欲網購黃明志最新實體專輯《亞洲通才》及歷年專輯和周邊商品請到。Purchase Namewee Latest 《Asian Polymath》 , Others Music Albums & Merchandises Please log in to https://namewee4896.com/
《亞洲通才》專輯介紹
常常有人問我們:「黃明志到底還要發多少張“亞洲通”系列專輯啦?」
我們早練下一秒就立刻尷尬而不失禮貌地微笑說:「我們也不知道耶~」
但,人生的改變,總是突如其來。
每次被詢問總是超困擾的唱片行店員、戰戰兢兢怕搞錯上架資訊的音樂串流平台夥伴、訪問還要寫小抄怕口誤講錯的記者、DJ或樂評大大、每年都覺得「怎麼又來了」的金曲獎偉大評審、很喜歡黃明志但永遠搞不清楚要買哪張專輯的聽眾們!
你們的困擾,我們都知道!
而這一次!我們終於有答案了!
繼2013《亞洲通緝》、2015《亞洲通殺》、2016《亞洲通車》、2017《亞洲通吃》、2018《亞洲通牒》到2019《亞洲通話》!(其中還努力入圍了金曲獎三次最佳國語男歌手獎、三次最佳音樂錄影帶獎、一次年度最佳歌曲獎!)
「亞洲通」系列最終章!!!!!!
「亞洲通」系列最終章!!!!!!
「亞洲通」系列最終章!!!!!!
叛逆實力派創作歌手黃明志
勇敢集八年累積的超強音樂成就!
再給你集八點也換不到的超棒感動!
黃明志“亞洲通”系列最終大魔王專輯《亞洲通才》
轟動全球系列專輯最長紀錄,憾動無數聽膩亞洲通三字的音樂愛好者
象徵著一個音樂時代的結束,留給亞洲通音樂無限的惆悵與未來可能性
終於即將問世啦!!!
《亞洲通才》是黃明志有史以來規模最大的一張全創作專輯
從專輯概念開始,黃明志就打破所有時間、空間與人物生死的想像
集結七張亞洲通專輯一路走來的意念與傳承。
要向宇宙許下一個最強大的音樂願望:完成一張「致敬」專輯
從《一萬個開心的理由》、《對你愛完了》、《五百》、《我們的海闊天空》、《不要去Club》這些充滿黃明志風格的曲名,就足夠讓人充滿好奇又忍不住噴笑出聲。但黃明志對「致敬」二字的敬意,絕非玩笑。為了完成這一張他夢想中的「致敬」專輯,黃明志幾乎跑遍亞洲的所有國家和地區,從日本、台灣、香港、馬來西亞、中國到印度寶萊塢,思考調查找出了足以影響一個世代、國家或文化發展與傳承的重要音樂元素,用接近史料考證與科學研究的方式,日以繼夜焚膏繼晷地完成了這張,在現今音樂產業中可說是前無古人、後無來者的「致敬」專輯:《亞洲通才》。
在這張不簡單的「致敬」專輯中,充滿來自亞洲各國家地區、不可思議的厲害人物,共同對某個時代致意的驚人能量!從第一首《中國痛China Reggaeton》以雷鬼搭配中國傳統樂器,找來香港影帝黃秋生合唱合演就讓許多聽眾嚇到下巴脫臼!《我們的海闊天空》用激情搖滾加上饒舌,找來中國歌手富九毫無違和感致敬香港傳奇樂隊Beyond,更是讓許多香港聽眾熱淚盈眶連聽三百次!《你是我的青春》鄭重邀請到當年憑藉彈奏一首《Canon Rock》爆紅國際的音樂家JerryC 跨刀合作並合演音樂錄影帶,致敬黃明志與他共同經歷的Youtube 草創那自由的時代;最驚人的創意是:黃明志連對成人色情片都可以致敬!《不小心》這首遊走在愛情與色情邊緣的歌曲,竟然邀請到無人不知無人不曉的日本當紅女優三上悠亞攜手出演,讓許多宅男在電腦前(因為痛哭)而消耗掉好幾噸的衛生紙;而90 年代的復古電音一直是許多聽眾念念不忘的音樂情懷,黃明志大膽攜手台灣電音教父DJ Jerry 羅百吉,兩人合作新曲《不要去Club》,反諷幽默又好笑,瞬間帶領聽眾回到90 年代的夜店七彩旋轉球下!
