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"When nothing seems to help, I go and look at a stonecutter hammering away at his rock perhaps a hundred times without as much as a crack showing in it. Yet at the hundred and first blow it will split in two, and I know it was not that blow that did it – but all that had gone before."
Jacob Riis
謝謝你們，我會記得只要願意許願，就會有流星😌
文字好有力量，像是對宇宙許願、幫我集氣⚡️
大部分的人兒素昧平生，卻願意花時間訊息，為我加油打氣。幾乎每一則都是含淚看完🥺你們是最溫暖的人兒，謝謝你們給我的能量
我會好好的🙃請別擔心
「一切都只是過程，你做的很好了」每天和自己說十遍
/
嘿 如果你也在低谷的話 想跟你說：你不孤單，你比想像中還強壯💪🏻
When Will Jesus Return for us?
““Now from the fig tree learn this parable. When its branch has now become tender, and produces its leaves, you know that the summer is near. Even so you also, when you see all these things, know that it is near, even at the doors. Most certainly I tell you, this generation will not pass away, until all these things are accomplished. Heaven and earth will pass away, but my words will not pass away. But no one knows of that day and hour, not even the angels of heaven, but my Father only.” (Matthew 24:32-36 WEB)
When Jesus said “no one knows of that day and hour,” a Jewish audience who knows the Old Testament (Torah) will see the connection with the Feast of Trumpets (Yom Teruah).
It is celebrated at the same time as Rosh Hashanah (the Jewish New Year).
The Bible says that on the Feast of Trumpets, the shofar (a cleaned-out ram’s horn) is to be sounded.
The Jews in charge of blowing the shofar would wait until the approximate date of the appearance of the new moon in the month of September, and watch intently, ready to blow the shofar once the first sliver of new moon is seen.
See this quote about Rosh Hashanah from Wikipedia:
“Since the time of the destruction of the Second Temple of Jerusalem in 70 CE and the time of Rabban Yohanan ben Zakkai, normative Jewish law appears to be that Rosh Hashanah is to be celebrated for two days, because of the difficulty of determining the date of the new moon.”
In other words, no one knows the day or hour of the new moon’s appearance—just like the Rapture!
See this quote too:
“The best-known ritual of Rosh Hashanah is the blowing of the shofar, a musical instrument made from an animal horn. The shofar is blown at various points during the Rosh Hashanah prayers, with a total of 100 blasts on each day. While the blowing of the shofar is a Biblical statute, it is also a symbolic "wake-up call", stirring Jews to mend their ways and repent. The shofar blasts call out: "Sleepers, wake up from your slumber! Examine your ways and repent and remember your Creator."”
Many Christians are mistaken that the Rapture happens at the last trumpet of the seven trumpets in the Book of Revelation. This would mean that the saints go through the Tribulation and are subject to God’s wrath that will be poured out on this world. However, this is not true.
“in a moment, in the twinkling of an eye, at the last trumpet. For the trumpet will sound, and the dead will be raised incorruptible, and we will be changed.” (1 Corinthians 15:52 WEB)
On the Feast of Trumpets, a hundred blasts of the trumpet are sounded. The final blast of the trumpet is the “last trump”. The moment the last trump is founded, we will be transformed. Our mortal bodies will be changed into glorified immortal bodies.
Christians who have already died are called “the dead in Christ” or “asleep”. Bring asleep suggests that it is a temporary state; that they will wake up again.
It is significant that the Jews see the blowing of the shofar on the Feast of Trumpets as a “wake-up call” to awake sleepers from their slumber.
“Many of those who sleep in the dust of the earth shall awake, some to everlasting life, and some to shame and everlasting contempt.” (Daniel 12:2 WEB)
The resurrection of the dead will begin with the dead in Christ: all Old Testament and New Testament saints who are saved through faith in Yahweh/Yeshua (Jesus). Their physical bodies which have decayed will be formed back from the dust of the earth, and their spirit will go back into the body. Then, they will be simultaneously transformed with us who are alive and remaining.
Whether or not the Rapture of the saints literally occurs on the Feast of Trumpets or not, we understand that this feast is a picture of the Rapture. If you do not like this term, then you can also call it “the great escape”, “the snatching away”, or “harpazo”.
An archangel will sound many blasts on a heavenly shofar, and at the last blast, we will be changed and be caught up to meet Jesus in the air. It will be a great reunion to see all your loved ones who are asleep at the moment. We will embrace each other amid the clouds, and finally see the Lord face to face.
