跟著怡琳看世界 37
The world’s tallest observation wheel is opening in Dubai next month
世界最高的觀景摩天輪下個月將在杜拜開放
metropolitan 大都市的
skyline 天際線
anticipate 預期/期望
cabin 座艙
rotation 旋轉一圈
fruition 完成
Ferris wheels were once the center of the town fair. Now they are key parts of major metropolitan skylines. But none can top the heights of the Ain Dubai — meaning “Dubai Eye” in Arabic — which is scheduled to open on Oct. 21. At more than 250 meters, Ain Dubai is 82 meters higher than the current world's tallest ferris wheel in operation, the High Roller in Las Vegas. It is almost twice the size of the London Eye.
摩天輪曾經是市集的中心。現在,它們是主要大都市天際線的關鍵部分。但沒有一個能超越預計在10月21日開幕的艾因杜拜-阿拉伯語義中為'杜拜之眼'-的高度。杜拜之眼高250多公尺,比目前世界運行中的最高摩天輪,拉斯維加斯的豪客摩天輪高82公尺。它幾乎是倫敦眼的兩倍。
First announced in February 2013, Ain Dubai has taken more than eight years to complete. Construction began in May 2015, with an anticipated completion date of early to mid-2019. That date was later pushed to October 20, 2020, which was then pushed back another year when Expo 2020 was delayed by a year due to the pandemic.
杜拜之眼於2013年2月首次對外發布,歷時超過8年完工。2015年5月開始施工,原本預計2019年初到年中完工。但完工日期被延後到2020年10月20日,結果又因為大流行病導致2020年世博會被推遲,再往後延一年。
The structure has 48 enclosed cabins, some of which can fit up to 40 passengers. In total, 1,750 people can ride at the same time, according to the attraction.
這個摩天輪有48個封閉式座艙,其中有一些座艙可以容納40名乘客。根據景點的統計,總共有1750人可以同時乘坐。
There are three different types of cabin to take in the 38-minute rotation: observation cabins (the standard option), social cabins (these are the "VIP" option and have a bar in the center of the pod) and private cabins, which can be booked out for special occasions and include the option of a private three-course dinner over two rotations of the wheel.
在38分鐘的旋轉中,有三種不同類型的座艙可供選擇:觀景座艙(標準型),社交座艙(這些是VIP型並且在座艙中央有酒吧)和私人座艙,可以依照特殊場合預訂,包含可以選擇在摩天輪旋轉兩圈時享用三道菜的晚餐。
Bringing all of this to fruition has meant pulling in expertise from all corners of the globe -- consultants from the UAE, South Korea, Germany, the UK, the Netherlands, France and Italy all contributed to key aspects of the design.
這一切的實現,意味著從世界各地引進專業技能-來自阿聯酋、韓國、德國、英國、荷蘭、法國及義大利的顧問,都為設計的關鍵層面做出貢獻。
資料來源
https://www.cnbc.com/2021/09/14/ain-dubai-the-worlds-largest-observation-wheel-is-opening-in-dubai.html
https://edition.cnn.com/travel/article/ain-dubai-worlds-largest-observation-wheel/index.html
同時也有1部Youtube影片,追蹤數超過12萬的網紅一二三渡辺,也在其Youtube影片中提到,) is ..Tsutenkaku (.. belvedere that builts in the center part in the vicinity of the new world in Osaka Prefecture Osaka City Naniwa Ward. Registerin...
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construction meaning 在 林郁晉- Yu Jun LIN Facebook 的精選貼文
《 #籠罩下的巨大哀愁 》
正式開展啦~
歡迎各位到台北當代藝術館
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詳細資訊|https://reurl.cc/bXy09v
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A Dark Cloud of Sorrow Looms Over
by Yu-Jun LIN
Late mornings and sleepless nights. Frustration. Anxiety.
They seem to have infiltrated our consciousness and entered our dreams. We recognize the shape of eaves, the folding line of streets, and return to our dwelling coordinates where we hide and live. We see restless men and women in full feather wandering through the brightly-lit city and then sitting shoulder to shoulder with countless strangers, between countless walls.
In the 1970s, urbanism started paving its way into Taiwan. Bidding farewell to the landscape of an agricultural society, life thus became crowded and repressive in cities. The meaning of “urbanism” does not merely lie in towering skyscrapers but in altered landscapes, living conditions, isolation and loneliness as well as increasingly complex social issues. Submerged in the capitalist system, every person has been assumed as a tiny component, whose labor force is needed by the whole mechanism, but not with one’s individuality as well.
However, the construction of liberalism constantly reminds us of our own subjectivity, along with the importance of being viewed as a whole. Such contradictory values leads to extreme unease and confusion that keeps building up and ceaselessly floods our minds with external chaos. As worries that never subside loom over us, we are forced to retreat to our dwellings, where we are perfectly alone, and safe. We can uninhibitedly be ourselves – yet under the lingering dark cloud of sorrows.
