💥 #StarFab特報 💥 第七期 軟硬整合+AI視覺辨識 開必拓數據 創造國際商機
#開必拓數據 是台灣極少數的軟硬整合AI新創,在電子、紡織、金屬箔、電動車產業皆有佈局,更是去年第三屆 #TAIRA 投資人特別獎得主。
此期我們很榮幸邀請到 #開必拓 孫逢佑 執行長 與我們一同聚焦AI趨勢與應用,並分享其創業心法與市場進入策略!
📌 如何讓AI做到「如人一般」的智慧應用?
📌 開必拓如何運用其軟硬整合優勢?
📌 全球首見的AI鋁箔品檢技術如何幫助企業創造商業價值?
⭐️【StarFab特報】第七期:http://user132676.psee.io/3hm5vb
💥#StarFabNewsletter💥 Issue 7
AI Visual Inspection with the Integration of Software and Hardware
to Develop Business Opportunity Worldwide
As the leader in artificial intelligence industry, Kapito.Inc focuses on serving clients in the electronics, textile, smart vehicle, and metallic foil. Also, Kapito won the special prize on the TAIRA Accelerator Program Demo Day in 2020.
In this week’s issue, we were honored to invite Riccardo Sun, CEO of Kapito.Inc, to share his entrepreneurial journey and market entry strategy. Kaptio hopes to cooperate with startups and big companies interested in AI field to explore the global market together in the future.
📌 How does big data enable AI to complete tasks at a human level?
📌 How does Kapito make the integration of hardware and software as its advantage\?
📌 How does Kaptio create commercial value by the world's first AI quality inspection software for electrode aluminum foil?
【StarFab Newsletter】Issue 7:http://user132676.psee.io/3na4cm
同時也有62部Youtube影片,追蹤數超過13萬的網紅婁峻碩SHOU,也在其Youtube影片中提到,【可點選CC字幕歌詞】 *Free Fire 夏日生存派對主題曲 Shou Facebook : https://www.facebook.com/shoumethemoneyxx Shou Instagram : https://www.instagram.com/shoumethemoneyx...
visual field 在 黃心健 Hsin-Chien Huang Facebook 的最佳解答
🚩 New Media Artist Hsin-Chien Huang Leads "Garden Taipei/Formosa: Taiwan Grand Tour" with 22 Taiwan's VR and New Media Artworks to 2021 Ars Electronica Linz in Austria🇦🇹
2021 ARS ELECTRONICA FESTIVAL Ars Electronica has chosen “A New Digital Deal” as its annual theme, centering around the social and cultural transformations under the influence of technology from different countries. Also, it pays attention to changes of “the New Normal” due to the pandemic.
Hsin-Chien Huang, this year’s curator of the “Garden Taipei/Formosa”, resonates the theme with the “Taiwan Grand Tour”, hoping to waken our desire and ability to move freely during the journey via different kinds of media, also make more people see the marvelous results and how hard Taiwan has devoted to technology, culture, tradition, and tradition via international digital platforms. The tour will have become a window between the world and Taiwan.
The scale of this year’s exhibitions has been brought up a notch. Not only did it carry on displaying the VR and AR productions from last year, but the curator Hsin-Chien Huang has collaborated with three other, Hsiao-Yue Tsao, Billy Chang, and Chung-Hsien Chen, to call out many VR directors, new media artists, start-up companies and government institutions to join the project. There are 22 magnificent programs in total, which will be shown in categories such as “Immersive Tour”, “Animated Tour”, “New Media Tour”, “Earth Tour” and “Action Tour” respectively.
“Immersive Tour”, as the first part of the “Taiwan Grand Tour”, viewers can wander among the mountains, oceans, and rivers in the digital world, even outer space! Six scenes inspired by unique Taiwanese landscapes with cultural and biological features will be shared with the audiences, such as “The Starry Sand Beach” (Directed by Hsin-Chien Huang and Nina Barbier), “Moondream Reality-Rebirth”(Directed by Chi-Yen Chiang, Ami Wu), the shuttle VR 360 stereo video of “TAIPOWER D/S ONE.” (Directed by Ghung-I Hung and Shih-Chou Wen), “Floating Childhoods” (Directed by Hakka Public Communication Foundation and Wen-Chieh Chang), “Blue Tears EP1” (Directed by Hsiao-Yue Tsao), and “Samsara” (Directed by Hsin-Chien Huang).
