“I’ve been creating aerial photography over Los Angeles for the past 7 years and am always looking for new ways to see the city. Flying with a great pilot is so important when photographing from a helicopter 3000 ft up. With the height advantage and using my SL2-S with a 90-280mm lens I was able to capture this image of a packed Dodger game along with downtown in the backdrop. This wasn’t achievable before at night. The ability to shoot at 25,000 iso and get an amazing image with this camera changed all of that! Thanks @copterpilot for the lift on this one!”
— Stephen Vanasco
Shot on Sl2-S with a 90-280mm APO vario-elmarit at 25,000 iso
同時也有181部Youtube影片,追蹤數超過208的網紅御定青山-影像製作,也在其Youtube影片中提到,►到我們的粉絲頁,看更多精彩作品(洽詢預約) https://www.facebook.com/weddingday52... ►WEDDING 婚禮記錄 我們相信把時間用盡全力做好每ㄧ位客人 每位好客人的滿意就是最好的廣告 都習慣客人說如果真的覺得拍攝服務好再推薦 很感謝各家庭,公司,企業關於任...
「aerial image」的推薦目錄:
- 關於aerial image 在 Leica Camera Facebook 的最佳解答
- 關於aerial image 在 VOP Facebook 的最佳解答
- 關於aerial image 在 跟著媽祖走 Facebook 的最佳解答
- 關於aerial image 在 御定青山-影像製作 Youtube 的精選貼文
- 關於aerial image 在 御定青山-影像製作 Youtube 的精選貼文
- 關於aerial image 在 御定青山-影像製作 Youtube 的最佳貼文
- 關於aerial image 在 4.3 Satellite Imagery and Aerial Photography 的評價
aerial image 在 VOP Facebook 的最佳解答
#新刊出版 New release!!!
Voices of Photography 攝影之聲
Issue 30:美援視覺性──農復會影像專題
U.S. Aid Visuality: The JCRR Issue
本期我們重返影響台灣戰後發展至關重要的美援年代,尋索過往在台灣影像歷史視野中遺落、但卻十分關鍵的美援時期台灣視覺歷程──「農復會」的影像檔案。
成立於1948年、以推行「三七五減租」和「耕者有其田」等土地改革與農業政策聞名的農復會(中國農村復興聯合委員會,JCRR),被認為是奠定二十世紀「台灣經驗」基礎的重要推手。然而很少人留意,這一農經專業的美援機構,在1950至60年代拍攝了大量的照片、幻燈、電影,並生產各種圖像、圖表、圖冊與海報,在冷戰年代與美援宣傳機制緊密連結,深深參與了戰後「台灣(視覺)經驗」的構成,影響著我們的視覺文化發展。
冷戰與美援如何形塑台灣的影像與視覺感知?本期專題透過採集考察眾多第一手的農復會早期攝影檔案、底片、圖像、影片與文獻資料,揭載鮮為人知的美援年代視覺工作,追尋這一段逐漸隱沒的戰後台灣攝影與美援視覺性的重要經歷。
其中,李威儀考掘農復會的歷史線索與視覺文本,探查美援的攝影檔案製程、「農復會攝影組」的成員蹤跡,以及文化冷戰期間從圖像、攝影到電影中的美援視覺路徑;蔡明諺分析1951年由農復會、美國經合分署與美國新聞處共同創辦的《豐年》半月刊,從語言、歌謠與漫畫等多元的視覺表現中,重新閱讀這份戰後最具代表性的台灣農村刊物潛在的意識形態構成與政治角力;楊子樵回看多部早期農教與政策宣傳影片,析論農復會在戰後台灣發展中的言說機制與感官部署,並從陳耀圻參與農復會出資拍攝的紀錄片計畫所採取的影音策略,一探冷戰時期「前衛」紀錄影像的可能形式;黃同弘訪查農復會在1950年代為進行土地與森林調查所展開的航空攝影,解析早期台灣航攝史的源起與美援關聯,揭開多張難得一見的戰後台灣地景航照檔案。
此外,我們也尋訪生於日治時期、曾任農復會與《豐年》攝影師的楊基炘(1923-2005)的攝影檔案,首度開啟他封存逾半世紀、收藏農復會攝影底片與文件的軍用彈藥箱和相紙盒,呈現楊基炘於農復會工作期間的重要文獻,並收錄他拍攝於美援年代、從未公開的攝影遺作與文字,重新探看他稱為「時代膠囊」的視覺檔案,展現楊基炘攝影生涯更為多樣的面向,同時反思「美援攝影」複雜的歷史情愁。
本期專欄中,李立鈞延續科學攝影的探討,從十九世紀末天文攝影的觀測技術,思考可見與不可見在認識論上的交互辨證;謝佩君關注影像的遠端傳輸技術史,檢視當代數位視覺政權中的權力、知識與美學機制。「攝影書製作現場」系列則由以珂羅版印刷著稱的日本「便利堂」印刷職人帶領,分享古典印刷傳承的工藝秘技。
在本期呈現的大量影像檔案中,讀者將會發現關於美援攝影的經歷與台灣歷史中的各種視覺經驗,還有許多故事值得我們深入訪查。感謝讀者這十年來與《攝影之聲》同行,希望下個十年裡,我們繼續一起探索影像的世界。
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● 本期揭載未曾曝光的美援攝影工作底片、檔案與文件!
購書 Order | https://vopbookshop.cashier.ecpay.com.tw/
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In this issue of VOP, we revisit the era of U.S. aid, a period that was of utmost importance to Taiwan’s post-war social and economic development, and explore Taiwan’s much forgotten but crucial visual journey during this era ── the visual archives of the JCRR.