Frustrating questions as “Who am I?” seem to return in lonesome nights, invariably. When night falls, myriads of dazzling lights glisten in innumerous windows at the near distance. Gazing into the dreamlike, transient light, we recall things we hope to seal for good in our troubled mind. We question again and again, about what role we should be playing to integrate into the society but still maintain the integrity of our own subjectivity.
A Dark Cloud of Sorrow Looms Over features eight selected pieces and delineates the question of how people, as individuals, should coexist with others, a question deriving from urbanites’ perceptual conflicts experiences.
Zheng Er Qi | People
“People” mirrors the phenomenon of Taiwan’s transition from being an agricultural society to city since 1970. It precisely portrays everyday urbanity that people nowadays are familiar with: Although millions of people reside on one spot, their recognition of one another fails to grow with urbanization, despite the presumable nearness.
Chung Chih Ting|I Am by Your Side
With the explanation by an offscreen sound and the roleplay image, “I Am by Your Side” depicts how urbanites try to be in company, revealing people’s natural urge for social connection. Yet it ends up to be talking to oneself or pointless mumbles, simply a futility of communication.
Wu Bo Sian | Chimps with Mona Lisa’s Smile
In the video, the chimpanzees form a spectacle, say, abnormality, in a seemingly normal context. “Chimps with Mona Lisa’s Smile” is a response to conflicts between public administration and individual freedom, zooming in on the contradictions or constraints between all the intervenable and the non-intervenable in everyday scenes.
Wang Ding Yeh | One-One
“One-One” depicts how people try to maintain an intact, rational space of survival while sometimes fail to avoid transgressing, under limited resources in a highly competitive society. With much precision, it captures the specific default interpersonal distance, and poses the question: How should each person navigate to find the best living posture at the moment?
Tsai Jie | When the Dust Settles
“When the Dust Settles” shows people restlessly beating on a possible exit to get out. However, does such an exit really exist? Or is it simply a delusion stemming from one’s untamable impetuosity? The work reflects the desolation of men and women, who are rumbustious, but aimless.
Huan Yen Chiao | 1, 2, 3. Are You Already in Hiding, Fish?
Fish in the bowl resembles people trapped in cities: extravagant outfits, splashing neon lights; sensational visual effects indeed. “1, 2, 3. Are You Already in Hiding, Fish?” presents how people escape from their anxiety and weariness for the time being. The work highlights the entire incompatibility and a sense of solitude after one’s subjectivity is highly developed.
Wong Shu Lian | I found myself floating and sinking down once in a while
The work addresses the enduring controversy between liberalism and capitalism that have been engendering people’s inner conflicts. It captures one’s self-doubt and angst in a profound way while, by exploring how to determine one’s best position, raises the ultimate question – Who are we after all?
Chen Chia Jen | SWEETWATER
“SWEETWATER” was born under Chen’s reflections during his artistinresidence experience in Southeast Asia. Between people living in urban and rural areas, there is a grand difference of perspectives, regarding how to survive and live a good life. It implies the fact that the widely-recognized future image, constructed by our society, might not be as clear or real as it seems, or perhaps what people accepted is simply a vague, even somehow out-of-focus, prospect.
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《籠罩下的巨大哀愁》展覽資訊
展覽日期|2021/08/07(Sat.) ─ 09/12(Sun.)
