#新刊出版 New release!!!
Voices of Photography 攝影之聲
Issue 30:美援視覺性──農復會影像專題
U.S. Aid Visuality: The JCRR Issue
本期我們重返影響台灣戰後發展至關重要的美援年代,尋索過往在台灣影像歷史視野中遺落、但卻十分關鍵的美援時期台灣視覺歷程──「農復會」的影像檔案。
成立於1948年、以推行「三七五減租」和「耕者有其田」等土地改革與農業政策聞名的農復會(中國農村復興聯合委員會,JCRR),被認為是奠定二十世紀「台灣經驗」基礎的重要推手。然而很少人留意,這一農經專業的美援機構,在1950至60年代拍攝了大量的照片、幻燈、電影,並生產各種圖像、圖表、圖冊與海報,在冷戰年代與美援宣傳機制緊密連結,深深參與了戰後「台灣(視覺)經驗」的構成,影響著我們的視覺文化發展。
冷戰與美援如何形塑台灣的影像與視覺感知?本期專題透過採集考察眾多第一手的農復會早期攝影檔案、底片、圖像、影片與文獻資料,揭載鮮為人知的美援年代視覺工作,追尋這一段逐漸隱沒的戰後台灣攝影與美援視覺性的重要經歷。
其中,李威儀考掘農復會的歷史線索與視覺文本,探查美援的攝影檔案製程、「農復會攝影組」的成員蹤跡,以及文化冷戰期間從圖像、攝影到電影中的美援視覺路徑;蔡明諺分析1951年由農復會、美國經合分署與美國新聞處共同創辦的《豐年》半月刊,從語言、歌謠與漫畫等多元的視覺表現中,重新閱讀這份戰後最具代表性的台灣農村刊物潛在的意識形態構成與政治角力;楊子樵回看多部早期農教與政策宣傳影片,析論農復會在戰後台灣發展中的言說機制與感官部署,並從陳耀圻參與農復會出資拍攝的紀錄片計畫所採取的影音策略,一探冷戰時期「前衛」紀錄影像的可能形式;黃同弘訪查農復會在1950年代為進行土地與森林調查所展開的航空攝影,解析早期台灣航攝史的源起與美援關聯,揭開多張難得一見的戰後台灣地景航照檔案。
此外,我們也尋訪生於日治時期、曾任農復會與《豐年》攝影師的楊基炘(1923-2005)的攝影檔案,首度開啟他封存逾半世紀、收藏農復會攝影底片與文件的軍用彈藥箱和相紙盒,呈現楊基炘於農復會工作期間的重要文獻,並收錄他拍攝於美援年代、從未公開的攝影遺作與文字,重新探看他稱為「時代膠囊」的視覺檔案,展現楊基炘攝影生涯更為多樣的面向,同時反思「美援攝影」複雜的歷史情愁。
本期專欄中,李立鈞延續科學攝影的探討,從十九世紀末天文攝影的觀測技術,思考可見與不可見在認識論上的交互辨證;謝佩君關注影像的遠端傳輸技術史,檢視當代數位視覺政權中的權力、知識與美學機制。「攝影書製作現場」系列則由以珂羅版印刷著稱的日本「便利堂」印刷職人帶領,分享古典印刷傳承的工藝秘技。
在本期呈現的大量影像檔案中,讀者將會發現關於美援攝影的經歷與台灣歷史中的各種視覺經驗,還有許多故事值得我們深入訪查。感謝讀者這十年來與《攝影之聲》同行,希望下個十年裡,我們繼續一起探索影像的世界。
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● 本期揭載未曾曝光的美援攝影工作底片、檔案與文件!
購書 Order | https://vopbookshop.cashier.ecpay.com.tw/
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In this issue of VOP, we revisit the era of U.S. aid, a period that was of utmost importance to Taiwan’s post-war social and economic development, and explore Taiwan’s much forgotten but crucial visual journey during this era ── the visual archives of the JCRR.