Are you ready to be receive your new body and to meet the Lord? The return of the Lord is the blessed hope for every Christian, and the signs in this world seem to show that we are in the season of the Rapture.
Once the first sliver of the ‘new moon’ appears, Jesus will stand up and come to receive His bride. Be watchful and excited, for we are not waiting for death, but for our bodily redemption!
Join me on “A Tour of Heaven and Eternity”. Learn what happens when a Christian departs from this world, and even the geographical layout of Heaven as revealed in the Bible: https://bit.ly/heavenandeternity
(English is belowed)
最近翻照片翻到了2017年，我最愛的鼓手 Antonio Sánchez 帶著他的樂團 Migration 來台灣 河岸留言 演出，想起了之前我曾經翻譯過他的DVD "Master Series"的一段話，非常感動且給我很大的能量，但之前有被盜過帳號都不見了，於是決定再找出來聽打一次重新翻譯分享給大家。
也再次謝謝 河岸留言可以邀請這麼棒的樂團來台灣！！
如果不知道Antonio Sanchez是誰的，他是Pat Metheny band的鼓手，葛萊美獎得了好幾座，同時已經得了奧斯卡等N個獎項的電影 Birdman 「鳥人」，這部整部電影配樂只有鼓聲，所有鼓也都是他錄的。
-----------------------------------------
一些來自 Antonio Sanchez 對鼓手們的金玉良言 (出自他的 “Master Series” DVD )
最後一點我想要說的是，許多關於跟音樂以及音樂家共事的態度。
嗯，當我還在成長時，我總是夢想著可以在很棒、高聳、最大的場館，跟著大型樂團，以及最棒的音樂家們一起演出。 這夢想當然很棒，但你總是要從某些名不經傳的小地方當作你的起點。
突然之間，我意識到我正在小酒吧、小俱樂部、或是某家餐館、某個婚禮場演出 — 而且沒有人在專注聽你演奏，那時我覺得很沮喪而且覺得被冒犯了，舉例來說。我以前做很多婚禮場，而且在上面演奏「熱愛105度C的你」(註一) 上百次，演奏時心裡想「我在這邊銃三小？」、「快讓我離開這吧，殺了我吧，我可以演比這個帥一百倍以上的曲目！」於是，我在演奏時只想打卡下班，就沒有把我的專注放在音樂上面。
又或者某天，我在某間小酒吧演出，正在演奏搖擺樂，或者一些我真的很喜歡的音樂風格，但沒有人在注意聽我們演奏，大家都在看大銀幕上的棒球比賽。 我就想說「好吧，反正沒人在聽，我就把我昨天練功的招式都丟進去音樂吧。」而那時我只是胡亂的丟我練過的招式，並沒有在那個音樂裡面，我也沒有在聽其他音樂家演奏了什麼，不過也許其他音樂家有聽到我做的事情。
後來，當我幸運地得到了更多演出機會，而這些場合開始需要更高的難度，我了解到我的專心程度並不足以支撐這些高強度的場合。
舉例來說，當我在九零年代晚期開始跟Niels Pedersen一起做巡迴，那是個非常高強度的演奏，它是個三重奏，每次演出的晚上，我的腦袋好像快爆炸一樣，因為我並不習慣如此需要長時間專注程度的高難度演出，我才了解到我浪費了太多時間以前演奏的時候沒有把專注力放在音樂上。
我覺得，如果你有兩隻手、兩隻腳、而且可以演奏樂器，你已經夠幸運了。而我認為如果你現在正在某間酒吧、某個餐館、或是某個婚禮場作演出，而你可以把每一場演出當作好像是全世界最棒的演出、在最大、最美麗的場館，跟著最棒的音樂家一起演出，那我認為你正走在對的路上。因為你有把你的心放在音樂裡面，而且你給這些音樂跟音樂家他們所渴望的最棒的尊重，那麼我可以向你保證接下來會有很棒的事情降臨在你身上。
這就是我想說的，非常謝謝你們今晚的蒞臨，希望我們下次可以再見。
註一：原文是說演奏「La Mecarena」，９０年代的當紅歌曲。這邊為了年輕讀者，使用較貼近現在的105度C的你。
註二：Niels Pedersen 全名是 Niels-Henning Ørsted Pedersen (N.H.O.P.)，是從70-90年代活躍的傳奇的低音提琴手，演奏速度可以超級超級快又具備非常豐富的音樂性。
英文原文，因為是用聽打的，也許有少部分錯誤
Recently I found a picture that my favorite drummer
Antonio Sanchez and his band "Migration" touring in Taipei in 2017. And few years ago I've seen his DVD and felt so inspired from these words. I decided to translate it into Chinese to share with other Chinese drummers.