Established in 1948, the Chinese-American Joint Commission on Rural Reconstruction, or the JCRR, is widely known for the implementation of various land reform and agricultural policies, such as the “375 rent reduction” and “Land-to-the-tiller” programs. Hence, the Commission is considered an important cornerstone to laying the foundations of the “Taiwan Experience” in the 20th century. That said, very few are aware that this U.S. aid organization specializing in agricultural economics was also closely associated with the American propaganda mechanism during the Cold War, and had in its possession countless photos, slides and movies, and produced various images, charts, pamphlets and posters. All these contributed to the formation of the post-war “Taiwan (Visual) Experience”, deeply influencing the development of our visual culture.
How exactly did the Cold War and U.S. aid shape Taiwan’s image and visual perception? This issue’s special feature uncovers the little-known visual activities from the U.S. aid era by investigating the collection of JCRR’s first-hand photo files, negatives, images, films and documents, and traces this important journey of post-war Taiwan photography and U.S. aid visuality that has gradually faded from people’s minds.
Among them, Lee Wei-I examines the historical clues and visual texts of the JCRR, and explores the production of the U.S. aid photographic archives, following the traces of the members of the “JCRR Photography Unit” and the trails of U.S. aid visuals during the Cold War from images and photography to films. Tsai Ming-Yen analyzes the diverse visual manifestations, such as languages, ballads and comics, contained in the semimonthly publication Harvest, which was co-founded by the JCRR, the U.S. Economic Cooperation Administration, and the U.S. Information Service in 1951, presenting a new take on the ideological and political struggles that were hidden beneath the pages of this agricultural publication that could also be said to be the most representative publication of the post-war era. Yang Zi-Qiao looks back at the early agricultural education and propaganda films, and analyzes the discourse and sensory deployment utilized by the JCRR in the development of a post-war Taiwan and the possibilities of the “avant garde” documentary films from the Cold War period through the audio-visual strategies gleaned from director Chen Yao-Chi’s documentary project that was funded by the JCRR. At the same time, Houng Tung-Hung checks out the aerial photography taken by the JCRR in the 1950s for land and forest surveys, and uncovers the origins of Taiwan’s aerial photography with U.S. aid, giving readers a rare glimpse at post-War Taiwan’s aerial landscape photographic archives.
