關於 on arrival中文 ，我們在網路上蒐集到這些相關的討論、資訊與評價

北溝傳奇－故宮文物遷臺後早期歲月

臺中北溝時期係國立故宮博物院發展進程中一重要階段，具承先啟後意義。去（2020）年為院藏文物遷存北溝七十週年，本院特以「北溝傳奇」為題，舉辦展覽，呈現故宮發展進程中一段深刻歷史記憶。展覽計分「文物遷臺」、「典守維護」、「清查點驗」，以及「編輯出版」、「展覽傳播」、「臺北復院」六單元，以院藏相關歷史影像及檔案文獻為主要內容，輔以向遷臺前賢後人商借之舊照史料，藉資呈現故宮文物遷臺初期的歷史經緯，期以加深觀眾對本院之認識與瞭解。

The Beigou Legacy: The National Palace Museum's Early Years in Taiwan

The Beigou period was an important transitional stage in the history of the Museum. Last year marks the 70th anniversary of the arrival of the two institutions’ treasured art objects in Beigou. The Museum has curated the exhibition to commemorate this historical event and highlight a significant period in its history. The exhibition consists of six sections: “Relocation of Important Artifacts to Taiwan,” “Safeguarding and Conservation,” “Taking Stock of the Collections,” “Cataloguing and Publication,” “Exhibitions and Outreach,” and “Reinstatement of the Museum in Taipei.” Featuring historical photographs and archival documents from the Museum’s collections and on loan from the descendants of those who couriered the objects to Taiwan, it is intended to provide a comprehensive review of the historical context of the Museum’s early years in Taiwan.

北溝傳奇—故宮文物遷台後早期歲月
展期：2020-10-09~2021-04-05
陳列室：北部院區　第一展覽區　104
https://www.npm.gov.tw/zh-TW/Article.aspx?sNo=04011104

The Beigou Legacy: The National Palace Museum's Early Years in Taiwan
Dates: 2020-10-09~2021-04-05
Gallery: (Northern Branch) Exhibition Area I 104
https://www.npm.gov.tw/en/Article.aspx?sNo=04011104

學習-出版品-出版品目錄
《北溝傳奇──故宮文物遷臺後早期歲月》導覽手冊電子書(全文)
主編：宋兆霖
文字撰述：宋兆霖
ISBN：9789575628390
語言：中文
檔案格式：pdf、epub
https://www.npm.gov.tw/Article.aspx?sNo=04011491

行動影音 Podcast
EP03｜北溝傳奇！故宮文物遷台後早期歲月
來賓：
宋兆霖處長｜國立故宮博物院圖書文獻處

你知道在故宮裡有將近70萬件的館藏品
但你知道這些珍貴的館藏品來到台灣的過程，可是千里路迢迢，費盡千辛萬苦搬運而來的呢！
北溝傳奇！這集節目Eddie和Umas，將和大家一起探索歷史的足跡，了解故宮館藏品搬遷的過程。
聽完如果意猶未竟的話～可以來故宮看展，了解更多唷
https://player.soundon.fm/p/071ce2a8-d70b-49b5-9bf0-eb68ec8f3bff/episodes/09a1e0cc-1e45-43dc-b4fa-d6844419fdbb