There's maybe little mistakes because English is not my mother language.
---------------------------------
Some wise words from my all-times favorite drummer Antonio Sanchez from his DVD - "Master Series".
And the last things I wanna said, hmm, has a lot to do with attitude to work with music and musicianships. Hmm, When I was growing up, I was always dreaming of playing in a nice, tall, the biggest stadium and the biggest band with the greatest musicians in this world. And that’s great except that we all have to start somewhere. And I, all of a sudden, I was playing in a little bar, or small pub, or some restaurant, or a wedding where nobody was paying an attention. And I really felt depressed and I felt violated. And for example, I’ve been played for a wedding gig, and I would be playing “La Marcaena” for a hundred times , and I would be like “What am I doing here ?”, “Get me out of here, shoot me, this is not for me, I’m so much better than this !”
And I was not putting my heart into it at all. When the next day, I would play in some small bar, I was playing maybe swing or something that I really like, but nobody was paying an attention. Everybody was looking at the screen, the baseball game. And I would be like “Well, nobody is paying an attention, then I just gonna playing practice whatever I was working on yesterday.” And I was NOT in the moment, I was not listening to what the other guys were playing. And maybe the other guys were listening to me.
So, when I luckily started getting better and better opportunities music-wise, and the situations start getting a little more the manling. I realized that I did not have the concentration I took for me to be able to deal with some of the situations. Uh, for example when I started to play with Niels Pedersen in the late 90s, it was a very tense gig , it was just a trio, and every night I would end would headache , because I was not used to have a lot of concentration and focusing that much, for that amount of time.
I realize that I’ve wasted a lot of time not being into the music not putting my heart into it. Because, I mean I really feel like if a, you have two arms, two legs, and you are able to play , you are lucky already. And I think if you are playing in some small restaurant, or wedding, or whatever. You treat that situation like the best gig in the world in the most beautiful opera house or the biggest stadium, and you treat you felt the musicians like the greatest musicians you could play with. I think you are on the right path. You put your heart into it, and you give the music and musicians the respect they deserved. Then I can assure you really good things are gonna happen to you. So that’s it for me, thank you so much for coming, hope see you next time.
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西洋音樂愛好者✨這裡不會有冗長的介紹文卻是個讓你挖歌的好地方😎
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Lyrics:
I spent way too long on the interstate
在公路上迷失了太久
Put a couple hundred miles on it yesterday
昨天好像跑了幾百英里
Only so many songs that I can sing yeah
陪伴我的只有我會唱的歌曲
By myself
獨自一人
Started daydreamin just to get away
開始做白日夢只是為了逃避現實
But I almost crashed the car so I hit the brakes
在車要被撞壞前勉強踩了刹車
Only so much distance that I can take yeah
我只能到這裡了嗎
By myself
就我一個人
Cause I’m feelin strange it makes my head hurt
百感交集 頭痛難忍
Wish you were here to make it better
倘若你在身邊 這一切不會發生
It’s not the same when you’re away from me
但你早已離我而去
Wishin I could be in the carpool lane
多希望我在車道上行駛
Got you right there sittin next to me
而你坐在我的身邊
We’d be passin everybody
我們風光地超越所有車輛
Goin a hundred and ten down the highway
沿著高速公路走了一百一十公里
Wishin I could be in the carpool lane
