Hotel California ◎Eagles
On a dark desert highway, cool wind in my hair
奔馳於黑暗的沙漠路途,冷風穿過我一頭亂髮
Warm smell of colitas, rising up through the air
菸草的溫暖氣味瀰漫
Up ahead in the distance, I saw a shimmering light
就在前方,我看見遠處閃動的光
My head grew heavy and my sight grew dim
頭愈加沉重,視線陷入昏暗
I had to stop for the night
我得找個地方過夜
There she stood in the doorway; I heard the mission bell
她出現在門口,天命般的鐘聲響起
And I was thinking to myself,
我忖度,
"This could be Heaven or this could be Hell"
這裡究竟是天堂,抑或是地獄
Then she lit up a candle and she showed me the way
她燃起蠟燭指引我前方的路
There were voices down the corridor,
迴廊底部傳來絮語
I thought I heard them say...
我聽見他們說……
Welcome to the Hotel California
歡迎來到加州旅館
Such a lovely place (Such a lovely place)
這誘人之地(這誘人之地)
Such a lovely face
多麼美妙的臉龐
Plenty of room at the Hotel California
這裡空餘的房間
Any time of year (Any time of year)
不論何時
You can find it here
歡迎你的到來
Her mind is Tiffany-twisted, she got the Mercedes bends
她沉溺於珠寶和名車造成的精神恍惚
She got a lot of pretty, pretty boys she calls friends
她結識許多漂亮的男孩,並稱之為朋友
How they dance in the courtyard, sweet summer sweat.
在庭院起舞,甜美的夏日汗水
Some dance to remember, some dance to forget
藉舞蹈以記憶,有些則藉以遺忘
So I called up the Captain,
所以我呼叫侍者
"Please bring me my wine"
給我倒些酒
He said, "We haven't had that spirit here since nineteen sixty nine"
他說:「自從一九六九年,我們再沒有那樣的烈酒。」
And still those voices are calling from far away,
那些聲響不斷地從遠方傳來,
Wake you up in the middle of the night
在深夜喚我醒來
Just to hear them say...
只聽見他們說……
Welcome to the Hotel California
歡迎來到加州旅館
Such a lovely place (Such a lovely place)
奇妙的所在(奇妙的所在)
Such a lovely face
那惹人憐愛的臉龐
They livin' it up at the Hotel California
在加州旅館享受人生
What a nice surprise (what a nice surprise)
好得令人吃驚
Bring your alibis
帶著你逃逸的理由
Mirrors on the ceiling,
天花板的懸鏡
The pink champagne on ice
浮冰上的紅粉香檳
And she said "We are all just prisoners here, of our own device"
而她說:「我們在自己的監牢,做自己的囚犯。」
And in the master's chambers,
在主人的房間,
They gathered for the feast
他們聚集赴宴
They stab it with their steely knives,
他們以銳利的刀戳刺
But they just can't kill the beast
卻無法殺了那頭野獸
Last thing I remember, I was
我記得的最後一件事,是我
Running for the door
正逃向那門
I had to find the passage back
我必須找到逃出的道路
To the place I was before
回到我原先的道路
"Relax, " said the night man,
「放輕鬆,」守夜人對我說,
"We are programmed to receive.
我們照常接待旅客。
You can check-out any time you like,
你可以隨時退房,
But you can never leave! "
但你永遠不能離開!