光專輯合作陣容一字排開就夠讓人嚇人了,為了完成亞洲通系列最終章《亞洲通才》的致敬概念!搖滾、雷鬼、中國風、寶萊塢、饒舌、流行、抒情、電音、廣high等無數的音樂曲風;取樣、吉他、古樂器、甚至熱巴那手大鼓、沙貝琴、西塔琴等無數的樂器元素,黃明志將上述的音樂風格和音色大膽玩弄掌間、互相揉合,每首歌在詞曲、編曲、製作到音樂錄影帶拍攝,他都有著無限的靈感與點子!黃明志說:「這是我花最長時間、最投入、最激發創意的一張音樂作品了!」
以講求完美個性著稱的黃明志,在製作《亞洲通才》這張「致敬」專輯的過程中,常為了一個當時很經典的音色,花好幾個星期、聽好幾千個不同的音色庫、不斷想辦法詢問當年的音樂製作人或編曲師,才終於完成「致敬」的第一步:找到音色。接著又開始與編曲一同興奮討論,要怎麼將這個音色與其他現代音樂元素和音樂曲式互相結合,保留該時代的感動,同時締造新時代的意義。每一首音樂作品都花了難以想像的心血與時間,才終於創作出這張令人讚嘆不已、既復古又前衛的嶄新「致敬」概念專輯《亞洲通才》!
要「致敬」不難,要「模仿」也很簡單,但如何把對音樂最大的愛,展現在對無數也曾這樣愛著音樂的經典音樂人、他們所創造的音樂時代上,這絕不是件容易的事。從學生時代黃明志帶著一個背包窮遊亞洲各國,在不知多少個窮困潦倒的夜晚,聽著這一首首經典歌曲,想著這些充滿才華的音樂人,拿起吉他彈到破皮,一首一首地寫下去,只希望有一天能成為他們的一份子。而在經過金曲獎多次的肯定後,黃明志終於在音樂上找回熱情、感動與敬意。
2020 是全球因疫情而陷入絕望的一年,但黃明志回到自己對音樂最「粗」的熱情,最「深」的感動,和最「大」的敬意,邀請了無數亞洲重要的音樂人與各領域工作者,挑戰種種極端而不可能的工作模式,耗費幾萬小時的努力,終於完成了“亞洲通”系列的最終也是最重要的一張專輯《亞洲通才》。
「通才」二字,泛指什麼都會的人才,黃明志一直相信每一個人都有獨特的才華跟天份,不論是很會演戲的影帝、讓人們開心的AV 女優、努力練習的辣妹舞者,只要願意努力,都能在各自的領域中發揮驚人的才華!以「想要跟亞洲各個有才華的人們一起合作」為出發,不論國家、地區、思想、語言、政治、種族和文化,只用初衷、熱情、執著、努力、合作和感動去完成,這就是《亞洲通才》這張專輯。
聽完這張專輯,如果你也有那麼一點被觸動,如果你也開始想努力些什麼。那麼,這張集結亞洲各國許多人們的才華而完成的《亞洲通才》專輯,僅獻給你那份也許還不為人所知的---才華。
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《Asian Polymath》 Music Album Introduction
Asian Polymath is the biggest project Namewee has ever put on, the wholly self-written album transcends the concepts of time and dimensions, it reimagines the afterlife and bestows a whole new meaning for life and death. Asian Polymath is a cognition collectives of all the previous albums, it congregates the essence from the last generation’s works. Asian Polymath is a wish from the author to honor the greats.