多希望我能和你再相見
Feet up on the dash sittin next to me
你像以前一樣把腳靠在儀錶板上
But you’re not here no one to hold me
但昔人已去 再也沒有擁抱我的人
It takes two wish it was me and you in the
多希望現在是你和我兩個人
Carpool lane, yeah
行駛車道上
Carpool lane, oh yeah
一邊飆車
Carpool lane
一邊享受我們的甜蜜
It takes two wish it was me and you
多希望能回到那段美好的時光
I see the sun’s goin down tryna get away
夕陽西下
And I can’t see straight through the pourin rain
大雨傾盆 蒙蔽了我的雙眼
Still, so many things that I need to say
我還有好多想和你說的事情
Need to say need to say yeah
需要說出口
Have I been drivin in the wrong direction
難道我從一開始就走錯了路嗎
I’ve been so caught up think I missed my exit
沉溺其中 無法自拔
It would’ve taken me right to you
此刻我們本該在一起的
Right to you you you
你本該在我身邊的
Cause I’m feelin strange it makes my head hurt
百感交集 頭痛難忍
Wish you were here to make it better
倘若你在身邊 這一切不會發生
It’s not the same when you’re away from me
但你早已離我而去
Oh no no
我好後悔
Wishin I could be in the carpool lane
多希望我在行駛車道上
Got you right there sittin next to me
而你坐在我的身邊
We’d be passin everybody
我們風光地超越所有車輛
Goin a hundred and ten down the highway
沿著高速公路走了一百一十公里
Wishin I could be in the carpool lane
多希望我能和你再相見
Feet up on the dash sittin next to me
你像以前一樣把腳靠在儀錶板上
But you’re not here no one to hold me
但昔人已去 再也沒有擁抱我的人
It takes two wish it was me and you in the
多希望現在是你和我兩人
Carpool lane, yeah
行駛車道上
Carpool lane, oh yeah
一邊飆車
Carpool lane
一邊享受我們的甜蜜
It takes two wish it was me and you
多希望能回到那段美好的時光
(Carpool lane)
好想和你一起
But you’re not here no one to hold me
但一切都結束了
It takes two wish it was me and you in the
多希望現在是你和我兩人 行駛在車道上啊
歌詞翻譯 : 馬龍
#ZacharyKnowles #Carpool #Lyrics #西洋歌曲推薦
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03:15 collapse 坍塌
03:24 high-rise 高樓大廈
03:41 The high-rise collapsed 這棟大樓倒塌了
03:54 11 people died in the collapse 倒塌意外中共11人死亡
04:07 崩落 Houraku
04:17 マンション Manshon
04:24 ンション崩落 Manshon houraku
04:47 붕괴 bung-goe
04:57 mansion 豪宅
06:10 condo 集合式住宅
아파트 붕괴 apateu bung-goe
09:37 missing 失蹤、下落不明
09:46 unaccounted for 失聯
09:51 Over a hundred people are still unaccounted for 逾百人仍失聯
10:00 account 帳戶
10:06 account 描述
11:39 Ask a question 問一個問題
12:14 There is nothing I can ask for 我已經不能再要求更多了
12:49 look at 看著
12:51 look into 調查、檢視
12:58 This is something we must look into 這東西我們必須好好調查
13:12 whereabout 下落
15:37 reach 聯繫
16:01 I can’t reach someone 我沒有辦法聯繫到某人
16:14 安否不明 Anpi fume
16:31 行方不明 Yukue fume
16:58 不明 fume
17:07 실종 siljong
18:43 survive 生存
18:58 I want to survive the finals 我想要熬過期末考
19:24 I survived the finals 我熬過期末考了
19:46 He survived two cancers 他從兩種癌症中痊癒了
19:57 倖存者 survivor
20:15 生存者 seizonsha
20:23 생존자 saengjonj
23:21 collapse 坍塌
23:25 崩落 Houraku
23:31 붕괴 bung-goe
23:41 missing 失蹤、下落不明
23:44 unaccounted for 失聯
23:59 I can’t reach him 我沒有辦法聯繫上他
24:10 安否不明 Anpi fume
24:24 行方不明 Yukue fume
24:29 실종 siljong
24:41 倖存 survive
24:44 倖存者 survivor
24:51 生存者 seizonsha
24:56 생존자 saengjonj
中英日韓四聲道
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哈佛知識分享: 做生意，七大困難選擇!
七條策略問題 Seven Strategy Questions《第四: 你公司要有邊「十誡」? 有什麼是不可做? 》
Steve Jobs 講過，"People think focus means saying yes to the thing you've got to focus on. But that's not what it means at all. It means saying no to the hundred other good ideas that there are. You have to pick carefully. I'm actually as proud of the things we haven't done as the things I have done. Innovation is saying no to 1000 things."
我完全贊成。Business is about making tough choices. 上三集就講咗 Who is your primary customer? ... 公司股東、顧客、員工，邊個行先? 追數，應追邊三條數?
今集我會同你探討第四個策略問題: What Strategic Boundaries Have You Set? 十誡都有講唔好殺人、唔好姦淫擄掠。 你公司又有邊「十誡」呢?
根據哈佛教授 Bob Simons 呢本書 Seven Strategy Questions，say No 嘅 boundary 有兩種。
1. 避免公司同事們做啲嘢會影響公司嘅聲譽
2. 避免浪費資源去做一啲嘢， 係同公司現有發展策略有衝突
先講一， 唔做影響聲譽嘅嘢!