In the “Animated Tour”, viewers can devote themselves to the characters via different programs. Whether it is the abstract or figurative visual style, audiences can experience anxiety and frustration all the way to happiness and growth. Getting rid of this disappointing reality, viewers shall continue the “Taiwan Grand Tour” through their imagination. This program consists of four animations: "Go Go Giwas: Sowing Dream Seeds"(Directed by Vick Wang, Yi-Feng Kao), "My grandmother is an Egg"(Directed by Wu-Ching Chang),"Inside"(Directed by Yu-Ting Hsueh), and "The Wayward Kite"(Directed by Yu-Ting Hsueh).
In the “New Media Tour” program, nine brilliant pieces created by Taiwanese artists will be shared as the relay points for the “Taiwan Grand Tour.” They use video, sound, electronic music, installation, and various new media to explore different topics, such as family, memory, city, society, landscape, and environment. We firmly believe that digital tools can also capture the warmth and emotions in reality. This program consists of nine artworks: "Surrounding Spectrum"(Directed by Hsiu-Ming Wu), "Nanyang Express II : Eternal Wandering and Tropical Pursuing"(Directed by Yi-Chi Lin), "Wave Waves"(Directed by Sio-Pang Hong), "That ・ This"(Directed by Ching-Chuan Hu), "Signal"(Directed by Chin-Hsiang Hu), "Tower of Babel by the sea"(Directed by Wei-Chung Feng), "How to explain love to an iPhone"(Directed by Jie-Huai Yang), "U+617E_v2.∞"(Directed by Jia-Hua Zhan), and "Absence in Presence"(Directed by Ning Tsai).
In the program “Earth Tour”, viewers will participate in a performance art called “Taste Soil”, which intends to rethink the relationship between humans and land by means of “eating.” The program brings together international eminent chefs Andre Chiang, dancer Billy Chang, new media artist Hsin-Chien Huang and Wen-Chieh Chang, fusing Taiwan’s unique traditions and customs with cuisines and dance performances via VR experience. A feast to the eyes and tastebuds awaits.
Looking back at the present time, humans need to take more efficient scientific actions in the digital world to reduce the consumption and pressure of resources and the environment and cope with the impact in the post-pandemic times. Two important technology units in Taiwan make their debut in the “Action Tour”: Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center. The former is devoted to the sustainable development of materials science with digital technology and design, while the latter is the integration of big data and streaming technology to create a new technical model of urban governance. Combing these two, an answer to developing a sustainable society with digital energy is born. During the tour, a new performance art project is inspired by the digital cross-field cooperation for the first time. The Taipei Urban Intelligence Center will join hands with new media artist Chin-Hsiang Hu and the founder of Inwheel Ghung-I Hung, to create a new media artwork “The Weight of Data” by integrating both virtual and physical materials from different domains and sharing data resources.
The brilliant curatorial concept and lineup of the Taiwan Grand Tour have attracted the interest of the officials of the festival and been in the limelight. Therefore, the festival has invited three creators behind the “Earth Tour”: Andre Chiang, Billy Chang, and Hsin-Chien Huang, to an online interview called “Highlight Channel” at 18:00 on September 1 (Taiwan Time). The link will be provided by the official later on. Moreover, Miniwiz Co., Ltd. and the Taipei Urban Intelligence Center are also invited to share their ideas and experiences in an online show called “Home Delivery.”
The theme of the Garden Taipei/ Formosa is presented in a diverse form of performances by combining different fields multiply. The audience can easily follow the step of the “Taiwan Grand Tour” to explore Taiwan’s magnificent local digital creativity and illustrate a new digital landscape unitedly that only belongs to Taiwan. The 2021 Ars Electronica online exhibition will be held from September 8 to 12, 2021. Click the link below to take a sneak peek of this year’s shows.