From 10,000 Reasons To Make Me Happy, Stop Clubbing, Our Love Is Over, Beyond The Edge and Five Hundred. These very Namewee-ish song titles have definitely got people to burst into laughters and their interest piqued. However when it comes to ‘Honoring’, the word has put Namewee into serious thoughts. To hammer the album into perfection, Namewee has had a few excursions to countries and places such as Japan, Taiwan, Hong Kong, China, Malaysia and India’s Bollywood. Through his research and mid-night grinding, he discovered the musical element which could have an ever-lasting impact on a culture’s growth. By utilizing the historical sampling and referencing techniques, Namewee inducted the element into his most recent works to woo the industry once again.
As the opening title, China Reggaeton fuses the Chinese sound with Reggae to create a unique blend of flavours yet what attracts most is the fact that Anthony Perry, the HKFA laureate being invited to feature in the song. Beyond The Edge is a song which the Hong Kong people love the most, Fu Jiu from China has a voice that strongly resembles the legendary rock band main vocals from Hong Kong – Beyond, hats off to the legends! Canon Rock 2020 is blessed to feature the song’s original creator – JerryC, the song commemorates the first wave YouTube content creators and a backstory of how Namewee rose to prominence. I Shot You shows that Namewee has limitless creativity, he wants to honour the Adult Video actresses and particularly JAV for accompanying him during his loneliest hours. Besides that, the appearance of Yua Mikami has garnered the music video a lot of unwanted attention. Do you still remember the 90s retro disco music? Stop Clubbing is a song that discourages young adults to go to such places. Head figure of Taiwan’s EDM, DJ Jerry collaborates with Namewee to rewind time back to the 90s happiest hours.
To complete the Asian Polymath formula, the finale of the ‘Asia’ albums. Unprecedented guest invitations and collaborations in the album far exceeds the industry’s common standard, in addition to the vast music genres such as Rock,R&B, Rap, Reggae, Ancient Chinese, Hindustani, Modern Pop, EDM and Disco. Nonetheless, sampling techniques, piano, guitars and strings, ancient instruments, Kompang, Sitar, Sape and countless instruments were used. Namewee greatly expanded the instrument capabilities and infused them with his creativity. During each stage of the process, the artiste was always brimming with ideas, the artist even exclaimed: ‘This project has my brain wrenched! My most time-consuming project ever!’
As a perfectionist, Namewee would always need to delve into his massive sound libraries to rummage a voicing that could match the corresponding time period, sometimes it could take weeks to filter a suitable candidate. Namewee would even go to the extreme by attempting to contact the original song producer to locate the most accurate sound but that’s just the first baby footsteps. Then, he would discuss with his arranger for ways to make the sound more modern, to fit the old blood in a new body. Asian Polymath is amazing for its preservation of the retro elements but still modern sounding aspect.
To differ ‘Honouring’ and ‘Imitating’ has its difficulties, the fine line between the 2 is ambivalent and blurry. Hence, Namewee has his own answer to such a question, he believes that by paying homage to the classics, their people and legacies would be the huge difference maker. Long story short, Namewee was already a backpacker in his college years, while he was travelling with a very tight budget in Asia, it was the classics that kept reminding him to be diligent and stoic.
The Corona-pandemic has ravaged 2020 into pieces, many were despair and despondent but Namewee persevered, thus giving birth to Asian Polymath. The word ‘Polymath’ means a person who possesses wide knowledge and talent, Namewee believes that everyone is born with talent yet true success is only granted to the most hardworking genius. Asian Polymath is Namewee’s desire for working with every talented person he came across in Asia, with burning passion comes unparalleled talent, that’s the last calling of Asian Polymath.