-
⠀
◎小編有庠賞析
⠀
此首Hotel California發表於1960年代,同名專輯可說是老鷹樂團最音樂事業最成功,商業銷量也最好的一張專輯。回顧歷經鄉村、西部、搖滾等風格的老鷹樂團,成員上也有所變動,連帶雜揉出獨特面貌。在第五張專輯收錄了這首歌,其吉他演奏多為人所稱頌,成為各地樂迷學習、模仿的經典。淒涼的吉他聲拉出荒涼的公路軸線,隨著樂音向黑暗延伸,鏡頭拉至敘述者面前,加入鼓聲。吉他聲賦予追索回憶的進程,鼓聲則穩定敘述語調,漸次堆展至副歌精準的和聲。
評論者對於詞中的情節有多重解釋,內容主要描寫敘述者在公路上奔馳,雜以描述當時美國洛杉磯的生活切面:狂歡、毒品、舞蹈、酒精等等意象,無法退房的加州旅館象徵難以脫逃的沉溺感。第一段敘述者動用多重感官,閃動的光、陰冷的風,以及鼻腔充滿的菸草味共同建構出荒涼景象。以上種種襯托加州旅館的誘人,為了未知可能隱含的傷害性製造更大的張力。主歌以主唱一人獨唱為主,進入副歌則加上合聲,除了呼應「我聽見他們說……」的承接句,開啟旅館內紛呈的景象。第一層張力由此產生,荒涼的環境中佇立炫目奢華的旅館,本質上的衝突除了是敘述者沉溺的理由,同時是後段敘述者發覺事態詭異的理由。
畫面中不斷提及的敘事對象「她」,彷彿具象化這座加州旅館,一步步引人進入,如「她燃起蠟燭指引我前方的路」。敘述者層層陷入「她」的舞蹈與夏日汗水,也順理成章地要了酒精,得到的回應卻是:「自從一九九六年,我們再沒有那樣的烈酒。」
類似形式的副歌,自此再次出現,產生不同意義:先前感到新奇而步入,如今熱情過度的人們顯得格格不入。中後段的吉他獨奏則給予聽者空間,如同換幕的效果,詩中的空行。進一步加深情緒之外,也做為後段啟示的鋪墊:「我們在自己的監牢,做自己的囚犯。」最後一節,一句歌詞令人不安,同樣以過去式寫成:「我記得的最後一件事,是我逃向那門」,除了描寫敘述者慌亂的行為,他記得的最後一件事是自己逃向門,那令人猜想那他現今身在何處?
整體情節製造懸疑,環境景色雖已大不相同,放置到當代仍可成立。在當時,奢糜作為生命逃逸方法的年代,內部的焦慮卻未曾消失。歌詞也許僅是描寫時代切面,但的確觸及了人類思考生命的終極問題。生命如同歌曲:器樂與人聲合唱中,澎拜的聲響反而加深神秘感與不確定感。轉述旅館景象的語調如沉重的叩問,一波波的器樂經歷高潮,而逐漸散退。歌中的人聲轉印至人群心中,揭露各有自己無法逃脫的加州旅館。
⠀
-
▨ 美術設計 _ 浩瑋
https://cendalirit.blogspot.com/2021/09/20210919.html
#每天為你讀一首詩 #當代詞選 #西洋詞選 #加州旅館 #老鷹樂隊
同時也有34部Youtube影片,追蹤數超過2,190的網紅ADM,也在其Youtube影片中提到,去年的作品 我也是愛哭男孩 follow ADM: Instagram : https://www.instagram.com/sickboyadm/ Soundcloud: https://soundcloud.com/adm-341606682 I’m a star now 但我trus...
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lit up light up 在 Lee Hsien Loong Facebook 的最佳貼文
Explored the Bras Basah.Bugis precinct last weekend to enjoy the annual National Day light-up of buildings.
The seven buildings lit up this year are an interesting mix of gazetted national monuments, like the Central Fire Station and Cathedral of the Good Shepherd, as well as not so well-known sites, like the old Middle Road Church at the corner of Waterloo Street and Middle Road. While their functions have been changed over the years, these historical buildings have all played a part in our Singapore story.
I was hoping to capture all seven buildings, but got rained out (as you can see from the Central Fire Station photo), so missed two of them. Please share your pics of Cathay Building and the National Museum (and the others too), lit up for National Day!
I hope these beautiful night lights will inspire you to keep the Singapore Spirit high and bright. Looking forward to the NDP show this Saturday! ✨🇸🇬 – LHL
lit up light up 在 林郁晉- Yu Jun LIN Facebook 的精選貼文
《 #籠罩下的巨大哀愁 》
正式開展啦~
歡迎各位到台北當代藝術館
/
詳細資訊|https://reurl.cc/bXy09v
________________________________________________
A Dark Cloud of Sorrow Looms Over
by Yu-Jun LIN
Late mornings and sleepless nights. Frustration. Anxiety.