📍ARS ELECTRONICA FESTIVAL 🔗 https://ars.electronica.art/newdigitaldeal/de/formosa-grand-tour/
📍ARS ELECTRONICA FESTIVAL “Home Delivery” 🔗 https://www.youtube.com/c/arselectronica/playlists?view=50&sort=dd&shelf_id=5
📍 Garden Taipei/Formosa: Taiwan Grand Tour 🔗 http://garden2021.metarealitylab.com/
#奧地利林茲電子藝術節
#arselectronica21 #gardentaipeiformosa
visual field 在 Facebook 的最佳貼文
WOW Short Film Festival
WOW新作映像作品『POEM』の音楽を担当しています。
7月2-4日に上映されます。
https://form.run/@wow-sff
Marihiko Hara composes original soundtrack for WOW's new short film "POEM".
WOW Short Film Festival
Dates: July 2 (Friday) - July 4 (Sunday), 2021
Time: 11:30 - 20:00 *Closes at 19:00 on the last day
Venue: HAUS STUDIO in JINNAN HOUSE
Admission: Free *Please place an order at SAKUU in JINNAN HOUSE. Payment is by credit card or transport IC only.
Venue construction and equipment cooperation: PRISM
https://www.w0w.co.jp/en/news/183
「POEM」
After seeing the Jomon pottery with my own eyes, I could imagine—from the unique protrusions and patterns—the scenery, natural phenomenon, the appearance and movement of living things, the sounds, and their textures. The design that contains various fragments of information felt like a poem by the Jomon people. While they do not depict the living beings that the Jomon people consumed to survive, the artifacts conveyed their prayer and awe for the living beings that imbued them with life and I believe it is that energy that gave birth to the grotesque yet beautiful shape of Jomon pottery. This work was designed and created based on this image.
Staff
Planner / Creative Director:Takuma Nakazi
Director / Designer:Hiroshi Takagishi
Designer:Itsuki Maeshiro, Ryoichi Kuboike
Music:Marihiko Hara
Executive Producer:Hiroshi Takahashi
Producer:Yasuaki Matsui
visual field 在 婁峻碩SHOU Youtube 的最佳貼文
【可點選CC字幕歌詞】
*Free Fire 夏日生存派對主題曲
Shou Facebook : https://www.facebook.com/shoumethemoneyxx
Shou Instagram : https://www.instagram.com/shoumethemoneyxx
《Booyah》已上架各大數位平台:https://www.soundscape.net/a/18064
🌴 Free Fire 雙平台下載:https://bit.ly/3jn5nYF
🌴 Free Fire 夏日生存派對資訊:https://ffcampaignshare.ff.garena.tw/
🌴 Free Fire 臉書粉絲團:https://www.facebook.com/freefireTW
#FreeFireXSHOU #夏日生存派對 #Booyah"
- MUSIC CREDIT
Lyrics by : 婁峻碩SHOU
Composed by:婁峻碩SHOU, Piers Gopsill
Producer: Piers Gopsill
Arrangement: Piers Gopsill
Vocal Editing: Piers Gopsill
Mixing: Piers Gopsill
Mastering: 陸崇樂 (Sentient Sound Labs 覺知音樂工作室)
- VIDEO CREDIT
影像製作公司 Video Production Company | 沙西米 RawNFresh
導演 Director | 一盞 EthanYIJAN
導演助理 Assistant to Director | 范振寗 J.FAN、林鈺瑄 EML
製片 Producer | 許雅淳 Sheyalips
現場製片 On-set Producer | 朱芸廷 Chu Yun Ting
執行製片 Line Producer | 杜婉寧 Winn Du、蔡孟潔 Jessie Tsai
製片助理 Production Assistant | 蔡長廷 Pingu Tsai、謝孟妘 Monique Hsieh
製片場務 Set Production Assistant | 林國民 Lin Guo Min
攝影師 DoP | 林眾甫 Saint Lin
跟焦師 Focus Puller | 黃西 Huang See
攝影助理 AssistantCamera | 王思翰 Wang Szu Han、 張家瑜 Chang Chia Yu、 李世全 Lee Shin Chuan
燈光師 Gaffer | 馬銘財 Ma Min Tsai
燈光大助 Best Boy | 高煜盛 Kao Yu Sheng
燈光二助 Best Boy | 黃偉傑 Huang Wei Jie、 田峻榮 Tian Jyun Rong、 吳思賢 Wu Sih Sian
美術指導 Art Designer | 王宥睎 Wang You Si
執行美術 Production Executive | 陳琬琇 Chen wan shiou、 王琇筠 Moldy Wang
美術場務 Art Production Assistant | 阿翔 A-xiang、 陳阿信 A-xin Chen、 陳育民 Chen Yu Ming、 李恒頤 Li Heng yi
道具卡車 Props Truck Driver | 全聯搬家起重行 張簡義忠 Quanlian moving company
搖臂器材公司 Crane Company | 異能影業器材有限公司 ELAN VISUAL EQUIPMENT ENTERPRISE COMPANY LTD.
