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Q: what is societyNicole Chen - thenictionary 在Facebook 的評價

THE VULVA FLOWER 🌸The censorship of our bodies, the ‘offensiveness’ of the female anatomy hurt us all. I’m not talking about our identities, and feminism, or even politics.I’m talking about women who fear going for Pap smears and check ups, who’re scared to tell their parents they have infections and don’t know what to do, who don’t know about HPV vaccines, and birth control, and put themselves in danger, because society shames our bodies, shames what makes us women, shame what makes us sacred and amazing, and different from men. I hesitated a little speaking up about this because I had been closely working with @kotexmy on some campaigns, and understood the terms we’re bound by when we work, but when I talked to the representatives down at Kotex, they reassured me that this fight, our fight, is so much bigger than just brands and work. 😭💖I’m so so happy to be in a place where I can collaborate with people who give me the freedom to stand up for what I believe in, and lend power and voice through me, and recognise in the big picture, we’re all fighting for the same thing. ✨Our bodies are not shameful, neither are they offensive, nor sexual. Our bodies are strong, wondrous, incredible things that possess the gift of giving life, and it should be celebrated by all, especially other women ✨I am truly comforted by the idea that in their act to censor our bodies, they accidentally blew the issue up, and ironically it blew back in their faces. 😉 when they come for us, they come for us all, so don’t be surprised when we bite back. Inspired by @christopher_grave 💖 #vulva #vulvaflower #vulvamakeup #vulvaflowermakeup #vulvaart

Q: what is societyNicole Chen - thenictionary 在Facebook 的評價

THE VULVA FLOWER 🌸The censorship of our bodies, the ‘offensiveness’ of our female anatomy, hurt us all. I’m not talking about our identities, and feminism, and politics.I’m talking about women who fear going for Pap smears and check ups, who’re scared to tell their parents they have infections and don’t know what to do, who don’t know about HPV vaccines, and birth control, and put themselves in danger, because society shames our bodies, shames what makes us women, shames what makes us sacred and amazing, and different from men. I hesitated a little speaking up about this because I have been closely working with @kotexmy on some campaigns, and understood the terms we’re bound by when we work, but when I talked to the representatives down at Kotex, they reassured me that this fight, our fight, is so much bigger than just brands. 😭💖I’m so so happy to be in a place where I can collaborate with people like this. who give me the freedom to stand up for what I believe in, and lend power and voice through me, that in the bigger picture, what we want are all the same.Our bodies are not shameful, or offensive, or sexual. They are beautiful, and wondrous, and incredible and should be celebrated! ✨I am so comforted in knowing, in their act of censoring us, they actually blew up the whole thing by accident, and it blew right back in their faces. 😉

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2021-09-26 13:36:31 有 137 人按讚

Q1: What is success mean to you?
I'm not sure what defines success, for me, success or failure is just a “phenomenon” that keeps changing. “Everything with form is unreal; if all forms are seen as unreal, the Tathagata will be perceived.” There is no rule to achieve success, we don’t know whether or not we can succeed before we start exploring.

Q2: How did you get into film and media? Can you tell me about your childhood?
As a child, I was obsessed with children's literature and illustrations, it was the reason I decided to study Design in HK PolyU. My first scriptwriting class in School of Creative Media, was a turning point. Dr. Tam Ka Ming’s teachings guided me towards the film industry. All I know is that I couldn’t help but follow my desire to use a camera to tell stories. It’s what led me drifting down this life-long career path. At the age of 23, I filmed my first movie, “High Noon". It portrays the dilemma of teens becoming adults and stepping into society.

Q3: How do you approach story or scene as a director, and what do you want to achieve on set?
The motifs of my movies are youth, growth, desire, bright and dark sides of human nature.
I think making movie is a journey of “Discovery”, “Recovery” and “Being”. Youth and teen growth is not only the topic for my debut, it is the topic of life that I concern.

Q4: Why you also started a talent agency? You also produce, why you choose to do so many things?
When I started my company Dumb Youth, my 1st intention was to protect those artists. Then I realize that a part of my role in life is to embrace my life with my "companions". I believe that the people and things around us coexists in the same space for a reason. I live by the Kahlil Gibran quote: “And all work is empty save when there is love”.

Q5: What inspires you about the film world and in HK Film Industry?
Love and Death, Lust and Desire, Humanity and Spirituality, lightness, heaviness and thickness.

For Hong Kong Film industry, I think the creativity and imagination always inspire me the most, and most importantly, people here have the ability to find humor amongst adversity.

Thanks Prestige HK 🙏🏼🤍
⁠Makeup & Hair for Heiward
Thanks Makeup - @tammyau_makeup 🤍
Hair - @jayyeung.theedge 🤍

#Repost @prestigehk
On the #prestige40under40 list this year, Heiward Mak is a talented film director, producer, scriptwriter and artist manager. She recounts her incredible journey in the film industry via the link in bio.

Video⁠⁠⁠ - @whats.in.the.bozz⁠⁠⁠
Editing⁠⁠⁠ - @novisuals
Photo - @studio.incline
Makeup⁠/Makeup Assistant⁠⁠⁠⁠
@jenny.tziong⁠⁠⁠⁠⁠ & Venus Ngan⁠⁠⁠⁠
Hair⁠⁠⁠⁠ - @domanictao⁠⁠⁠⁠

@prestigehk 🥂 #prestigehk40under40 #prestigehk #40under40 #bmwhongkong #breguethk #rareskinfuel #amihongkong

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