They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.
In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.
However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.
Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.
A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.
Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.
Chung Chih Ting|I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.
Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.
Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?
Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.
Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.
Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?
Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
_____________________________
《籠罩下的巨大哀愁》展覽資訊
展覽日期|2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點|台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間| Mon. ─ Sun. 16:00-21:00
特別感謝| 贊助單位
厭世會社 @mis.society
#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社
lit up light up 在 ADM Youtube 的最佳貼文
去年的作品
我也是愛哭男孩
follow ADM:
Instagram : https://www.instagram.com/sickboyadm/
Soundcloud: https://soundcloud.com/adm-341606682
I’m a star now 但我trust nobody
Antidote不能說出我的feeling
Need some dose 讓我感覺麻痺
and I need a shawty be with me
Fuck it up
All my feeling 我需要點bad thing
I can fuck shit up不能說出我的feeling
NO
All my feeling 我需要點bad thing
我只想要do my thang
Light it up 我不想搞上麻煩
Fuck it up 音樂換來了存款
WTF 惡魔是真的存在
不知不覺我的靈魂早被出賣
No
Bitch我才不是個sadboy
被搞得不像是自己
我不能說出my feeling
是真的I need some xanny
Lilboy 覺得我勇敢追夢
成為妹子們口中的饒舌歌手
What I been through 沒有人懂
為了捍衛我的藝術皺了眉頭
I’ll do it my way fuck one dose
像油氣太濃 腦袋No Go
Don’t fuck with me 我說hell no
當我make it rain like a pablo
I’m a star now 但我trust nobody
Antidote不能說出我的feeling
Need some dose 讓我感覺麻痺
and I need a shawty be with me
Fuck it up
All my feeling 我需要點bad thing
I can fuck shit up不能說出我的feeling
NO
All my feeling 我需要點bad thing
我只想要do my thang
我只想要do my thang
讓那bad bitch do her dance
I don’t need luv 跟romance
我是真的需要medicine
現在所有人全都看重
卻沒有人懂哪個是我
I don’t wanna sober活在夢中
All these pills 我有很多
Baking soda 告訴你I ain’t clean
他們迎接我back to my city
Fuck all these feeling 我只想開心
It’s me
半夜我skrt在山裡
當速度混上gasoline
腎上腺素make me lit
才感覺living
馬力超過300匹
遠遠甩掉bad feeling
You dig?
I’m a star now 但我trust nobody
Antidote不能說出我的feeling
Need some dose 讓我感覺麻痺
and I need a shawty be with me
Fuck it up
All my feeling 我需要點bad thing
I can fuck shit up不能說出我的feeling
NO
All my feeling 我需要點bad thing
我只想要do my thang
lit up light up 在 Jessica Vu Youtube 的最讚貼文
The weather is getting warmer, which means hot girl summer is here ? Today's makeup tutorial is on my updated everyday sunkissed makeup look in partnership with COVERGIRL! I included a lot of no makeup makeup tricks for an effortlessly flawless look, perfect for those sunny beach days ?#COVERGIRLPartner #EasyBreezyBeautiful
FOLLOW ME!
✧ IG: https://www.instagram.com/jessyluxe
✧ PODCAST: https://anchor.fm/volumeup
✧ TIKTOK: https://www.tiktok.com/@jessyluxe
✧ TWITTER: https://twitter.com/luxejessy
✧ SPOTIFY: https://bit.ly/jessyluxe
﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍
Hello! Do you have any summer plans? I've been fully vaccinated for a while now, so I'm excited to travel again soon! I'm actually visiting NYC in July ❤️ I just know it's going to be so humid ?
I noticed the "no makeup" makeup look is in lately, so here's my take...with winged liner ? I can't do my makeup without it ? A lot of you guys said you prefer natural makeup looks on Instagram, so I hope you like this one! I learned so many mini techniques to enhance natural makeup during quarantine..but I know I've been doing a lot of neutrals lately, so the next one will be more avant-garde/artsy, I promise!