搖臂操作技師 Crane Operator | 李少川 Lee Shao Chuan
搖臂操作助理 Crane Technician | 葛振蟄 Ke Cheng Chih、 吳承諭 Wu Cheng Yu、 張智發 Chang Chih Fa
威亞指導 Wire Instructor | 吳俊希 Jun Xi
威亞人員 Wire Operator | 鄒明杰 Gama、 柚木崎 義隆 Yuki
剪接 Editor | 一盞 EthanYIJAN
調光 Colorist | 邱程勇 CY Chiu、陳語謙Chen Yu Chien
合成製作 VFX | 陳奕宏 Zello、曾浚瑞 Reh、張佑任 Yoren 、范家齊 Charles 、巧橋設計有限公司 Bridge Studio
合成製作現場助理 Field VFX assistant | 彭琪芳 Chesire
合成場景設計Scene Design|廖建翔 Seon、曾浚瑞 Reh、李共Halo、李明學 Bochu
後期製片 Post-Production Supervisor|林鈺瑄 EML
婁峻碩 造型 Shou Stylist | 王禎旎 Aura Wang
婁峻碩 造型助理 Shou Stylist Assistant | 強尼 Jonny
婁峻碩 妝髮 Shou Make up & Hair | 許育珊 Mii
婁峻碩 妝髮助理 Shou Make up & Hair Assistant | Diana
藝人經紀 Artist Agent | 劉思妤 Ellen Liu
平面側拍師 Still Photographer | 神童 Yasashi man
演員造型 Actor Stylist | 冠儀 yee1yee (天使製造)
演員造型助理 Actor Stylist Assistant | 子船 eden、 徐飽 Chiao Ling Hsu
演員梳化 Actor Make up & Hair | 魚花 Yu Hua Liu 、 彭虹禎 Pon
演員梳化助理 Actor Make up & Hair Assistant | 黃彥慈 Joyce Huang
演員 Actor | Piers Gopsill、 林鈺瑄 EML、 Isabel、 Sophie
特別感謝 Special Thanks | 瞬時真 Jamie MacGregor
看著秒針走到終點
離開這空間
下班打卡拼速度
陽光照進這場夢魘
就放輕鬆點
Nobody can kill my mood
大聲的喊 BOOYAH
Oh man 快坐不住
成千上萬文件霸佔桌面 忍住不吐
下班走得像火箭 huh 勝之不武
擺脫無數的dead line 別談未來
Since Monday Blue
我們只談現在 看著窗外
準備狂歡當廢物
夏日的派對 i’m ready
高熱量食物塞嘴裡 huh
躺椅上偷喵bikini
Don’t ask me why so lazy girl
把妳套進同個游泳圈
像縮圈內的對手
一陣翻來覆去翻雲覆雨
變 配偶
看著秒針走到終點
離開這空間
下班打卡拼速度
陽光照進這場夢魘
就放輕鬆點
Nobody can kill my mood
大聲的喊 Booyah
(Boo yah yah boo boo yah yah)Booyah
(Boo yah yah boo boo yah yah)
大聲的喊 Booyah
(Boo yah yah boo boo yah yah)
Booyah
(Boo yah yah boo boo yah yah)
一天玩了四十八個小時
老是體力超支
超值得但結尾
怎麼有點jet lag
派對飛到國際接軌
我累了嗎 不可能吧
說never stop 的打呼聲很大 uh
音響該最大聲的炸了
帶上裝備帶上妹要發車
I feel so chill babe
I feel so chill babe
創造最優秀的回憶
我的隊友笑甲落下頦
So fine
快樂存在彈指之間
要多珍惜光陰似箭
下個星期同一時間
夏日派對
看著秒針走到終點
離開這空間
下班打卡拼速度
陽光照進這場夢魘
就放輕鬆點
nobody can kill my mood
大聲的喊 Booyah (Boo yah yah boo boo yah yah)Booyah
(Boo yah yah boo boo yah yah)
大聲的喊 Booyah
(Boo yah yah boo boo yah yah)
Booyah
(Boo yah yah boo boo yah yah)
visual field 在 translation Youtube 的最佳解答
#カクテルソフトが発売した,オリジナルとなる88用RPG作品。
記憶喪失になっていた主人公はリュウナという少女に救われ、なし崩し的に旅へ。
そして人々を苦しめる領主ゴンザロの存在を知りゴンザロ打倒を目指す。
フィールドタイプのRPGは当時目新しく、比較的早くこのジャンルに取り入れた作品。
ヒロインは3人居て、その内の1人を選んで一緒に冒険する事になる。
BGMは雷電(AC/'90年)や、ヨッシーのクッキー (FC/'92年)等の佐藤氏が作曲。
編曲:佐藤亜希羅氏
Manufacturer: 1990.12.06 Cocktail Soft
computer: PC-8801mkIISR
Hardware: YM2151,MSM6258
Composer: Akira Satou
----------------------------------------------------------------------------------------
00:00 01.Mind! Out! (Menu, Dungeon A)
00:59 02.Introduction
02:58 03.Illumina (Opening)
05:24 04.Lost Time (Demo A)
07:32 05.Good Looking (Town)
