[開光點眼]
開光點眼,簡稱開光,是道教中一個儀式。道教中認為神像在經過開光前只是雕塑物品而非神的存在,要請神進入雕塑品內需要經過開光儀式。
開光過程會依地區和道士而有所不同。一開始需要找一個德高望重的道士,然後選擇一個入座的日子;接著道士在儀式中會一邊唸咒一遍拿著寶鏡,將寶鏡照到的太陽光反射到神像上;再來將神像的軀體後背會開個洞,放入五至七種寶物後再將洞填起來。常見的寶物有金、銀、銅、鐵、錫、瑪瑙、玉石、珍珠、蜜蜂、蜈蚣、五色線等,也有地區會放入符咒或是用紅紙寫下神的起源。在最後道士使用毛筆,將白公雞的雞冠血和黑色鴨的舌頭血點上神像的五官和身軀,開啟耳、鼻、舌、身、意,統稱「六通」。
雞是陽氣和生命力的象徵,「鴨」因為發音同「壓」,所以是用來壓制煞氣,儀式用的雞鴨不能殺掉需要放生,演變至現代則多以硃砂取代。
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[kāi guāng diǎn yǎn]
Kai Guang Dian Yan, the consecration ceremony is one of the many Taoist ceremonies. Taoists believe before the consecration ceremony, the statue or picture of the deity would just be the depiction without the essence of the spirit. To invite the spirit of the deity to reside in either the statue or the picture, the consecration ceremony is required.
The consecration ceremony varies depending on the location and the preforming Taoist. Generally speaking, the process of the consecration ceremony would need a virtuous and reputable Taoist to pick the specific date to present the ceremony. During the ceremony, the Taoist would recite special scripture while hold a sacred mirror. Then sun light would be reflected on the sculpture or image with the depiction of the deity. After process, if its a sculpture, the back it would have a hole opened up and inserted with five to seven different sacred objects such as: gold, silver, copper, iron, tin, agate, jade, pearl, bee, centipede and/ or five colored tread. In some instances, depending on the locale where the ceremony is being preformed, written spells or the origin of the said deity written on a piece of red paper would also be inserted into the sculpture. Lastly, the Taoist would then use a hair brush dipped in the blood from a white rooster’s crown mixed with blood from the tongue of a black duck, to annotate the five senses and the body of the sculpture. To “turn on” the ears, nose, eyes body and the thought of the deity now attached to the sculpture. This is called “Liu Tong”, to turn on all six senses.
White rooster signifies life and male vitality. While the pronunciation of duck in mandarin is similar to pressing down so it’s used to press down evil spirits.
The rooster and duck used in the ceremony can not be killed and would be released alive. Nowadays in modern society, when this ceremony is being preformed, cinnabar is used to substitute live animal blood.
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期待九月
「創作大概也就是這樣一回事,每天所見所聞所觸所感,似有還無的儲在身體,就等那道光線那個角度的出現。」―黃大徽
《如夢幻泡影》舞者介紹
黃大徽(香港)
「胡導演給大家的首項功課,是把《金剛經》從頭到尾抄一次。抄寫是學習的其中一個方法,但收到指令後我郤在想,到底怎樣才可把過程變得不一樣。結果我買了本小小的寫生冊和幾枝白色水筆,有空就靜下來搬字過紙。白色墨水寫到白色畫紙上,文字像出現了但又隨即消失,就是墨水耗盡也不易察覺,因此有一段經文基本上有如紙刻。完成後逐頁翻看,一切似有還無,然而把畫冊迎著光線調到某個角度,每筆每劃都清晰可辨。創作大概也就是這樣一回事,每天所見所聞所觸所感,似有還無的儲在身體,就等那道光線那個角度的出現。」―黃大徽
演出及創作:黃大徽 (香港)
新聞系畢業生,九十年代中於出版界變節,全身投入表演藝術,既舞且演亦編。
2004年獲香港藝術節委約創作《B.O.B.*》,首演後發展成兩個不同版本於歐亞九國巡演,當中包括巴黎的法國國家舞蹈中心,倫敦的沙德勒井劇院及柏林的八月國際舞蹈節等等。
2009年於東京完成的《1 + 1》,其後獲邀到巴黎卡地亞現代博物館及神戶國際舞蹈節演出。
2010年獲選為巴黎黑克雷國際文化交流中心駐村藝術家,並於巴黎城市劇院合辦的國際舞蹈大賽Danse Elargie中擔任評委。同年與日本編舞川口隆夫及電影導演今泉浩一聯合創作《Tri_K》,隨後三年於東京、神戶、金澤、香港、里斯本、貝洛奧里藏特及聖保羅巡演。
2011年獲德國In Transit國際藝術節委約,於柏林世界文化中心首演《Be Me》。
2012年,以進念。二十面體過去三十年事跡為題的首個劇場作品《0382》,於香港文化中心劇場面世。
《如夢幻泡影Dream Illusion Bubble Shadow》
藝術總監:平珩 (台北)
導演、設計及編舞:胡恩威
音樂總監:于逸堯@人山人海
現場演奏及音樂創作:盧凱彤
舞台設計:陳瑞憲 (台北)