Other life updates: my little sister is staying with me for the summer, so you may see her more often on random LIVUs/livestreams/videos. Please welcome her kindly!
'til next time!
♡ xo
﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍
P R O D U C T S
EYES ⁺
˖ O-Lens Colored Contact Lenses ("Russian Velvet Brown") https://bit.ly/3fQ5VpC
˖ Kosas Brow Pop Clean Dual-Action Defining Eyebrow Pencil ("Brown Black") https://go.magik.ly/ml/17tv2/
˖ Too Faced Born This Way Multi-Use Super Coverage Sculpting Concealer ("Almond") https://go.magik.ly/ml/13rs5/
˖ Kosas Air Brow Clear + Clean Lifting Treatment Eyebrow Gel https://go.magik.ly/ml/17tv6/
˖ Kaja Spiked Ginger Beauty Bento Bouncy Shimmer Eyeshadow Trio ("01 Nude Apricot", "03 Toffee") https://go.magik.ly/ml/17txy/
˖ CoverGirl Perfect Point Plus Liquid Liner ("Espresso") https://bit.ly/3ii2KbL
˖ Kaja Chocolate Dahlia Beauty Bento Bouncy Shimmer Eyeshadow Trio ("03 Brown Sugar") https://go.magik.ly/ml/13rr2/
˖ CoverGirl Lash Blast Clean Volume Mascara ("Black Brown") https://bit.ly/3cfznTx
˖ Gucci Beauty Stylo Contour Des Yeux Kohl Eyeliner ("03 Chocolat") https://go.magik.ly/ml/17tz4/
˖ Freck The Original Freckle ("Freck Noir") https://bit.ly/3vUHNaL
FACE ⁺
˖ Laneige Glowy Makeup Serum https://go.magik.ly/ml/13rs3/
˖ Pat McGrath Labs Skin Fetish Sublime Perfection Foundation ("Light Medium 10") https://go.magik.ly/ml/17tz5/
˖ Too Faced Born This Way Multi-Use Super Coverage Sculpting Concealer ("Almond") https://go.magik.ly/ml/13rs5/
˖ CoverGirl Simply Ageless Instant Wrinkle Blurring Pressed Powder ("Translucent") https://bit.ly/352pt41
˖ ColourPop Sugar Frosted Cheek Palette ("Trifle", "Cookie Crumble") https://go.magik.ly/ml/17tz6/
˖ VT Cosmetics Triple Shading Contour Palette (no longer available)
˖ Make Up For Ever Star Lit Powder ("2 Frozen Gold") https://go.magik.ly/ml/13rsa/
˖ Freck The Original Freckle ("Freck Noir") https://bit.ly/3vUHNaL
LIPS ⁺
˖ Gucci Beauty Crayon Contour Des Levres Lip Liner ("01 Nude") https://go.magik.ly/ml/17tzj/
˖ CoverGirl Outlast All Day Lip Color in New Neutrals ("110 Ripe Peach") https://bit.ly/3pmBz0S
˖ Freck The Original Freckle ("Freck Noir") https://bit.ly/3vUHNaL
˖ Patrick Ta Beauty Major Sculpt Creme Contour & Powder Bronzer Duo ("She's Statuesque") https://go.magik.ly/ml/17tzv/
TOOLS ⁺
˖ Sigma Beauty Line Perfector Brush E68 https://go.magik.ly/ml/17tso/
