🎉🎉🎉“Samsara Ep1.” Puts Taiwan On the Map! New Media Artist Hsin-Chien Huang Wins the Top Awards of SXSW🏆🏆🏆🥳
The awards ceremony of the American international film festival, South by Southwest Film Festival (SXSW), will be held in the morning on March 20, 2021. The latest VR production created by artist Hsin-Chien Huang has taken the festival by storm and bring home the prestigious “Jury Awards” in the virtual cinema competition category. “Samsara Ep. 1” is the first VR production from Taiwan to receive such honor and has put the creativity of Taiwan on the map!
In the acceptance speech, Huang mentioned that he would like to thank the jury of SXSW for the recognition and encouragement. It was absolutely his honor to win this award. He’d also like to thank the full support from the Ministry of Culture of Taiwan 文化部, the Taiwan Creative Content Agency 文化內容策進院 Taiwan Creative Content Agency , and Kaohsiung Film Archive 高雄市電影館 VR 體感劇院 VR FILM LAB to make it possible to complete the work. Finally, he thanked all the crew members of the production for letting the world see how amazing the VR production from Taiwan.
The story background of “Samsara” is set as a timeline when humans completely destroyed the environment on earth and begin to go on a quest through space for hundreds of years. People try to immigrant to a new planet, so they redesign the DNA to adapt to a new environment and evolve into a new life form. However, after so many years, people gradually realize that it is never possible to find a new planet to settle. They merely keep returning to the original earth they have damaged in a different era, in a different life form, as an endless circle of reincarnation.
The plot involves many different social issues, including ecology, technology, natural resource, and war, and calls on viewers to reflect themselves with a profound philosophical perspective. Moreover, several concepts of embodied cognition are used in the story to make viewers transform into different animals, including Taiwan’s indigenous species, such as Taiwan Blue Magpie and Formosan Black Bear, to interact with the scenes. “Samsara Ep.1” also features the latest somatosensory technology, including the 4Dviews shooting techniques by the Industrial Technology Research Institute and Taiwan Creative Content Agency, with 48 4DV-EX-Z cameras and a digital shooting system composed of a high-sensitivity 4 million-pixel full-color CCD sensor. “Samsara Ep.1” is able to be taken from an omnidirectional view without blind spots and be shot without any blind spots to create the ultimate immersive experience.
The first SXSW was held in Austin, Texas in 1987. This long-standing international event is held around March every year ever since. The festival features various themes, such as films, music, VR/AR, art and games, etc. The SXSW is the world’s largest event for creative content. Many creators and brand owners in the fields will not miss out on the festival. Therefore, the festival has become a trial balloon, attracting hundreds of bands and film crews to participate, estimated over 400,000 people joining the event. This year, the festival has changed the event to an online form for the first time since the pandemic is raging as before. All screening events, industry matchmaking, seminars will be carried out via its own online platform, SXSW Online, without difficulty. It has made it possible for all the artists, creators, and professionals to break down the physical borders and participate in this magnificent annual event together.
There are nine productions in total nominated in the Virtual Cinema Competition category this year, with teams from the US, Canada, the UK, France, Germany, Poland, Australia, South Korea, and so on. This is the first time that “Samsara Ep.1” has competed in the international film festival and has achieved a great result with much international recognition. This is also the first time for Taiwanese production to receive an award from the SXSW competition. The full version of “Samsara” is expected to start the global tour in the second half of the year. Huang said that “Samsara” would return to Taiwan for its Asian premiere and ask the fans in Taiwan to stay tuned!
✔️SXSW website: https://www.sxsw.com/festivals/film-awards/
✔️SXSW YouTube: https://www.youtube.com/watch?v=T9G_7NZh_Oo&feature=emb_logo
#黃心健 #HsinChienHuang #輪迴 #Samsara #Virtualcinemacompetition
#Juryaward
#VR #台灣VR #TaiwanVR
#SXSWFilm #SXSW #2021SXSW #SXSWOnline
同時也有38部Youtube影片,追蹤數超過4萬的網紅哥文,也在其Youtube影片中提到,#虎將軍 #謁祖 #機車 #新港奉天宮 封面拍攝:神攝手-阿鴻 https://reurl.cc/g831zz 我的IG:https://www.instagram.com/che_wen_/ 我的FB:https://reurl.cc/Y1mog0 -BGM- Riley C...