In addition, we will explore the photographic archives of Yang Chih-Hsin (1923-2005), a former photographer who was born during the Japanese colonial period and worked for the JCRR and Harvest, unearthing negatives and documents kept away in the ammunition and photo-paper box that had stayed sealed for more than half a century. This feature presents important files of Yang during his time with JCRR, and photographs taken and written texts produced during the U.S. aid era but were never made public. We go through the visual archives enclosed in what he called a “time capsule”, shedding light on the diversity of his photography career, while reflecting on the complex historial sentiments towards “U.S. aid photography” at the same time.
Lee Li-Chun continues the discussion on scientific photography in his column, exploring the interactive dialectics between the seen and the unseen through the observation technology of astrophotography in the late nineteenth century. Hsieh Pei-Chun focuses on the history of the technology behind remote transmission of visuals and examines the power, knowledge and aesthetics that underlies contemporary digital visual regime. Finally, this issue’s “Photobook Making Case Study” is led by the printing experts at Japan’s Benrido, a workshop that is renowned for its mastery of the collotype printing technique.
Through the large collection of photographic archives presented in this issue, readers will see that there remain many stories on the photography process in the U.S. aid era and various types of visual experiences in Taiwan’s history that are waiting to be unearthed. We thank our readers for staying with VOP for the past decade and we look forward to another ten years of exploring the world of images with you.
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Voices of Photography 攝影之聲
vopmagazine.com
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#美援 #農復會 #冷戰 #台灣 #攝影
#USAID #JCRR #ColdWar
#Taiwan #photography
#攝影之聲 #影言社
aerial image 在 跟著媽祖走 Facebook 的最佳解答
「平安」,展開與大甲媽「承諾」的旅途
進香旗上,繫上的一長串「平安福」,
整路清脆的鈴鐺聲,轎旁沉響的鑼聲,
串起療癒和祝福的音譜,
陪伴著所有隨香的信徒,
而轎中微笑的媽祖,
靜靜地聆聽眾人的傾吐。
媽祖婆教我們的精神
也是民間信仰最珍貴的價值
「毋須與人比較,即獲知足
心中常懷感恩,可得幸福」
跟著大甲媽祖,
踏實過三百多公里的苦,
珍惜生活中的福,
洋溢出生命的豐富。
#Promise #承諾走起來
#一切都有最好的安排
#身體很累心靈卻很富足
#大甲媽是永遠刻在我心底的名字
--
感恩 給予飲食用水的宮廟和信徒
感恩 各單位無償提供盥洗和住宿
感恩 各組織提供專業醫療和救護
感恩 各界落實防疫的規定與消毒
感恩 所有隨香客互相關心和照顧
感恩 團隊義工用心謹慎護駕媽祖
2021 辛丑年 大甲媽遶境進香
#圓滿順利 #合境平安
祈求 台灣 風調雨順 國泰民安
再求 全國 雨水豐沛 民生富足
Presented by / 財團法人大甲鎮瀾宮
Photographers / 喜德 / 汪新 / 得得 /金昇 /致宏
Aerial Photographer / 彥睿
Producer / 喜德
Edit / 財團法人大甲鎮瀾宮
Image production / Ks凱晴
Driver/仲偉
Film Publishing / 大甲鎮瀾宮直播組&喧毅工作室
Special Thanks To / 于美人、王彩樺、宥勝&慈惠
辛丑年大甲鎮瀾宮直播組 / 林佳俊、沈原丞、朱炳炫、陳仲偉、李孟倫、汪維新、朱正得、劉金昇、黃彥睿、金致宏、林韋辰、楊家豪、陳柏蒼、陳宥融、李秉鍾、林种毅、薛毓庭、徐筑恩、李崧銘、鄭有益
Thanks To / 一路上協助拍攝與各式資源的你們,篇幅有限無法一一言謝,在此致上萬分的謝意,媽祖婆愛你❤️
https://www.youtube.com/watch?v=H96DP4JYC8s&t=57s
aerial image 在 御定青山-影像製作 Youtube 的精選貼文
►到我們的粉絲頁,看更多精彩作品(洽詢預約)
https://www.facebook.com/weddingday52...
