如此表示。Twitter上的另一個帳號Jezebel也發表了一篇文章,標題是《如果你是用真名發表不了作品的白人,看這裡》。
Ken Chen, a poet and executive director of the Asian American Writers Workshop, said Mr. Hudson was guilty of “cynical mischief” in the service of a “reactionary fantasy.”
同樣身為詩人的亞裔美國作家工作坊行政總監陳聖為(Ken Chen)表示,Hudson利用「反動幻想」的做法是犯了「虛偽惡作劇」的錯誤。
“He believes that he’s being cheated, and things will only improve if writers of color are virtualized away,” Mr. Chen said in an interview. “If only they didn’t really exist, and were just white guys with pseudonyms.”
「他以為別人在作弊,只有當有色人種作家被虛化掉,情況才會有所改善,」陳聖為在接受採訪時說。「他們其實並不存在,都是用了筆名的白人就好了。」
Rigoberto González, a poet who teaches at Rutgers University, Newark, said that Mr. Hudson had inadvertently “given a language to the anxiety that’s out there” among nonwhite writers: that they are included as tokens.
在紐華克羅格斯大學任教的詩人Rigoberto González認為,Hudson無意之間讓非白人作家「本已存在的焦慮具現化了」:他們是作為一種象徵被接納的。
“He’s buying into this notion of ‘I’ll be noticed because I have this ethnic name,’ ” Mr. González said. “But that’s what many writers of color are trying to avoid. We just happen to have ethnic names. But we are getting published because we are also good poets.”
「他相信『我會因為用了這個有種族特色的名字而被注意到』的觀念,」岡薩雷斯說。「但這正是很多有色人種作家在努力避免的。我們只是碰巧擁有了有種族特色的名字。我們的作品能發表是因為我們也是優秀的詩人。」
On Twitter on Monday, Mr. Alexie found a silver lining, writing, “I’m exhausted by the Best American Poetry mess, but wow, how cool that so many people are crazy-passionate about poems.”
週一的時候,Alexie還從這件事上發現了亮點。他在Twitter上寫道,「被《美國最佳詩作》的爛攤子搞得精疲力盡,不過話說回來,哇,有這麼多人對詩歌有著瘋狂的熱情真是太酷了。」
Mr. González, however, said that including Mr. Hudson had distracted from the anthology.
然而,González表示,收錄Hudson作品這件事轉移了人們對《美國最佳詩作》本身的注意力。
“There are good poems and other new names in the anthology, but all we’ve been hearing about is this guy,” Mr. González said. “It’s really a shame.”
González說「選集中有不少優秀的詩歌和其他一些新秀,但我們聽到的所有討論都是關於這一個人的,」他認為這樣「真的很遺憾。」
#高雄人 #學習英文 請找 多益達人 林立英文
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歡迎來到我在網路上的cozy角落
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▼ What I use 拍攝相關
» 相機: Canon M50
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Music by Carter Vail - Tigers on Trains - https://thmatc.co/?l=858E5392
Music by Carter Vail - Melatonin - https://thmatc.co/?l=E58F3AB2
Music by Madeline Lauer - Breakfast - https://thmatc.co/?l=77680B83
deadman - Omae Wa Mou - https://www.youtube.com/watch?v=Ejv0Gk-mGko
Music by Eric Reprid - Don't Worry - https://thmatc.co/?l=17CB8385
Music by Gil Wanders - Poco Pico - https://thmatc.co/?l=2D7A8EEE
Music by Eric Reprid - Basement - https://thmatc.co/?l=15C8AAFF
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柏克萊大學 加州大學 柏克萊分校 UC Berkeley 經濟系
畢業季 畢業生 校園 校園傳說 留學心得 class of 2018
vlog 旅遊 旅遊日記 旅遊筆記 Travel vlogs diary spotify
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» 美國V.S.台灣工作經驗談:https://bit.ly/2HsCuWT
» 遠距日常:給男友的一週年驚喜!https://bit.ly/2JJB3IQ
» 畢業季!名校光環下的甘苦談 https://bit.ly/2LUh7zx
» 25件我在25歲學到的事 http://bit.ly/2WHCiut
» 香港崩潰一週VLOG http://bit.ly/2Q2VVe0
» 我的八坪香港公寓開箱 http://bit.ly/30g9kUM
» 一個人去香港迪士尼 http://bit.ly/32ZRRjx
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**可到中文版網頁下單~
(https://www.yesstyle.com/zh_CN/women.html)
Artlist //
http://bit.ly/2ky4ked (此為affiliated link, 大家可以多獲得2個月的訂閱!)