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background circle 在 Miao&WafuPafu Facebook 的最讚貼文
Happy New Year to all!!!
--------------------------------
2020 in general, was a rollercoaster for all.
There’s hate, there’s love.
There’s death, there’s life.
There’s loss, there’s gain
In each loss there is a gain, and with each ending comes a new beginning. Here’s to a better 2021.
--------------------------------
After 13 years of Miao drawing, to be honest my fuel was depleted. The more I drew the more lost I became. I know what I wanna draw for my books but never know what to do with my ig/fb for a long time.
I guessed because it started as a life recording and sharing but as years go by I ignored my own life. And no life leads to no content lol.
Hence, in 2019 I decided to go on to live a different life in a different country in 2020. It was supposed to be 4 different countries but cut short to 1, due to pandemic.
--------------------------------
2021 and beyond.
We don't know 2021 will be a better year or not. But, we can only hope while doing our part and try to be a better person, a better friend, better child, a better parent, better tutor... a better human for this world. And the world will be better. Okay, maybe the world is too big but at least your own social circle to be a comfortable circle kan.
And lastly, I wish everyone a happy new year, may everyone safe, healthy, and filled with passions and happiness.
--------------------------------
Image illustrated the falling, the lost, then picking self up, and in the end, looking forward while having the background (big environment) stay unchanged.
background circle 在 鴨頭 嘉人 Facebook 的最讚貼文
【もう、人として生きていくことはできない】
昨日、スタートしたクラウドファンディング「西野亮廣×鴨頭嘉人コラボ講演 ~夢とエンタメで世界を変えていこう~」が、プロジェクト立ち上げから7時間44分で、目標金額の2000万円を突破しました。
たくさんのご支援、本当にありがとうございます。
【西野亮廣×鴨頭嘉人】
https://silkhat.yoshimoto.co.jp/projects/2037
知らない方の為に、このプロジェクトの概要をあらためて御説明させていただきます。
こちらは、YouTube講演家の鴨頭嘉人さんとチーム鴨頭の皆さんが仕掛けてくださった、言わば「西野亮廣応援企画」でして……僕と鴨頭さんのコラボ講演を、なんと3週間後に東京国際フォーラムでおこなうのですが、なんとなんと、その収益を全額、映画『えんとつ町のプペル』のチケットの購入代金にあてて、そのチケットを子供達にプレゼントしてくださるというのです。
もう、とんでもない規模の支援なんです。
昨日は丸一日、映画のアフレコ収録がありまして、その合間合間でスマホをチラチラと見ながら、今回のクラファンの動きを追わせていただいたのですが……Twitterのタイムラインを見ると、チーム鴨頭の皆さんが一丸となって、「行け〜!」といった感じで、応援してくださっているんです。
もう一度言いますが、これは自分達の為にやっているわけではなくて、動機は「今回は西野亮廣を勝たせる」の一点なんです。
本当はお一人お一人に会いに行って、キチンを御礼しなきゃいけないところなのですが、映画制作が佳境に入っていて、今はどうしても現場を離れられなくて……なので心の中で「ありがとうございます」と言って、スマホを閉じ、また映画制作に戻りました。
今、チーム鴨頭の皆さんをはじめ、本当にたくさんの人が映画『えんとつ町のプペル』を、そして『西野亮廣』を応援してくださっています。
一度、『♯えんとつ町のプペル』でエゴサーチしてみてください。今、応援の輪が本当に、すごいことになっているので。
昨日もお話ししたのですが、今年は皆大変です。
100年に一度のウイルスに襲われて、僕らは今日も溺れそうになりながら、その乗り越え方を探している。
皆、不安で不安で仕方ないと思うんです。
自分のことでやらなくちゃいけないことがまだまだある。
そんな中、僕の挑戦にその大切な時間を分けてくれて、「西野、頑張れ〜」と言ってくださっている。
本当に本当にありがたいし、罪深いなぁと思っています。
よく、映画制作の現場で、監督が怒鳴り散らしてたりするじゃないですか?
