父親的作品
金家齊，1921年生，貴州省麻江縣人，四十年代入武昌藝專油畫專業。1945年水彩畫、木刻等作品於重慶舉辦的‘武昌藝專美術作品展’，1946年在漢口組織‘白芒畫會’。
1949後在政府任職。 1957年因反右入獄四年半，後下放餵豬十余年。 1956年水彩畫（漢口中山公園外景）參加湖北省第一屆美展，獲得‘水彩畫種奬’，水彩唯一奬項，由湖北省文聯收藏。1957年水彩畫（靜物）參加湖北省第一屆青年美展，獲二等奬。作於七十年代的（暮）由湖北省美協收藏。1980年作品（杏花春雨江南）參加華東五省市水彩聯展，（雨後）1967年作品、（鯽魚）1962年作品同時載入由文化部出版的（中國水彩畫圖史），（野塘飛鷺）刊載在新加坡（亞洲藝術家）雜誌上，2008年在台北國父紀念館舉辦首次個人畫展。
金家齊先生作品意境深遠，氣韻生動，他釆用充滿激情、隨境揮灑的‘寫’，而反對死板被動、照抄物件的‘磨’，他的水彩畫都是畫出來的，幅幅有中國水墨畫似的酣暢淋漓之感，充分展示了一個中國藝術家的審美情趣。對三峽石壁的結構，肌理研究得準確、精到、氣勢非凡。 —-黃鐵山 文
曾任湖北省美協理事，湖北省水彩研究會顧問，湖北省政協委員，沙市文聯主席，沙市文教局長，沙市美協主席，沙市畫院院長。
Father's work
Jin Jiaqi, born in 1921, was born in Majiang County, Guizhou Province. He joined Wuchang Art Oil Painting major in the 1940s. In 1945, watercolors, woodcuts, and other works were held in the 'Wuchang Art Academy Art Exhibition' in Chongqing. In 1946, the 'White Mang Painting Society' was organized in Hankou.
He served in the government after 1949. In 1957, he was imprisoned for four and a half years due to anti-rightist movement, and was then sent to feed pigs for more than ten years. In 1956, watercolors (outside scene of Zhongshan Park in Hankou) participated in the first exhibition of Hubei Province, and won the "Watercolor Painting Award", the only watercolor award, collected by the Hubei Federation of Literary and Art Federations. In 1957, watercolor painting (still life) participated in the first Youth Art Exhibition of Hubei Province and won the second prize. (Twilight), collected in the 1970s by Hubei Provincial Art Association. 1980 works (Xinghua Chunyu Jiangnan) participated in the watercolor exhibitions of the five provinces and cities of East China (after the rain) 1967 works, (catfish) 1962 works also published by the Ministry of Culture (History of Chinese Watercolor Painting), (Yetang Feilu) ) Published in Singapore (Asian Artists) Magazine. In 2008, the first solo painting exhibition was held at the Sun Yat-sen Memorial Hall in Taipei.
Mr. Jin Jiaqi's works have a profound artistic conception and lively charm. He uses passionate, writing that accompanies the situation, and opposes the rigid and passive copying of the object. The watercolors are all painted in Chinese. The vivid feeling like ink painting fully demonstrates the aesthetic taste of a Chinese artist. The texture of the Three Gorges Stone Wall has been researched accurately, precisely and with extraordinary momentum. --- Huang Tieshan
Former director of Hubei Provincial Art Association, consultant of Hubei Provincial Watercolor Research Association, member of Hubei Provincial Political Consultative Conference, chairman of Shashi Cultural Federation, director of Shashi culture and education, chairman of Shashi artistic association, and president of Shashi Painting Academy.
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