Established in 1948, the Chinese-American Joint Commission on Rural Reconstruction, or the JCRR, is widely known for the implementation of various land reform and agricultural policies, such as the “375 rent reduction” and “Land-to-the-tiller” programs. Hence, the Commission is considered an important cornerstone to laying the foundations of the “Taiwan Experience” in the 20th century. That said, very few are aware that this U.S. aid organization specializing in agricultural economics was also closely associated with the American propaganda mechanism during the Cold War, and had in its possession countless photos, slides and movies, and produced various images, charts, pamphlets and posters. All these contributed to the formation of the post-war “Taiwan (Visual) Experience”, deeply influencing the development of our visual culture.
How exactly did the Cold War and U.S. aid shape Taiwan’s image and visual perception? This issue’s special feature uncovers the little-known visual activities from the U.S. aid era by investigating the collection of JCRR’s first-hand photo files, negatives, images, films and documents, and traces this important journey of post-war Taiwan photography and U.S. aid visuality that has gradually faded from people’s minds.
Among them, Lee Wei-I examines the historical clues and visual texts of the JCRR, and explores the production of the U.S. aid photographic archives, following the traces of the members of the “JCRR Photography Unit” and the trails of U.S. aid visuals during the Cold War from images and photography to films. Tsai Ming-Yen analyzes the diverse visual manifestations, such as languages, ballads and comics, contained in the semimonthly publication Harvest, which was co-founded by the JCRR, the U.S. Economic Cooperation Administration, and the U.S. Information Service in 1951, presenting a new take on the ideological and political struggles that were hidden beneath the pages of this agricultural publication that could also be said to be the most representative publication of the post-war era. Yang Zi-Qiao looks back at the early agricultural education and propaganda films, and analyzes the discourse and sensory deployment utilized by the JCRR in the development of a post-war Taiwan and the possibilities of the “avant garde” documentary films from the Cold War period through the audio-visual strategies gleaned from director Chen Yao-Chi’s documentary project that was funded by the JCRR. At the same time, Houng Tung-Hung checks out the aerial photography taken by the JCRR in the 1950s for land and forest surveys, and uncovers the origins of Taiwan’s aerial photography with U.S. aid, giving readers a rare glimpse at post-War Taiwan’s aerial landscape photographic archives.
In addition, we will explore the photographic archives of Yang Chih-Hsin (1923-2005), a former photographer who was born during the Japanese colonial period and worked for the JCRR and Harvest, unearthing negatives and documents kept away in the ammunition and photo-paper box that had stayed sealed for more than half a century. This feature presents important files of Yang during his time with JCRR, and photographs taken and written texts produced during the U.S. aid era but were never made public. We go through the visual archives enclosed in what he called a “time capsule”, shedding light on the diversity of his photography career, while reflecting on the complex historial sentiments towards “U.S. aid photography” at the same time.
Lee Li-Chun continues the discussion on scientific photography in his column, exploring the interactive dialectics between the seen and the unseen through the observation technology of astrophotography in the late nineteenth century. Hsieh Pei-Chun focuses on the history of the technology behind remote transmission of visuals and examines the power, knowledge and aesthetics that underlies contemporary digital visual regime. Finally, this issue’s “Photobook Making Case Study” is led by the printing experts at Japan’s Benrido, a workshop that is renowned for its mastery of the collotype printing technique.
Through the large collection of photographic archives presented in this issue, readers will see that there remain many stories on the photography process in the U.S. aid era and various types of visual experiences in Taiwan’s history that are waiting to be unearthed. We thank our readers for staying with VOP for the past decade and we look forward to another ten years of exploring the world of images with you.
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Voices of Photography 攝影之聲
vopmagazine.com
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#美援 #農復會 #冷戰 #台灣 #攝影
#USAID #JCRR #ColdWar
#Taiwan #photography
#攝影之聲 #影言社
同時也有8部Youtube影片,追蹤數超過4萬的網紅Dd tai,也在其Youtube影片中提到,Adeste Fideles “O Come, All Ye Faithful” (originally written in Latin as Adeste Fideles) is a Christmas carol which has been attributed to various au...