☘️☘️愛爾蘭聖派翠克節X陳育虹翻譯和朗讀☘️☘️
　　
〈可靠的家園〉
　　
　　　
◎蘿拉-布蕾斯・麥朵薇 Laura-Blaise McDowell
◎翻譯：陳育虹
　
　　　　
飛了一千八百哩，大雁飛來愛爾蘭過冬，從北地閃亮的凍原和結冰的城
大雁來到這裡
彷彿愛爾蘭古老的文字，牠們的身影劃過市郊上空
低掠過公牛島，降落在林森市
　
　　
一個寂靜的三月清晨，在呼喚聲中我醒來。大雁四散在我窗外田野
宣告牠們抵達這較溫暖的氣候帶
大雁有強烈的溝通欲，不停喋喋說著
牠們來對了地方
　
　　
這是說故事人的家園，這裡沒有僵化的「是」，只有獨特的
肯定語法：「我做到了」，「我們就是」，「這就是」，一個內在的信念
所以一千隻大雁與我，在這剎那，聚在我們共有的溫暖海岸
毫無疑問我們相聚了，在這地球最可靠的角落
　
　　
看到大雁，我想到我們曾如何長途跋涉，成為一個更溫暖的國度
這裡有人帶著故事沿路分享，沿路我們讓愛
像荊豆在山丘落地蔓生；也當我看到更多鳥
穩穩地抵達
以讓人振奮的V字隊形，一種從容的體悟
以動作劃一的翅膀的悅音
一種古老的歸屬感
　
　
☘️☘️☘️☘️　　
　
　　
"Sure Home"
By Laura-Blaise McDowell
　
　　
Eighteen hundred miles, the geese fly to Ireland for winter, from the glittering tundras and icy cities of the northern world, arriving here,
their silhouettes scratched like Ogham into the skies above the suburbs
They descend on Bull Island, alight in Ringsend
　　
　
On a still March morning, I am awoken by the calls, announcing their arrival in the warmer climate as they scatter across the field outside my window
Geese have an intense need to communicate, always chattering
they have come to the right place
　　
　
The home of storytellers, a land where there is no solid word for yes, only specific confirmation, ‘I did,’ ‘we are,’ ‘it is’, a certainty at our core
And so a thousand geese and I, at this moment, gather in the warmth of our shared shore
there is no doubt we are together, in the surest place on Earth
　　
　
When I see the geese I think of our travelled distance, to be a warmer country, one where those with stories come and share in the way in which we let love grow
like gorse alight across our hills and when I see more birds
coming steadily in
With the thrill of the V formation, an easy understanding
the gentle music of unified wings
An ancient sense of belonging
　　
　
　
☘️☘️☘️☘️
註：三月17日為愛爾蘭的聖派翠克節，也就是愛爾蘭的國慶日，在這一天愛爾蘭會以大量的綠色以及幸運草圖案的裝飾來慶祝這一天。「駐愛爾蘭台北代表處」和「每天為你讀一首詩」合作，邀請 Laura-Blaise McDowell特地為今天寫下這首詩〈可靠的家園〉，我們也邀請陳育虹為我們翻譯和朗讀。詩中以愛爾蘭最常見的野雁為象徵，以其空間的移動隱喻時間的推移，而聯想到愛爾蘭是這樣輾轉走過長久的歷史，從被英國殖民，復活節起義，到最後的獨立，以及和英格蘭的和解。這樣的歷史無疑是經過漫長殖民，在尋求出路的台灣值得認識而喜愛的。
　
　
☘️ 英文朗讀影片：https://youtu.be/9aYrXhCCRhk
☘️ 中文朗讀影片：https://youtu.be/MtYY0eVPs6Y
☘️ 代表處新聞稿（有詩的簡介）：https://www.roc-taiwan.org/ie/post/5205.html
　
　　
#每天為你讀一首詩 #陳育虹 #可靠的家園 #Laura_Blaise_McDowell #Sure_Home #駐愛爾蘭台北代表處 #聖派翠克節 #St_Patricks_Day #Ireland #愛爾蘭

咩強制自我檢疫
形同虛設 #a #sham
———————-
明報英文 毛孟靜
//政府早前宣布，所有由大陸來港的人都要強制檢疫。原來，所謂強制並非真的強制（compulsory、mandatory），而係靠自律（self-discipline）。

事實是，抵埗之後即可以自行乘車離開，基本上去哪兒都沒問題。After arrival, you can take any transport to go home or practically any other destination, unguarded.

《明報》有這樣的相關報道：「有人明言不會遵守檢疫令，照常上班；另有夫婦返家途中到街市買菜，未有於兩小時限期內返抵住所。」Some made it clear that they wouldn’t comply with the quarantine order, and would go back to work as usual; there was also a couple who went shopping at a wet market on their way, failing to get home within the two-hour time limit.

有官員解釋：It’s quarantine, not isolation，是檢疫，不是隔離。如此說來，所謂強制檢疫（mandatory quarantine），說到底不過是自律隔離（ self-disciplined isolation）罷了。也即是說，整個機制形同虛設：It's a sham mechanism.

