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#台灣當代藝術國際交流 #CHRONIQUES數位藝術雙年展
台灣當代藝術的國際交流模式，近年更採取搭配國際既有的藝術平台品牌，由機構統合策畫、媒體宣傳、佈展技術以更完整的資源，將台灣藝術家的實力推廣至國際藝術前沿的平台。而今年由 空總臺灣當代文化實驗場 C-LAB與文化部巴文中心合作促成下，台灣受到南法CHRONIQUES數位藝術雙年展的邀請，成為今年的代表主題國（ Guest of Honor ）。負責參與「CHRONIQUES數位藝術雙年展」台灣策畫內容的C-LAB策展人 #吳達坤 表示，展覽統合以「#永恆ETERNITY」作為主題，並與11組台灣新媒體藝術家組成了台灣科技藝術團隊代表。
三頻道裝置《未來的衝擊》，本月參展法國馬賽Chroniques 數位藝術雙年展
Future Shock is participating in the Chroniques 2020 this month, in the program "WHAT DO WE WANT TO GROW ON THE RUINS?"
A paradox of present times, the extension of human life and the image of the end of the world coexist and oppose each other in our imaginations of possible futures. These are almost two societal choices that clash and trace a front line in our political and social horizons. After years of trying to modernize the Earth, we are now facing a social crisis that may be the most important in all our history: the image of a collapse due to the disappearance of our ecosystem. So, a question arises: how are we going to build the afterwards?
Far from new, the image of the end of the world has often inspired artists and aesthetic movements throughout history. At La Friche, the exhibition, designed as a fictional laboratory, presents artists who enlighten us on the current issues of change, on our history, our past choices which ultimately carry within them a need to reform of human reasoning. An international exhibition with Taiwan as guest of honor, it brings together a group of mostly European artists alongside Taiwanese artists, who grew up with the same utopias, notably that of progress supporting Nature. These myths are now fading and we must understand the changes necessary in our relationship with the Earth and with living things. Some reflect on or depict the ways in which we can use technosciences for environmental regulation, others show the possibilities for the evolution of humans and our bodies with the help of technology. How are we going to coexist between the living and non-living? How will we be able to live with and adapt to these changes?
A reflection on this collapse, the exhibition questions new possibilities of life in the interstice of the ruins. Now that the future is a lost paradise, what new future are we going to invent?
Within the framework of the cooperation project Future Divercities, co-financed by the Creative Europe program of the European Union.
Curator: Mathieu Vabre
Associate curator: Wu Dar-Kuen
Programming committee: Manon Desplechin, Marylou Bonnaire
Scenography: Emilie Fouilloux
Technical direction: Philippe Machemehl
This project is kindly supported by Taiwan Contemporary Culture Lab.
The production of Future Shock is sponsored by Kaohsiung Film Archive and National Culture and Arts Foundation.
Production team:
Producer: Huang Jing-Han and Kuo Yi-Hsuan
1st Assistant Director: Liu Yueh-Min
Cameratographer: Chen Kuan-Yu
Art director: Liao Yin-Chiao and Su Hui-Yu
Custome Designer: Huang Jing-Han
Music: Su Hui-Yu
Cast:
Craig Quintero
Liao Fu-Chi
Popcorn
Ethan Wang
Liu Yueh-Min
Jovi Lee
Hsing Feng
Liang Feng
Kaiti Shan
Yunuo Lin
Su Hui-Yu
#Chroniques
#Futureshock
#高雄拍