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#Happy Fourth of July
每一年的7月4日(Fourth of July)為 #美國的獨立紀念日,也是世界邁向共和民主的開端,更是改變世界格局至今的歷史事件。
根據學者研究顯示,1950至1979年間,在台海因執行勤務陣亡與公隕的美國官兵總數達500人以上,當時,也是中華民國台灣最風雨飄搖的驚險時刻。
國際關係有其現實的一面,而美國的外交政策或許不是最完美,但她始終是台灣少數 #可以信賴 與求援的國家,從1950年以來歷次台海危機與此次疫苗採購,可證民主同盟的重要性。
#祝福美國生日快樂,也向所有獻身台海安全的勇士與其家庭致意,「在凡人的眼中,祂們或許已經離開」,但在自由民主的世界裡,祂們將永遠不會被遺忘。
A Tribute to all American soldiers.
#ThisWe’llDefend
1950 american 在 李怡 Facebook 的最讚貼文
(失敗者回憶錄0702)
確立左傾價值觀
1948年來香港在培正讀了兩年後,父親1950年讓我轉校到中共領導的愛國學校香島中學。記得剛踏足這學校時,真是耳目一新,與在培正時同學間的嬉鬧、冷漠、孤單完全不同,這裡的同學老師的親切友愛,就像大家庭一樣。在那裡四年,是我青少年成長和確立左傾價值觀與人生觀的關鍵時期。老師真心相信「只有共產黨和社會主義可以救中國」,這信念推動他們的教學熱誠,而整個校風就洋溢互愛互助精神。我認識了許多好同學,包括後來成為妻子的梁麗儀。
那時的左派機構,在香港居次等地位。愛國學校的老師薪資低,畢業生的社會出路狹窄,而且缺乏向上流動的機會。在這樣的機構工作、學習,所依恃的就是政治信念。
儘管教育的目的,是要學生「愛社會主義祖國」,但不是用硬銷的、不可違背的「洗腦」方式,而是循循善誘,老師和「幫助」你的同學都真誠相信他們說的一切,他們是希望你也「覺醒」「進步」,走上他們認為的光明大道。
當時閱讀的幾本書,對我政治信念的形成,起了關鍵作用。
一本是我早前提及的艾思奇的《大眾哲學》。顯淺、生動,通俗的語言,通過許多具體故事和形象來講唯物論、辯證法、社會發展規律等等馬克思列寧主義的大道理,我讀時十四五歲,讀後認為自己已經認識了這些哲學道理。艾思奇,原名李生萱,筆名是愛(艾)、馬克思(思)、伊理奇·列寧(奇)的意思。《大眾哲學》1934年至1935年在《讀書生活》半月刊連載,1936年出版單行本。從抗戰到中共建政的整個時期,在宣傳中共的思想意識上起了很大推動作用,許多年輕人不會看馬列的原著譯本,只看《大眾哲學》就認為自己已經掌握了真理,並以此成為他們的思想武器,引導他們走上追隨中共革命的道路。在國共鬥爭中,國民黨有學問的人很多,但沒有人以通俗語言、通過講哲學的方式寫出這樣的書。國民黨的對策是將此書列為禁書。現在看來,《大眾哲學》根本不是哲學,而是政治宣傳,是為達到當時中共的政治目的而寫的。
一本是美國記者埃德加·斯諾(Edgar Snow)寫的《紅星照耀中國》(Red Star Over China),英文本在1937年出版。中譯本有許多名稱,為了逃避國府的查禁,用得最多的書名是《西行漫記》。我少年時購入的版本,書名是《長征25000里》,是1938年出版,1949年重印的版本。美國記者斯諾,在1936年通過一些人的介紹、聯絡,進入中共西北根據地延安,進行了三四個月的採訪後,寫成這本巨著。通過對毛澤東和中共高級領導人周恩來、彭德懷、朱德等的採訪,生動地講述了中共紅軍在國民黨圍剿中大逃亡的「25000里長征」,建立西北根據地的「民主政府」的面貌,其中最突出和生動的,是由毛澤東自述的「一個共產黨員的來歷」。後世有關毛澤東早年的成長和活動的資料,許多都來自這裡。
斯諾不是共產黨的信徒,他以自由記者的身份,帶著當時無法理解的關於革命、紅色政權、蘇區的文化政治經濟、共產黨人的信仰等疑問,如實報道他的所見所聞。在當時來說,在中國大部分地區,以至全世界,都彷彿撥開了中共的神秘面紗,展現了斯諾筆下的中國共產黨的面貌。這本書迅速被譯成多國文字,並由暢銷書而成為經典著作。在中國廣大地區,影響力尤其驚人。當時許多年輕人都是因為讀了這本書而奔赴紅色根據地,或直接間接為中共奪取政權效力。
在中共建政之初,我讀到這本書,也禁不住對中共革命者為建立新中國的努力無限敬佩,亦嚮往這種革命生涯。
斯諾所寫,是不是中共紅色根據地的真貌?毛澤東和其他幾位領導人的事跡是否真實?