展覽地點|台北當代藝術館廣場電視牆 MoCA Plaza LED TV Wall
播映時間| Mon. ─ Sun. 16:00-21:00
特別感謝| 贊助單位
厭世會社 @mis.society
#王鼎曄 #吳柏賢 #陳嘉壬 #黃彥超 #黃淑蓮 #蔡傑 #鄭爾褀 #鍾知庭 #林郁晉 #A_Dark_Cloud_of_Sorrow_Looms_Over
#MisanthropeSociety厭世會社
#厭世會社
construction meaning 在 Drama-addict Facebook 的最佳貼文
เอาตามจริง มันก็ไม่เข้าเกณฑ์โบราณสถานนะ
อันนี้ทางกรมศิลปากรก็ทำตามระเบียบกฏเกณฑ์
แต่สกาล่าเป็นอาคารที่มีสถาปัตยกรรมโดดเด่น สวยงาม
และเป็นสถานที่ที่คุณค่าทางประวัติศาสตร์พอตัว
ถ้าเป็นไปได้น่าสงวนไว้เอาไปทำอย่างอื่นน่าจะคุ้ม ถ้ามีใครสนใจทำก็น่าจะดี
โรงภาพยนตร์สกาลามีความเสี่ยงในการถูกทุบทิ้ง หลังจากที่กรมศิลปากรบอกปัดไม่รับขึ้นทะเบียนโบราณสถานเพราะไม่เข้าข่าย
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หลังจากที่สมาคมสถาปนิก ในพระบรมราชูปถัมภ์ได้ส่งหนังสือไปยังกรมศิลปากร ให้ช่วยผลักดันโรงภาพยนตร์สกาลาที่มีอายุ 50 ปีและปิดทำการไปเมื่อไม่นานนี้ได้รับความคุ้มครองในฐานะโบราณสถาน เพื่อไม่ให้อาคารนี้ต้องถูกรื้อถอน ในการส่งมอบพื้นที่คืนให้แก่จุฬาลงกรณ์มหาวิทยาลัย
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หลังจากที่กรมศิลปากรได้รับมอบหมายจากกระทรวงวัฒนธรรมให้ตรวจสอบและพิจารณาจากความสำคัญด้านอายุ หลักฐานเกี่ยวกับประวัติ และลักษณะแห่งการก่อสร้าง ได้ประเมินว่าโรงภาพยนตร์สกาลายังไม่ถือว่าเป็นโบราณสถาน ตามมาตรา 4 แห่งพระราชบัญญัติโบราณสถาน โบราณวัตถุ ศิลปวัตถุและพิพิธภัณฑสถานแห่งชาติ พ.ศ. 2504 (แก้ไขเพิ่มเติม พ.ศ. 2535) ที่ระบุว่าโบราณสถาน ความหมายว่า “อสังหาริมทรัพย์ ซึ่งโดยอายุ หรือลักษณะแห่งการก่อสร้าง หรือโดยหลักฐานเกี่ยวกับประวัติของอสังหาริมทรัพย์นั้น เป็นประโยชน์ทางศิลปะ ประวัติศาสตร์ หรือโบราณคดี ทั้งนี้ให้รวมถึงสถานที่ที่เป็นแหล่งโบราณคดี แหล่งประวัติศาสตร์ และอุทยานประวัติศาสตร์ด้วย” อีกทั้งยังไม่มีความสำคัญทางด้านอายุและประวัติการก่อสร้าง
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ตามเนื้อความในจดหมายที่ส่งถึงสมาคมสถาปนิกนั้น กรมศิลปากรประเมินว่าโรงภาพยนตร์สกาลาถือเป็นสถาปัตยกรรมสมัยใหม่ที่นำรูปแบบสถาปัตยกรรมแบบอาร์ตเดโกมาผสมผสาน ยังไม่ถือว่าเป็นโบราณสถาน ซึ่งอยู่นอกเหนืออำนาจที่กรมศิลปากรจะดำเนินการตามพระราชบัญญัติโบราณสถาน โบราณวัตถุ ศิลปวัตถุ และพิพิธภัณฑสถานแห่งชาติ พ.ศ. 2504 (แก้ไขเพิ่มเติม พ.ศ. 2535)
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โรงภาพยนตร์สกาลาสร้างขึ้นตั้งแต่ พ.ศ. 2512 เคยได้รับรางวัลอนุรักษ์สถาปัตยกรรมดีเด่นในปี 2555 และปิดตัวลงเมื่อวันที่ 5 กรกฎาคมที่ผ่านมา ซึ่งเมื่อหมดสัญญาเช่าพื้นที่ในปี พ.ศ. 2564 สกาลาจะต้องคืนพื้นที่ให้แก่จุฬาลงกรณ์มหาวิทยาลัย เมื่อไม่ได้รับการขึ้นทะเบียนเป็นโบราณสถาน อาคารของโรงภาพยนตร์สกาลาก็จะไม่ได้รับการคุ้มครอง และเจ้าของพื้นที่ก็มีสิทธิ์จะรื้อถอนอาคารได้ตามสิทธิ์อันชอบธรรม
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#GQThailand #SaveScala
Scala cinema at risk of being smashed after the Silpak Bork Department doesn't accept landmark registration because it doesn't fit.
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After the Royal Architects Association sent a book to the Silpakorn Department to help push 50 years old scala cinema and closed recently. Protected as a landmark for no. Let this building be demolished to deliver space back to Chulalongkorn University.
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After the Department of Arts was assigned by Ministry of Culture to investigate and consider age importance, evidence of history and construction characteristics. Scala cinemas are not considered a landmark following section 4 of the Antibodies Act. And the National Museum of Por. B.E. 2504 (edit more. Prof. 2535) says a landmark, meaning ′′ Real Estate by age or characteristics of construction or evidence of property is beneficial in art, historical or archaeology, including archaeology, historical and historical parks It's also not important in age and construction history.