Sham，a thing that is not what it is purported to be，並非如聲稱中真實的東西，一般會譯做虛幻，可作名詞或形容詞。另例：

* Hong Kong's pro-democracy protesters call the "one country, two system" promise a sham. 香港的民主抗爭者認為一國兩制承諾只屬虛幻。

視乎上文下理，用英文講形同虛設，另一些選擇是：

* It's a mere pretence. 不過是裝個樣子。
* It's a feigned setup. 這是一個騙局
* It exists in name only. 亦即等於中文的「有名無實」。

面對一場嚴重疫症，林鄭政府的取態給詬病為not preventive（ 非防禦性），not even interactive，甚至不是互動的，而是純粹reactive、passive（被動的）。出事了，就去回應、籌措一下，惹來一些嚴厲批評。《彭博商業周刊》網站一篇評論Hong Kong Is Showing Symptoms of a Failed State 有這兩句話：

* A fragile state is usually defined by its inability to protect citizens, to provide basic services and by questions over the legitimacy of its government. 脆弱政權的一般定義是：未能保護公民、未能提供基本服務，以及管治合法性受到質疑。

* After an epidemic and months of poorly handled pro-democracy demonstrations, Hong Kong is ticking most of those boxes. 經過一場疫症及連月來處理民主抗爭的失誤，香港政府符合大部分條件。

這篇評論的附圖，見一家超市內的貨架都被一掃而空，文字說明道：It's not Kinshasa or Caracas. But it doesn't look much like a global financial centre either.這不是（剛果首都）金沙薩，也不是（委內瑞拉首都）加拉加斯。但看起來也不像世界金融中心（香港）。//

#HazbinHotel #PILOT

我並不擁有此影片 影片所有權歸屬於Vivziepop
I do NOT own this video, all rights goes to Vivziepop

贊助影片原作者,幫助她製作更多精彩的動畫!
贊助 HAZBIN HOTEL 的 PATREON 網址: https://www.patreon.com/VivienneMedrano

原影片網址(Original Video Link):
https://www.youtube.com/watch?v=Zlmswo0S0e0

在繁忙的段考周更出Part 2了
謝天謝地Orz

註解區:

1:34 Katie Killjoy說Charlie的計畫Dead on arrival了
這個字我超熟XD 因為我們另一個遊戲翻譯中我的愛角Valentine是一位護士
而Dead on arrival在醫療上是指「到院前已死亡」
在救護車上必須先緊急搶救有生命危險的病患，但是完整醫療資源還是得到醫院才可以用
如果病患不幸在路程上就已經逝世，就是DOA(Dead on arrival)
此處就是她在酸這旅館都還沒開幕，才在電視台宣傳而已就先被笑爛+代言人沒信用了
都還沒開始就葛屁了

2:22 寫在螢幕上了OuO/
Be clean就是不沾毒品不搞事
因為被噴了蛋汁所以這兩周以來「還算乾淨吧~」(沒碰毒是真的，但搞事跟實際弄髒也是真的了XD)

2:27 "Bolivian marching powder"的典故來字 1984 年由 Jay Mclnerney 出版的一本叫做"Bright Lights, Big City"的書
裡面有個角色說吸了古柯鹼後的恍惚狀態就如同大腦裡的士兵(抽象敘述)行軍
所以從那時起就有了 玻利維亞行軍粉=古柯鹼 的典故

2:38 後面的牌子Meth其實是知名毒品「冰毒」XD

2:58 就是BL中的攻受，再說白一點就是進入方與被進入方瞜XD
但因為Top本身就具有「在上」 Bottom本身就具有「下方」的意思
帽子在人頭頂也剛好符合這兩個字的意思所以被拿來開黃腔了XD

3:04 炸成碎片本來是"Blow you to bits"
但聽起來也很像是"Blow you to beat" 所以~

4:23 這句日常中原本應該是"You win some, you lose some."
就是正常情況下世事本來就「有得有失」人們要自己懂得取捨
但Angel說的是"You win some, you lose a few hundreds."
「贏一丁點卻反輸掉好幾百」，Angel是在酸Vaggie不懂得及時行樂反而失去的比贏的多
(但那是對他而言) 事實上他確實讓Charlie在電視台超級難看了

8:26 哭啊~~~~~~~~~~~~(致敬知名實況主史丹利)
我之前想到要改忘了改了啦~~~~
picture show應該翻譯成圖片秀啦~~~
因為Alastor死的時候還沒有電視機所以他不知道那個螢幕是電視~~~