…というか、監督って、なんか怒ってますよね?
前にある椅子を蹴ってるイメージありません(笑)?
僕、身体がナヨナヨしているので、怒鳴ったり、モノに当たったりしても似合わないから、ああいう表現はしないのですが、
あの「怒り」は、すごくよく分かります。
これは、映画に限らず、リーダーと呼ばれる人や、経営者もそうだと思います。
「怒鳴りちらすのは人としてどうなんだ?」という真っ当なご意見もありますが(超わかるよ!)、しかし一方で、リーダーは、この背景、このセリフ、この音楽、このワンシーンを存在させる為に、どれだけの人が動いてくださったか、そして、動いてくださった方々の顔かを常に想像しています。
その人達が、どれだけのものを犠牲にしてくれたかを知っているんです。
僕はありがたいことに「一緒に働きたい」という声をよくいただいて、それこそサロン内で学生インターンを募集すると、毎回、一瞬で数百人の応募がくるんです。
でも、彼らに、よく言うんです。
「その程度の覚悟なら、僕に近寄って来ないでくれ。そのペースで走りたいのであれば、僕の隣なんかよりも、もっともっと居心地の良い場所がある」
僕はあなたの首根っこを掴まえて、「僕の隣で働け」とは絶対に言わないんですね。
「他所でやります」と言われても、一切引きとめない。どうぞどうぞ。
ただ、あなたの意思で、「西野の隣で働く」というのであれば、覚悟は決めて欲しい。
1000時間かけようが、それがツマラナイものであれば、僕は1秒でゴミ箱に捨てます。
恨むのなら、好きなだけ恨んでもらって構いません。
ただし、恨む相手を間違っちゃいけない。
ここは「これだけ頑張ったのに」が通用する世界じゃない。
一番悪いのは、1000時間かけているのにツマラナイものしか作れない自分です。
「恨むなら、自分の弱さを恨め」といったところです。
時々、僕は、見る人が見れば「血も涙もないような判断」をする場合があります。
それこそ、「これ、デモなんですけど」といってあげてきてくださった時に、それが、たとえ完成度でいうと10%程度であろうが、そこには、その人が今回の仕事にかけている想い・姿勢が全部出るじゃないですか。
そこで、流れ作業のようなものを出してこられる方とは、もっというと血の匂いがしない方とは、僕、二度と仕事をしないんです。
もう二度と会わない。
理由は、その人が可愛そうだから。
ここは、そんな人が生きられる世界じゃない。
そして、何より、この背景、このセリフ、この音楽、このワンシーンを存在させる為に、どれだけの人が動いて、どれだけのお金が動いて、どれだけ人が、ここに立ちたくても立てなかったを知っているからです。
応援されればされるほど、現場では人としていられなくなって、鬼みたいになっちゃうんですけど、でも、ここは、そういう世界なので、それでいいと思っています。
この話を聞いて、「上等じゃねぇか」という方がいらっしゃいましたら、株式会社NISHINOのインターンを受けるか、もしくは、ウチの若手社員やインターン生から話を聞いて見てください。
本気でエンタメをやる気があるのであれば、この上ない環境であることは間違いないです。
ただ、「同い年で、せめて日本一ぐらいはとっとけよ。みっともねぇな」という領域での打ち合いになるので、参加されるのであれば、それぐらいの感じでお願いします。
なんじゃかんじゃで、すっかり徹夜になっちゃったのですが、今日はスタートが早くて、これからもうアフレコ収録です。
頑張ってきます。
あなたも頑張って。
▼西野亮廣の最新のエンタメビジネスに関する記事(1記事=2000~3000文字)が毎朝読めるのはオンラインサロン(ほぼメルマガ)はコチラ↓
https://salon.jp/nishino
▼Instagram版はコチラ↓
https://nishino73.thebase.in/items/25497065
[I can't live as a person anymore]
Yesterday, the crowdfunding that started ′′ Ryo Nishino x tsuji head collaboration lecture ~ Let's change the world with dreams and enta ~" but it's been 7 hours and 44 minutes since the project launched, and it's a goal I've breached 2000 yen of the amount.