˖ IT Brushes for Ulta Airbrush All-Over Shadow Brush #119 https://go.magik.ly/ml/17tsu/
˖ Sigma Beauty Waterline Liner Brush E17 (no longer available - similar: https://go.magik.ly/ml/17tss/)
˖ Shiseido Eyelash Curler https://go.magik.ly/ml/16owl/
˖ Em Cosmetics Daydream Cushion Tinted SPF https://go.magik.ly/ml/17tsw/
˖ CoverGirl Simply Ageless Instant Wrinkle Blurring Pressed Powder Sponge https://bit.ly/352pt41
˖ ColourPop Blush Brush https://go.magik.ly/ml/13rst/
˖ ColourPop Small Tapered Brush E9 https://go.magik.ly/ml/kpq4/
˖ Zoeva Powder Brush #106 https://go.magik.ly/ml/17tu3/
WEARING ⁺
˖ Gold Hoop Earrings (discontinued)
˖ Small Gold Necklace (Vietnam)
˖ Maria Pascual Gold Deco Necklace https://bit.ly/3cl42ir
︾
T E C H
˖ CAMERA
Canon EOS Rebel T6i DSLR
https://amzn.to/2PcG1Mk
˖ LENS
EF-S 18-55mm IS STM Kit Lens
https://amzn.to/2P7wAxx
˖ LIGHTING
GVM Great Video Maker 800D RGB LED Panel Video Light Kit 3200K-5600K
https://go.magik.ly/ml/17tru/
˖ EDITING PROGRAM
Final Cut Pro X 10.5
︾
M U S I C
˖ chobizzy - LUSH KARMA 2 https://soundcloud.com/soohyungcho/lush-karma-2
˖ luvbyrd - doja cat kiss me more lofi https://youtu.be/spzUbsqiJWk
﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍﹍
? BUSINESS EMAIL: jessica@rare.global
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lit up light up 在 大麻煩翻譯組JackO Youtube 的最讚貼文
#Skullgirls #BigBand #Story
Skullgirls是一款2D平面格鬥遊戲,故事圍繞在Skull Heart(骷髏之心)這項神奇的物品上,有許願的功能,但只要許願的人心不夠純潔,願望則會扭曲,遊戲中講述各角色自己,以及與Skullgirl所發生的故事
影片中許多部分並未完全照英文字面意思翻譯,為了能盡量淺顯易懂,並傳達本作故事的劇情與要素,會在一些地方稍做調整讓[中文]看起來能夠更加流暢
並且 所有遊戲內的特殊名詞與姓名皆不翻譯
為了保留最原始的發音
並使觀眾能更清楚辨識哪些是遊戲裡有其他含意的特殊詞
所有特殊名詞與姓名皆保留英文
如有任何問題歡迎留言告知
-----名詞與註解-----
Big Band講話總有種老式偵探片的主角自白的感覺XD
有很多說法都很少見,卻也超有味道的,大家可以特別去留意看看喔!
0:38 "be on the take" 是有收賄或貪污的意思喔
1:43 "lit(light) up like a Christmas tree" 是一種還蠻有畫面的比喻方式
「像顆點亮的聖誕樹一樣」,聖誕樹很閃亮嘛~所以這個比喻是指光彩奪目的東西
或用來形容一個人笑得燦爛,表現出開心的樣子等等
2:02 Big Band說 "maybe catch a show"
"catch a show" 算是蠻普遍的說法,就是去找場表演看
動詞用catch(抓住)所以沒聽過的人可能會覺得蠻新奇的
那對應下一句
Cerebella說 "The show caught you!"
就是在反過來用Big Band的說詞回嗆他
Cere知道Big Band只是在找借口隨便忽悠,所以才反嗆說我抓到你想搞事了
這種恰好對應到特殊說法的回嗆在Skullgirls裡面還蠻常見的
例如Valentine戰鬥開場的嗆聲"Time for your physical." 就有機會觸發Cerebella的"Time for your curtain call." (押韻
2:21 Big Band說的"This just ain't my scene." 這種說法Eliza在她的個人劇情裡面也講過
簡單來說就是「這不是我的場」,看當下情境來解讀,可以是「我不參與這種場的」或是「我不是要找這個」等意思
3:58 "One-man band? More like one-man army!"