我想到的是,在美國作家Barbara W. Tuchman所寫的《Stilwell and the American Experience in China,1911-45》一書中,記載了抗戰期間,有幾位記者訪問延安回到重慶,向蔣介石夫人宋美齡讚揚共產黨人廉潔奉公、富於理想和獻身精神。宋美齡感觸良深,默默地凝視長江幾分鐘後回身,說出了這樣一句話:「如果你們講的有關他們的話是真的,那我只能說他們還沒有嘗到權力的真正滋味。」
已經嘗到權力滋味的蔣夫人這句睿智而感傷的話,可惜當時沒有被傳播。而在斯諾訪問延安後幾年,紅色政權在西北較為穩固,就開展了鬥爭運動,而我那16歲的小姑姐也在那次的所謂「搶救運動」中被批鬥,並抑鬱而死。
在中共建政後,好長的一段時間,這本當年鼓舞了無數青年投奔延安的《西行漫記》,居然沒有再重版,後來重版也只是因應斯諾再訪華而作「內部發行」。我對此未有深究,但相信必有中共認為不適宜在掌權後公諸於眾的原因。中共的政策此一時彼一時,沒有真正要堅持的理念,一切都以有利於掌權者權力為依歸。
《大眾哲學》和《西行漫記》兩本書,對中共在國共鬥爭中佔取社會意識的上風,大有幫助。
對我年輕時的價值觀和人生觀有影響另一本書,是一本蘇聯小說。下一篇再談。(31)
圖1,中學一次郊遊與同學們合照,後排左一是我,前蹲者右一是梁麗儀。
圖2,1938年初版、1949年重印的《長征25000里》(西行漫記)。
1950 american 在 Dd tai Youtube 的最讚貼文
Adeste Fideles
“O Come, All Ye Faithful” (originally written in Latin as Adeste Fideles) is a Christmas carol which has been attributed to various authors, including John Francis Wade (1711–1786), with the earliest copies of the hymn all bearing his signature, John Reading (1645–1692) and King John IV of Portugal (1604–1656).
The original four verses of the hymn were extended to a total of eight, and these have been translated into many languages. The English translation of “O Come, All Ye Faithful” by the English Catholic priest Frederick Oakeley, written in 1841, is widespread in most English speaking countries. The present harmonization is from the English Hymnal (1906).
O Tannenbaum:
It is a German Christmas song. Based on a traditional folk song, it became associated with the Christmas tree by the early 20th century and sung as a Christmas carol.
Jingle Bells:
One of the best-known and commonly sung American Christmas songs in the world. It was written by James Lord Pierpont (1822–1893) and published under the title “One Horse Open Sleigh” in the autumn of 1857.
White Christmas
It is an Irving Berlin song reminiscing about an old-fashioned Christmas setting. According to the Guinness World Records, the version sung by Bing Crosby is the best-selling single of all time, with estimated sales in excess of 50 million copies worldwide.
Winter Wonderland
Silent Night
“Silent Night” (German: Stille Nacht, heilige Nacht) is a popular Christmas carol, composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in the small town of Oberndorf bei Salzburg, Austria. It was declared an intangible cultural heritage by UNESCO in March 2011.