Thank you so much for all your support.
[ryo nishino x]]
https://silkhat.yoshimoto.co.jp/projects/2037
For those who don't know, I will explain the summary of this project again.
This is the ′′ Nishino Ryo Nishino cheering project ′′ that was planted by the youtube speaker, Mr. Tsuji Chia-San and the team-head...... I'm going to have a collaboration lecture between me and Mr. Tsuji-San, what a 3 In a week, I'm going to go to the Tokyo International Forum, but I'm going to have a good time with the full price of the revenue, and I'm going to have a good time with the purchase of the ticket for the movie ′′ a town ′′ and I'm going to give it to the kids I'm sorry.
It's already a hell of a scale support.
Yesterday was a whole day, and there was a recording of the movie, and I was able to chase the movement of the fan this time while watching the smartphone glimmer in the middle of the day...... when I see the twitter timeline, I feel like I'm going to go to the middle of the day, and I'm going to go to the middle of the day, and I'm rooting for you.
I'll say it again, but this is not for us, but the motive is ′′ this time I'm going to win ryo nishino ′′
I really have to go to see each and every one of you, and I have to thank you for your support, but the movie production is in the the, and now I can't leave the site...... so I'm in my heart So I said ′′ thank you ′′ and closed my smartphone and went back to film production again.
Now, a lot of people are supporting the movie ′′ a town ′′ and ′′ Ryo Nishino ′′ from the team of the team.
Once," try to search ego in ♯ a town," Now the circle of cheering is really going to be amazing.
I talked about it yesterday too, but this year everyone is hard.
Being attacked by a virus once a year, we are going to drown again today, and we are looking for a way to get over it.
I don't think everyone is anxious and anxious.
There are still things I need to do with myself.
In such a way, I'm saying, ′′ go nishino ~" for sharing that precious time in my challenge.
I really really want to be, I think it's sinful.
Isn't the director ranting at the site of the movie production?
... I mean, the director is angry, right?
I don't have an image of kicking a chair in front of me lol?
I don't have an expression because my body is na, so I don't have a good expression because it doesn't suit me if i yell or hit things.
That ′′ anger ′′ is very well understood.
I think this is not limited to movies, people called leaders, and managers.
There is also a fair opinion that ′′ how about ranting as a person?" (I know it! ), but on the other hand, the leader is this background, this line, this music, how many people have moved to exist this scene, and the face of those who have moved. Always I imagine.
I know how many things they have sacrificed.
I'm thankful for the voice of ′′ I want to work with you ′′ and it's a student intern in the salon, and every time I get a few hundred submissions in a moment.
But I often say to them.
′′ don't come near me if you're ready for that extent. If you want to run at that pace, there's a more cozy place than next to me ′′
I'll catch your neck and never say ′′ work next to me,"
Even if you say ′′ I'll do it somewhere else I can't pull it off. Here you go.
I just want you to be prepared if you are ′′ working next to nishino," in your will.
1000 hours, but if it's a dwee, I'll throw it in the trash in 1 seconds.
If you hate it, you can grudge as much as you want.
However, don't wrong the opponent you hate.
This is not the world where ′′ I did my best ′′ is going to pass.
The worst thing is that I can only make a dwee even though it's been 1000 hours.
′′ if you hate it, grudge your weakness
Sometimes I see someone who sees it, ′′ judgement that there is no blood or tears ′′
That's what it's like to say, ′′ this is a demo," it's about 10 % of the completion, but there's the person who is the one who is the one who is the one who is the one who is the one who is the one who Isn't it all about your thoughts?