#黃明志 #Namewee #亞洲通才 #AsianPolymath
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【踮起腳尖痛,腳踝也會有夾擠問題?】
(這次文章內容稍長,若懶得看文字內容可直接觀看影片)
大家應該對於肩夾擠、髖夾擠這兩個名詞不陌生,但你有聽過腳踝夾擠嗎?夾擠指的是我們的骨頭過度擠壓到周遭的軟組織,可能是肌腱、韌帶或是滑液膜等等,造成疼痛或角度受限。夾擠是一個症候群,並非一個特定的病症,夾擠症候群底這個名詞底下,可能夾到的組織不同,造成的原因歧異度也非常大,造成評估上其實並不是那麼容易。腳踝夾擠雖然沒有像肩夾擠一樣有被正式分類成不同的夾擠類型,但仍能根據症狀呈現的方式跟解剖構造簡單分為前夾擠跟後夾擠,若還要再細分還會分前內側、前外側夾擠,以及後內側、後外側夾擠。
前側夾擠的症狀主要出現在腳踝背屈末端角度的時候,脛距關節 (Tibiotalar joint) 前側的組織受到擠壓。腳踝前側的有不少脂肪、滑囊組織,正常情況,這些組織會在腳踝背屈15度過後受到擠壓,但如果在遠端脛骨前側或是距骨頸有增生的骨頭的話,便可能限縮前側的空間,讓組織提早受到壓迫。如果長期在這角度下活動,就可能進一步造成慢性的發炎,或是造成關節囊韌帶的增生。除此之外,如果腳踝曾經扭過傷,造成韌帶或皺襞增厚的話,也是可能造成前側夾擠的原因之一。
雖然這些解剖構造上的變化已有多篇文章有所描述。但造成這些組織增生的原因卻仍不是很清楚。因為運動員有比較高的比例有這樣的問題,有些學者認為前側夾擠可能是因為頻繁地做出大角度的背屈,或是因為運動過程中受到的外力,讓前側軟骨邊緣反覆受到衝擊所造成。也有些學者認為,踝關節的不穩定,造成關節有不正常的微小滑動,也是一個可能造成骨質增生、或是軟組織受到夾擠的的原因。另外在比較早期的文章,一開始學者認為前側的骨質增生可能是來自於頻繁地蹠屈,牽拉到關節囊,進而造成關節處的增生,只是這樣的假設被後來的研究給推翻了。
因為前側夾擠症狀大多是在腳踝背屈的末端角度下出現,上樓梯、跑步、走上坡、爬梯還有深蹲是幾個比較容易會加劇前側疼痛的活動。若未接受妥善治療,在症狀後期可能會因為組織的增生或疼痛,造成更進一步的活動度受限、夾擠和周圍組織的傷害,再回頭限制關節活動度與功能,形成惡性循環。
後側夾擠的症狀主要出現在腳踝蹠屈到末端角度的時候,脛距關節與距跟關節後側的組織受到擠壓。後側夾擠常出現在需要頻繁把腳踝往下壓的人身上,像是芭蕾舞者、需要頻繁跳躍的運動員等等。與前側夾擠雷同,後側夾擠可能是骨質或是軟組織的夾擠,或是兩者同時存在。距骨後外側 (trigonal process) 的骨質增生是比較常被認為導致後側夾擠的原因。除此之外,頻繁的將腳板大幅度的往下踩,可能會導致後側關節囊、後下脛腓韌帶、三角韌帶的後側韌帶發炎,產生疤痕組織,進而造成組織增厚。另外我們的屈足拇長肌的肌腱經過距骨後側的內、外骨突中間的凹槽,也很容易因為過度使用,或是周遭骨質的增生,造成肌腱病變,像是肌腱或腱鞘炎的問題。
與前側夾擠的疼痛大多較為淺層、可觸摸的到相反,後側夾擠的症狀通常較為模糊,比較難有一個特定的單點疼痛,而且位置較深,通常落在阿基里斯腱底下。這也讓後側夾擠不容易和阿基里斯腱或是腓骨長肌的問題做區分。因為症狀出現在腳踝往下踩的時候,走下坡、下樓梯或是穿鞋跟較高的鞋子是幾個容易誘發症狀出現的活動。芭蕾舞者之所以比較容易出現這樣的症狀,被認為是因為需要頻繁的做出踮腳站,承重在前足的關係。
雖然影像檢查出來的骨質、軟組織的病變被認為是可能導致腳踝夾擠的原因之一,但實際上研究還是有提到,我們仍然不能光靠這些影像結果證據就判斷踝關節是否夾擠。影像檢查與我們的症狀表現之間的相關程度有限,仍需要結合其他理學檢查做綜合判斷才行。針對踝關節夾擠的介入,目前比較常見的作法仍是先採取保守治療,若在急性疼痛期,需要先避免會造成疼痛的動作,有必要的話也會使用消炎藥來控制疼痛。在非急性期,甚至是已經是慢性問題的個案,我們則需要著重在踝關節穩定、本體感覺的訓練上,畢竟前面有提到,踝關節不穩、扭傷都是可能造成夾擠的原因之一。與其他肌肉骨骼問題一樣,即使解剖構造上的異常也會被認為是造成踝關節夾擠的原因,但大多數的個案都能在不開刀的情況下有很好的進步。若有類似的狀況,一樣記得先找醫療人員的協助,避免症狀隨著時間越變越嚴重。底下的影片 (6:52) 將跟大家分享幾個簡單的踝關節穩定與本體感覺的訓練。
Impingement syndrome is a common musculoskeletal problem in shoulder and hip joints. But have you ever heard of ankle impingement? Impingement syndrome refers to abnormal contact of bony structures or soft tissue, e.g., tendon, ligament, synovial tissue, resulting in pain and restriction. Through different causes of impingement syndrome, it includes different medical signs or symptoms. Therefore, causes of impingement syndrome differ from person to person, making it more difficult to make a right diagnosis. Although ankle impingement is not officially classified into different types like shoulder impingement, researchers still sort it into anterior and posterior impingement according to anatomical structures are involved. More specifically, it can be classified into anteriomedial, anteriolateral, posteriomedial and posteriolateral impingement.