演出及編舞:松島誠 (東京)、黃大徽、楊永德、舞蹈空間
舞蹈空間舞者:戴于修、陳柏文、陳楷云、駱宜蔚、蘇冠穎
甘翰馨、張智傑、吳禹賢、陳韋云、邱昱瑄
日期︰9月19–21日
地點︰香港文化中心大劇院
票價︰$140, $190, $280, $420, $1,000*
*慈善門票
門票已於城市售票網發售。
演出長約90分鐘,不設中場休息
Dream Illusion Bubble Shadow
Performer Introduction
Dick Wong (Hong Kong)
“The first piece of homework Director Mathias Woo gave us was to copy the Diamond Sutra once. Copying is a way to of learning. But upon receiving such an instruction, I asked myself how I could make the experience uncommon. Finally I bought a little sketchbook and several white ink pens and, whenever I had time, copied all the words quietly and peacefully. When white ink was transferred onto white paper, what I had written down seemed to appear and then disappear immediately. Sometimes I even failed to discover that the pen had been out of ink and part of the scripture thus became paper sculpture. When I revised my writing after I had finished, I was a bit dubious about what I had done. But when light shone upon the sketchbook at a certain angle, every stroke of the characters became distinctly clear. The process, I guess, resembles that of producing a creative work. We are all dubious about what is seen, heard, touched and felt every day, hoping that a light will shine upon our hidden sense at the right angle.” ― Dick Wong
Performer: Dick Wong
A graduate in journalism, Dick Wong left the publishing industry in the mid 90s to pursue a career in contemporary dance and theatre.
In 2004, commissioned by the Hong Kong Arts Festival, he created B.O.B.*which was later developed into two versions touring renowned venues and festivals across Asia and Europe, including Paris' Centre National de la Danse, London's Sadler's Wells, Berlin's Tanz Im August and Singapore's Hua Yi Festival.
In 2009, he completed 1+1 in Tokyo. The work was later presented in Paris' Fondation Cartier and Kobe International Dance Festival.
In 2010, as a laureate of the French International Residence Program at Recollets, he was invited by Paris' Theatre de la Ville to be a member of jury at the international dance competition Danse Elarge. The same year he co-created Tri_K with Takao Kawaguchi and Koichi Imaizumi and in the following three years toured to Tokyo, Kobe, Kanazawa, Hong Kong, Lisbon, Belo Horizonte and San Paulo.
In 2011, commissioned by the In Transit Festival, he premiered Be Me in Berlin's Haus der Kulturen der Welt.
In 2012, he created 0382, an oral history theatre work examining the 30 years of existence of Zuni Icosahedron.
Multimedia Dance Theatre
Dream Illusion Bubble Shadow
Artistic Director: Ping Heng (Taipei)
Director/ Design and Choreography: Mathias Woo
Music Director: Yu Yat-yiu@PMPS
Live and Recorded Guitar Music: Ellen Joyce Loo
Stage Designer: Ray Chen (Taipei)
Performers/ Choreography:
Makoto Matsushima (Tokyo), Dick Wong, David Yeung, Dance Forum
Dance Forum Dancers: Yu-Hsiu Tai, Po-Wen Chen, Kai-Yun Chen, Yi-Wei Lo, Kuan-Ying Su, Han-HsingKan, Chih-ChiehChang,Yu-Hsien Wu, Wei-Yun Chen, Yu-Hsuan Chiu
Sep 19 – 21
Grand Theatre, Hong Kong Cultural Centre
Ticket Price︰$140, $190, $280, $420, $1,000*
*Charity Tickets
Tickets NOW available at URBTIX www.urbtix.hk
Running time approximately 90 minutes with no intermission
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