So, I don't work again if I don't smell the blood more than the people who can put out something like the flow work.
I'll never see you again.
The reason is because the person looks cute.
This is not a world where people like that can live.
And above all, this background, this line, this music, to exist this scene, how many people move, how much money moves, and how many people want to stand here. Stand up Because I know I didn't.
The more you cheer up, the more you can't be a person on the site, the more you're like a demon, but this is a world like that, so i think it's good.
Listen to this story, if you are interested in ′′ good," please take an intern of nishino co ltd. or listen to our young employees and intern students.
If you are seriously motivated by entertainment, there is no doubt that it is an environment that can't be done.
It's just," it's the same age, at least it's about Japan. It's going to be a dǎchi héi in the area of ′′ I don't know what to do, so if you're going to participate, please feel like it.
Well, it's been a long time since I've been in the middle of a long time, but today is the start of the day, and now I'm already recording the recording.
I'll do my best.
Good luck to you too.
▼ an article about the latest entertainment business of ryo nishino (1 articles = 2000 to 3000 characters) can be read every morning online salon (almost mail magazine) is here ↓
https://salon.jp/nishino
▼ Instagram version is here ↓
https://nishino73.thebase.in/items/25497065Translated
background circle 在 哥文 Youtube 的精選貼文
#虎將軍 #謁祖 #機車 #新港奉天宮
封面拍攝:神攝手-阿鴻 https://reurl.cc/g831zz
我的IG:https://www.instagram.com/che_wen_/
我的FB:https://reurl.cc/Y1mog0
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background circle 在 TheLittleBalu Youtube 的最佳解答
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background circle 在 CH Music Channel Youtube 的最佳解答
《daydream》
蝶々結び / Chouchou Musubi / 蝴蝶結 / A Butterfly Bow
作詞 / Lyricist:野田洋次郎(RADWIMPS)
作曲 / Composer:野田洋次郎(RADWIMPS)
編曲 / Arranger:野田洋次郎(RADWIMPS)
吉他&和聲 / Guitar & Chorus:ハナレグミ
歌 / Singer:Aimer
翻譯:澄野(CH Music Channel)
意譯:CH(CH Music Channel)
English Translation:Toria
背景 / Background - この蒼くて広い世界に - てる :
https://www.pixiv.net/artworks/58935050
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本頻道不握有任何音樂所有權,亦無任何營利,一切僅為推廣用途。音樂所有權歸原始創作者所有。請支持正版。
Copyright Info:
Be aware this channel is for promotion purposes only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.
すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽(または画像)の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。
如果你喜歡我的影片,不妨按下喜歡和訂閱,你的支持就是我創作的最大原動力!
If you like my videos, please click like and subscribe! Thx :)
粉絲團隨時獲得最新訊息!
Check my Facebook page for more information!
https://www.facebook.com/chschannel/
中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=4885129
英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/chouchou-musubi/
日文歌詞 / Japanese Lyrics :
片っぽで丸を作って しっかり持ってて