Sleigh Ride:
It is a popular light orchestral piece composed by Leroy Anderson. The composer had the original idea for the piece during a heat wave in July 1946; he finished the work in February 1948. Though it was originally an instrumental piece, lyrics, about a person who would like to ride in a sleigh on a winter’s day with another person, were written by Mitchell Parish in 1950.
類別
娛樂
這部影片中的配樂
瞭解詳情
立即訂閱 YouTube Premium,享受沒有廣告干擾的音樂饗宴
歌曲
White Christmas
演出者
José Carreras;Plácido Domingo;Luciano Pavarotti
Writers
Irving Berlin
授權 YouTube 的內容擁有者:
SME (代表Sony Classical); UMPI, UMPG Publishing, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, ASCAP, BMG Rights Management, LatinAutor, LatinAutor - UMPG, Concord Music Publishing與 9 個音樂版權協會
歌曲
Let It Snow
演出者
José Carreras;Plácido Domingo;Luciano Pavarotti
Writers
Sammy Cahn, Jule Styne
授權 YouTube 的內容擁有者:
SME (代表Sony Classical); UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, UMPG Publishing, CMRRA, PEDL, Concord Music Publishing, LatinAutor - Warner Chappell, Warner Chappell, BMG Rights Management, LatinAutor, UMPI, ARESA與 13 個音樂版權協會
歌曲
O Tannenbaum
演出者
José Carreras;Plácido Domingo;Luciano Pavarotti
授權 YouTube 的內容擁有者:
SME (代表Sony Classical); Sony ATV Publishing, UMPG Publishing, SODRAC, UMPI與 18 個音樂版權協會
歌曲
Carol of the Drum (The Little Drummer Boy)
演出者
José Carreras;Plácido Domingo
Writers
Katherine Davis
授權 YouTube 的內容擁有者:
SME (代表Sony Classical); UMPI, Sony ATV Publishing, PEDL, LatinAutor, CMRRA, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, EMI Music Publishing, LatinAutor - Warner Chappell與 6 個音樂版權協會
歌曲
Jingle Bells
演出者
José Carreras, Plácido Domingo, Luciano Pavarotti
專輯
Christmas All Over The World
Writers
Frank Farian
授權 YouTube 的內容擁有者:
SME (代表Sony Classical); SODRAC, PEDL, UMPG Publishing, Sony ATV Publishing, Public Domain Compositions與 11 個音樂版權協會
歌曲
Adeste Fideles
演出者
José Carreras;Luciano Pavarotti
授權 YouTube 的內容擁有者:
SME (代表Sony Classical); Public Domain Compositions, LatinAutor - UMPG, SODRAC, LatinAutor, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, Sony ATV Publishing與 11 個音樂版權協會
歌曲
Cantique de nöel (O Holy Night)
演出者
Plácido Domingo;Luciano Pavarotti
授權 YouTube 的內容擁有者:
SME (代表Sony Classical); EMI Music Publishing, Sony ATV Publishing, SODRAC, ASCAP, Public Domain Compositions與 14 個音樂版權協會
歌曲
Amazing Grace
演出者
José Carreras;Plácido Domingo;Luciano Pavarotti
授權 YouTube 的內容擁有者:
SME (代表Sony Classical); LatinAutor, EMI Music Publishing, ASCAP, Public Domain Compositions, LatinAutor - SonyATV, UMPI與 15 個音樂版權協會
歌曲
Winter Wonderland
演出者
José Carreras;Plácido Domingo;Luciano Pavarotti
授權 YouTube 的內容擁有者:
SME (代表Sony Classical); LatinAutor, LatinAutor - Warner Chappell, PEDL, EMI Music Publishing, Sony ATV Publishing, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, AMRA, Warner Chappell與 11 個音樂版權協會
歌曲
Sleigh Ride
演出者
José Carreras;Plácido Domingo;Luciano Pavarotti
Writers
Anderson Leroy, Mitchell Parish
授權 YouTube 的內容擁有者:
SME (代表Sony Classical); LatinAutor - SonyATV, Warner Chappell, EMI Music Publishing, SOLAR Music Rights Management, LatinAutor, CMRRA, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM與 6 個音樂版權協會
![post-title](https://i.ytimg.com/vi/29hmY8B0seU/hqdefault.jpg?sqp=-oaymwEZCNACELwBSFXyq4qpAwsIARUAAIhCGAFwAQ==&rs=AOn4CLC2pMO4EmghbMeHKMSWrisI6Cxm-A)
1950 american 在 HannahEd Youtube 的最讚貼文
#Stanford #Mỹ #duhocMy #cuocsongMy #HannahEd
Please click cc to see English subtitles. Mọi người bật sub nhấn cc để xem và học thêm phụ đề tiếng Anh nhé.