Symptoms of anterior ankle impingement are generally induced by compression of anterior margin of tibiotalar joint in terminal dorsiflexion. There are adipose and synovial tissues in the anterior joint space. Normally, these tissues are compressed after 15 degree of dorsiflexion in healthy individuals. However, if there is osteophyte at anterior distal tibia or talus neck, it will take up the space and limit ankle movement, causing early compression. This will result in chronic inflammation, synovitis, and capsuloligamentous hypertrophy. Apart from this, ankle sprain, thickened anterior tibiofibular ligament and synovial plica are also possible causative factors.
Even though structural pathologies are well described in much research, their exact etiologies are still less understood. Research showed that athletes are tend to affected by anterior impingement, and it led to hypothesis that pathologies are caused by repetitive impact injury to anterior chondral margin from hyper-dorsiflexion or direct impact during sports. Chronic ankle instability has also been hypothesized to be the causative factor of anterior impingement, because abnormal repetitive micromotion may develop bony and soft tissue lesions. In addition, early research hypothesized anterior osteophyte is caused by traction to the anterior capsule during repetitive plantar flexion, but this theory was disproved by later anatomic studies.
Anterior impingement symptom typically presents as anterior ankle pain during terminal dorsiflexion. Climbing stairs, running, walking up hills, ascending ladders and deep squat are common aggravating activities. If anterior impingement doesn’t get treated well, in the later stage, joint mobility may be further restricted due to mechanical block or pain, resulting in vicious circle.
Posterior ankle impingement symptom typically occurs in terminal plantarflexion, due to compression of tissues posterior to the tibiotalar and talocalcaneal joint. Posterior impingement tend to occur in athletes who need to plantarflex frequently, like ballet dancers, etc. Similarly, posterior impingement can result from compression of bony or soft tissue in isolation or in combination. Trigonal process of posterior talus is the most common cause of posterior impingement. Besides this, repetitive hyper-plantarflexion may cause posterior capsule, inferior tibiofibular ligament, and posterior fiber of deltoid ligament inflammation, scarring, and thickening. Lastly, tendinitis and tenosynovitis are easily found in flexor hallucis longus tendon, running between the medial and lateral posterior process of the talus. This probably results from overuse or irritation from surrounding abnormal bony tissue. The tissues mentioned above are all possible causative factors to the posterior ankle impingement.