もう片っぽでその丸の後ろを ぐるっと回って
間にできたポッケに入って 出て来るの待ってて
出てきたところを迎えにきて 「せーの」で引っぱって
はじめはなんとも 情けない形だとしても
同じだけ力を込めて
羽根は大きく 結び目は固く
なるようにきつく 結んでいてほしいの
腕はここに 想い出は遠くに
置いておいてほしい ほしいの
片っぽでも引っ張っちゃえば ほどけちゃうけど
作ったもの壊すのは 遥かに 簡単だけど
だけどほどく時も そう、ちゃんと 同じようにね
分かってるよ でもできたらね 「せーの」で引っ張って
ほどけやしないように と願って力込めては
広げすぎた羽根に 戸惑う
羽根は大きく 結び目は固く
なるようにきつく 結んでいてほしいの
夢はここに 想い出は遠くに
気付けばそこにあるくらいがいい
黙って引っ張ったりしないでよ 不格好な蝶にしないでよ
結んだつもりがほどいていたり 緩めたつもりが締めていたり
この蒼くて広い世界に 無数に 散らばった中から
別々に二人選んだ糸を お互いたぐり寄せ合ったんだ
結ばれたんじゃなく結んだんだ 二人で「せーの」で引っ張ったんだ
大きくも 小さくも なりすぎないように 力を込めたんだ
この蒼くて広い世界に 無数に 散らばった中から
別々に二人選んだ糸を お互いたぐり寄せ合ったんだ
結ばれたんじゃなく結んだんだ 二人で「せーの」で引っ張ったんだ
大きくも 小さくも なりすぎないように 力を込めたんだ
中文歌詞 / Chinese Lyrics :
將一端圍成一個圓,緊緊握住
再將另一端繞過那圓,轉一圈
穿進間隙中的洞口,等著它繞過來
在穿出來的洞口接住,念出「一、二」之後拉緊
即使剛開始,只能做出慘不忍睹的形狀
只知道兩手要用一樣的力氣
我希望翅膀能大一點、結能打得更緊一點
為了打出漂亮的蝴蝶結,希望你繫得更緊,越緊越好
希望你能為我握起繩結,而回憶則放在那方——
過去的回憶留在遙遠的那方就好
儘管只拉起一端,繩結便會輕易解開
儘管破壞總是遠比創造來得容易
但是在解開繩結的時候,是啊,也是同樣的道理
我明白的,但如果可以的話,希望能一同念出「一、二」之後拉開
若為使繩結不會鬆開,而用盡全力的話
只會對展開太大的翅膀感到不知所措
我希望翅膀能大一點、結能打得更緊一點
為了打出漂亮的蝴蝶結,希望你繫得更緊,越緊越好
希望你仍能抱持夢想,而回憶則留在那方——
一回過頭便能憶起的距離就好
別坑不作聲地拉緊、也不要綁出不好看的蝴蝶結
以為綁緊了卻不經意鬆開;以為鬆脫了卻不經意拉緊
在蒼穹無垠世界裡,數不清且散落各地的線繩中
兩人循著各自選下的繩線,向著彼此靠近
聯繫彼此的線並不是被迫牽起,而是由兩人綁上——由兩人一同念出「一、二」之後拉緊的
希望它不會太大、也不會太小,由兩人一起,共同將繩結繫緊
在蒼穹無垠世界裡,數不清且散落各地的線繩中
兩人循著各自選下的繩線,向著彼此靠近
聯繫彼此的線並不是被迫牽起,而是由兩人綁上——由兩人一同念出「一、二」之後拉緊的
希望它不會太大、也不會太小,由兩人一起,共同將繩結繫緊
英文歌詞 / English Lyrics :
Take one end, and make a circle—now hold it tight
Take the other end and wrap it around behind the circle
Pass it through the pocket formed in the middle, and wait for it to come back out
Go out to meet it—And with a one, two, pull the strings tight
At the beginning, it came out so pathetically
But even still, I put the same strength into it
I want to tie it tight
So that the loops would be big, and the knot would be tight
I want you, I want you
To put your arm here, and your memories far away
Even though if you pull on only one end, it’ll come untied
It’s so, so very easy to break what someone’s made
Yet that’s how it is when you untie it, it’s exactly the same
I know that’s how it goes, but once I finish it—With a one, two, I’ll pull the strings
Praying that it wouldn’t come untied, I put some strength into it
And became transfixed by the loops that I had pulled too far out
I want to tie it tight
So that the loops would be big, and the knot would be tight
So that your dreams are here, and your memories far away
If you realize it, I’m fine with you just being there
Just shut up, don’t pull on them; don’t make the strings into a lopsided butterfly
I meant to tie them, but they’re becoming loose; I meant to loosen them, but they’re becoming tight
From all the countless and scattered contents of this blue, wide world
The two of us chose the same thread independently and reeled each other in
We weren’t tied to each other, we tied ourselves to each other—With a one, two, we pulled the strings
So that they wouldn’t be too loose, or too tight, we put our strength into it

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