08:38 06.Shop, Tavern
09:25 07.Church
11:36 08.Inn
13:52 09.Battle Field (Field)
15:08 10.House of the Feudal Lord (Demo B)
16:32 11.Mid Boss
18:18 12.Strike a Blow (Visual A)
19:30 13.Crystal Trap (Dungeon B)
21:26 14.Invasion (Dungeon C)
22:49 15.Departure (Visual B)
24:39 16.Visual C
26:16 17.Visual D
27:10 18.Bloody Love (Visual E)
31:11 19.Hard Struggle (Visual F)
32:12 20.Ending
34:10 21.Credit Roll
35:31 22.Heaven Knows (Game Over)
35:44 23.Jingle
----------------------------------------------------------------------------------------
visual field 在 DJ Macky Suson Youtube 的最佳解答
As Easy as Esy: Eric Youn Interview: Singapore’s Top Food Creator
Singapore's top food content creator, Eric Youn talks about how he got started creating again, his inspirations, and some pieces of advice to aspiring content creators. In this interview, you will also learn what a "good content" is to him, and his story behind #filmalogues.
About Eric Youn:
I’m a content creator focused on visual storytelling; I highlight the main points creatively and aesthetically.
My focus is on food, reviews, and short-vertical content. I have worked in the creative field as a creative director for an agro-tech startup, executing different food & product related campaigns from filming, production, and marketing.
I am currently a content creator on social media, with over 15K followers across various social media channels.
Follow @esyfilms to follow his journey as soon, he will conquer Singapore's #contentcreation industry.
Special thanks to @thaiwokrestaurant for opening the restaurant for us even it was late. Kudos to the amazing food and staff.
Shot on #sonya7c
#contententcreator #contentecreator #contentvideomarketing #contentwritingandmarketing #contentcreators #filmmakerslife #filmmakersworld #contentmarketingtips #contentmarketingstrategy #filmmakerlife #marketingcontent
visual field 在 Visual Field Test - American Academy of Ophthalmology 的相關結果
A visual field test measures how much you can see out of the corners of your eyes. It can determine if you have blind spots in your vision ... ... <看更多>
visual field 在 Visual field: MedlinePlus Medical Encyclopedia 的相關結果
The visual field refers to the total area in which objects can be seen in the side (peripheral) vision as you focus your eyes on a central point. ... <看更多>
visual field 在 Visual field - Wikipedia 的相關結果
The normal (monocular) human visual field extends to approximately 60 degrees nasally (toward the nose, or inward) from the vertical meridian in each eye, to ... ... <看更多>