例如，全球最大嘅零售商 Walmart， 由於佢專注樣樣嘢 來貨價一定要做到最平，行政人員係絕對唔可以接受任何供應商提供嘅禮物或 favors，not even a cup of coffee。 公司曾經試過炒咗個副總裁，因為佢接受咗個供應商請佢食飯 free meal. 同供應商唔建立 任何感情， 做到冷血，咁每個員工先至能夠摙供應商價摙到最盡。
又例如國際著名嘅顧問公司 McKinsey ，覺得大企業客戶嘅信任最重要。佢就講到明客戶嘅資料， 見唔見得光都好，一定唔可以同任何人披露，包括老公老婆。 由於呢個保密條款， 員工犯規? McKinsey 都炒過唔少人。
我自己做商舖基金， 好多人想同我合作買舖。 我全部答案係 No, 我無合作， 因為太多利益衝。 如果最好嘅自己先買，第二好嘅就同你合作，最差嘅先放落個基金，呢個基金就唔使玩。 因此我成日都同人講，我無合作。一係就買我基金，二係就買我基金沽出來間舖。我自己都無買舖，again 我無合作! 你聽日試打嚟搵我， 話有100億同我合作買舖? 你就知我點答你。
第二個 boundary，避免浪費資源去做一啲嘢， 係同公司現有發展策略唔同嘅。Opportunities to avoid!
例如，一開始 Steve Jobs 個 quote， 如果佢乜都做，就冇資源發明 iPod, iPad, iPhone!
美國著名嘅一間payroll-processing company, ADP, stands for Automatic Data Processing Inc., 純粹幫人出人工咁簡單，ADP 就講到明做生意， 如果下面五樣嘢做唔到，就唔做:
(1) Generate US$100 million recurring annual revenue 每年持續收入要高於1億美金
(2) Sustain a 15% growth rate 持續每年15%的增長
(3) Be number one or two in the market, with the potential to be number one in five years 市場內排名第一或第二， 及五年內有機會做到第一
(4) Offer standardized noncustomized products ans services 標準化嘅產品或服務， 唔會嘥時間重新建立就個客
(5) Have a clear exit plan 萬一唔夾，有個好清晰嘅退出計計劃。
以上五點，是但一點唔得? 就唔做。當然唔係永遠都唔變，公司高層每三年可能會因應時世更改一下 what to say No。 但最重要嘅係公司內外同事們都好清晰有乜嘢係唔做， 咁就更加有資源去做應該要做的事。 純粹做 payroll processimg 咁簡單，宜家ADP市值係超過800億美金，等如兩間新鴻基地產， 肺炎後股價都繼續創緊歷史新高。Crazy!
你公司又有乜嘢唔做嘢? 「十誡」都有講唔準殺人、唔準姦淫擄掠，你又有邊「十誡」?
我自己的商舖基金，除咗五六千萬以下嘅香港街鋪，我乜都唔買。 我唔買商場舖、唔買樓上舖、唔買住宅、唔買工廈、唔買商廈、唔買農地、唔買車位、唔買骨灰龕位、唔買日本民宿、唔買英國樓、 唔買法國酒莊，送畀我都唔要。 因為我唔相信咁大隻蛤乸會隨街跳。 我只相信我乜都say no，才有時間專注睇五六千萬以下嘅香港街舖。回報做到最好，咁長遠就能達致目標，擁有1%香港街舖，即約300億港幣。要專注，所有其他嘢都 say No!
你呢? 無論你做緊間茶餐廳、補習社、IT 公司、定開賭場，公司有乜嘢係 off limit? 影響公司聲譽或係同你嘅公司發展策略不一致? What not to do and what opportunities to avoid?
例如，你開間茶餐廳，唔入有荷爾蒙激素嘅貨? 唔用過期食材? 唔會喺有起碼住咗過萬人嘅屋村以外開舖? 唔會賣出品需時超過15分鐘嘅菜種， 以免減低流轉量? Whatever it is! 是否全公司上下同事們都知道?
有興趣聽多啲，就來我五六月份星期六嘅早餐會啦! 下一集同你分享下，How Are You Generating Creative Tension? 點令到同事們在適當 壓力下更有創意?
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五／六月份早餐分享會 Topic: The Seven Strategy Questions by Harvard Professor Robert Simons
哈佛分享: 七條做生意策略問題
2012至2014間，我連續三年在哈佛上了 Robert Simons 的堂，畢生受用。我自己成間商舖基金公司都是建基於這本書。
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