►WEDDING 婚禮記錄
我們相信把時間用盡全力做好每ㄧ位客人
每位好客人的滿意就是最好的廣告
都習慣客人說如果真的覺得拍攝服務好再推薦
很感謝各家庭,公司,企業關於任何拍攝都放心交給我們處理
重要是也讓我們有很多空間盡情發揮想法拍攝
其實更想讓你們感受到,攝影是ㄧ件開心的事
工作發揮極致始終是ㄧ種對工作堅持與熱情
很多辛苦地方不會想被看到,因為只想留給你們最完美的ㄧ面!
平面+動態全方位拍攝:
►Commercial 商業拍攝
►Image Clip 形象短片
►Documentary 紀錄寫實
►Wedding Videography 婚禮SDE
►Event Recording 活動紀錄
►Aerial Photography 空中攝影
►Wedding 婚禮記錄
任何形式合作請與我們聯繫
If you have any demand, Please Contact Us
Messenger: m.me/weddingday520
E-mail:tufnnx79213@gmail.com
TEL:0980565071
aerial image 在 御定青山-影像製作 Youtube 的精選貼文
►到我們的粉絲頁,看更多精彩作品(洽詢預約)
https://www.facebook.com/weddingday52...
►WEDDING 婚禮記錄
我們相信把時間用盡全力做好每ㄧ位客人
每位好客人的滿意就是最好的廣告
都習慣客人說如果真的覺得拍攝服務好再推薦
很感謝各家庭,公司,企業關於任何拍攝都放心交給我們處理
重要是也讓我們有很多空間盡情發揮想法拍攝
其實更想讓你們感受到,攝影是ㄧ件開心的事
工作發揮極致始終是ㄧ種對工作堅持與熱情
很多辛苦地方不會想被看到,因為只想留給你們最完美的ㄧ面!
平面+動態全方位拍攝:
►Commercial 商業拍攝
►Image Clip 形象短片
►Documentary 紀錄寫實
►Wedding Videography 婚禮SDE
►Event Recording 活動紀錄
►Aerial Photography 空中攝影
►Wedding 婚禮記錄
任何形式合作請與我們聯繫
If you have any demand, Please Contact Us
Messenger: m.me/weddingday520
E-mail:tufnnx79213@gmail.com
TEL:0980565071
aerial image 在 御定青山-影像製作 Youtube 的最佳貼文
►到我們的粉絲頁,看更多精彩作品(洽詢預約)
https://www.facebook.com/weddingday52...
►WEDDING 婚禮記錄
我們相信把時間用盡全力做好每ㄧ位客人
每位好客人的滿意就是最好的廣告
都習慣客人說如果真的覺得拍攝服務好再推薦
很感謝各家庭,公司,企業關於任何拍攝都放心交給我們處理
重要是也讓我們有很多空間盡情發揮想法拍攝
其實更想讓你們感受到,攝影是ㄧ件開心的事
工作發揮極致始終是ㄧ種對工作堅持與熱情
很多辛苦地方不會想被看到,因為只想留給你們最完美的ㄧ面!
平面+動態全方位拍攝:
►Commercial 商業拍攝
►Image Clip 形象短片
►Documentary 紀錄寫實
►Wedding Videography 婚禮SDE
►Event Recording 活動紀錄
►Aerial Photography 空中攝影
►Wedding 婚禮記錄
任何形式合作請與我們聯繫
If you have any demand, Please Contact Us
Messenger: m.me/weddingday520
E-mail:tufnnx79213@gmail.com
TEL:0980565071
aerial image 在 4.3 Satellite Imagery and Aerial Photography 的推薦與評價
Aerial photography, like satellite imagery, represents a vast source of information for use in any GIS. Platforms for the hardware used to take aerial ... ... <看更多>