In contrast to patients with anterior impingement pain that are accessible to palpation, posterior impingement pain is less specific, deep to the Achilles tendon. This makes it difficult to differentiate from Achilles tendon or peroneal tendon pathology. Since posterior impingement symptom is usually irritated by repetitive plantarflexion, walking downstairs, downhill running, and wearing high-heeled shoes are some common exacerbated activities to posterior impingement syndrome. Ballet dancers are commonly affected by posterior impingement syndrome due to weight bearing on forefoot in plantarflexion position over and over again.
Though osseous or soft tissues abnormality in radiography is seen to be one of the causes of ankle impingement, it doesn’t mean that we can simply blame patient’s symptom on these structural pathology. In fact, there is a limited correlation between medical image findings and our symptom. We should integrate patient’s history, physical examination, imaging studies, etc., for accurate diagnosis. Conservative treatment remains first option to manage ankle impingement. In acute stage, patient should avoid from doing provocative activities. If it is necessary, NSAIDs can be used for pain management. In chronic stage, clinicians should focus on ankle stability and proprioception training because ankle instability and sprain are both causative factors of ankle impingement. Just like other musculoskeletal disease, even though structural abnormality is thought to be a possible cause of ankle impingement, most ankle impingement cases still respond well to conservative treatment. If you have any similar medical problem, please find medical professions for help. The video below will show you some simple ways to train our ankle stability and proprioception.
參考資料:
https://pubmed.ncbi.nlm.nih.gov/27608626/
https://link.springer.com/article/10.1007/s00247-019-04459-5
https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5065672/
#腳踝夾擠 #踝關節不穩 #腳踝扭傷 #本體感覺訓練 #物理治療 #ankleimingement #ankleinstability #anklesprain #proprioception #physiotherapy #hunterptworkout
differ詞性 在 浩爾譯世界 Facebook 的最讚貼文
【每日國際選讀】
新冠肺炎康復者何時才能正常生活?
全球答案不一引憂慮
開啟「接收通知」和「搶先看」每天吸收雙語時事新知
來讀華爾街日報獨家
🔥 Survivors of Coronavirus Face an Uncertain Road Back to Normal
新冠肺炎倖存者,往日生活歸途遙
🤷🏻♀️Because data on Covid-19 progression is scant and knowledge about the virus that causes it is swiftly changing, guidelines about when patients in recovery can safely resume some aspects of their pre-coronavirus lives vary greatly around the globe, and even within countries.
康復中的新冠肺炎患者,何時可在一定程度上安全回歸疫情前的生活?由於新冠肺炎病程的相關數據不足,且人們對於新冠病毒的了解也在不斷刷新,世界各國、甚至很多國家內部不同地區給出的指導原則都有巨大差異。
scant 少量的、不足的
progression 病程
✍️progression平常有「進展;發展;前進」的意思,在這指的是患者的病程
pre-coronavirus lives 疫情前的生活
✍️pre-字首有「在某時間或事件…前」的意思,這裡的pre加上coronavirus成了「疫情前」的意思
❌Adding to the uncertainty, some guidelines differ depending on the severity(嚴重程度)and type of case.
此外,部分指導原則也視具體病例的嚴重程度和類型而有所不同,增添了患者回歸的不確定性。
uncertainty 不確定性
✍️(un- 具有not 或no 的意思)un- +certainty(確定性)=不確定性
differ 跟…不一樣,有區別
🐍
The variation is sowing(引起)confusion about what patients should do and when they can be considered well. It all adds to their anxiety, they say.
這種政策上的差異讓患者困惑不已,不知所措,也不知道何時才算痊癒。患者表示,這種情況進一步加深了他們的焦慮感。
sow除了常看到的「播種」,sow也有「引起,導致」之意
anxiety 焦慮感
未完待續...
想一窺更多患者的真實受訪內容嗎?