Lần đầu tiên được tới thăm một trường Đại học hoành tráng và có những cựu sinh viên nổi tiếng như Stanford vui quá cả nhà ơi. Đi lượn lờ quanh trường lại nhớ thời sinh viên của mình ở New Zealand, hình như khuôn viên các trường Đại học đều có một không khí rất đặc trưng á. Cùng đi thăm Stanford với mình và like, chia sẻ video cho bạn bè cũng có cơ hội biết tới trường nha: https://youtu.be/jZChSBwVsU4
Một số fact về trường nè:
✅Standford là nơi mà hơn 30 tỉ phú, 17 phi hành gia và 18 người đoạt giải Turing từng miệt mài trên giàng đường.
✅Những cái tên mang tầm ảnh hưởng thế giới như các công ty: Google, Hewlett-Packard, Nike, Sun Microsystems, Instagram and Yahoo,… đều được thành lập bởi các sinh viên đã từng theo học tại ngôi nhà này.
✅Riêng các công ty được sáng lập bởi cựu sinh viên Standford tạo ra khoảng 2.7 nghìn tỷ đô – la doanh thu hằng năm, tương đương nền kinh tế lớn thứ 10 trên thế giới.
✅Stanford là viện đại học có diện tích lớn thứ hai trên thế giới, toạ lạc tại trung tâm của Thung lũng Silicon, nằm giữa San Francisco và San Jose.
✅Đây cũng là nơi đào tạo ra các lãnh đạo của chính phủ Mỹ, thành viên Quốc hội Mỹ. Trường cũng liên kết với 59 người đạt giải Nobel và 2 người nhận huy chương Fields. (Số liệu Thống kê từ Stanford news, Stanford university)
✅Các chuyên ngành tại Stanford được đăng kí nhập học nhiều nhất là:
Khoa học máy tính
Sinh học con người
Kĩ thuật
Sinh học
Khoa học, Kỹ thuật và Xã hội
✅Điều kiện đầu vào: GPA 3.75 trở lên; SAT tối thiểu 1950; Hoạt động ngoại khóa nổi bật, những hoạt động đề cao năng lực lãnh đạo của cá nhân sinh viên; Bài luận trình bày mong muốn học tập tại nhà trường.; Mặt bằng chung các sinh viên cần có bằng IELTS từ 7.0 trở lên, TOEFL từ 90 trở lên Ngoài ra, các loại chứng chỉ khác đều được như GMAT, GRE hay SAT.
ĐỪNG QUÊN KẾT NỐI VỚI CÁC KÊNH KHÁC CỦA MÌNH ĐỂ KHÔNG LỠ INFO HAY NHÉ:
WEBSITE: https://hannahed.co/
FACEBOOK: https://www.facebook.com/ScholarshipforVietnameseStudents/
INSTAGRAM: https://www.instagram.com/hannahed.co/
Email mình: [email protected]
Mình có các lớp tìm và apply học bổng online. Lớp Research/Phd Mentor. Mentor học bổng 1on1. Review hồ sơ. Tập phỏng vấn.