▼ 關於我 | About Me
我是Cynthia 黃可樂,正值年過20半的尷尬年紀
歡迎來到我在網路上的cozy角落
If no one has told you this yet, you’re beautiful :)
▼ What I use 拍攝相關
» 相機: Canon M50
» 剪輯軟體: Final Cut Pro X
» Ending Music: Eric Reprid, Basement - https://thmatc.co/?l=15C8AAFF
» LOGO設計:writehanded2.0 - https://bit.ly/2wLIObQ
» Music used:
Music by Madeline Lauer - Breakfast - https://thmatc.co/?l=77680B83
Music by Carter Vail - Melatonin - https://thmatc.co/?l=E58F3AB2
Music by Jonny Boston - Ray's Idea - https://thmatc.co/?l=B91F8F3C
Music by frumhere, kevatta - warm feeling - https://thmatc.co/?l=6E210A1C
Reneé Dominique - It's Been A Long Long Time (cover) - https://www.youtube.com/watch?v=Bs6BLyTO4d8
Music by Carter Vail - Tigers on Trains - https://thmatc.co/?l=858E5392
Music by Gil Wanders - Dreams - https://thmatc.co/?l=2B7A8BC8
Music by no suits - Blue Jeans - https://thmatc.co/?l=EDA2B4AB
Music by Eric Reprid - Basement - https://thmatc.co/?l=15C8AAFF
▼ key words 關鍵字
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黃可樂 生活vlog 留學 美國留學 美國工作簽證
美國找工作 美國求職 H1B 找工作 實習 面試 美國簽證
Cynthia 台灣 美國留學生 遠距離 日本 大阪 台灣 情侶
柏克萊大學 加州大學 柏克萊分校 UC Berkeley 經濟系
畢業季 畢業生 校園 校園傳說 留學心得 class of 2018
vlog 旅遊 旅遊日記 旅遊筆記 Travel vlogs diary spotify
香港工作 香港生活 Hong Kong HK Weekly VLOG
▼ Disclaimer:
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**This is not a sponsored video
tigers中文 在 ajin Youtube 的最佳解答
哈囉~我是阿津,歡迎來觀看我的遊戲實況直播影片( ´ω`)
PS3 Tokyo Jungle 東京叢林 トーキョー ジャングル 動作生存弱肉強食物競天擇
一款以崩壞的城市-東京為舞台的另類遊戲,在空無一人的都市裡,動物們為了繁衍生存下去而展開一場又一場的生存戰鬥。
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► 全部遊戲播放清單 http://goo.gl/DUs8Ar
► 各種生活動態都會貼在FB粉絲頁 http://www.facebook.com/tttd3
► twitch直播台 http://zh-tw.twitch.tv/kamiyu666
► 副頻道 http://www.youtube.com/user/kamiyu665
► 同系列影片清單在此 https://www.youtube.com/playlist?list=PLEzqZq_wDhpdb_awXY27Epae7fxMVxj59
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對影片有任何意見或建議,可以直接留言或寄信給我(°∀°)
►►訂閱頻道隨時接收最新影片動態
Some time in the twenty-first century, humankind is extinct, leaving animals to fend for themselves. The once busy streets of Tokyo are now home to lions, tigers, chickens, and various other animals. All of them are now fighting for survival.
tigers中文 在 [中文字幕]Miniature Tigers - Like or Like Like 的推薦與評價
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