9:24 這句超容易聽錯XD
我要不是跑去爬文我也一定聽不出來他在說這個
所以附在螢幕上讓大家看了

9:45 "It's the purest kind, my dear."
Alastor的意思是，不靠武器只靠拳頭的打架是最原始純粹的娛樂XD

剩下等我想到之後我再來補XD

也希望大家能多多支持我們翻譯組!
訂閱頻道追蹤更多我們的影片!
關於我們翻譯組: https://home.gamer.com.tw/creationDetail.php?sn=4035888
動畫與額外翻譯的網誌:https://weedtrouble.blogspot.com/
我們的Twitter: https://twitter.com/TransWeed

片尾音樂來源:
Track: Janji - Heroes Tonight (feat. Johnning) [NCS Release]
Music provided by NoCopyrightSounds.
Watch: https://www.youtube.com/watch?v=3nQNiWdeH2Q
Free Download / Stream: http://ncs.io/ht

請點CC將會有中文翻譯
請瘋狂轉發吧!!! 我相信信念可以改變世界!

KONY 2012 是部影片，也是一個行動。由「看不見的孩子」發起，目標是令 Joseph Kony 成名，不為慶祝，只為將其罪行公諸於世，協助捉拿他，建立國際公義的先例。

*****按下CC按鈕以開啟字幕*****

字幕文件︰http://www.sendspace.com/file/qc7yhb
影片來源︰http://www.youtube.com/watch?v=Y4MnpzG5Sqc
KONY 2012 ASIA: http://www.facebook.com/pages/KONY-2012-ASIA/293754270685115
KONY 2012 NIGHT SWEEP IN HONG KONG: http://www.facebook.com/events/344458215597779/
Taipei Cover the Night (Make Kony Famous 2012): https://www.facebook.com/events/319066161483953/

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DIRECTOR: Jason Russell LEAD EDITOR: Kathryn Lang EDITORS: Kevin Trout, Jay Salbert, Jesse Eslinger LEAD ANIMATOR: Chad Clendinen ANIMATOR: Jesse Eslinger 3-D MODELING: Victor Soto VISUAL EFFECTS: Chris Hop WRITERS: Jason Russell, Jedidiah Jenkins, Kathryn Lang, Danica Russell, Ben Keesey, Azy Groth PRODUCERS: Kimmy Vandivort, Heather Longerbeam, Chad Clendinen, Noelle Jouglet ORIGINAL SCORES: Joel P. West SOUND MIX: Stephen Grubbs, Mark Friedgen, Smart Post Sound COLOR: Damian Pelphrey, Company 3 CINEMATOGRAPHY: Jason Russell, Bobby Bailey, Laren Poole, Gavin Kelly, Chad Clendinen, Kevin Trout, Jay Salbert, Shannon Lynch PRODUCTION ASSISTANT: Jaime Landsverk LEAD DESIGNER: Tyler Fordham DESIGNERS: Chadwick Gantes, Stephen Witmer

MUSIC CREDIT:
"02 Ghosts I"
Performed by Nine Inch Nails
Written by Atticus Ross and Trent Reznor
Produced by Alan Moulder, Atticus Ross, and Trent Reznor
Nine Inch Nails appear courtesy of The Null Corporation

"Punching in a Dream"
Performed by The Naked and Famous
Written by Aaron Short, Alisa Xayalith, and Thom Powers
Produced by Thom Powers
The Naked and Famous appear courtesy of Somewhat Damaged and Universal Republic

"Arrival of the Birds"
Performed by The Cinematic Orchestra
Written by The Cinematic Orchestra
Produced by The Cinematic Orchestra
The Cinematic Orchestra appears courtesy of Disney Records

"Roll Away Your Stone"
Performed by Mumford and Sons
Written by Benjamin Lovett, Edward Dwane, Marcus Mumford, and Winston Marshall
Produced by Markus Dravs
Mumford and Sons appear courtesy of Glassnote Entertainment Group LLC

"On (Instrumental)"
Performed by Bloc Party
Written by Bloc Party
Produced by Jacknife Lee
Bloc Party appears courtesy of Vice Records

"A Dream within a Dream"
Performed by The Glitch Mob
The Glitch Mob appears courtesy of Glass Air

"I Can't Stop"
Performed by Flux Pavilion
Flux Pavilion appears courtesy of Circus Records Limited