#cuocsongMy
#duhocMy
#studyabroad
#HannahEd
#self-development
#motivation
![post-title](https://i.ytimg.com/vi/jZChSBwVsU4/hqdefault.jpg)
1950 american 在 一大粒人妻 Youtube 的最讚貼文
💋 你歡迎訂閱我的 YouTube頻道➨ http://bit.ly/Mrsferrari
別忘了要把"🔔"打開讓你更快收到新片消息 ❤️
昨天ㄧ大粒先生心血來潮,下班說要去吃ㄧ家復古的美式餐廳(太好了!我終於不用再吃義大利麵!😍),上次我們去Forte dei Marmi(上次介紹的渡假勝地)的路上有經過,整個裝潢就是超可愛復古的!
傍晚7點的天空都還是亮的,所以我們就騎著🚲腳踏車去,從我們旅館的小鎮Querceta 騎去餐廳大概10分鐘(到Forte dei Marmi海邊約15分鐘),托斯卡尼的天空就是真的怎麼拍都美到那邊去!這裡的陽光就不知道是怎麼了,總是能把雲照射的美暈🥰!隨便怎麼拍怎麼大片~
餐廳外擺設了ㄧ輛復古轎車,整個外觀的配色也都超50年代的風格,ㄧ走進餐廳也有一台鮮黃色的50年代轎車,整間裝潢也是色彩繽紛,牆上也掛著許多當時著名的人物海報,女服務生(溜)過來帶位時我還傻眼!真的復古到位了~
菜單的內容也很豐富(完全沒有義大利菜!Yeah ~ )全是🍔美式漢堡、三明治、🌯墨西哥捲餅、🍖炭烤豬肋排⋯類的(我整個開心到不行!陪🧔🏻來出差1個多禮拜了,每天吃義大利麵、麵包、冷飯,我真的快煩死了)終於可以吃ㄧ點別的!
我點了墨西哥雞肉捲和🍺Corona Beer ,立馬覺得天吶!請問我來到墨西哥了嗎?份量都超級大 ,附餐有薯條和沙拉這樣才€9 ,覺得經濟實惠~ 外加點了炭烤玉米🌽(又附了ㄧ堆薯條,老闆薯條是自產自銷喔?!)整個吃超飽,又超滿足(要吃給他囤起來,因為我還要在這個偏僻小鎮1個禮拜)
吃完飯要回家前還逼一大粒先生跟溜冰鞋辣妹合照,來畫下一個完美的句點,再騎著腳踏車回飯店順便消耗一些熱量~ 整個就是Perfect !
🔸1950 American Diner🔸
✔︎地址:Florence 、Calenzani 、Figline Valdarno 、Forte dei Marmi、Pontedela 、PoggiBonsi 都有分店(官網有地址)
✔︎官網:https://www.1950americandiner.it/en/
✔︎英文菜單:https://www.1950americandiner.it/…/…/MENU_PRINCIPALE_ENG.pdf
喜歡一大粒人妻的影片嗎?
Vlog 影片每3天上新片,讓你從更日常的角度了解義大利喔!
💋 你懂ㄧ大粒人妻的義式嗎?更多關於義大利與人妻的義大利小生活動態
▒⑅ ʟɪғᴇ / ᴛʀᴀᴠᴇʟ / ʙᴇᴀᴜᴛʏ / sʜᴏᴘᴘɪɴɢ ⑅ ▒
快來Follow人妻吧!
INSTAGRAM - https://instagram.com/c_kayle
FACEBOOK - https://www.facebook.com/mrsferrari/
#你懂ㄧ大粒人妻的義式嗎
#Toscana #Toscany #fortedeimarmi #托斯卡尼 #美式餐廳 #復古 #americandiner #義大利旅遊 #foodievlog
![post-title](https://i.ytimg.com/vi/9IaD1hKtEtk/hqdefault.jpg)
1950 american 在 American cars of the 1950's - Pinterest 的推薦與評價
American cars of the 1950's. Hi All I'm a bit of a car freak and I'm particularly interested in American cars of the 50's and 60's. ... <看更多>
1950 american 在 1950 American Diner | Facebook 的推薦與評價
1950 American Diner is on Facebook. Join Facebook to connect with 1950 American Diner and others you may know. Facebook gives people the power to share... ... <看更多>