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According to the letter sent to the Association of Architects, Silpakorn Department estimates that Scala cinema is a modern architecture that brings artico architecture to blend. It's not considered a landmark which is beyond the power of Silpakorn department to operate. According to the Act of Landmark, Antiques, Art and National Museum of Art. B.E. 2504 (edit more. B.E. 2535)
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Scala cinema built since the hospital. Prof. 2512 was awarded the 2555 Best Architecture Conservation Award and shut down on 5 July, which ended the area's lease in 2555 Prof. 2564 Scala must return the area to Chulalongkorn University. When it is not registered as a landmark, the building of the cinema is not protected and the owner of the area has the right to demolish the building. The righteous one.
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#GQThailand #SaveScalaTranslated
construction meaning 在 一二三渡辺 Youtube 的最佳解答
) is ..Tsutenkaku (.. belvedere that builts in the center part in the vicinity of the new world in Osaka Prefecture Osaka City Naniwa Ward. Registering material cultural asset in country. It is familiar as one of the symbols of Osaka, and famous as the tourist spot.
Design and structure
* Main body: Iron frame make (a part of iron frame ferroconcrete make)
o ..tower.. height: 100m on the ground
o Width: 24m
o Between legs: 24m.
* Observatory: Iron frame reinforced concrete Concut make (two surrounding
glass -lined stories)
o Height: Even 84m and the second floor floor are 87.5m even in the
first floor floor.
* Supplementary building: Iron frame ferroconcrete make
* The performance: The earthquake of the Great Kanto Earthquake class and
the strong wind of 70 meters in the velocity of the wind can be stood.
Outline
Present Tsutenkaku was completed by the second generation in 1956(1956). Sightseeing..Ltd...Ltd.. It is managed. Height including the lightning rod is 103m(The height of the tower is 100m). The designer is Naito multi relations that handle the Nagoya television tower and Tokyo Tower, etc. almost made a simultaneous period. It is Okumura Construction that constructed construction.
It is a Confucianism person, and Fujisawa south Gaku that named, "Tsutenkaku" in the meaning "High
building that runs to the heaven" at the beginning of the Meiji era.
Hitachi Ltd. of the total electric machine enterprise has published an ad to the side in the tower since 1957 a finished year of Yoc (1957). It is assumed that it is a start that the speculation of sightseeing in Tsutenkaku to look for the major company that can publish an ad by extending over a long period of time for Hitachi and the funding to have tried to advance to Osaka in rivalry with the major electric machine enterprise (Matsushita Electric Industrial Co., Ltd., SANYO Electric, and Sharp, etc.) in local at that time agreed with coming put on the advertisement by Hitachi. Detaching (Refer to the Cda article) and the citizens who felt the sense of incompatibility for the signboard without the mark at that time were not few in 2001 when Hitachi had discontinued it before though "Child mark of the turtle" that was the company pin of Hitachi had been put on the upper part of the advertisement either.
It interrupted, the environmental pollution etc. such as the urban ozones became factors, too and one million people were decreased sharply to about 200,000 people in 1975 in 1965 in 1956 when Ta was gotten in the second generation Tsutenkaku though the visitor had been exceeding 1.55 million people during year. The recovery tendency was gradually shown afterwards, there were a television program that made Tsutenkaku a stage and a rise among which the spit cutlet was popular, too and it recovered by one million people or more in 900,000 people and fiscal year 2007 in 2006. As for attendance figures increase in Tsutenkaku, sightseeing in Tsutenkaku is one to comment, "A young person might be requesting the emotion that seems to be Osaka from the new world".
It shines when 0 minutes per hour have passed in addition since the entire tower was colored because of the light of the neon based on the golden color and white at nighttime by the gradation with a vivid face of a large clock on the tower east side side. Neon is remodeled every about five years, and the present one is the 12th generation. Moreover, the neon light that shows next day's weather forecast by combining four colors lights to the tower top (fine = white and cloudy weather = bitter orange and rain = blue and snow = pink). The device of this neon light is connected with Osaka District Meteorological Observatories by the lease line, and is the one that the mechanism that forecast is displayed based on information from there it, was produced by Hitachi Ltd. in 1979(1979), and set up.
It was removed when the neon of this age was renewed, and the belt in three main lines in side was installed afterwards though it hung under the view room out the chapter of the monogram company of Hitachi Ltd. in 2001.
It was updated made in Hitachi in 2001 though an elevator at that time at the time of completed the second generation was made of the Orient Ortis elevator (present and Japanese Ortis elevator).
When the 50th rebuilding anniversary came in 2006, repair work was done. The color of neon was changed besides the shape of a large clock was changed to the octagon by Maru, and it came to stand out more.
construction meaning 在 What is the mathematical meaning of the 'construction'? - Math ... 的推薦與評價
It is a construction because R has been constructed before. A full construction of the real interval would look like this (note that I only ... ... <看更多>
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