加入文末每日國際選讀計畫,解鎖完整語音導讀版
——
原文連結請看留言
——
❓Quiz: The agency stresses “the decision to stop home ___ and resume _____life should be made in consultation with your health-care provider and state and local health departments.
該機構強調,是否停止居家隔離並回歸疫情前的生活,應與醫療機構、州和地方衛生部門視當地情況協商決定。
🙋🏻♀️🙋🏼♀️
A. isolated / precondition
B. isolation/ pre-coronavirus
C. iso / Premiere Pro
-
【每日商業英文計畫,限額開放中!】
#獨家 華爾街日報訂閱超值方案 📰
專屬 Line 群組,浩爾 #每日語音導讀
教你詞彙怎麼唸,怎麼用
問題問到飽,限時開放,額滿停徵
輸入浩爾專屬優惠碼「HOWSJ」
全年 4000 元有找,#一天11元,最好的投資,現在訂閱
☞ https://events.storm.mg/member/HOWSJ/
differ詞性 在 O3鍾雨璇 原名- 蘇慧恩 Youtube 的精選貼文
「性本善」還是「性本惡」?
生活在這個虛偽的社會上,無奈大家也要向現實低頭。
控制自己的情緒和言行,飾演一個不真實的「自己」。
但就是因為這種「虛偽」,某個程度上才能令社會更和諧。
如果大家都做回「真實的自己」,社會可能形成一場「大爆炸」。
曲: Voltage Distor
詞: 王仲傑/KDub/Ophelia So
編: Voltage Distor
監: Edward Lau@Canband
小生命 成長 飽經洗禮
純真笑面 忘掉哪天 面具代替
很虛偽 圓滑才是名貴
隨便真假 對調 誰為墜落自危
長於這種亂世 A demon sleeps inside
風花雪怎承繼 And ever in disguise
狙擊各種形勢 You are blind to tell a lie
塗姿抹粉 轉彎抹角 求生角力上位
人活著做螻蟻 誰自願被箝制
人話精心設計 潛伏了立場做防衛
而慾望 甚昂貴
提取真心 有資格留低
全部兌換 重複更著迷
Its forced to feign 狂戀這問題
Decreed by fate 誰都有問題
登高位 盲扯 諸多克制
無端發現 全部角色 並沒默契
真心話 寧願持續蒙蔽
壓抑中找去路 無謂獨訂命題
Ride and tie is just a game and let me ride you down
Please don't hit or kick a man whenever he is down
Set your rule and take your steps and never turn you down
想說想説 心裡作祟 想去演哪位
人越壞越快慰 才被慾望控制
那天假使看見神 認我在血肉有鬼
誰願活像螻蟻
遺失真心 往海裡尋底
如若再活 才需要拾遺
Its forced to feign 誰跟我拾遺
Decreed by fate 求生策略放低
Awake your soul 忠於你的個體
And save your soul 維修那後遺
Follow OpheliaSo:
Facebook | https://www.facebook.com/artist.OpheliaSo/
Instagram | https://www.instagram.com/ophelia_o3/
YouTube | http://www.youtube.com/c/蘇慧恩OpheliaSo
Spotify | https://open.spotify.com/artist/6h12jcWTZlK0p8ZBnwgaxV
Follow Voltage Distor:
Facebook | https://www.facebook.com/Voltage-Distor-106173444540406
Instagram | https://www.instagram.com/voltage.distor/
CREDITS
Mixed by 鄧鎵康 TKHong@canband
Instagram | https://www.instagram.com/kinghong_t/
Director : 張源霖 Jacky Cheung @ Differ Production Studio
Producer : 麥力衡 Lik Mak & 蘇慧恩 Ophelia So
Shooting Crew : Dc Chung & kolokit & Bono Ng & Andy Lau
Video Editing : Rick Mak & Terry To
Sound & Lighting : Hei & Ally Wong @ FBEAD
Make up and styling : Marie Lime
Dancer: Johnny Keung
Venue Sponsor : FBEAD & Space Lab & Moonster Creation Factory
#o3 #WAYHF #潛伏與蒙蔽
#蘇慧恩
#opheliaso

differ詞性 在 渡辺レベッカ ☆ Rebecca Butler Watanabe Youtube 的最讚貼文
今日はリクエストにお応えして、「翼をください」を英語で歌いました♪
今回の英語詞は自分で作ったのではなく、Hayley Westenra(ニュージーランド出身の歌手)が歌った英語バージョンの歌詞をメインにして、カノン(日本のシンガーソングライター)の英語バージョンからも少し拝借し、所々自分で調整しました。Hayleyのバージョンの響きが一番好きでしたが、本来の意味から離れている部分があったので、より意味が近くなるように多少修正を加えました。そして、今回の動画に入れた日本語は、原曲の歌詞ではなく、英語詞の直訳をご参考までに入れました。
以下に本来の日本語詞も入れますので、ご参照ください♪
This is an English cover of a very well-known Japanese song called Tsubasa wo Kudasai ("Please Give Me Wings").