Big Band的身體被改造成包含許多樂器的武器,所以說Big Band是一人樂隊完全正確XD
One-man army是指那種像超人一樣的戰鬥人員,一人抵一支軍隊
在「降士神通」這部卡通裡,就有人說裡面的「愛和大將軍」覺醒後有如一人大軍(英文版用的是一樣的說法
4:24 我稍微解釋一下為啥Big Band會說這是圈套
因為當初他會來調查賭場就是因為Theonite訊號,顯然這龐大的訊號肯定是人為的
因為數據上來說這種程度的訊號天然的來源一定是Skullgirl,但他被調虎離山了
4:55 從台詞可以看出Double知道Big Band是曾經差點死掉的人被改造成的半機械兵器
5:03 之所以沒有直接翻譯成「變身成你的樣子」是為了配合原文,Double說 "cloaked in your form."
cloak是斗篷,當動詞通常是指披上某樣東西,所以Double的說法其實更接近是「披著偽裝成你的外皮」
6:05 很棒的嗆聲OuOb,我們在畫面上註解了
8:30 Peacock說的"exit stage left"是一種很少見又很有趣的說法
就是「在不被注意的情況下偷偷溜走」的概念,蠻俏皮的,很符合Peacock的人設跟說話方式
9:49 Peacock本身就是個很神奇的人,雖然她也是改造士兵,但她自己把自己的攻擊方式變得非常卡通化,詳細可以去看我們的Peacock個人劇情翻譯
所以這裡她才這麼說
(Peacock真正的能力其實只有打開空間傳送跟手上的眼睛雷射,其他花樣都是她自己延伸發明的)
10:37 從這裡可以看出Big Band其實很想退出第一線了,更可以從他片尾的自述聽出這點
10:58 "can't swing a dead cat in 某地點 without hitting 某事物"
沒辦法在某個地方甩一隻死掉的貓咪而不去打到...,這種說法最一開始的典故只是用來形容空間很狹小
例如巷子這類的地方,如果有其他人在你沒辦法甩一隻死貓而不去碰到其他人,所以後來被拿來抽換詞面就是形容很容易碰見... 或是空間很小
11:05 Tinman(錫人)其實就是綠野仙蹤那個錫人沒錯,這個名詞後來常常被拿來說機器人或是外表有金屬的人
外貌上來說Big Band確實蠻金屬外皮的
之所以會被誤會也可能是因為Medici底下的怪人也不少... Medici跟Labs底下的改造士兵都還蠻奇特的... 可以說是能輕鬆看出來
13:01 Irvin說的"spare you the song and dance." 就是不跟你長篇大論或是細細解釋了
13:55 又是個少見的說法,"Can it"其實就是類似好了閉嘴的意思
15:17 Skullgirls是少女在向Skull Heart許願完畢之後會變成的東西,隨著當事人逐漸失去自我意識,Skullgirl就會越強
19:10 ~ 19:15
"IS here" 跟 "WAS here"
非常棒的英文口語例子,只有一個字的時態改變就能非常棒的呈現出整體意思
這在英文裡面非常常見喔!
20:01 "The Last Hope"的更多資訊可以看我們頻道的Skullgirls Mobile Valentine Origin劇情影片
那個影片也有解釋為何Valentine選擇叛變
23:13 "Nothing personal" 這個說法我也很推薦大家記一下,非常常見
字面上的意思就是「沒有私事」,很適合撂狠話的時候說「我就公事公辦而已喔」的概念
25:33 又是一個很棒的雙關梗,因為當下必須看懂才有趣所以我補在螢幕上了
26:19 同上
26:42 同上上
27:39 這句話真的超有老式電影自白的味道的
"It's not what it used to be, but neither am I."「這裡不再是以往的樣子,但我也一樣」
27:46
感謝Bilibili的觀眾「及川黑阿婆」告知
Peacock是說"Defective Comics" (殘缺人士漫畫集)
(因為Peacock跟Big Band其實都有損失身體器官並被機械取代)
這樣一來後面Big Band說我不想搶妳風頭的玩笑就更有意思了
影片內容非一人完成,十分感謝與我一同製作此影片的朋友們
遊戲官方網站:
http://skullgirls.com/
Skullgirls Steam網站:
http://store.steampowered.com/app/245170/Skullgirls/
希望大家能多多支持我們翻譯組!
訂閱頻道追蹤更多我們的影片!
IG看我們的日常與製作進度: weed99coco1
關於我們翻譯組: https://home.gamer.com.tw/creationDetail.php?sn=4035888
動畫與額外翻譯的網誌:https://weedtrouble.blogspot.com/
我們的Twitter: https://twitter.com/TransWeed
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