Instead of writing my own English lyrics, I took the lyrics from a combination of English versions that already existed. My favorite English version is "Bless Me With Wings" by New Zealand singer Hayley Westenra (I like the flow, sound, and rhyme scheme better), so I used that as a base. However, her lyrics differ a bit from the original, so I used the lyrics from Japanese singer-songwriter Kanon's version (closer to the original) and also added some of my own changes to align a bit more with the meaning of the original.
Hope you enjoy!
~♪~♪~♪~♪~♪~
曲情報 / SONG INFO
~♪~♪~♪~♪~♪~
Akai Tori / Tsubasa wo Kudasai (Please Give Me Wings)
Released: 1971 (single)
Music: Kunihiko Murai
Original Japanese Lyrics: Michio Yamagami
English Lyrics: Hayley Westenra, Kanon, Rebecca Butler Watanabe
~♪~♪~♪~♪~♪~
リンク / LINKS
~♪~♪~♪~♪~♪~
■HP⇒ http://BlueEyedUtaUtai.jimdo.com
■Facebook⇒ http://facebook.com/blueeyedutautai
■Twitter⇒ @BlueEyedUtaUtai
~♪~♪~♪~♪~♪~
オリジナル詞 / Original Lyrics
~♪~♪~♪~♪~♪~
今 私の願いごとが
叶うならば翼がほしい
この背中に鳥のように
白い翼つけてください
この大空に翼をひろげ
飛んで行きたいよ
悲しみのない自由な空へ
翼はためかせ 行きたい
今 富とか名誉ならば
いらないけど翼がほしい
子どもの時夢みたこと
今も同じ夢に見ている
この大空に翼をひろげ
飛んで行きたいよ
悲しみのない自由な空へ
翼はためかせ
この大空に翼をひろげ
飛んで行きたいよ
悲しみのない自由な空へ
翼はためかせ 行きたい
~♪~♪~♪~♪~♪~
英語詞 / English Lyrics
~♪~♪~♪~♪~♪~
I, I have a dream
A dream of you and me
We’re flying high above
We’re soaring over sea
Bless me, bless me with wings
For I so want to fly
With precious white wings
To take me soaring high
To the sun that lights the day
To the clouds that drift away
Only then will I be free
Past the city lights and haze
Through the autumn trees ablaze
In the sky, I am truly free
Just you and me
I, I have a dream
We’re high above the trees
A flight I would not trade
For riches nor for glory
Tell me, what can I do?
To earn, earn me some wings?
The precious white wings
That filled my childhood dreams
To the sun that lights the day
To the clouds that drift away
Only then will I be free
No more sorrow, no more pain
No more anger, no more hate
How I dream to be so free
Just you and me
この大空に翼をひろげ
(kono oozora ni tsubasa wo hiroge)
飛んで行きたいよ
(tonde yukitai yo)
悲しみのない自由な空へ
(kanashimi no nai jiyuu na sora e)
翼はためかせ 行きたい
(tsubasa hatamekase yukitai)

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